IV

A tall man with keen eyes and a round stomach stood in the shadow of the

Johanneskirche, lost in thought and humming to himself. Now and then he

took off his glasses and rubbed them vigorously, and put them on again

to peer absently down the street.

A heavy figure, clad in the faded blue uniform of the Michaelsschule,

rounded the corner, puffing heavily.

"Ach, Kerlman!" The tall man started forward with a stride. "You are

late."

The other nodded imperturbably.

"Ja, I am late. Those boys--I cannot make to hurry." He spoke as if

assigning sufficient reason and wiped his brow.

A twinkle came into the keen eyes. "And one of them you have lost

to-day," he said dryly. He cocked his eye a trifle toward the heavy

church that rose behind them.

The other looked quickly around.

"That S'bastian--was he here?" he demanded.

"In there," replied the tall man, smiling. "No, no!" he laid his hand on

his companion's arm as he started forward. "Let be--let be!... We must

help him--that boy. You have not heard him play my organ. Wait!" He held

up his hand.... Music was stealing from the gloomy shadows of the

church.

"Come in," said the master. He pushed open a low door and they entered

the great church. Far up in the loft, struck by a shaft of light from a

gable in the roof, the boy was sitting, absorbed in sound. His face was

bent to the keys as his hands hovered and paused over them and drew

forth the strangely sweet sounds that filled the great building.

The two musicians below stood looking up, their big heads nodding

time.... Suddenly they paused and looked at each other with questioning

glance. The music was quickening and broadening with a clear, glad reach

of sound, and underneath it ran a swiftly echoing touch that bound the

notes together and vibrated through them.

"How was he doing that?" whispered the small man excitedly. "You have

taught him that?"

The other shook his head.

"Come, we will see."

Together they tiptoed through the dark church, softly--up to the

organ-loft and peered in. The boy, oblivious to sight and sound, played

on.

Kerlman leaned far forward, craning his neck. He drew back, a look of

stupefaction in his face. He held up his large thumb and looked at it

soberly.

"What is it?" whispered the other.

"You see, Johannes Bohm?" He shook the fat thumb in his companion's

face. "He does it with that!"

The master peered forward, incredulous. Slowly he crept up behind the

boy, his eyes fastened on the moving hands. His shadow fell on the keys

and the boy looked up. His face lighted with a smile.

"Go on," said the master sternly. His eyes still watched the hands.

Slowly his big fingers reached over and grasped the thumb as it pressed

lightly on a key. "Who told you that?" he demanded.

The boy looked down at it, puzzled. Then his face grew a little ashamed

and doubtful. "It is wrong, I know," he admitted. "Yes, it is wrong."

"Who taught you?"

"Nay, no one would teach it. I just happened--one day. It makes it so

easy."

"Yes, I see." The master's voice was curt.

"I will never do it again," said the boy humbly.

"No--you might play it for me once--just once, for me," said the master.

The boy's hands ran lovingly to the keys. They crept along the maze of

sound and rose and fell in the changing rhythm. Shyly the small thumb

darted out and found its key, and filled the great church with the

tremulous, haunting call of note answering note.

The master bending over the keys wiped his brow and looked at the boy

proudly, with a little wonder in his face. "Good.... Ach--but good,

good!" he murmured softly.

The boy looked up quickly. His clear skin flushed. "May I use

it--sometimes?" he asked, doubting.

Bohm gave a sharp, generous laugh. "You may use it." He laughed again.

"All the world will use it!" he said, patting him on the back. "It is a

great discovery. Play more."

The boy turned obediently to the keys, and while he played, the master

slipped away. "Come down," he whispered to Kerlman, whose fat bulk

filled the doorway. "Let us come down and get some beer. I am very dry

this day."

Over their mugs, in the garden across the way, they looked at each other

solemnly. Then they threw back their big heads and laughed till their

sides shook and their wigs stood askew. Kerlman laid his fat thumb on

the table and regarded it respectfully. "Gott im Himmel!" he said.

Bohm nodded, his eyes twinkling.

The fat man raised his thumb from the table and twiddled it in the air.

It fell with a stiff thud. "Ja, ja," he said, half impatient, half

laughing. "How is one to do it--such fool tricks! Ja, ja!"

The keen eyes watching him had a proud look. "You know what he will

be--that boy," he said exultingly. "He will be a great musician!"

"He will be a great bother," grumbled Kerlman. "First," he checked off

the vices on his fingers--"first, he comes to us three weeks late--three

weeks late--because his brother promises, and takes it back and waits to

die--Bah!" He took a sip of beer and laid out another fat finger.

"Second, he sings two octaves at the same time--two octaves! Did one

ever hear such nonsense! Third, he loses his voice, his beautiful voice,

and sings no more at all." He shook his head heavily. "Fourth, he is

running away to Hamburg to listen--always to Hamburg, to listen to

Reinken, and coming back to be forgiven. Ja, ja! Seven times I have

forgiven him. I think he is making ready now to go once more!" He glared

at his companion.

Bohm nodded slowly. "I was to ask you for that to-day," he said,

smiling.

"Ja! ja--I have thought so." He looked sadly at the four short fingers

resting on the table. "And fifth--fifth--now what is that fifth? Ach, it

is that! That thumb!" He scowled at it. "That crawling, snivelling,

stiff-necked one!" He brought it down with a thump on the table. "To

make me all my days ashamed!" He held up the thumb and shook it

scornfully.

High up in the Johanneskirche, in front of the big organ, the boy was

playing--with head and hands and heart and feet and thumb--swaying to

the music, lifting it from the great organ till it pealed forth, a

mighty sound, and, breaking from the gloomy church, floated on the still

air.... In the garden across the way, above their mugs, two old,

white-wigged heads nodded and chuckled in the sun.

V

The Katherinenkirche was dark, and very still--except for a faint noise

that came from a far corner of the upper left-hand gallery. The old

verger, moving about in felt slippers below, paused now and then, and

looked up as the sound grew louder or died away. It was like a mouse

nibbling--and yet it was not a mouse.

The verger lighted a taper and prepared to ascend the stairs.

He heaved a sigh as he climbed the steep step, throwing the candle rays

ahead of him into the gloom of the gallery. Not a sound. The silence of

death was in the big church.... Muttering to himself, he traversed the

long aisle at the top of the gallery, peering down into the vacant seats

that edged the blackness below.

Suddenly he stopped. His eye had caught a gleam of something to the left

of the last pillar. He snuffed the wavering taper with his fingers and

leaned forward. A face grew out of the darkness and stood up.

"What are you doing?" demanded the old man, falling back a step.

"Eating my supper," said the youth. He held up a handkerchief. In the

dim light two pieces of crisp, dry bread shaped themselves, and a

generous odor of cheese floated out.

"In the church!" said the verger, with an accent of horror.

The youth's face regarded him pleadingly.

"Come away!" said the old man sternly.

He led the way down the steep stair, into a high, small room, lighted by

a narrow window over which cobwebs ran. "Here you may eat," he said

laconically.

With a grateful glance the youth seated himself on the edge of a chair

and opening his handkerchief took out a piece of the dry bread. His

teeth broke it crisply, and crunched sharply upon it as he ate.

The old man nodded with satisfaction. "That is the mouse," he said.

The youth smiled faintly.

"Where do you come from?" asked the verger.

"From Lueneburg."

"You walked?"

The youth nodded.

"I have seen you before, here."

"Yes."

The old man watched him a minute. "You ought to have some beer with

that bread and cheese," he said. "Have you no coppers?"

The youth shook his head. "Reinken is my beer," he said, after a little.

His face was lighted with a sweet smile.

The old man chuckled. "Ja, ja!" He limped from the room. Presently he

returned with a pewter mug. It was foaming at the top. "Drink that," he

commanded.

The youth drank it with hearty quaffs and laughed when it was done. "Ja,

that is good!" he said simply.

The old man eyed him shrewdly. "In half an hour Reinken comes to play,"

he suggested craftily.

Unfinished Portraits: Stories of Musicians and Artists · 第 20 / 51 题