OXFORD:

SOLD BY J. PARKER AND J. COOKE;

AND BY

F. C. AND J. RIVINGTON, ST. PAUL's

CHURCHYARD, LONDON.

1807.

[This splendid piece of irony was occasioned by

the omniscient arrogance of the first Writers of

the _Edinburgh Review_, then in its fifth year of

publication, with, as Sir WALTER SCOTT tells us, a sale

of 9,000 copies each quarter, and a paramount influence

in British society.

One usually looks to the reign of Queen ANNE, to a

DEFOE, a SWIFT, or an ARBUTHNOT, for depth and subtilty

of invention in prose; but here it is in abundance: not

so much, perhaps, in what is so wittily said, as in the

management and studied unfairness of the pettifogging

malignant sham Review; where everything is said that

ought to have been left out, and everything is left out

that ought to have been said.

The Writer, of course, would only take a noble Poem

for such maltreatment; and we must note the extreme

liberality of his mind that, being a strong Churchman,

and also at that time Tutor of Oriel College, Oxford,

he selected a poem of the then scouted MILTON for his

example.

Among the brilliant strokes of this Satire, two seem

pre-eminent:

(1) The designation of the Archangel of English Song

as--_Mr. M._

(2) Speaking thus of one whose life and thought were

Purity itself--_But we have already had occasion to

remark on the laxity of Mr M.'s amatory notions._]

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