HOW TO DESIGN ARTICLES
FUNDAMENTALS OF DESIGNING.--A great deal of the pleasure in making
articles consists in creative work. This means, not that you shall
design some entirely new article, but that its general form, or
arrangement of parts, shall have some new or striking feature.
A new design in any art does not require a change in all its parts. It
is sufficient that there shall be an improvement, either in some
particular point, as a matter of utility, or some change in an artistic
direction. A manufacturer in putting out a new chair, or a plow, or an
automobile, adds some striking characteristic. This becomes his talking
point in selling the article.
THE COMMERCIAL INSTINCT.--It is not enough that the boy should learn to
make things correctly, and as a matter of pastime and pleasure. The
commercial instinct is, after all, the great incentive, and should be
given due consideration.
It would be impossible, in a book of this kind, to do more than to give
the fundamental principles necessary in designing, and to direct the
mind solely to essentials, leaving the individual to build up for
himself.
FIRST REQUIREMENTS FOR DESIGNING.--First, then, let us see what is
necessary to do when you intend to set about making an article. Suppose
we fix our minds upon a table as the article selected. Three things are
necessary to know: First, the use to which it is to be put; second, the
dimensions; and, third, the material required.
Assuming it to be the ordinary table, and the dimensions fixed, we may
conclude to use soft pine, birch or poplar, because of ease in working.
There are no regulation dimensions for tables, except as to height,
which is generally uniform, and usually 30 inches. As to the length and
width, you will be governed by the place where it is to be used.
If the table top is to have dimensions, say, of 36" × 48", you may lay
out the framework six inches less each way, thus giving you a top
overhang of three inches, which is the usual practice.
CONVENTIONAL STYLES.--Now, if you wish to depart from the conventional
style of making a table you may make variations in the design. For
instance, the Chippendale style means slender legs and thin top. It
involves some fanciful designs in the curved outlines of the top, and in
the crook of the legs. Or if, on the other hand, the Mission type is
preferred, the overhang of the top is very narrow; the legs are straight
and heavy, and of even size from top to bottom; and the table top is
thick and nearly as broad as it is long. Such furniture has the
appearance of massiveness; it is easily made and most serviceable.
MISSION STYLE.--The Mission style of architecture also lends itself to
the making of chairs and other articles of furniture. A chair is,
probably, the most difficult piece of household furniture to make,
because strength is required. In this type soft wood may be used, as the
large legs and back pieces are easily provided with mortises and tenons,
affording great rigidity when completed. In designing, therefore, you
may see how the material itself becomes an important factor.
CABINETS.--In the making of cabinets, sideboards, dressers and like
articles, the ingenious boy will find a wonderful field for designing
ability, because in these articles fancy alone dictates the sizes and
the dimensions of the parts. Not so with chairs and tables. The
imagination plays an important part even in the making of drawers, to
say nothing of placing them with an eye to convenience and artistic
effect.
HARMONY OF PARTS.--But one thing should be observed in the making of
furniture, namely, harmony between the parts. For instance, a table
with thin legs and a thick top gives the appearance of a top-heavy
structure; or the wrong use of two different styles is bad from an
artistic standpoint; moreover, it is the height of refined education if,
in the use of contrasting woods, they are properly blended to form a
harmonious whole.
HARMONIZING WOOD.--Imagine a chiffonier with the base of dark wood, like
walnut, and the top of pine or maple, or a like light-colored wood. On
the other hand, both walnut and maple, for instance, may be used in the
same article, if they are interspersed throughout the entire article.
The body may be made of dark wood and trimmed throughout with a light
wood to produce a fine effect.