CHAPTER XXVIII.

THE LOTS VANISH WITHIN THE URN.

Varney's self-commune restored to him his constitutional audacity. He

returned to Laughton towards the evening, and held a long conference with

Greville. Fortunately for him, perhaps, and happily for all, Helen had

lost all more dangerous symptoms; and the physician, who was in the

house, saw in her state nothing not easily to be accounted for by natural

causes. Percival had arrived, had seen Helen,--no wonder she was better!

Both from him and from Helen, Madame Dalibard's fearful condition was for

the present concealed. Ardworth's story, and the fact of Beck's identity

with Vincent Braddell, were also reserved for a later occasion. The tale

which Beck had poured into the ear of Greville (when, recognizing the St.

John livery, the captain stopped his chaise to inquire if Percival were

at the Hall, and when thrilled by the hideous import of his broken reply,

that gentleman had caused him to enter the vehicle to explain himself

further), Varney, with his wonted art and address, contrived to strip of

all probable semblance. Evidently the poor lad had been already

delirious; his story must be deemed the nightmare of his disordered

reason. Varney insisted upon surgical examination as to the cause of his

death. The membranes of the brain were found surcharged with blood, as

in cases of great mental excitement; the slight puncture in the wrist,

ascribed to the prick of a rusty nail, provoked no suspicion. If some

doubts remained still in Greville's acute mind, he was not eager to

express, still less to act upon them. Helen was declared to be out of

danger; Percival was safe,--why affix by minute inquiry into the alleged

guilt of Madame Dalibard (already so awfully affected by the death of her

son and by the loss of her reason) so foul a stain on the honoured family

of St. John? But Greville was naturally anxious to free the house as

soon as possible both of Varney and that ominous Lucretia, whose sojourn

under its roof seemed accursed. He therefore readily assented when

Varney proposed, as his obvious and personal duty, to take charge of his

mother-in-law, and remove her to London for immediate advice.

At the dead of the black-clouded night, no moon and no stars, the son of

Olivier Dalibard bore away the form of the once-formidable Lucretia,--the

form, for the mind was gone; that teeming, restless, and fertile

intellect, which had carried along the projects with the preterhuman

energies of the fiend, was hurled into night and chaos. Manacled and

bound, for at times her paroxysms were terrible, and all partook of the

destructive and murderous character which her faculties, when present,

had betrayed, she was placed in the vehicle by the shrinking side of her

accomplice.

Long before he arrived in London, Varney had got rid of his fearful

companion. His chaise had stopped at the iron gates of a large building

somewhat out of the main road, and the doors of the madhouse closed on

Lucretia Dalibard.

Varney then hastened to Dover, with intention of flight into France; he

was just about to step into the vessel, when he was tapped rudely on the

shoulder, and a determined voice said, "Mr. Gabriel Varney, you are my

prisoner!"

"For what? Some paltry debt?" said Varney, haughtily.

"For forgery on the Bank of England!"

Varney's hand plunged into his vest. The officer seized it in time, and

wrested the blade from his grasp. Once arrested for an offence it was

impossible to disprove, although the very smallest of which his

conscience might charge him, Varney sank into the blackest despair.

Though he had often boasted, not only to others, but to his own vain

breast, of the easy courage with which, when life ceased to yield

enjoyment, he could dismiss it by the act of his own will; though he had

possessed himself of Lucretia's murderous ring, and death, if fearful,

was therefore at his command,--self-destruction was the last thought that

occurred to him; that morbid excitability of fancy which, whether in his

art or in his deeds, had led him to strange delight in horror, now served

but to haunt him with the images of death in those ghastliest shapes

familiar to them who look only into the bottom of the charnel, and see

but the rat and the worm and the loathsome agencies of corruption. It

was not the despair of conscience that seized him, it was the abject

clinging to life; not the remorse of the soul,--that still slept within

him, too noble an agency for one so debased,--but the gross physical

terror. As the fear of the tiger, once aroused, is more paralyzing than

that of the deer, proportioned to the savageness of a disposition to

which fear is a novelty, so the very boldness of Varney, coming only from

the perfection of the nervous organization, and unsupported by one moral

sentiment, once struck down, was corrupted into the vilest cowardice.

With his audacity, his shrewdness forsook him. Advised by his lawyer to

plead guilty, he obeyed, and the sentence of transportation for life gave

him at first a feeling of reprieve; but when his imagination began to

picture, in the darkness of his cell, all the true tortures of that

penalty,--not so much, perhaps, to the uneducated peasant-felon, inured

to toil, and familiarized with coarse companionship, as to one pampered

like himself by all soft and half-womanly indulgences,--the shaven hair,

the convict's dress, the rigorous privation, the drudging toil, the

exile, seemed as grim as the grave. In the dotage of faculties smitten

into drivelling, he wrote to the Home Office, offering to disclose

secrets connected with crimes that had hitherto escaped or baffled

justice, on condition that his sentence might be repealed, or mitigated

into the gentler forms of ordinary transportation. No answer was

returned to him, but his letter provoked research. Circumstances

connected with his uncle's death, and with various other dark passages in

his life, sealed against him all hope of a more merciful sentence; and

when some acquaintances, whom his art had made for him, and who, while

grieving for his crime, saw in it some excuses (ignorant of his feller

deeds), sought to intercede in his behalf, the reply of the Home Office

was obvious: "He is a fortunate man to have been tried and condemned for

his least offence." Not one indulgence that could distinguish him from

the most execrable ruffian condemned to the same sentence was conceded.

The idea of the gibbet lost all its horror. Here was a gibbet for every

hour. No hope,--no escape. Already that Future Doom which comprehends

the "Forever" opened upon him black and fathomless. The hour-glass was

broken up, the hand of the timepiece was arrested. The Beyond stretched

before him without limit, without goal,--on into Annihilation or into

Hell.

EPILOGUE TO PART THE SECOND.

Stand, O Man! upon the hill-top in the stillness of the evening hour, and

gaze, not with joyous, but with contented eyes, upon the beautiful world

around thee. See where the mists, soft and dim, rise over the green

meadows, through which the rivulet steals its way. See where, broadest

and stillest, the wave expands to the full smile of the setting sun, and

the willow that trembles on the breeze, and the oak that stands firm in

the storm, are reflected back, peaceful both, from the clear glass of the

tides. See where, begirt by the gold of the harvests, and backed by the

pomp of a thousand groves, the roofs of the town bask, noiseless, in the

calm glow of the sky. Not a sound from those abodes floats in discord to

thine ear; only from the church-tower, soaring high above the rest,

perhaps faintly heard through the stillness, swells the note of the holy

bell. Along the mead low skims the swallow,--on the wave the silver

circlet, breaking into spray, shows the sport of the fish. See the

Earth, how serene, though all eloquent of activity and life! See the

Heavens, how benign, though dark clouds, by yon mountain, blend the

purple with the gold! Gaze contented, for Good is around thee,--not

joyous, for Evil is the shadow of Good! Let thy soul pierce through the

veil of the senses, and thy sight plunge deeper than the surface which

gives delight to thine eye. Below the glass of that river, the pike

darts on his prey; the circle in the wave, the soft plash amongst the

reeds, are but signs of Destroyer and Victim. In the ivy round the oak

by the margin, the owl hungers for the night, which shall give its beak

and its talons living food for its young; and the spray of the willow

trembles with the wing of the redbreast, whose bright eye sees the worm

on the sod. Canst thou count too, O Man! all the cares, all the sins,

that those noiseless rooftops conceal? With every curl of that smoke to

the sky, a human thought soars as dark, a human hope melts as briefly.

And the bell from the church-tower, that to thy ear gives but music,

perhaps knolls for the dead. The swallow but chases the moth, and the

cloud, that deepens the glory of the heaven and the sweet shadows on the

earth, nurses but the thunder that shall rend the grove, and the storm

that shall devastate the harvests. Not with fear, not with doubt,

recognize, O Mortal, the presence of Evil in the world. [Not, indeed,

that the evil here narrated is the ordinary evil of the world,--the

lesson it inculcates would be lost if so construed,--but that the mystery

of evil, whatever its degree, only increases the necessity of faith in

the vindication of the contrivance which requires infinity for its range,

and eternity for its consummation. It is in the existence of evil that

man finds his duties, and his soul its progress.] Hush thy heart in the

humbleness of awe, that its mirror may reflect as serenely the shadow as

the light. Vainly, for its moral, dost thou gaze on the landscape, if

thy soul puts no check on the dull delight of the senses. Two wings only

raise thee to the summit of Truth, where the Cherub shall comfort the

sorrow, where the Seraph shall enlighten the joy. Dark as ebon spreads

the one wing, white as snow gleams the other,--mournful as thy reason

when it descends into the deep; exulting as thy faith when it springs to

the day-star.

Beck sleeps in the churchyard of Laughton. He had lived to frustrate the

monstrous design intended to benefit himself, and to become the

instrument, while the victim, of the dread Eumenides. That done, his

life passed with the crimes that had gathered around, out of the sight of

mortals. Helen slowly regained her health in the atmosphere of love and

happiness; and Lady Mary soon learned to forget the fault of the father

in the virtues of the child. Married to Percival, Helen fulfilled the

destinies of woman's genius, in calling forth into action man's earnest

duties. She breathed into Percival's warm, beneficent heart her own more

steadfast and divine intelligence. Like him she grew ambitious, by her

he became distinguished. While I write, fair children play under the

cedars of Laughton. And the husband tells the daughters to resemble

their mother; and the wife's highest praise to the boys is: "You have

spoken truth, or done good, like your father."

John Ardworth has not paused in his career, nor belied the promise of his

youth. Though the elder Ardworth, partly by his own exertions, partly by

his second marriage with the daughter of the French merchant (through

whose agency he had corresponded with Fielden), had realized a moderate

fortune, it but sufficed for his own wants and for the children of his

later nuptials, upon whom the bulk of it was settled. Hence, happily

perhaps for himself and others, the easy circumstances of his father

allowed to John Ardworth no exemption from labour. His success in the

single episode from active life to literature did not intoxicate or

mislead him. He knew that his real element was not in the field of

letters, but in the world of men. Not undervaluing the noble destinies

of the author, he felt that those destinies, if realized to the utmost,

demanded powers other than his own, and that man is only true to his

genius when the genius is at home in his career. He would not renounce

for a brief celebrity distant and solid fame. He continued for a few

years in patience and privation and confident self-reliance to drudge on,

till the occupation for the intellect fed by restraint, and the learning

accumulated by study, came and found the whole man developed and

prepared. Then he rose rapidly from step to step; then, still retaining

his high enthusiasm, he enlarged his sphere of action from the cold

practice of law into those vast social improvements which law, rightly

regarded, should lead and vivify and create. Then, and long before the

twenty years he had imposed on his probation had expired, he gazed again

upon the senate and the abbey, and saw the doors of the one open to his

resolute tread, and anticipated the glorious sepulchre which heart and

brain should win him in the other. John Ardworth has never married.

When Percival rebukes him for his celibacy, his lip quivers slightly, and

he applies himself with more dogged earnestness to his studies or his

career. But he never complains that his lot is lonely or his affections

void. For him who aspires, and for him who loves, life may lead through

the thorns, but it never stops in the desert.

On the minor personages involved in this history, there is little need to

dwell. Mr. Fielden, thanks to St. John, has obtained a much better

living in the rectory of Laughton, but has found new sources of pleasant

trouble for himself in seeking to drill into the mind of Percival's

eldest son the elements of Euclid, and the principles of Latin syntax.

We may feel satisfied that the Miverses will go on much the same while

trade enriches without refining, and while, nevertheless, right feelings

in the common paths of duty may unite charitable emotions with graceless

language.

We may rest assured that the poor widow who had reared the lost son of

Lucretia received from the bounty of Percival all that could comfort her

for his death.

We have no need to track the dull crimes of Martha, or the quick, cunning

vices of Grabman, to their inevitable goals, in the hospital or the

prison, the dunghill or the gibbet.

Of the elder Ardworth our parting notice may be less brief. We first saw

him in sanguine and generous youth, with higher principles and clearer

insight into honour than William Mainwaring. We have seen him next a

spendthrift and a fugitive, his principles debased and his honour dimmed.

He presents to us no uncommon example of the corruption engendered by

that vulgar self-indulgence which mortgages the morrow for the pleasures

of to-day. No Deity presides where Prudence is absent. Man, a world in

himself, requires for the development of his faculties patience, and for

the balance of his actions, order. Even where he had deemed himself most

oppressively made the martyr,--namely, in the profession of mere

political opinions,--Walter Ardworth had but followed out into theory the

restless, uncalculating impatience which had brought adversity on his

manhood, and, despite his constitutional cheerfulness, shadowed his age

with remorse. The death of the child committed to his charge long

(perhaps to the last) embittered his pride in the son whom, without merit

of his own, Providence had spared to a brighter fate. But for the faults

which had banished him his country, and the habits which had seared his

sense of duty, could that child have been so abandoned, and have so

perished?

It remains only to cast our glance over the punishments which befell the

sensual villany of Varney, the intellectual corruption of his fell

stepmother.

These two persons had made a very trade of those crimes to which man's

law awards death. They had said in their hearts that they would dare the

crime, but elude the penalty. By wonderful subtlety, craft, and

dexterity, which reduced guilt to a science, Providence seemed, as in

disdain of the vulgar instruments of common retribution, to concede to

them that which they had schemed for,--escape from the rope and gibbet.

Varney, saved from detection of his darker and more inexpiable crimes,

punished only for the least one, retained what had seemed to him the

master boon,--life. Safer still from the law, no mortal eye had plumbed

the profound night of Lucretia's awful guilt. Murderess of husband and

son, the blinded law bade her go unscathed, unsuspected. Direct, as from

heaven, without a cloud, fell the thunderbolt. Is the life they have

saved worth the prizing? Doth the chalice, unspilt on the ground, not

return to the hand? Is the sudden pang of the hangman more fearful than

the doom which they breathe and bear? Look, and judge.

Behold that dark ship on the waters! Its burdens are not of Ormus and

Tyre. No goodly merchandise doth it waft over the wave, no blessing

cleaves to its sails; freighted with terror and with guilt, with remorse

and despair, or, more ghastly than either, the sullen apathy of souls

hardened into stone, it carries the dregs and offal of the old world to

populate the new. On a bench in that ship sit side by side two men,

companions assigned to each other. Pale, abject, cowering, all the

bravery rent from his garb, all the gay insolence vanished from his

brow,--can that hollow-eyed, haggard wretch be the same man whose senses

opened on every joy, whose nerves mocked at every peril? But beside him,

with a grin of vile glee on his features, all muscle and brawn in the

form, all malice, at once spiteful and dull, in the heavy eye, sits his

fit comrade, the Gravestealer! At the first glance each had recognized

each, and the prophecy and the vision rushed back upon the daintier

convict. If he seek to escape from him, the Gravestealer claims him as a

prey; he threatens him with his eye as a slave; he kicks him with his

hoof as they sit, and laughs at the writhings of the pain. Carry on your

gaze from the ship, hear the cry from the masthead, see the land arise

from the waste,--a land without hope. At first, despite the rigour of

the Home Office, the education and intelligence of Varney have their

price,--the sole crime for which he is convicted is not of the darkest.

He escapes from that hideous comrade; he can teach as a schoolmaster,--

let his brain work, not his hands. But the most irredeemable of convicts

are ever those of nurture and birth and culture better than the ruffian

rest. You may enlighten the clod, but the meteor still must feed on the

marsh; and the pride and the vanity work where the crime itself seems to

lose its occasion. Ever avid, ever grasping, he falls, step by step, in

the foul sink, and the colony sees in Gabriel Varney its most pestilent

rogue. Arch-convict amidst convicts, doubly lost amongst the damned,

they banish him to the sternest of the penal settlements; they send him

forth with the vilest to break stones upon the roads. Shrivelled and

bowed and old prematurely, see that sharp face peering forth amongst that

gang, scarcely human, see him cringe to the lash of the scornful

overseer, see the pairs chained together, night and day! Ho, ho! his

comrade hath found him again,--the Artist and the Gravestealer leashed

together! Conceive that fancy so nurtured by habit, those tastes, so

womanized by indulgence,--the one suggesting the very horrors that are

not; the other revolting at all toil as a torture.

But intellect, not all gone, though hourly dying heavily down to the

level of the brute, yet schemes for delivery and escape. Let the plot

ripen, and the heart bound; break his chain, set him free, send him forth

to the wilderness. Hark, the whoop of the wild men! See those things

that ape our species dance and gibber round the famishing, hunted wretch.

Hark, how he shrieks at the torture! How they tear and they pinch and

they burn and they rend him! They, too, spare his life,--it is charmed.

A Caliban amidst Calibans, they heap him with their burdens, and feed him

on their offal. Let him live; he loved life for himself; he has cheated

the gibbet,--LET HIM LIVE! Let him watch, let him once more escape; all

naked and mangled, let him wander back to the huts of his gang. Lo,

where he kneels, the foul tears streaming down, and cries aloud: "I have

broken all your laws, I will tell you all my crimes; I ask but one

sentence,--hang me up; let me die!" And from the gang groan many voices:

"Hang us up; let us die!" The overseer turns on his heel, and Gabriel

Varney again is chained to the laughing Gravestealer.

You enter those gates so jealously guarded, you pass, with a quick beat

of the heart, by those groups on the lawn, though they are harmless; you

follow your guide through those passages; where the open doors will

permit, you see the emperor brandish his sceptre of straw, hear the

speculator counting his millions, sigh where the maiden sits smiling the

return of her shipwrecked lover, or gravely shake the head and hurry on

where the fanatic raves his Apocalypse, and reigns in judgment on the

world; you pass by strong gates into corridors gloomier and more remote.

Nearer and nearer you hear the yell and the oath and blaspheming curse;

you are in the heart of the madhouse, where they chain those at once

cureless and dangerous,--who have but sense enough left them to smite and

to throttle and to murder. Your guide opens that door, massive as a

wall; you see (as we, who narrate, have seen her) Lucretia Dalibard,--a

grisly, squalid, ferocious mockery of a human being, more appalling and

more fallen than Dante ever fabled in his spectres, than Swift ever

scoffed in his Yahoos! Only, where all other feature seems to have lost

its stamp of humanity, still burns with unquenchable fever the red,

devouring eye. That eye never seems to sleep, or in sleep, the lid never

closes over it. As you shrink from its light, it seems to you as if the

mind, that had lost coherence and harmony, still retained latent and

incommunicable consciousness as its curse. For days, for weeks, that

awful maniac will preserve obstinate, unbroken silence; but as the eye

never closes, so the hands never rest,--they open and grasp, as if at

some palpable object on which they close, vicelike, as a bird's talons on

its prey; sometimes they wander over that brow, where the furrows seem

torn as the thunder scars, as if to wipe from it a stain, or charm from

it a pang; sometimes they gather up the hem of that sordid robe, and

seem, for hours together, striving to rub from it a soil. Then, out from

prolonged silence, without cause or warning, will ring, peal after peal

(till the frame, exhausted with the effort sinks senseless into stupor),

the frightful laugh. But speech, intelligible and coherent, those lips

rarely yield. There are times, indeed, when the attendants are persuaded

that her mind in part returns to her; and those times experience has

taught them to watch with peculiar caution. The crisis evinces itself by

a change in the manner,--by a quick apprehension of all that is said; by

a straining, anxious look at the dismal walls; by a soft, fawning

docility; by murmured complaints of the chains that fetter; and (though,

as we have said, but very rarely) by prayers, that seem rational, for

greater ease and freedom.

In the earlier time of her dread captivity, perhaps when it was believed

at the asylum that she was a patient of condition, with friends who cared

for her state, and would liberally reward her cure, they in those moments

relaxed her confinement, and sought the gentler remedies their art

employs; but then invariably, and, it was said, with a cunning that

surpassed all the proverbial astuteness of the mad, she turned this

indulgence to the most deadly uses,--she crept to the pallet of some

adjacent sufferer weaker than herself, and the shrieks that brought the

attendants into the cell scarcely saved the intended victim from her

hands. It seemed, in those imperfectly lucid intervals, as if the reason

only returned to guide her to destroy,--only to animate the broken

mechanism into the beast of prey.

Years have now passed since her entrance within those walls. He who

placed her there never had returned. He had given a false name,--no clew

to him was obtained; the gold he had left was but the quarter's pay.

When Varney had been first apprehended, Percival requested the younger

Ardworth to seek the forger in prison, and to question him as to Madame

Dalibard; but Varney was then so apprehensive that, even if still insane,

her very ravings might betray his share in her crimes, or still more, if

she recovered, that the remembrance of her son's murder would awaken the

repentance and the confession of crushed despair, that the wretch had

judged it wiser to say that his accomplice was no more,--that her

insanity had already terminated in death. The place of her confinement

thus continued a secret locked in his own breast. Egotist to the last,

she was henceforth dead to him,--why not to the world? Thus the partner

of her crimes had cut off her sole resource, in the compassion of her

unconscious kindred; thus the gates of the living world were shut to her

evermore. Still, in a kind of compassion, or as an object of

experiment,--as a subject to be dealt with unscrupulously in that living

dissection-hall,--her grim jailers did not grudge her an asylum. But,

year after year, the attendance was more slovenly, the treatment more

harsh; and strange to say, while the features were scarcely recognizable,

while the form underwent all the change which the shape suffers when mind

deserts it, that prodigious vitality which belonged to the temperament

still survived. No signs of decay are yet visible. Death, as if

spurning the carcass, stands inexorably afar off. Baffler of man's law,

thou, too, hast escaped with life! Not for thee is the sentence, "Blood

for blood!" Thou livest, thou mayst pass the extremest boundaries of age.

Live on, to wipe the blood from thy robe,--LIVE ON!

Not for the coarse object of creating an idle terror, not for the shock

upon the nerves and the thrill of the grosser interest which the

narrative of crime creates, has this book been compiled from the facts

and materials afforded to the author. When the great German poet

describes, in not the least noble of his lyrics, the sudden apparition of

some "Monster Fate" in the circles of careless Joy, he assigns to him who

teaches the world, through parable or song, the right to invoke the

spectre. It is well to be awakened at times from the easy commonplace

that surrounds our habitual life; to cast broad and steady and patient

light on the darker secrets of the heart,--on the vaults and caverns of

the social state over which we build the market-place and the palace. We

recover from the dread and the awe and the half-incredulous wonder, to

set closer watch upon our inner and hidden selves. In him who cultivates

only the reason, and suffers the heart and the spirit to lie waste and

dead, who schemes and constructs, and revolves round the axle of self,

unwarmed by the affections, unpoised by the attraction of right, lies the

germ Fate might ripen into the guilt of Olivier Dalibard. Let him who

but lives through the senses, spreads the wings of the fancy in the gaudy

glare of enjoyment corrupted, avid to seize, and impatient to toil, whose

faculties are curbed but to the range of physical perception, whose very

courage is but the strength of the nerves, who develops but the animal as

he stifles the man,--let him gaze on the villany of Varney, and startle

to see some magnified shadow of himself thrown dimly on the glass! Let

those who, with powers to command and passions to wing the powers, would

sweep without scruple from the aim to the end, who, trampling beneath

their footprint of iron the humanities that bloom up in their path, would

march to success with the proud stride of the destroyer, hear, in the

laugh of yon maniac murderess, the glee of the fiend they have wooed to

their own souls! Guard well, O Heir of Eternity, the portal of sin,--the

thought! From the thought to the deed, the subtler thy brain and the

bolder thy courage, the briefer and straighter is the way. Read these

pages in disdain of self-commune,--they shall revolt thee, not instruct;

read them, looking steadfastly within,--and how humble soever the art of

the narrator, the facts he narrates, like all history, shall teach by

example. Every human act, good or ill, is an angel to guide or to warn;

and the deeds of the worst have messages from Heaven to the listening

hearts of the best. Amidst the glens in the Apennine, in the lone wastes

of Calabria, the sign of the cross marks the spot where a deed of

violence has been done; on all that pass by the road, the symbol has

varying effect: sometimes it startles the conscience, sometimes it

invokes the devotion; the robber drops the blade, the priest counts the

rosary. So is it with the record of crime; and in the witness of Guilt,

Man is thrilled with the whisper of Religion.

Our acts our angels are, or good or ill,

The fatal shadows that walk by us still.

FLETCHER.

Lucretia — Volume 06 · 第 11 / 11 章