CHAPTER FOUR.

GIBAULT HAS AN ADVENTURE, AND DISCOVERS A VERY STRANGE CREATURE IN THE

WOODS--A MOST TREMENDOUS BEAR-HUNT PARTICULARLY DESCRIBED.

Meanwhile Black Gibault, having followed the course of the river for

some distance on foot, struck into the woods, sought for and found the

track of the bear, and, looking carefully to the priming of his gun, and

knocking the edge of the flint to sharpen it, pushed forward in pursuit

with the ardour of a reckless man.

Gibault Noir was a goose! But he was an amiable goose; therefore men

forgave his follies. Had Gibault not been a goose he never would have

set off alone in pursuit of a grisly bear when he had comrades who might

have accompanied him. Every one knows--at least, if every one does not

know, every one who reads these pages may know henceforth--that the

grisly bear of the western prairies and Rocky Mountains is one of the

most desperate and most dreaded animals on the face of the earth; not

dreaded merely by the weak and the timorous, but dreaded also by the

bravest Indians and the boldest trappers. Of course we do not mean to

say that by these latter the grisly bear is dreaded with anything like

cowardly terror; but it is regarded with that degree of wholesome

anxiety and extreme caution with which men usually regard an excessively

dangerous and powerful enemy.

Unlike other bears, the grisly bear scorns to fly from before the face

of man. His ferocity, when wounded, is terrible, and his tenacity of

life is such that, however many mortal wounds one may give him, he will

retain life and strength long enough to kill his assailant before he

himself dies, unless he is shot dead at once by a ball being planted in

his heart or brain, both of which are difficult to reach.

He has a grumpy sort of magnanimity of his own, however, and will

usually let men alone if men will let him alone. But men are not prone

to let anything alone; hence encounters are frequent; wounds, on both

sides, are numerous; and death, on one or other side, is almost certain.

Old trappers are not fond of attacking Caleb single-handed, but young

hot-blooded fellows, who have got their names to make, are less

cautious, and sometimes even court the combat, as was the case in the

present instance with reckless Gibault Noir.

For half an hour, Gibault went over the ground at a sort of half-walk,

half-trot, stopping occasionally to examine the prints of the bear more

narrowly when they passed across hard ground that did not take a good

impression. At length he came to a deep gully or creek, where the

bushes were so dense that he could not see far through them in any

direction. Here he halted, re-examined his priming, and, peering

cautiously through the underwood, advanced with much greater

deliberation and care than heretofore.

In descending the gully, Gibault stumbled once or twice, and made one or

two crashing bursts through bushes that would have proved quite

impervious to most men. After much toil he reached the bottom, and,

standing there, up to the ankles in a small rivulet, gazed upward at the

bank he had now to ascend.

"Vraiment, it be uncommonly difficile," said he, addressing himself to

the task, while the perspiration began to roll down his forehead.

At last he reached the top of the bank on the other side, and, after

panting for some time, began to look for the bear's footprints; but

these could not now be found. In his scramble through the gully he had

lost them, and the ground on the side he had just reached was so hard

and rocky that it seemed to him doubtful whether it was capable of

receiving any visible impression from a bear's paw. It was just

possible, too, that the animal had found the descent of the gully as

difficult as he himself had; in which case it was highly probable that

it had used the course of the rivulet as a pathway.

For a moment, the little Canadian meditated a second descent into the

gully for the purpose of settling this point, but, having not yet quite

ceased to pant from his recent exertions, he thought better of it, and

determined to make a further examination of the ground where he was.

After doing so for a quarter of an hour, his exertions were rewarded by

the discovery of what appeared to be a track. It was not very distinct,

but it was sufficiently so to induce him to follow it up with renewed

ardour.

Presently he came upon a spot where the ground was not so thickly

covered with underwood, and where, in some places, it was so soft as to

show an exact print of the foot of the animal he was following up. Here

he received a great disappointment, and an equally great surprise--a

disappointment on finding that the track he followed was _not_ that of a

bear, and a surprise on discovering that it _was_ that of a man!

On first making this discovery, Gibault stopped short, laid his gun on

the ground, stooped down, planted a hand on each knee, opened his eyes

to their utmost, pursed his lips to the tightest, and stared at the

footprint, the very embodiment of astonishment. After a few seconds he

gave vent to a low whistle, and said "Ho!" Exactly ten seconds after

that, he said "Ha!" and, raising his right hand, scratched the point of

his nose, which, being too red naturally, was not improved by the

operation.

None of these acts and exclamations, either collectively or singly,

seemed to afford him any enlightenment, for he began to shake his head

slowly from side to side, as if he had come to the conclusion that the

whole affair was utterly beyond his limited comprehension; then he

started up, shouldered his gun, and followed the track of the man with

as much ardour as he had formerly pursued that of the bear.

Perseverance is almost invariably rewarded. This would seem to be one

of those laws of nature which fail to operate only on very rare and

peculiar occasions. Gibault had not advanced more than a hundred yards

when he came suddenly upon the man whose feet had made the tracks he had

been following.

"The Vild-Man-of-de-Vest! certainement!" muttered Black Gibault slowly,

as he gazed at the creature before him, and quietly cocked his rifle to

be ready for any emergency.

Certainly the man upon whom our trapper had stumbled thus suddenly might

have been styled the wild man of any region--west, north, east, or

south,--with perfect propriety. On his legs were a pair of dark grey

fustian trousers, which had seen so much service that, from the knee

downwards, they were torn into shreds. His feet were covered by a pair

of moccasins. Instead of the usual hunting-shirt he wore one of the

yellow deerskin coats of a Blackfoot chief, which was richly embroidered

with beads and quilt work, and fringed with scalp-locks. On his head he

wore a felt hat, with a broad rim and a tall conical crown, somewhat

resembling a Spanish sombrero, and beside him, on the bough of a tree,

hung a long blue Spanish cloak. The countenance of this extraordinary

man was handsome and youthful, but wild and somewhat haggard, as if from

much recent suffering. His eye was black and piercing, his nose

aquiline, and his forehead broad, but his mouth was effeminate, his chin

small and beardless, his neck long, his shoulders narrow and sloping,

and his black hair hung in long straight locks over his shoulders. A

short sword, somewhat resembling that of the ancient Roman, lay on the

sward beside him, and near to it a huge cavalry pistol of the olden

time, with a brass barrel and a bell mouth--a species of miniature

blunderbuss. Its fellow was stuck in his belt, beneath the chief's

coat, as could be observed from the appearance of the butt protruding

from the opening in the breast thereof.

This personage was seated on a grassy knoll so absorbed in some curious

kind of occupation that he was totally unobservant of the presence of

Gibault until he had approached to within thirty yards of him. Although

his occupation was a mystery to the trapper, to one a little more

conversant with the usages of civilised life, the open book on the knee,

the easy flow of the pencil, and the occasional use of a piece of

indiarubber, would have been sufficient evidence that the young man was

sketching the view before him.

"Ahem!" coughed Gibault.

The stranger scattered book, pencil, and indiarubber to the winds (or to

the atmosphere, for there happened to be no wind at the time), and

started up. In doing so, he showed that he was at least a tall, if not

a stout fellow. Seizing a pistol with one hand and his sword with the

other, he presented both at Gibault, and yelled, rather than shouted,

"Stay! halt! stop now, my man; drop the butt of your gun, else I'll--

I'll blow out your brains."

Although somewhat startled by this unusual mode of salutation, the

trapper had sense and quickness enough to perceive that the artist was

in anything but a warlike state of mind, and that his violent

demonstration was the result of having been startled; so, pulling off

his cap with that native politeness which is one of the characteristics

of the French Canadian, he advanced, and said--

"Bon jour, monsieur. I ver' moch sorray dat I be give you von fright.

Pardon, sair; how you do?"

"Thank you--thank you, good fellow," replied the artist, laying down his

weapons and grasping Gibault's proffered hand with a sigh of evident

relief, "I am well, excellently well. You did, indeed, startle me by

your sudden appearance; but no harm is done, and where none was intended

no apology is necessary. You are a Frenchman, I think?"

"Non, sair; not 'xactly. I be French Canadian. Mine fadder was be von

Canadian; mine moder was a Frenchvoman; I be leetle of both."

"And you have cause to be proud of your country, my man," returned the

artist, collecting his scattered drawing materials and quietly sitting

down to continue his sketch, "a splendid country and a noble people.

Sit down, my good friend, if you can spare time, while I put a few

finishing touches to this sketch."

"Mais," said Gibault, rubbing his nose in great perplexity at the

coolness of this eccentric wanderer; "mais, monsieur, I hab _not_ time;

I be follerin' de tracks of von monstracious grisly bar--"

"What! a grisly bear?" cried the artist, looking up with sudden

animation.

"Oui, monsieur. We have see him not long 'go, an' hopes to kill him

soon."

The artist's dark eye sparkled with animation as he hastily shut up his

sketch-book and thrust it, with his drawing materials, into a small

pocket inside the breast of his coat.

"A grisly bear!" he repeated. "Ha! lead on, good fellow, I will

follow."

Thus urged, Gibault, without further loss of time, led the way to the

banks of the river, followed closely by his new friend, who stalked

behind him with long ostrich-like strides. The semi-theatrical air of

the artist made a deep impression on the trapper. Had Gibault known

what a theatrical air was, he might have been immensely tickled; but,

being what he was--an unsophisticated son of the wilderness--he knew

nothing about such airs, and therefore regarded his companion in the

light of a superior order of being, or a madman; he was not quite sure

which.

In a few minutes they emerged from the bushes and came out upon the bank

of the river, which at that part was high and precipitous, with few

trees, but a considerable quantity of underwood on the slopes.

"Are you sure, friend, that a bear has been seen by you?" inquired the

artist.

"Oui; most positavly sure, sair. Ha! an' here be him's fut encore. I

have lose him in de vood. Now, monsieur, have your pistol ready."

"Lead on," returned the artist. "I have longed much for this day. To

shoot an individual of this ferocious class has been my ambition--Ho!

friend, look here. Yonder object seems like a canoe. Whence comes it,

think you? This region, I know, is not very safe. There are Indians

who do not love the whites in--"

"No fear, monsieur," interrupted Gibault, "dat be mine comerades--Good

mans an' true every von. Dey come to land here, I see."

A low growl in the bushes a little distance ahead of them put an abrupt

termination to the conversation. Gibault threw forward the muzzle of

his gun, and glanced at his comrade. The glance did not tend to comfort

him. The artist was pale as death. This, and an occasional twitch of

the lip, were clear and unmistakable signs to the backwoodsman that fear

had taken possession of his friend, and that he was not to be counted on

in the moment of danger. Yet there was a stern knitting of the

eyebrows, and a firm pressure of the lips, that seemed to indicate

better qualities, and perplexed him not a little.

"P'r'aps, monsieur," suggested Gibault hesitatingly, "you had better

vait for de canoe."

"Lead on!" said the artist, cocking both pistols, and pointing with one

of them to the place whence the growl had issued.

Gibault elevated his eyebrows, shrugged his shoulders

characteristically, and, uttering the single word "bien!" walked quickly

forward.

A few steps brought him to an open space, in the midst of which the

grisly bear was discovered. It was seated on its haunches, looking

sulkily about, as if it had a suspicion that enemies were tracking it.

Creeping with the utmost caution on his hands and knees, Gibault got to

within forty yards of the monster, whose aspect at that moment was

enough to try the courage of most men. There was a wicked glare in his

little eye, as he swayed his huge body from side to side, that indicated

but too clearly the savage nature of his disposition. Even Gibault felt

a little uneasy, and began to think himself a fool for having ventured

on such an expedition alone. His state of mind was not improved by the

sound of the artist's teeth chattering in his head like castanets.

Taking a very long and deliberate aim at the bear's heart, he pulled the

trigger, but the faithless lock of his old flint-gun missed fire.

Without a sign of annoyance or agitation, the trapper recocked the gun,

again pulled the trigger, and with the same result. Three times this

occurred, and at each click of the lock the bear cocked his ears

inquiringly. The third time, he rose and sauntered slowly towards the

spot where the men lay concealed.

"Stay," whispered the artist, as Gibault was once more about to try his

piece, after rubbing the edge of his flint with his thumb-nail; "stay, I

will fire."

So saying, he suddenly pointed a pistol straight at the advancing

monster and fired. A tremendous roar followed the report. Gibault

leaped up, exclaiming angrily, "Vat foolishness! a pistol! hah! ve must

run." He turned at once to do so.

"Stay!" cried the artist, who no longer trembled, though his countenance

was still ashy pale, "I have another pistol."

"Does you vish to _die_?" yelled the trapper, seizing his comrade by

the collar.

Whether it was the yell of the man, or the reiterated roar of the

advancing bear, or both combined, that had an effect on the artist, we

cannot tell, but certain it is that he sprang up and darted after

Gibault with astonishing rapidity. Being long-legged and uncommonly

supple he soon passed him; but, fast though they both ran, the bear ran

faster, and, having been badly cut up about the face by the slugs with

which the pistol had been charged, his spirit was roused to the utmost

pitch of ferocity.

Now, while this was going on in the bush, the other trappers were

quietly fastening the line of their canoe to a shrub that held it

floating in a pool of still water near the shore. No sooner did the

pistol-shot ring upon their ears than every man seized his gun, hastily

examined the priming, and scrambled up the bank, which at that spot was

very steep.

Having gained the top, they paused for an instant to gaze intently at

the bank of the river above them, in order to ascertain the exact spot

to which they ought to hurry.

"I see no smoke," said March Marston in a tone of deep anxiety.

"Gibault's gun didn't use for to bark in that sort o' voice," observed

Bounce.

"I do b'lieve that bar's got 'im," cried Big Waller, bounding forward.

He had not taken a second bound when the artist, flying at full speed

about three hundred yards up the river, burst upon the astonished vision

of the party. His sombrero had blown off, his long hair streamed

straight behind him, so did the scalp-locks on his coat, and so did his

long cloak which was fastened to his neck by a clasp, and which, in his

present panting and rushing condition, wellnigh strangled him.

Before the wonder-stricken trappers had time to remark on this singular

apparition, or to form any opinion in regard to it, poor Gibault came

tearing round the point like a maniac, with the bear close upon his

heels. This was enough. The backwoodsmen no longer showed any signs of

surprise or hesitancy. A grisly bear was a familiar object--a comrade

in imminent danger was equally so. They sprang forward to meet the

fugitives.

By this time the cloak had so retarded and strangled the poor artist

that he had fallen a pace or two behind Gibault, and it seemed almost

certain that he would fall a victim to the furious bear before the

trappers could kill it, for they could not venture to fire at it while

the fugitives almost screened it from their view. As they drew near to

each other the trappers almost instinctively divided into two parties.

Redhand and Hawkswing went a little to the right; Bounce, Waller, and

our hero, diverged to the left, so as to let the flying men pass between

them, and thus attack the bear on both sides at once.

Gibault attempted to cheer as he darted through the friendly line, but

he could only give forth a gasp. At that moment an unexpected incident

contributed to the deliverance of the artist. The bear was within a

yard of him as he came up; just then the clasp of his cloak gave way,

and the huge garment instantly enveloped the head of the bear and a

considerable portion of its body. It tripped, rolled over, and, in

attempting to free itself, tore the cloak to shreds.

At the same instant a volley was fired by the trappers, and three balls

pierced its body. None of them, however, seemed to have hit a mortal

part, for the infuriated animal instantly rose and glared from side to

side in disappointed malice, while the trappers who had fired were

reloading, each behind a bush, with perfect coolness, but with the

utmost celerity.

While the bear was on the ground, the fugitives had each sprung into the

bush, and found a place of concealment. Redhand on the one side, and

Bounce on the other, had reserved their fire; the wisdom of this was now

shown. The bear made a rush at the bushes on one side, and instantly

received a shot from the other. It turned at once to rush on the

concealed enemy there, but, before it had made a stride in that

direction, another ball was lodged in it from the opposite side. The

vacillations thus produced gave the other trappers time to reload, and,

before it had made up its mind which to attack, another volley was

fired, and three balls took effect, Redhand and Bounce still reserving

their fire as at the first.

The impotent fury of the creature was now awful to behold. It was

mortally wounded; there could be no doubt as to that, for the trappers

were all pretty good shots and knew where to fire, but they had not

succeeded yet in reaching the seat of life. One ball had broken the

bear's shoulder, and the blood flowed from its wounds, while churned

blood and foam dropped from its jaws.

Before another volley could be fired it made a furious rush at the three

men who had kept away to the left, namely, Big Waller, Bounce, and

March. There was no help for it; not having completed their loading,

they had to drop their guns and run. We have already said that these

three had diverged towards the river. It now proved to be unfortunate

that they had done so, for the bank at that place jutted out into the

stream in such a way that it was impossible for them to avoid leaping

into the river. The bank overhung the stream and was fully twenty feet

high. Big Waller, who reached it first, hesitated to take the leap.

Bounce, who came next, rushed violently against him, and the two went

over together, fell into the water with a tremendous splash, and sank.

March come up the instant after, and sprang far out at once with a bold,

unhesitating spring. The bear was so close upon the youth that for one

moment they were both in the air at the same time, but the former had

not gone off with a spring, he merely tumbled over, half involuntarily,

so that when they struck the water there was at least a yard between

them. But this was not a long space. The superior swimming powers of

the bear over the man would have diminished the distance to nothing in a

minute or so. Even as it was, the bear was within six inches of March's

heels when Hawkswing and Redhand gained the edge of the bank.

Redhand was armed with a rifle--an old and trusty weapon that had been

the means of saving his own life and the lives of comrades in many a

doubtful encounter with beast and with man. Kneeling down, he took a

rapid aim and fired. The bullet sped true. It entered the back of the

bear's head, and the lifeless carcass floated down the stream. The

three men, instantly observing the effect of the shot, turned round,

and, swimming towards their late enemy, laid hold of him, and dragged

and pushed him with some difficulty towards the shore.

Meanwhile Black Gibault, who had issued from his hiding-place and had

witnessed Redhand's successful shot, began to caper and dance and shout

in the exuberance of his glee. Most men are apt to suffer when they

give way to extravagant action of any kind. Gibault forgot that he was

on the edge of an overhanging bank. The concussion with which he came

to the ground after the performance of a peculiarly complicated

pirouette broke off the edge of the bank, and he was precipitated

headlong into the river, just a yard or so from the spot where his

comrades were engaged in landing the bear.

A loud laugh greeted his sudden and unexpected descent. Scrambling on

shore, and laying hold of the bear's tail, he exclaimed--

"Hah! mes garcons, heave avay. I have come down for to give you leetle

help. Splenderous hear! Pull avay!"

The bear was then dragged out of the water and stretched upon the green

sward, where for some time the trappers stood round it in a picturesque

group, commenting upon its size and appearance, and remarking upon the

various incidents of the chase.

As the exact dimensions of this particular bear were taken and noted

down on the spot, we will give them here for the benefit of inquiring

minds. It weighed, as nearly as could be guessed by men who were

practised in estimating weights, 600 pounds. On its hind legs it stood

8 feet 7 inches. Round the chest it measured 5 feet 10 inches; round

the neck 3 feet 11 inches. The circumference of the thickest part of

the fore leg was 2 feet, and the length of each of its claws was 4 and a

quarter inches. It was whitey-brown in colour, and a shaggier, fiercer,

uglier monster could not well be imagined.

"But, I say," cried Bounce, looking round suddenly, "wot's come o' yon

'xtraor'nary feller as--"

Bounce paused abruptly, for at that moment his eye fell on the

"'xtraor'nary feller" in question. He was seated quietly on a large

stone, not many yards distant, with book on knee and pencil in hand,

making a rapid sketch of the party and the surrounding scene!

"Wot is he?" inquired Bounce of Gibault in a whisper.

"I calc'late," observed Waller in a low voice, at the same time touching

his forehead and looking mysterious; "I calc'late, he's

noncombobble-fusticated."

"Perhaps," said Redhand with a quiet laugh.

"Whatever he is, it's bad manners to stand starin' at him," said

Redhand, "so you'd better go and pick up yer guns and things, while

Bounce and I skin this feller and cut off his claws."

The party separated at once, and the artist, who seemed a little

disappointed at being thus checked in his work, no sooner observed the

flaying process begin than he turned over the leaf of his book, and

began a new sketch.

Not many minutes were required for the skinning of the bear. When it

was done, it, along with all the scattered things, was placed in the

canoe, and then Redhand, approaching the artist, touched his cap and

said--

"You have shared our hunt to-day, sir; mayhap you'll not object to share

our camp and our supper."

"Most willingly, my good friend," replied the artist, rising and holding

out his hand, which the trapper shook heartily. "You seem to be

trappers."

"We are, sir, at your service. It's gettin' late and we've a good bit

to go yet, before we come to the place where we mean to camp, so you'd

better come at once."

"Certainly; by all means; let us embark without delay," replied the

artist, pocketing his sketch-book.

"Pardon me, sir," said Redhand, with some hesitation, "are you alone?"

"I am," replied the other sadly; then, as if a sudden thought had struck

him--"I had two pistols and a cloak once."

"We've picked 'em up, sir. They're in the canoe now. At least the

pistols are, an' what's left o' the cloak."

"Ha! 'twas an old and cherished friend! Are you ready?"

"All ready, sir."

So saying, the old man led the way to the canoe and embarked with his

strange companion. Then, pushing out into the stream just as the shades

of night began to descend upon the wilderness, the trappers paddled

swiftly away, wondering in their hearts who and what the stranger could

be, and talking occasionally in subdued tones of the chief incidents of

the exciting combat through which they had so recently passed.

The Wild Man of the West: A Tale of the Rocky Mountains · 第 8 / 39 题