IV

The noon-bell in the southern turret of the Fondaco chimed softly. A

painter at work on the facade near by looked up inquiringly at the sun.

He smiled absently to himself and, dropping his brushes, descended

lightly from the scaffolding to the ground. He walked away a few

steps--as far as the ground permitted--and turned to look at the work

above.

"Not so bad," he murmured softly, "--not so bad ... and better from the

water." He glanced at the canal below. A white hand from a passing

gondola waved to him and motioned approvingly toward the colors of the

great wall.

"Bravo, Tiziano!" called some one from another craft. The canal took up

the cry. "Bravo, bravo! Bravo,--Tiziano!"

Titian raised his painter's cap and returned the salute. He stood with

one foot on the parapet, looking down and smiling with easy grace, at

the pleasure-loving crowd below. A man came in sight around the corner

of the Fondaco, walking slowly and looking up at the picture as he came.

"Well?" Titian glanced at him keenly.

"Great!" responded Giorgione heartily. "The Judith bears the light well,

and when the scaffolding is down it will be better yet.... Venice will

be proud!" He laid his hand affectionately on the other's shoulder and

motioned toward the throng of boats that had halted below, gazing at the

glowing wall.

"To-day Titian--to-morrow another!" said Titian a little bitterly.

"Why care?" responded Giorgione. "Some one to-day told me that my

Judith, on the south wall here, surpasses all my other work together."

He laughed cordially.

Titian looked at him keenly. His face had flushed a little under the

compliment. "It is like you not to care," he said affectionately.

"Care! Why should I care--so that the work is done?" His eyes rested

lovingly on the facade. "It is marvellous--that trick of light," he said

wonderingly.... "You must teach it to me."

Unfinished Portraits: Stories of Musicians and Artists · 第 38 / 51 题