And I must say that to me lively and untrammeled conversation is the

salt of daily life; and if, as it sometimes happens, one’s own thoughts

are expanded, brightened, and returned to one, it is indeed delectable

above all things, the true salt to be used in quantities (if you can

get it). For, alas! the majority of people have no ideas, when you come

down to it, or, having a few, they are pig-headed and look but into

the converging point of the angle, knowing nothing of the splendor of

diverging lines where self is swallowed up in unself. And there are

the close-headed, whose minds work slowly in a cramped way, or not at

all, and they are forever complaining that they only think of things to

say when they get home and the lights are out. They might just as well

not think of them (one sometimes doubts if they really do) for all the

good they are to their neighbors. And there are those very thin-skinned

ones who immediately get contentious, and think the arrow is meant for

them instead of the universe at large, and one could go on indefinitely

through the list of impenetrable heads, to whom the blow of an ax is as

the brush of a feather, or cushiony heads that once dented, however,

never regain their contours, and many, many others. These all need

material sauces, good, rich sauces to their food, or they would find

it tasteless, not having even a pinch of this other salt to season it

with. And they are mostly those who do not work, but whose fathers

worked—sometimes even their mothers—and _oh, là là_, the subject is

endless, for everybody talks—even those who have nothing to say.

V

THE BALLON D’ALSACE

_Sunday afternoon._—At two o’clock I started out with Captain Bernard

and Captain Antoni for the great mountain known as the Ballon[7]

d’Alsace, sometimes called, too, “the knot of Europe,” in an especially

high-powered motor (I never know the mark of any of them, distinguishing

a Ford from a Rolls-Royce only by the generally pampered feeling

pervading me when in the latter).

The Ballon rises like a wall at the very end of the valley of the Doller,

and we passed through many villages, shining pinkly in the prismatic

November afternoon, where there was much going into church for vespers,

of blue- or black-clad figures. The thirteenth century-towered church

of Sewen is on a slight eminence in the heart of the village, and the

cemetery around it was crowded with the faithful, regretting their dead,

or some, perhaps, for one reason or another (What know I?), feeling,

“’Tis better they lie there.” “Live long, but not too long for others,”

is an excellent device.

The charming lake of Sewen, though far from the village, seen from a

certain angle, reflects the tower of the church and is, they told me,

of Moorish origin. These valleys and hills seem everywhere like open

books concerning the dim, dim youth of the earth; I had a sense of my

transitories, with those lessons written everywhere. And it is autumn,

too.

We got out at the immense reservoir of Alfelt which dams up dangerous

springtime floods with its giant wall of masonry, for from the “knot of

Europe” loosened waters flow to the North Sea and to the Mediterranean.

Climbing to the top of the rocky elevation, we read on the monument the

date of the inauguration of the reservoir, 1884, and the name, Prince

Hohenlohe Schillingfurst, Statthalter.

And, looking down, the shining villages through which we had just passed,

Sewen, Oberbruck, Niederbruck, Masevaux, are like beads on the thread of

the lovely valley, lying between the breasts of the hills.

The mountain-ringed lake of the reservoir reflects the rich coloring

of the hills in which it is set; white-stemmed, yellow-leaved birches,

blood-red cherry trees; rust-colored beeches, larch trees shining like

torches borne by wanderers, on black pine slopes; all is seen twice—once

on the hills and once in the mirror of the lake.

Then we mount up, up, up, twisting and turning over the magnificent

military road, made like so many others since the war, to become some day

the joy of tourists, when, thousands upon ten thousands, nay, millions

upon millions, they shall come from over ocean and mountain to see what

it all looks like and get the belated thrill.

Violet hills become black, outlined against a copper-colored band of

western horizon. Captain Bernard points out some English airplanes just

over our heads, tiny, tiny specks hanging in a high waste of heaven, and

I wonder if in one of them sits my friend, the chartered accountant of

the Belfort train, fulfilling his destiny in the air.

We leave the motor at the highest point of the road, where trees no

longer grow, and start to climb the grassy crest, patterned with great

brown patches of barbed-wire defenses. Captain Bernard’s sharp eyes

soon discerned the _chicanes_, intricate, almost indistinguishable

pathways through the wire, and if one knew them one could get through

without leaving one’s clothes. Breathless, we arrived at the _table

d’orientation_ and find ourselves looking out over what seemed the edge

of the universe. In front of us lay the gorgeous panorama of the Alps

and behind it the wide band of copper-colored sky, with here and there

a burnishing of glaciers by the dipping sun. To our left stretched the

immense and splendid valley of the Rhine, behind it the Black Forest,

clearly yet softly outlined against a paler horizon. One could have

rolled the whole earth like a ball from the feet. I felt as if suddenly

freed from any heaviness of the flesh, and Goethe’s soaring words brushed

against my mind, and beckoned me on—those words he cried after he had

reached the Brocken and was looking down on a cloud-covered Germany.

_Dem Geier gleich_

_Der auf schweren Morgenwolken_

_Mit sanftem Fittig ruhend,_

_Nach Beute schaut,_

_Schwebe mein Lied._[8]

I knew those vast expanses for material out of which a new earth, if

not a new heaven, must be formed, on some eighth day of creation. And

the new earth was to be made out of old and conflicting desires, worn,

yet persistent passions, small, yet greedy thoughts, the whole about as

facile as the weighing of the winds, making one almost feel that He who

worked with new materials those first seven days had the easier part.

I was filled, too, with a great longing for an improbable wisdom and

strength to be breathed into the men who are to reharness the plunging,

escaping destinies of the nations. Each man that has his hands on the

reins seems like some one clinging to a runaway horse, trying to dominate

a relentless, unreasoning, reckless course.

Reverberating through the eternal hills was the sound of heavy cannon;

and before my mind came a vision of the great forges wherein they were

formed, men working day and night in hot, dim, noisy spaces—Creusot and

Krupp and Skoda, and all the rest....

Some near summit hid the dread Hartmannswillerkopf, the “Verdun” of

Alsace, and one of the officers spoke of that winter of 1916, when its

snow was always pink with blood and black with death—“tens of thousands

sleep there.” I thought of the souls breathed out into that pure, high

ether, like to this, but cold, cold, almost as tenuous as the immortal

stuff commingling with it.

Then we started to the other edge of the summit, whence we might look

into _l’élégante et douloureuse Lorraine_, for one side of the Ballon

slopes toward Alsace and the other toward Lorraine.

As we threaded our way carefully through more _chicanes_ of barbed-wire

defenses “that you had to have your nose in before they could be

distinguished,” I discerned on the crag three familiar silhouettes,

outlined against the heavens toward the Lorraine slope. And as things are

rarely in their proper setting nowadays, there on the Ballon d’Alsace

were three dusty Y.M.C.A. men who had come from their _cantine_ at

Belfort. We spoke to them and gave our names, and the brightest one,

Tallant was his name, asked if I were the wife of my husband—and said

he’d been on the Mexican border.

Then we told them where the _table d’orientation_ was, but forgot to

point out the _chicanes_, and we saw them from a distance entangled in

barbed wire. Their souls were safe, I hope, but heaven help those khaki

clothes!

And looking down into Lorraine from my splendid height was as if looking

into another world, for its distances were bronze and silver and pale

green.

Great black spots of shadow cast by wasteful masses of white clouds were

lying heavily over those new and ancient battle-fields. Forever obliged

to protect themselves from some invader, the villages hide rather than

display themselves, and are barely detached from the silvery brown of

the plain, crossed here and there by the bosky lines of the Meuse, or

those of the great canal joining the French river to the Rhine. And each

tiny hill has been an altar or a fortress, often both at once. Over the

majestic, melancholy stretch Romans have passed, the hosts of Attila,

Normans, Germans, Burgundians, Swedes, English, and many others. Now its

white roads sound to the tramp of American armies, are encumbered by

giant quantities of war material brought from over the seas. And of all

who have passed over it, of the most ancient even, much remains. Close

against one another are Roman encampments, feudal castles, the two-sided,

two-faced bastion defenses of Vauban, the great, mined earthworks of

modern times, and now in leafy darknesses are the cement emplacements of

the big guns of the twentieth century.

But alas! as I turned to go, pulling my gaze from the wide horizon (a

pale, pale pink where it covered the western way to the city that is the

heart of France), I saw on that slope, directly under me, a cruel statue

of Jeanne d’Arc. A stiff yet boneless Pucelle sat astride an equally

stiff yet boneless steed; both seemed about to drop into space, the

mountain falling away from them, and both were of a dreadful superfluity!

However, one isn’t so plagued with horrid modern statues in Alsace as

in other places I have been, for they run rather to fountains and living

waters. At St.-Amarin, for instance, I don’t remember anything later or

more personal than the fiery Gallic cock, “_der spuckende Welschhahn_,”

surmounting a sphere, borne in turn by the column of the 1830 fountain;

and the fountain in the Place du Chapitre at Masevaux, bearing the date

1768, has a single, lovely column, too, on whose top burns a stone flame

in an urn. And the shaft of the fountain of the wine-growers at Thann is

a mass of rich yet noble carving, surmounted by a helmeted figure bearing

a shield on his back. Furthermore, crystal water flows into its six-sided

emblazoned basin.

I think of the statue of Thiers, _Libérateur du Territoire_, in that

dusty, begonia-planted, iron-railed plot in front of the station at

Nancy, and I could weep.

But hereabout I haven’t found a single nineteenth-century statesman

in frock-coat and top-hat, done in granite, nor any bronze female

pointing him the way to a dubious heaven, with a long finger and a heavy

palm-branch—and so may it remain.

Certainly the _très chic chef_ of the Military Mission will be well

punished for _his_ good works in Alsace if they ever raise a statue to

him. For they will make him, too, out of either bronze or marble with a

_plaque de commissaire_ on his frock-coated breast, and heaven knows what

kind of a hat they’ll put on him, or how the fancy will seize them to do

his hair! And the statue won’t be of lapis lazuli, as it should be, nor

of pale sapphire, nor of dull turquoise, nor of any of the lovely blue

stones of the earth, alone fit to perpetuate the beauty of the blue-clad

men who have written France’s greatest epic. Blue-clad men splashed about

fountains at twilight, blue-clad men taking form and substance as they

emerge out of gray mountain mists, blue-clad men weaving their cerulean

patterns through the woof of long-trunked pine forests, blue-clad men

like bits of turquoise embedded in the matrix of white roads, and what

know I besides?

As I gave a sigh for Art and a prayer for the serried ranks of her

erring devotees, I found myself looking into another splendid valley,

toward Giromagny, near where is a height known as La Planche des Belles

Filles, after a story of the Thirty Years’ War, when men with blue eyes

and very light hair and skin were for a while masters of the domains of

Belfort and Ferrette. After the best manner of invading armies, ’tis

recorded that these Swedes committed many excesses, and dark-eyed girls

lay concealed in the forest, and when they feared their hiding-place had

been discovered they fled to the mountains, but even there they were

pursued by the hosts of fair-haired, fair-skinned, blue-eyed men, bent

on the most elemental of errands. And again they fled precipitately,

scarcely knowing their direction. When they got to the top they found

themselves on a great ledge of rock and in their distress they tumbled

from the height onto other rocks below, and the blue-eyed, fair-skinned,

fair-haired men from the North knew them not. Hence the “Ledge of the

Beautiful Girls.”

And then we took a last look at the vast heaping of the Alps; to the

left, the Jungfrau and the Mönsch, to the right, Mont Blanc, the whole

great mass outlined against that persistent dark-red band. The glacier of

the Jungfrau was as if in conflagration; Mont Blanc was soft and roseate,

yet its beauty left me cold.

Captain Bernard said he had climbed the Ballon many times and only twice

before had he seen the great panorama; but as, alack! to him who does not

want shall be given, except for their gorgeousness, I would have turned

from them indifferently, had not my beloved mother been dwelling almost

in the shadow of Mont Blanc.

But one[9] has written, as men of genius write of things in times of

peace, of this Ballon d’Alsace. He who brought out from his Gallo-British

mind new things and old has said in one of the most charming of books:

“Then on the left you have all the Germanies, a great sea of confused and

dreaming people, lost in philosophies and creating music, frozen for the

moment under a foreign rigidity, but some day to thaw again and to give a

word to us others. They cannot remain long apart from visions.” I thought

they have, indeed, given a “word.” But when again the “visions”?

I turned and followed my two blue-clad officers down the Alsatian

slope, over the gray grass, threading neatly through the _chicanes_ of

the brown, barbed-wire defenses, and got into the motor waiting on the

roadway once known as that of the Dukes of Lorraine.

We were silent as we started down the great mountain. I was again wrapped

in thoughts of the New Day to be created out of old and rotting stuffs,

and of the death of heroes. The hills were velvet-palled against the

deepening crimson band of light.

Later, a _panne_, and we waited in a violet-valleyed world, illumined

only by white candelabraed torches of strangely luminous larch and birch,

while the prudent yet daring chauffeur changed the tire.

A great khaki-colored motor passed us, marked with two stars, filled with

khaki-clad men of my race, going up, up, whence we had come.

Then we stopped at the little restaurant of Alfeld. The lake of many

colors was dark and mysterious. Its high tints had been dipped in

something deep in the hours since last I saw it, though strange blues

and purples and rust colors were still reflected in it, and the light of

a single, very yellow birch had not yet been snuffed. At the restaurant

four glasses of white liqueur were poured for us (one, of course, for

the chauffeur), distilled from raspberries, the odor of the berry very

strong, and long afterward the taste, the _arrière-goût_, remains in the

mouth, as if one had just eaten the fruit. But one of the officers said,

“All the same, it doesn’t equal a good _quetsch_ or _kirsch_ or, above

all, a good _mirabelle_.”

And then we dipped into the darkening valley of the Doller and through

dim villages found the way to Masevaux and the house on the Place du

Chapitre, where the Demoiselles Braun had tea awaiting us, and there

were stories told that made us laugh. And one was of the renowned 15th

Dragoons, so long quartered there, which, briefly—and humanly—is this:

At intervals after their departure little dragoons saw the light of

a war-world, and, to be exact, fifty in all saw it. The curé was

broken-hearted at the ravages among his sheep, but he was also a

practical, long-sighted curé, so he wrote, presenting his idea of the

matter before the colonel of the regiment, with the result that from

the savings-box of that same regiment a sum was subtracted to provide

ten years later for the first communion and confirmation clothes of the

fifty! (Would you have thought of it?) Then, casting about in his mind

how he could further improve the general situation, this time not so much

from the temporal point of view as from that of eternity, he decided upon

a pilgrimage—a pilgrimage of reparation to Huppach, where is the shrine

known as that of the Virgin of Klein Einsiedeln, near Sewen, through

which we had just passed. He announced the pilgrimage from the pulpit,

then took the further precaution of rounding up his strayed sheep in

person, and in person conducting them to Huppach to offer up prayers and

tears to the Virgin of Klein Einsiedeln. There were so many of them,

however, and they were mostly so young, that history does not record the

pilgrimage as being entirely without smiles—and God have mercy on us all!

But the curé was not yet (so to speak) out of the woods, for fate

replaced the Dragoons by another regiment, having, as it happened, a

colonel possessed of a boundless love for his men and who couldn’t do

enough for them (or rather have the inhabitants of Masevaux do enough for

them).

“The inhabitants of Masevaux are very nice, very nice indeed,” quoth he,

“but the happiness of my men above everything. We left three thousand on

the battlefield last week, and the others need distraction—of a pleasant

sort. My men above everything.”

So the colonel who loved his men with a boundless love and, furthermore,

was not one to waste time in vain endeavors to portray the eternal

feminine as undesirable, nor to render the chase unpopular, caused dances

to be organized on this very Place du Chapitre, under these very linden

trees, then heavy-scented, and every evening. The curé, foreseeing

trouble, with the aid of Heaven and his own undiscourageable will, had

them suppressed after eight days (eight days is a long time) of wrestling

with leagued powers both civil and military. And again God have mercy on

us all!

Now the virtuous, I mean the truly virtuous (that is, the untried,

untempted virtuous), mustn’t throw stones at Masevaux nor at this book,

but rather remember that anything could have happened to anybody had

everything been different. And even so, hasn’t a lot happened to many of

you? You know a good deal better than I do just how much.

To the _popote_ at seven-thirty, and before I’m an hour older I’m going

to tell you about the _popote_. And you’ll wish you had been there

instead of hearing about it—as runs the classic expression, “_Regarder

manger des glaces_,” and I give the translation, “Watch others eat

ice-cream,” partly because I want you all to know just what I mean, and

partly because some one in the United States wrote to my publishers that

_My Lorraine Journal_ was a nice book, but couldn’t they suggest to me

that I write my books either in French or English.

MRS. O’S.: “But, my dear Mr. Graham” (his name is Graham, and this may be

his chance of immortality), “I couldn’t write one entirely in French to

save my soul, and to save my soul I’d find it impossible when everything

I’m writing about takes place in France not to slip into _la belle

langue_ occasionally.”

MR. GRAHAM (from a distance): “Occasionally! There you’re at it again.

Occasionally!” (It does get on his nerves.)

MRS. O’S.: “And there is another saying to the effect that ‘_On ne

peut pas contenter tout le monde et son père_.’ That is to say, dear

Mr. Graham, that you can’t please everybody and your father as well,

and this, of course, mostly applies to young men (are you a son or are

you a father?) trying to win smiles outside family circles—and father

ultimately paying the bills. But as it occurs to me here, there must be

some connection.”

MR. GRAHAM: “I don’t see it. And while I’m about it, I’d like to tell you

a thing or two concerning those Mexican books of yours. The Spanish was

awful—even _The Yale Review_ and _The Nation_ noticed it.”

MRS. O’S. (getting a bit nasty): “It’s about all either of them did

notice, especially _The Yale Review_; and nobody loves me on _The

Nation_, but it was entirely the printer’s fault. He received them

immaculate. I turned my face to the wall for three days after a glance at

_A Diplomat’s Wife_. But then you probably don’t remember how perfectly

sweet about these very books _The North American Review_ was (a man with

the most perceptive of souls and a neat flair for the imponderabilities,

named Lawrence Gilman, does _their_ book reviews), also _The New

Republic_, which possesses a man named Alvin Johnson, inexorably sure

about the humanities, separating with a single, infallible gesture the

goats of letters from the sheep (but he still thinks, alas! that all men

are born free and equal). And _The New York Sun_ was kind, kind, and _The

New York Evening Post_, too, and they do say this latter rarely says

anything nice about people till they’re dead and can’t enjoy it, and _The

New York Tribune_, which has the reputation of being very particular

about itself, and _The New York Times_, which never jokes and is known as

a searcher after truth.”

Mr. Graham, dreadfully bored with me, mumbles something like “this is

what you get when you try to do somebody a good turn.” I couldn’t catch

it all, as he’d doubtless continued farther on his journey through the

great Northwest. He wrote from one of a chain of “Grand Trunk Pacific

Hotels,” and all I can think of to call after him is _Bon voyage_, though

he won’t like it.

And now back to Masevaux in the valley of the Doller—Masevaux smelling a

bit like nice leather things in expensive shops, with a hint of falling

leaves.

VI

LA POPOTE

And how shall he who has not dined be strong? And how shall he who is

not girded fight? And how shall he who has not wept laugh? And how shall

he who hath not made a free offering of his life find it? And many other

things occur to me, but enough for the wise of heart.

And now for _la popote_, which is in what was once the house of the

Oberforster, in a street doubtless always muddy, looking out on the

church, and it is square, of gray stucco, and red brick with a hall

running through the center, like many and many a house.

The woodwork is everywhere painted brown and the wall-paper, too,

is brown, a lighter, depressing brown. Above the dining-table is a

ponderous, imitation-bronze chandelier, but its cruel light now shines on

blue-clad men who have fought the good fight, agreeable, cultivated men

of the world, and it touches strongly scar and galloon and decoration of

these, selected _ex millibus et ex millibus_, by hidden powers, to return

from battlefield and trench....

It’s the Oberforster’s glass that we use; it’s his imitation-bronze

fruit-dish that is now filled with dark, rich grapes of victory. It’s

his imitation-tin and real-glass punch-bowl that is on the table by the

window. On the porcelain stove that heats well, too well (I sit with my

back close to it), is a _dégagé_ marble bibelot, the heads of a man and a

woman in _basso-rilievo_ cut in an obtrusively chance bit of marble, and

it bears the motto, “_Amor condusse noi_.” Perhaps on their honeymoon,

the Oberforster and his bride had made the classic _Italienische Reise_,

and had pressed closely, so closely against each other in the railway

carriage, that the apprehensive fellow-voyagers shut their eyes or sought

another compartment. The Teutonic “will to live” is irresistible, and

when it’s at work there’s nothing to be done except get out of the way.

Theirs were the lithographs representing beings of the Biedermayer epoch,

theirs the many-tiered machine-turned, walnut sideboard. Theirs was

(I know not how it got into that company of _ersatz_ and imitation) a

beautiful old glass carafe, a shepherd and a sacrificial lamb engraved

upon it (perhaps once a church vessel), but in it was a stopper, half

cork and half tin, with an imitation turquoise in the middle.

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