I
"About so high, I should think," said the girl, with a swift twinkle.
She measured off a diminutive man on the huge blue-and-white porcelain
stove and stood back to survey it. "And about as big," she added
reflectively.
Her sister laughed. The girl nodded again.
"And _terribly_ homely," she said, making a little mouth. Her eyes
laughed. She leaned forward with a mysterious air. "And, Marie, his coat
is green, and his trousers are--white!"
The two girls giggled in helpless amusement. They had a stolid German
air of family resemblance, but the laughing eyes of the younger danced
in their round setting, while the sleepy blue ones of the older girl
followed the twinkling pantomime with a look of half protest.
"They were in the big reception-room," went on the girl, "and I bounced
in on them. Mamma Rosine was giving him the family history--you and me."
They giggled again.
The younger one drew down her face and folded her hands in matronly
dignity, gazing pensively at the blue-and-white stove, her head a little
to one side.
"My own voice is alto, Herr Schubert, and my daughter Caroline's; but my
daughter Marie has a _beautiful_ soprano." She rolled her eyes, with an
air of resigned sentiment, and shook the bobbing black curls gently from
side to side. "And he just twiddled his thumbs like this, and grunted."
She seized her sister around her plump waist and shook her vigorously.
"Don't you _see_ it?" she demanded.
The older girl laughed hysterically, with disturbed eyes.
"Don't, Cara!" she protested.
The dark eyes bubbled again.
"And his hair curls as tight--" She ran a hand along her rumpled curls,
then a look of dismay crossed the laughing face. She subsided into a
chair and folded her hands meekly. The little feet, in their stout
ankle-ties, swung back and forth beneath the chair, and the round,
German face assumed an air of wholesome stupidity.
Her sister, whose slow glance had followed hers, gave a little gasp, and
sank into a chair on the opposite side of the stove, in duplicate
meekness.
The door at the other end of the room had swung open, and a tall woman
swept in, followed by a diminutive figure in green coat and white
trousers. A pair of huge spectacles, mounted on a somewhat stumpy nose,
peered absently from side to side as he approached.
"My daughters, Herr Schubert," said the tall lady, with a circumflex
wave of her white hand that included the waxlike figures on each side
the stove.
They regarded him fixedly and primly.
His glance darted from one to the other, and he smiled broadly.
"I haf seen the young _Fraeulein_ before," he said, indicating the
younger with his fat hand.
The dark, round eyes gazed at him expressionless. His spectacles
returned the gaze and twinkled.
"She has come into the reception-room while you were explaining about
the voice of Fraeulein Marie," he said, with a glance at the other
sister.
The waxlike faces shook a little.
The lady regarded them severely.
"She is only eleven," she murmured apologetically to the little man.
"Ja! So?" he muttered. His glance flashed again at the immovable face.
"Caroline, my child, come here," said her mother.
The child slipped down from the stiff chair and crossed to her mother's
side. Her little hands were folded, and her small toes pointed primly
ahead.
"My youngest daughter, Herr Schubert," said the lady, slipping an arm
around the stiff waist. "Caroline, this is your new music tutor, Herr
Schubert."
The child bobbed primly, and lifted a pair of dark, reflective eyes to
his face.
His own smiled shrewdly.
"She will be a good pupil," he said; "it is the musical type." The green
coat and white trousers bowed circumspectly to the small figure.
"Now, Marie"--the tall lady shook out her skirts--"Herr Schubert will
try your voice. But first, Herr Schubert, will you not give us the
pleasure?" She motioned politely toward the piano, and sank back with an
air of fatigued sentiment.
He sat down on the stool and ran his white, fat fingers through his
curling hair. It bristled a little. The fingers fell to his knees, and
his big head nodded indecisively. Then it was thrown back, and the
fingers dropped on the keys: the music of a Beethoven sonata filled the
room.
The grand lady forgot her sentiment, and the little waxlike figures gave
way. Their eager, tremulous eyes rested wonderingly on the broad back
of the player.
The white fingers had dropped on the keys with the lightness of a
feather. They rose and flashed and twinkled, and ran along the keyboard
with swift, steel-like touch. The door at the end of the room opened
softly. A tall man entered. He looked inquiringly at the grotesque
green-and-white figure seated before the piano, then his glance met his
wife's, and he sank into a big chair by the door, a pleased look on his
dark face. The younger child glanced at him shyly. He returned the look
and smiled. The child's face brightened.
The door opened again, and a slight figure stood in the doorway. He
looked approvingly toward the piano, and dropped into a chair at the
other side of the door, twirling his long, light mustaches.
The player, wrapped in sound, was oblivious to the world outside. The
music enveloped him and rose about him, transfiguring the plain, squat
figure, floating above the spectacled face and crisp, curling locks. His
hearers glanced approvingly at one another now and then, but no one
spoke or moved. Suddenly they were aware that a new mood had crept into
the notes. Quick, sharp flashes of fear alternated with passages of
clear, sunlit strength, and underneath the changing melody galloping
hoof-beats rose and fell.
The dark-eyed child sat poised forward, her hands clasped about her
knees, her tremulous gaze fixed on the flying fingers. She started and
caught her breath sharply. Faster and faster thudded the hoofs; the note
of questioning fear beat louder, and into the sweet, answering melody
crept a note of doubt, undefined and terrible, a spirit echo of the
flying hoofs. It caught up question and answer, and turned them to
sharp, swift flight. The pursuing hoofs struck the sound and broke it;
with a cry the child leaped to her feet. Her hands were outstretched,
and her face worked. The man by the door turned slightly. He held out a
quiet, imperious hand, and the child fled across the room, clasping the
hand in both her own, and burying her face in his shoulder. The swift
sound was upon them, around them, over them, sweeping past, whirling
them in its leaping, gigantic grasp. It hesitated a second, grew
strangely sweet and hushed, and dropped through a full, clear octave on
a low note. It ceased. The air quivered. The player sat motionless,
gazing before him.
The dark man sprang to his feet, his face illumined, the child clinging
to his hand. He patted the dark curls carelessly as he flashed a smile
to the young man at the other side of the room.
"That's mine, Schoenstein," he said exultantly; "your tenor voice won't
carry that."
The other nodded half grudgingly.
They were both looking toward the player. He swayed a little on the
stool, stared at the ceiling a moment, and swung slowly about, blinking
uncertainly.
The older man stepped forward, holding out a quick hand.
"Wunderschoen!" he said warmly. "What is it? Are there words to it? Can
you get it for me?"
The tiny man seemed to shrink a little. He put out his fat hand and
waited a moment before he spoke. The full, thick lips groped at the
words.
"It is--it is something--of my own," he said at last.
They crowded about him, questioning and delighted.
"Have you published it? What is it?"
"'Der Erlkoenig,'" said Schubert shortly. The child's face quivered.
"I know," she said.
Her father glanced down at her, smiling.
"What do you know?" he said gently.
"I read it," said the child, simply. She shivered a little. "The Erlking
carried him off," she said. She covered her face, suddenly in tears. She
was quivering from head to foot.
The count glanced significantly at his wife. She came forward and laid
her hand on the child's shoulder.
"Come, Caroline. Come, Marie," she said. "Later, Herr Schubert, I shall
have the pleasure of thanking you." She swept from the room.
The three men remained, looking a little uncomfortably toward the closed
door.
The count shrugged his shoulders and glanced at the musician.
"A very impressionable child," he said lightly.
"A very unusual child," returned the small man gravely. He was blinking
absently at the count's dark face. "She has the temperament," he
murmured softly; "she will learn."
The count beamed on him.
"We depend on you to teach her," he said suavely. "You will go with us
next week to Zelitz?"
The young man bowed uncertainly. His full lips smiled doubtfully. "It is
an honor," he said, "but I must work. There is not time to lose. I must
work." He moved his big head from side to side and twirled his fingers.
The count smiled genially.
"It shall be arranged--a little house by yourself, apart from the
castle--a piano, absolute quiet, lessons only by your own arrangement."
He spoke quietly, in the tone of a superior granting terms.
The thick lips opposite him were puckering a little, and the eyes behind
the great spectacles blinked mistily.
"I must have time," repeated the little man--"time to think of it."
The count's face clouded a shade.
"We depend on you," he said. The tone had changed subtly. It was less
assertive. "With the Baron von Schoenstein--" he motioned toward his
companion; the two young men bowed slightly--"with the baron we have a
fine quartet, and with you to train us--oh, you _must_ come!" His face
broke into a winning smile.
The young man smiled in return.
"I will come," he said; "but--free," he added.
"Free as the wind," assented the count easily. The note of patronage was
gone.
A big sunny smile broke over the musician's face. It radiated from the
spectacles and broadened the wide mouth.
"_Ach!_ We shall do great things!" he announced proudly.
"Great things," assented the count. "And 'Der Erlkoenig'--I must have
'Der Erlkoenig.' Bring it with you."
"'Der Erlkoenig' shall be yours," said Schubert grandly. There was the
air of granting a royal favor in the round, green-and-white little
figure as it bowed itself from the room.
In the hall he stumbled a little, looking uncertainly about. A small
figure glided from a curtained window and approached him timidly.
"Your hat is on the next landing, Herr Schubert," she said.
He looked down at her. His big face flushed with pleasure. "You like my
music," he said bluntly.
She shook her head gravely.
"It is terrible," she replied.
The spectacles glared at her.
"It hurts me here." She raised a small, dark hand to her chest.
The musician's eyes lighted.
"That is right," he said simply; "ja, that is right--it hurts."
They stood looking at each other in the dim light. The child's eyes
studied the big face wistfully.
"I wish you would never play it again."
"Not play my 'Erlkoenig!'" He glared at her.
She nodded slowly.
"Never," she said.
He waited a moment, looking at her sternly. He pushed his spectacles far
up on the short curls and rubbed his nose vigorously.
The child's eyes waited on the queer, perturbed face. She gave a quick
little sigh. Her lips had parted.
He looked down with a sudden big smile.
"I will never play it for you again," he said grandly. The spectacles
descended swiftly, the door banged behind him, and the child was left
alone in the great dim hall.