He might as well have said, "Take her to the moon."

The Duke and Essie gazed at each other with awed intentness. There was

sheer amazement on his face, blank despair on hers. They were entirely

absorbed in each other. As I stood in the background I felt as if I were

a ghost, that no word of mine could reach their world.

At last he spoke, stammering a little.

"Madam, on the night of my coming of age I left the dancers, and came in

here, and behold! you were sitting on that divan, all in white."

"Yes," said Essie.

"We saw each other for the first time," he said, trembling exceedingly.

"Yes."

"And I knelt at your feet."

"Yes."

A suffocating compassion overcame me. It was unendurable to pry upon

them, oblivious as they were of my presence. I left the room.

"He will go out of her life in five minutes," I said to myself, "never

to return. Poor souls. Poor souls. Let them have their say."

I had never seen Romance before, much less such a fantastic romance as

this, in a faery land as forlorn as this. My heart ached for them.

Presently I heard Ted's voice in the distance shouting a last message to

the departing Rodwell, and I went back to the octagonal room.

He was kneeling at her feet, her pale hands held in his, and his face

bowed down upon them.

"You must go," she said faintly.

He shuddered.

"You must go," she repeated. "To me you can only be a picture. To you I

am only a dream."

"Yes, it is time to go," I said suddenly in a hoarse voice. I obliged

them to look at me, to listen to me.

Slowly he released her hands, and got upon his feet. He was like a man

in a trance.

"Go! Go!" I said sharply. Something urgent in my voice seemed to reach

his shrouded faculties.

He looked in bewildered despair at Essie.

"Go!" she repeated with agonised entreaty, paler than I had ever seen a

living creature.

Still like a man in a trance he walked slowly from the room, passing Ted

in the doorway without seeing him. In the silence that followed we heard

his motor start and whirl away.

"He's gone," said Essie, and she fainted.

We had considerable difficulty in bringing her round, and, angry as I

was with Ted, I could not help being sorry for him when for some long

moments it seemed as if Essie had closed her eyes on this world for

good.

But Ted, who always knew what to do in an emergency, tore her back by

sheer force from the refuge to which she had fled, and presently her

mournful eyes opened and recognised us once more. We took her back in

the motor to the village inn, and I put her to bed.

Rest, warmth, silence, nourishment, these were all I could give her.

Instinctively I felt that the presence of the remorseful distressed Ted

was unendurable to her, and I would not allow him to come into her room,

or to sit up with her as he was anxious to do.

I took his place in an armchair at her bedside, having administered to

her a sedative which I fortunately had with me, and was profoundly

thankful when her even breathing shewed me that she was asleep.

I have known--who has not?--interminable nights, and nights when I

dreaded the morning, but I think the worst of them was easier to bear

than the night I kept watch beside Essie.

She was stricken. I could see no happiness for her in her future life,

and I loved her. And I loved poor blundering Ted also. I grieved for

them both. And I was sorry for the Duke too.

When the dawn was creeping ghostlike into the room and the night-light

was tottering in its saucer, Essie stirred and woke. She lay a long time

looking at me, an unfathomable trouble in her eyes.

"Beatrice," she said at last, "I could not find the way back."

"Where, dearest?"

"To the house. I tried and tried, but it was no use. It is lost, lost,

lost. Everything is lost."

I did not answer. I tried to put my trust in Time, and in the thought

that she would presently see her children in its rooms and playing in

its gardens, and would realise that Kenstone was in a new sense her

home, though not in the old one.

I brought her breakfast to her in her room, and then, in spite of my

entreaties, she got up and dressed and came downstairs. But when a

chastened and humble Ted timidly approached her to ask whether she would

like to see the house once more before returning to London in a few

hours time, she shook her head and averted her eyes. It was evident to

me that she was determined never to set foot in it again.

He did not insist, and she was obviously relieved when he left the room.

He signed to me to follow him and then told me that he had just received

a letter from the Duke asking him to accept the Vandyck in the octagonal

room as a present, as on second thoughts he felt it belonged to the

house and ought to remain there. The Duke had not started after all, as

his ship had been delayed one day. He wrote from the house close at hand

where he had been staying till his departure.

"It's worth thousands," said Ted. "Thousands. These bigwigs are queer

customers. What an awful fool he is to part with it just out of

sentiment. But of course I shall never sell it. It shall be an heirloom.

I've told him so," and Ted thrust the letter into his pocket and hurried

away.

Our rooms were airless, and Essie allowed me to establish her in a

wicker armchair under a chestnut tree in the old-fashioned inn garden

still brave with Michaelmas daisies and purple asters. The gleaming

autumn morning had a touch of frost in it. I wrapped her fur motor cloak

round her, and put her little hat on her head. She remained passive in

my hands in a kind of stupor. Perhaps that might be the effect of the

sedative I told myself. But I knew it was not so.

Essie was drinking her cup of anguish to the dregs. She did not rebel

against it. She accepted her fate with dumb docility. She was not

bearing it. She was not capable of an effort of any kind. She underwent

it in silence.

I told her to try to sleep again, and she smiled wanly at me and

obediently closed her eyes. As I went into the house to snatch an hour's

rest and pack I turned and looked back at her motionless figure sunk

down in her chair, her little grey face, pinched and thin like a

squirrel's against the garish hotel cushion, her nerveless hands lying

half open, palm upwards on her knee.

A faint breeze stirred, and from the yellow tree a few large fronded

leaves of amber and crimson eddied slowly down, and settled, one on her

breast and the others in the grass at her feet. She saw them not. She

heeded them not. She heeded nothing. Her two worlds had clashed

together, and the impact had broken both. They lay in ruins round her.

And so I looked for the last time on Essie.

* * * * *

Reader, I thought I could write this story to the end, but the pen

shakes in my hand. The horror of it rushes back upon me. Ted's surprise

at hearing that the Duke had gone to Essie in the garden, and that he

had persuaded her to drive with him to London. Then his growing anxiety

and continually reiterated conviction that we should find her in London,

his uncomprehending fury when we reached London and--she was not there.

And then at last his tardy realisation and desolation.

I did what little I could to blunt the edge of his suffering when the

first fever fit of rage was past.

"Dear Ted, she did not like the house. She told me she could not live in

it."

"But she would have liked it when I had gutted it. I should have

transformed it entirely. Electric light, bathrooms, central heating,

radiators, dinner lift, luggage lift," Ted's voice broke down, and

struggled on in a strangled whisper. "Inglenooks, cosy corners, speaking

tubes, telephone, large French windows to the floor. She would not have

known it again."

He hid his face in his hands.

The Romance of His Life, and Other Romances · 第 51 / 53 题