CHAPTER THREE.

When St. John left the studio it was with so sore a feeling of

resentment against Miss Erskine that it seemed to him most unlikely that

he would ever re-enter it. It was not that he disliked her; he did not,

but he had an uncomfortable conviction that she disliked him, and felt

aggrieved at his presence even while she suffered it on account of the

fee. He remembered with some vexation that he had almost forced her

into accepting him as a pupil, for poor as she undoubtedly was she had

plainly evinced that she had no desire to instruct him. Never mind, he

would atone for his persistence by sending her his cheque and troubling

the studio no more; that at any rate would show her that he had no wish

to intrude. This decision being final he dismissed the matter from his

mind, and, as a proof of the consistency of human nature, on Friday

morning at the specified hour he stood on the dirty steps outside Miss

Erskine's lodgings knocking with his walking-stick on the knockerless

door. The modest Isobel opened it after a wait of some five minutes--

minutes in which he had time to recall his past determination and to

wonder at himself for having so speedily altered his mind--and having

opened it startled him considerably by firing at him without giving him

time for speech the vague yet all comprehensive information.

"She's hout."

"Miss Erskine?" he queried in very natural astonishment.

"Yus; been gone over 'arf a nour."

"But," remonstrated St. John, "the Art School opens at half past nine,

it is after that now."

"Carnt 'elp it, she's hout."

"It is a very strange procedure," he exclaimed in visible annoyance. "I

come to the Art School at the hour it should open and Miss Erskine is

out."

"Well!" snapped the damsel waxing impatient in her turn, "wot of that?

The Art School aint hout, is it? You can go up if yer want to."

The permission was not very gracious but St. John accepted it

nevertheless, and striding past her into the narrow passage began the

ascent. He had not mounted two stairs however, before the slipshod

Isobel called him back, and he noticed with surprise that her manner was

altogether different, her tone softer, and in the obscurity of the dingy

passage she looked less dirty and untidy.

"Ere's the key," she said, holding it towards him. He advanced his hand

but immediately her own was withdrawn and thrust behind her.

"Wouldn't yer like to git it?" she said.

He mildly answered that he would and stood waiting expectantly, but she

made no move unless a facial contortion could come under such heading.

"Then take if," she returned with arch playfulness, and a broad grin,

but still she kept her hand behind her and stared up in his face with

impudent meaning, and a leer that was evidently intended to be

captivating. He understood her perfectly but his mood did not fit in

with hers; to do Mr St. John bare justice he was rather above that sort

of thing, and he remained stationary with one hand grasping the greasy

banister, and one foot on the lowest stair. The girl gave it up then,

and with another grimace, and a little scornful giggle approached him

with the key held at arm's length between a grimy finger and thumb.

"'Ere greeny," she said, then laughed again as he took it from her with

a word of thanks and turned to go upstairs, "I don't wonder Miss

Herskine went out," she said.

But St. John went on feigning not to hear though a flush of annoyance

dyed his cheek, and he had rather the appearance of a man who with

difficulty restrained a swear.

When he opened the studio door the first thing that struck him was its

untidiness, the next, that the fire was out, two facts which filled him

with an irritating sense of discomfort and half inclined him to return

whence he came; but for the desire to occasion Miss Erskine some slight

embarrassment and thwart her plans by remaining, he assuredly would have

done so. That the fire had been lighted that morning was evident, he

discovered on closer inspection, by a thin line of smoke still issuing

from the seemingly dead embers; it had not been purposely omitted then

but had gone out for want of attention. The knowledge appeased his

wrath somewhat, and feeling more disposed to remain he drew a chair up

to the table and looked round for his drawing-board with the intention

of commencing work before Miss Erskine returned. The board stood

against the wall with a fresh sheet of paper stretched ready for use,

but there was no copy, so going over to the shelf from which Jill had

taken the former one he commenced turning it over in search of another.

He did not find what he wanted, however, because before doing so he

tumbled accidentally upon what he was not looking for, what he had never

dreamed of finding there, and what, when he had found it, caused him

anything but pleasure. It was, in short, a very clever, and considering

the length of the acquaintance a very impertinent sketch of himself. He

had not seen her doing it, but there could be no doubt who was

responsible for the thing, besides he knew the writing at the bottom of

the sketch--small legible writing that he had seen on one other occasion

in the curt little note which had refused him as a pupil. She must have

drawn him while he sat working, and had achieved an admirable likeness,

indeed as a specimen of artistic skill the caricature--for such it was--

was perfect. The whole thing was not larger than a cabinet photograph,

just the head as far as the shoulders with eyes downcast, and an

absurdly exaggerated rapture of expression on the face. The height of

his collar had also been exaggerated and above the bent head encircling

his brow was a nimbus. Beneath the drawing Miss Erskine had scribbled,

`Saint John the Beloved,' and St. John looked at it, and failing to

appreciate the unmistakable talent it betrayed stood scowling at his own

portrait. How long he remained thus he knew not, but the next thing he

was aware of was the opening of the studio door, and Miss Erskine

herself appeared while he still stood there with the drawing in his

hand. She looked pale and hurried, and was panting a little as if she

had been walking very fast. She bowed to St. John, and glanced from him

to the drawing-board, and then back again to the paper in his hand.

"I am so sorry that you should have found me out," she exclaimed; "I

started early with the intention of being back in time, but--well

accidents will happen, won't they? It was unfortunate but I am glad to

see that you were going to begin without me. Have you found a copy?"

"Yes," he answered coolly, keeping his glance fixed full upon her face,

"a Biblical one; but I am afraid it is rather beyond me."

He held it towards her, and, all unconscious of what it was, she took it

from him, glanced at it, then bent her head lower to conceal her

features and the vivid blush which overspread her face.

"It's--it's decidedly beyond you," she said, and there was a note of

defiance in her voice, he even fancied that he detected a ring of

laughter in it also, but that might have been his imagination.

"Yes," he agreed, "so I thought."

"It's very strange but it seems to me to be a little--a little like--

you," she continued, and then she raised her eyes to scan his face

looking from him to the sketch and back again with her head on one side

and a gleam of mischievous amusement in her glance. Evidently she

intended braving it out; though it was easily seen that she was feeling

both awkward and uncomfortable.

"Not a little," he corrected, "but _very much_ like me."

"Ah! so you perceive it also? Yes, it _is_ very much like you.

Strange! I wonder how it got there?"

"So do I," he answered dryly. "It is also a case for speculation how

your handwriting got on the bottom of the paper."

"Why, so it is, `Saint John the Beloved,' whose beloved, I wonder,

that's a case for speculation also."

She tossed the sketch on to the table and stood facing him with such an

assured, audacious air that he could find nothing to say, so fell to

scowling again in lieu of any verbal expression of his opinion

concerning her. She had perfect control of herself now, and meant to

give him no further satisfaction, indeed she was vexed to know that he

had managed to confuse her at all; but it had been such an altogether

unexpected contretemps and had taken her so entirely aback. She smiled

at the angry young man, and began slowly pulling off her gloves.

"If you wish to copy that, Mr St. John," she began, "you are welcome to

make the attempt, but it is rather advanced. I should advise you to

give your attention to something simpler."

As she finished speaking she turned to a portfolio against the wall and

abstracted thence a series of heads in outline, showing the method of

working. These she placed on the table before him and ran through a

brief explanation of the method, and how he should follow it, while he

watched her in gloomy silence, and reluctantly admired the easy mastery

with which she sketched in the first head for him to see.

"There," she exclaimed, "now you know how to go on so I will leave you

for a moment while I go and take off my outdoor things."

She disappeared behind the old green curtain partitioning off a part of

the room that had served her father for a sleeping apartment, and was

now kept as a dressing-room but seldom used, and from thence into the

tiny chamber which she called her bedroom. When she returned, in the

big studio apron that he had first seen her in, she found St. John very

deeply engrossed; he did not even glance up as she appeared, but bending

his head lower over his board went diligently on with his work. The

sketch of himself, she noticed, had vanished but hardly had she time to

regret this fact before her attention was caught by the fireless grate

which on her first entry, heated with her rapid walk, and enveloped in a

thick jacket had escaped her observation. Seeing it now she turned to

him with a very injured air.

"Why, you've let the fire out," she said reproachfully.

"I beg your pardon," he answered stiffly, "it was out when I arrived."

Jill bit her lip and walked swiftly across the room to the fireplace.

There were sticks and paper in a cupboard beside it, and, getting some

out, she knelt down before the hearth and commenced laying the fire

anew.

"I beg _your_ pardon," she said somewhat crestfallen. "It happened, I

suppose, through my being out so much longer than I intended; but that

was quite an accident, and not my fault at all. I hope you will excuse

all this inconvenience."

"Don't mention it," he exclaimed, "the inconvenience is greater for you

than for me."

He glanced round as he spoke and watched her while she began to arrange

the sticks.

Something struck him as unusual about her, and after a time he

discovered what it was, she was working with one hand, the right one,

and on the left wrist was a very neat and very new looking bandage. In

a moment all his resentment against her vanished, the caricature was

forgotten, and with it her former ungraciousness of manner. He recalled

how pale and weary she had looked on entering, and how he had

endeavoured to embarrass her by showing her what he had found. He rose

and joined her where she knelt upon the hearth.

"Excuse me," he began in a slightly apologetic tone, "I see that you

have hurt your wrist; won't you let me do that for you?"

"Thank you," she answered, "but I can manage very well; it is nothing--

much."

The much was a concession to conscience, and was thrown in with an

unwilling jerk at the end. Then he did a very bold thing; he went down

on his knees beside her and took the sticks out of her hand.

"I'm a don hand at building up fires," he said; "there's never any

difficulty about my fires burning."

"I should think not," replied Jill, watching the reckless way in which

he threw on the sticks; "a fire that wouldn't burn with all that wood

ought to be ashamed of itself. Mr St. John, please; you'll ruin me."

St. John desisted then and put on coals instead, piling them up with an

equally lavish hand; then he struck a match and set light to the

erection which was soon blazing and cracking merrily.

"I told you so," he cried triumphantly looking up at her as she stood a

little behind him regarding with a somewhat rueful smile the very

unnecessary extravagance. "That will be as hot as blazes before long.

Come a little nearer; you look cold."

He fetched her a chair and Jill sat down and held her hands to the

warmth. She was cold--cold, and tired, and shaken. Her head ached

badly too, and all the fight seemed taken out of her; she could only sit

there enjoying the rest, experiencing the pleasurable novelty of being

waited upon, and of having someone to talk to again.

"And now," exclaimed St. John, taking his stand before her with his

grimy hands held at awkward angles from his clothes, "tell me how you

managed to hurt yourself. Is it a sprain?"

"I don't know what it is, a mere scratch, I think," she answered. "It

happened when I was out this morning."

"Indeed! an accident then?" His tone was sympathetic and interested.

Jill expanded further.

"Yes," she replied, sinking her chin in the palm of her right hand and

resting her elbow on her knee. "A female horror on wheels rode over

me."

"What, a cyclist?" Jill nodded.

"You don't approve of biking then?"

"Oh! I don't know," she answered. "I suppose I should if I had one of

my own. It isn't the machine that I'm disparaging now but the rider.

Some people seem to think that the metropolis belongs to them, and that

you ought to apply to them for the privilege of residing in it. She was

one of that sort."

"But it was not purposely done?"

"No, I suppose not, as it occasioned her the great inconvenience of

stepping off into the mud, but it was sheer carelessness all the same.

I was crossing the road, and it was a case of being run over by a

hansom, or biked over; I preferred the latter."

"Did you find out who she was?" he asked.

"Yes," replied Jill, feeling in her pocket. "I have her card. She was

very gracious, and wished me to apply to her if I wanted money, hinting

delicately at a doctor's fee, or something of the sort. I took her card

out of curiosity, and walked into the nearest chemists', having the

satisfaction of hearing her say to someone as I went, that she would see

that I had compensation, poor girl! so stupid to have run right in front

of her wheel."

"Prig!" muttered St. John.

"There's the card. You can throw it into the fire when you've done with

it; I shall make no application."

He took it from her, glanced at it, and then gave vent to an involuntary

exclamation of surprise. Jill looked up.

"You know the name?" she questioned.

"Rather!"

"A friend of yours?"

"Well--yes, I suppose so; she's a sort of connection."

Jill compressed her mouth, and stared fixedly at the fire; the situation

was a little awkward.

"Being a relation of yours," she began in a slightly strained voice,

"I'm sorry that I said what I did, but--well, you yourself, called her a

prig, didn't you?"

"Yes," he admitted, and then he tore the card in two, angrily, and threw

it into the flames.

"She couldn't, perhaps, have avoided the accident," Jill went on, "and

she meant to kind, but she doesn't possess much tact."

"No," he agreed, "she doesn't. You must allow me to apologise for her.

After all there is some slight excuse for her gaucherie; she has been

spoilt with a superabundance of this world's goods--quarter of a million

of money is rather inclined to blunt the finer sensibilities."

"Quarter of a million!" gasped Jill. "Oh, dear me, I would like the

chance of having my finer sensibilities blunted."

She laughed a little, but St. John was looking so gloomy that her mirth

died away almost as soon as it had risen.

"Come!" she said, jumping up. "I will get you some water to wash your

hands, and then we must go to work; it will never do to waste a whole

morning like this."

He allowed her to go without hindrance, and when quite alone stood

glaring at the charred embers of Miss Bolton's card.

"Just like Evie," he soliloquised. "That girl is always making a

blithering idiot of herself, though I--H'm! I wonder what little Miss

Erskine would say if she knew that I--"

He broke off abruptly and kicked savagely at an inoffensive lump of coal

lying near to his boot left there by his own carelessness when making

the fire.

"Oh, hang it!" he mentally ejaculated, "what a confounded ass I am."

"The water and soap are on the table," said Jill's voice at his elbow,

such a small friendly voice, so very different from her former tone--the

tone that was always associated in his mind in connection with her--that

he turned and faced her involuntarily, looking down at her with a smile.

"It is awfully good of you to trouble," he said. "I am afraid that I

and my relations are putting you to a lot of bother."

"By no means," she answered, with a return to her former distance of

voice and manner. "When a student of mine soils his hands in my

service, the least I can do is to provide him with the means of

cleansing them again."

St. John immediately retreated within himself, and taking the towel

which she offered him, walked over to the table. When he had finished

his ablutions, Miss Erskine removed the basin, while he took his former

seat and quietly resumed work. The rest of the time passed pretty well

in silence, Miss Erskine's manner continuing as distant as ever. In all

likelihood she would have bowed him out as before, had he not boldly put

hesitation on one side, and marching straight up to her held out his

hand. Jill, in unwilling acquiescence, placed hers in it.

"You mustn't treat me altogether as a stranger," he said. "Because we

are teacher and pupil it doesn't follow that we need be enemies also.

Good morning, Miss Erskine; believe me, I am sincerely sorry for the

injury that you have received."

Jill smiled and a gleam of mischief shone in her eyes.

"I seem to have received so many this morning that I hardly know which

you mean," she said. "Do you allude to the hurt wrist or the very

ungenerous manner in which you greeted me on my return?"

He coloured a little. Then he laughed.

"I was rather wild," he admitted. "Saint John with my face, twentieth

century get-up, and a nimbus, was a bit too much."

"Indeed! I thought it rather clever," Jill modestly remarked.

"Clever, yes; so it was, no doubt. If it hadn't been so clever, it

wouldn't have been so annoying."

"It has gone!" she cried, glancing at the table, though she knew already

that it was not there. "You are not taking it with you?"

"Yes," he answered coolly, "I am."

"But, Mr St. John," she remonstrated, "I think that I have some claim

to my own work."

"But, Miss Erskine," he retorted, "I think that I have some claim to my

own portrait."

"Well, never mind," said Jill. "I can sketch it again if I want to."

"Yes," he replied, "but I don't think you will."

"Perhaps not. I am not fond of wasting my time; it is too precious."

St. John laughed and took up his hat.

"Good-bye again," he said. "I hope by the next time I come that the

hand will be quite well."

"Thank you," she answered. "I hope it will."

He had not been gone half an hour when a most unusual thing occurred--

unusual, that is, for number 144. It was, indeed, an unprecedented

event within the memory of the present owners of the establishment, and

quite a shock to the slovenly Isobel who opened the door to the very

peremptory knock. It was, in short, a florist's messenger with a large

and magnificent basket of hot-house flowers for Miss Erskine. Not being

the locality for such dainty gifts, it was not surprising that, to quote

Isobel verbatim, it struck her all of a heap. She carried the basket up

to the studio, another unusual event; on the very rare occasions when a

parcel arrived for Miss Erskine it was left on the dirty hall table

until she descended in quest of it. But Isobel's femininity detected

sentiment amid the fragrant scent of the delicate blossoms, and the

vulgar side of her nature was all on the alert. No doubt she expected

Miss Erskine to be equally excited and curious with herself, but Miss

Erskine was not in the habit of gratifying other people at her own

expense. She was standing in front of her easel roughly sketching with

a piece of charcoal when Isobel bounced into the room, and only paused

in her occupation to give a very casual glance at the flowers, and to

evince some surprise at sight of them, and still more at having them

brought up.

"One would think that I was a first floor lodger," she exclaimed,

turning back to her work again, "instead of merely the attics. You'll

be charging me for attendance soon, Isobel, if it goes on at this rate.

Put it down on the table, please."

Isobel looked distinctly disappointed.

"But you ain't looked at 'em yet," she said.

"I've seen flowers before," Jill answered.

"They look very pretty and smell nice; but they'll soon die in this

turpentine atmosphere."

"Then you can keep the barskit," giggled the other. "I expect 'e

thought o' that; 'e aint so green as I took 'im to be. Fancy you 'avin'

a young man, Miss Herskine!"

Jill did look round then, and her glance was withering in the extreme.

"Explain your meaning, please," she said. "I don't understand jests

like those."

"It aint no jest," replied Isobel somewhat abashed but grinning still

despite the snub. "I didn't mean no 'arm neither, only," edging toward

the door and preparing for flight, "when a gent takes to sendin' flowers

it's like when the lodgers begins complainin' o' the charges--the

beginnin' of the hend, so to speak."

The studio door slammed on her retreating figure, and her footsteps

could be heard asserting themselves triumphantly in her descent--verily

some people are born to make a noise in the world! Jill listened to

them until they reached the next landing, then she laid down her

charcoal and approached the table. For a minute she stood motionless

regarding the flowers, then she smiled a little and bending forward drew

out from among them a card though she hardly needed that to tell her

from whom they came. "With Saint John's compliments," she read, and the

smile on her lips widened until it broadened into a laugh.

"If all your relations possessed the same amount of tact," she

soliloquised, "what a model family yours would be."

She laid her face against the flowers and laughed again, a soft quiet

laugh full of enjoyment.

"What a bright patch of sunshine in the old studio," she continued,

smilingly caressing the blossoms, "and what a bright patch of sunshine

in somebody's heart, my dear saint, what a warm, brilliant, altogether

delightful patch to be sure."

The Triumph of Jill · 第 4 / 23 题