CHAPTER XI.

GYPSY WITCHCRAFT.--THE MAGICAL POWER WHICH IS INNATE IN ALL MEN

AND WOMEN--HOW IT MAY BE CULTIVATED AND DEVELOPED--THE PRINCIPLES

OF FORTUNE-TELLING.

Women excel in the manifestation of certain qualities which are

associated with mystery and suggestive of occult influences or

power. Perhaps the reader will pardon me if I devote a few pages to

what I conceive to be, to a certain degree, an explanation of this

magic; though, indeed, it may be justly said that in so doing we

only pass the old boundary of "spiritual" sorcery to find ourselves

in the wider wonderland of Science.

Whether it be the action of a faculty, a correlative action of physical

functions, or a separate soul in us, the fact is indisputable that

when our ordinary waking consciousness or will goes to sleep or rest,

or even dozes, that instant an entirely different power takes command

of the myriad forces of memory, and proceeds to make them act, wheel,

evolute, and perform dramatic tricks, such as the Common Sense of

our daily life would never admit. This power we call the Dream,

but it is more than that. It can do more than make Us, or Me, or the

Waking Will, believe that we are passing through fantastic scenes. It

can remember or revive the memory of things forgotten by us; it can,

when he is making no effort, solve for the geometrician problems which

are far beyond his waking capacity--it sometimes teaches the musician

airs such as he could not compose. That is to say, within ourself

there dwells a more mysterious Me, in some respects a more gifted

Self. There is not the least reason, in the present state of Science,

to assume that this is either a "spiritual" being or an action of

material forces. It puzzled Wigan as the dual action of the brain;

and a great light is thrown on it by the "Physiology" of Carpenter

and the "Memory" of David Kay (one of the most remarkable works of

modern times), as well as in the "Psycho Therapeutics" of Dr. Tuckey.

This power, therefore, knows things hidden from Me, and can do what

I cannot. Let no one incautiously exclaim here that what this really

means is, that I possess higher accomplishments which I do not use. The

power often actually acts against Me--it plays at fast and loose with

me--it tries to deceive me, and when it finds that in dreams I have

detected a blunder in the plot of the play which it is spinning, it

brings the whole abruptly to an end with the convulsion of a nightmare,

or by letting the curtain fall with a crash, and--scena est deserta--I

am awake! And then "how the phantoms flee--how the dreams depart!" as

Westwood writes. With what wonderful speed all is washed away clean

from the blackboard! Our waking visions do not fly like this. But--be

it noted, for it is positively true--the evanescence of our dreams is,

in a vast majority of instances, exactly in proportion to their folly.

I am coming to my witchcraft directly, but I pray you have patience

with my proeme. I wish to narrate a dream which I had a few years

ago (September 5, 1887), which had an intensity of reality. Dreams,

you know, reader, vary from rainbow mist to London fog, and so on to

clouds, or mud. This one was hard as marble in comparison to most. A

few days previously I had written a letter to a friend, in which I

had discussed this subject of the dual-Me, and it seemed as if the

Dream were called forth by it in answer.

I thought I was in my bed--a German one, for I was in Homburg vor der

Höhe--yet I did not know exactly where I was. I at once perceived the

anomaly, and was in great distress to know whether I was awake or in a

dream. I seemed to be an invalid. I realized, or knew, that in another

bed near mine was a nurse or attendant. I begged her to tell me if I

were dreaming, and to awake me if I were. She tried to persuade me that

I was in my ordinary life, awake. I was not at all satisfied. I arose

and went into the street. There I met with two or three common men. I

felt great hesitation in addressing them on such a singular subject,

but told them that I was in distress because I feared that I was in

a dream, and begged them to shake or squeeze my arm. I forget whether

they complied, but I went on and met three gentlemen, to whom I made

the same request. One at once promptly declared that he remembered

me, saying that we had met before in Cincinnatti. He pressed my arm,

but it had no effect. I began to believe that I was really awake. I

returned to the room. I heard a child speaking or murmuring by the

nurse. I asked her again to shake my hand. This she did so forcibly

that I was now perfectly convinced that it was no dream. And the

instant it came home to me that it was a reality, there seized me

the thrill or feeling as of a coming nightmare--and I awoke!

Reviewing my dream when awake, I had the deepest feeling of having

been joué or played with by a master-mocker. I recalled that, when

I rose in my night-robe from the bed, I did not dress--and yet found

myself fully dressed when in the street. Then I remembered that when

I returned to America, in 1879, I was in great apprehension lest

I should have trouble and delay with our sixteen trunks, because

there was under my charge a lady who was dying. To my great relief

and amazement, the officer whose duty it was to search claimed me as

an old acquaintance, who had met me and T. Buchanan Read, the poet,

in Cincinnatti in 1864. But what impressed me most of all, at once,

was that the whole was caused by, and was a keen and subtle mockery

of my comments in my letter, of the other Ego, and of its sarcastic

power. For I had been led, step by step, through the extremest doubt,

to a full conviction of being awake, and then dismissed, as it were,

with a snap or sneer into wakefulness itself!

Now this Dream Artist is, to judge by his works, a very different

kind of a person from Me. We are not sympathetic, and herein lies a

great and serious subject of study. "Dreams," says a writer, "are the

novels which we read when we are fast asleep," and, at the risk of

receiving punishment, I declare that my writer belongs to a school of

novelists with which I have no feelings in common. If, as everybody

assumes, it is always I who dream--only using other material--how

is it that I always invariably disagree with, thwart, contradict,

vex, and mock myself? I had rather be hanged and be done with it,

before I would wrong my worst enemy with such pitiful, silly, degrading

dreams and long-forgotten follies, as I am called on to endure. If this

alter-ego were a lunatic, he could not be a more thoroughly uncongenial

inmate of my brain than he often is. Our characters are radically

different. Why has he a mind so utterly unlike mine? His tastes,

his thoughts, dispositions, and petty peculiarities are all unlike

mine. If we belonged to the same club, I should never talk with him.

Now we are coming to our Witchcraft. This alter-ego does not confine

himself to dreams. A lunatic is a man who dreams wide-awake. He

has lost his will or the controlling power resulting from the just

co-relation of brain forces. Then the stored-up images stray out

and blend. I have dreamed of telling or seeing things and of acting

them at the same time. A fish and a watch and a man may seem to be

the same thing at once in a dream, as they often are to a waking

lunatic. A poet is a man who dreams wide-awake; but he can guide

his dreams or imaginings to symmetrical form, and to a logical

conclusion or coherence. With the painter and sculptor it is the

same. When the alter-ego works harmoniously with the waking will,

we call it Imagination.

But when the alter-ego draws decidedly on latent forces, or powers

unknown to the waking Me, I am amazed. He does it often enough,

that is certain. Then we have Mystery. And it is out of this that

men have drawn the conclusion that they have two or three souls--an

astral spirit, a power of prophecy, the art of leaving the body,

and the entire machinery of occultism. Physiology is probably on the

high road to explain it all, but as yet it is not explained.

Meanwhile it steals into our waking life in many ways. It comes

in emotions, presentiments, harp tones, mystical conceptions, and

minglings of images or ideas, and incomprehensible deductions, which

are sometimes, of course, prophetic. It has nothing in common with

common sense; therefore it is to some un-common sense, or to others

non-sense. Sometimes it is one or the other. Agreeable sensations and

their harmony become the Beautiful. These blend and produce a general

æsthetic sense. It becomes mystical, and is easily worked on by the

alter-ego. The most inspired passages of every poet on the beauty of

Nature betray clearly the influence and hidden power of the Dream

in waking life. Shelley, Wordsworth, Keats, Byron, were all waking

dreamers de la première force.

He who has heard an Æolian harp play--and I have heard the seven

of Justinus Kerner in the old castle of Weibertreu when I was his

guest--if he be a "tone-artist," has often caught series of chords

which were almost melodies. This music has the same relation to

definite composition which the dream has to waking common sense. There

are two things which I do not understand. One is, why composers of

music make so little use of the suggestive Æolian harp; the second

is, why decorative designers never employ the folding mirror [18]

to produce designs. The one is an exact counterpart of the other,

and both are capable of revealing inexhaustible harmonies, for both

are deeply in accordance with the evolving processes of Nature.

The poetic or artistic faculty is, we therefore assume, the action

on the myriad cells of memory by a strange--sometimes apparently

involuntary--fantastic power, which is at the same time higher and

lower than common sense or waking consciousness. Every image which

man has received from sensation lies stored away in a cell, and is,

in fact, a memory by itself. There is a faculty of association or

sympathy by which groups of these images are called up, and there

is perception which receives them, more or less vividly, like a

photographic plate. When awake, Will, or coherent Common Sense,

regulates all this machinery. When asleep, the Images seem to steal

out and blend and frisk about by themselves in quaint dances, guided

apparently by a kind of power whom I have conventionally called the

alter-ego. This power throws open brain or memory-cells, which waking

Common Sense has forgotten; in their chaotic or fantastic searches

and mingling they produce poetry; they may chance on prophecy, for

if our waking self had at command the immense latent knowledge in

which these elves revel, it would detect sequences and know to what

many things would lead, now unto us all unknown.

I once knew a nobleman who inherited in Italy a palace which he had

never seen. There were in it three hundred rooms, and it had belonged

to a family which had for six hundred years collected and handed

down to their descendants every kind of object, as if they had been

magpies or ravens. The heir, as a grave, earnest man, only concerned

himself with the armoury and picture gallery and principal rooms. But

his young daughter Bertha ranged all over the place and made hundreds

of the most singular discoveries. One day she came to me very much

delighted. She had found an obscure room or garret, in which there

were ranged about on shelves, "sitting up and all looking at her,"

several hundred old dolls and marionettes. For two hundred years or

more the family had kept its old dolls. In this case the father was

the waking reason, the rooms the brain cells, and Bertha the sprite who

ranges over all and knows where to find forgotten images in store. Many

of those whom we meet in dreams are like the ghosts of dolls.

This is the only true Night side of Nature, but its shadows and dusky

twilight, and strangely-hued chiaroscuros and long pauses of gloom,

come constantly into the sunlight of our waking life. Some lives

have too much of it, some too little. Some receive it in coarse and

evil forms, as lunatics, and sufferers from mania à potu; some canny

people--happy Scotchmen, for instance--succeed in banishing it from

life as nearly as is possible for a human being to do. Now to speak

clearly, and to recapitulate distinctly, I set forth the following

propositions:--

I. We have a conscious will which, whether it be an independent

incomprehensible spirit, or simply the correlative result or action of

all our other brain powers, exists, and during our waking hours directs

our thoughts and acts. While it is at work in the world with social

influences, its general tendency is towards average common sense.

II. This conscious will sleeps when we sleep. But the collective images

which form memory, each being indeed a separate memory, as an aggregate

of bees' cells form a comb, are always ready to come forth, just as

honey is always sweet, limpid, and fluid. There is between them all

an associative faculty, or a strange and singular power, which begins

to act when the will sleeps. Whether it be also an independent Self

which plays capriciously while conscious will sleeps, or a result of

correlated forces, it is not as yet possible to determine. What we know

is, that it calls forth the images by association, and in a fantastic,

capricious manner, imitates and combines what we have experienced,

or read, or thought, during our waking hours.

III. Our waking will can only realize or act on such images as it

has kept familiarly before it, or such as have been so often recalled

that they recur spontaneously. But all the treasures of memory seem

to be available to the dream ruler, and with them a loose facile

power of grouping them into kaleidoscopic combinations. Thus, if one

could imagine a kaleidoscope which at every turn made varied groups

of human or other figures in different attitudes, with changing

scenery; and then suppose this to be turned round by some simple

vital or mechanical action, he would have an idea of the action of

dreams. It is probable that the radical function of the dream-power

is to prevent images from becoming utterly forgotten or rusty; and by

exercising the faculty of facile or chance combination to keep awake

in man originality and creativeness. For it is almost certain that,

but for the intrusion of this faculty into our waking thoughts, man

would become a mere animal, without an idea beyond the joint common

appetites, instincts, and emotions of the lowest of his kind.

IV. The dream-power intrudes more or less into all waking life. Then it

acts, though irregularly, yet in harmony, with conscious will. When it

is powerful and has great skill in forming associations of images--and

by images I mean, with Kay, "ideas"--and can also submit these to

waking wisdom, the result is poetry or art. In recalling strange,

beautiful images, and in imagining scenes, we partly lapse into

dreaming; in fact, we do dream, though conscious will sits by us

all the time and even aids our work. And most poets and artists,

and many inventors, will testify that, while imagining or inventing,

they abstract the "mind" from the world and common-place events,

seek calm and quiet, and try to get into a "brown study," which is a

waking dream. That is to say, a condition which is in some respects

analogous to sleep is necessary to stimulate the flow and combination

of images. This brown study is a state of mind in which images flow

and blend and form new shapes far more easily than when Will and Reason

have the upper hand. For they act only in a conventional beaten track,

and deal only with the known and familiar.

V. Magic is the production of that which is not measured by the

capacity of the conscious working will. The dream spirit, or that

which knows all our memories, and which combines, blends, separates,

scatters, unites, confuses, intensifies, beautifies, or makes terrible

all the persons, scenes, acts, events, tragedies, or comedies known

to us, can, if it pleases, by instantaneous reasoning or intuition,

perceive what waking common sense does not. We visit a sick man, and

the dream spirit, out of the inexhaustible hoards of memory aided by

association, which results in subtle, occult reasoning, perceives that

the patient will die in a certain time, and this result is served up

in a dramatic dream. The amount of miracles, mysteries, apparitions,

omens, and theurgia which the action of these latent faculties cause,

or seem to cause, is simply illimitable, for no man knows how much he

knows. Few, indeed, are the ordinary well-educated Europeans of average

experience of life, whose memories are not inexhaustible encyclopædias,

and whose intellects are not infinite; if all that is really in them

could be wakened from slumber, "know thyself" would mean "know the

universe." Now, there are people who, without being able to say why,

are often inspired by this power which intuitively divines or guesses

without revealing the process to common sense. They look into the

eye of a person--something in glances and tones, gestures, mien, and

address, suggests at once an assertion or a prediction which proves to

be true. Considering that the dream-power has millions of experiences

or images at its command, that it flits over them all like lightning,

that it can combine, abstract, compare, and deduct, that it being,

so to speak, more of a thaumaturgical artist than anything else,

excels waking wisdom in subtle trickery, the wonder is, not that we

so often hear of marvellous, magical, inexplicable wonders, but that

they are not of daily or hourly occurrence. When we think of what we

might be if we could master ourselves, and call on the vast sea of

knowledge which is in the brain of every one who reads these lines,

to give strict reckoning of its every wave and every drop of water,

and every shell, pebble, wreck, weed, or grain of sand over which it

rolls, and withal master the forces which make its tides and storms,

then we may comprehend that all the wonder-working power attributed

to all the sorcerers of olden time was nothing compared to what we

really have within us.

It is awful, it is mysterious, it is terrible to learn this tremendous

truth that we are indeed within ourselves magicians gifted with

infinite intellectual power--which means the ability to know and do

all things. In the past men surmised the existence of this infinite

memory, this power of subtle research and combination, but between

them and the truth in every land and time interposed the idea of

objective spiritual or supernatural existences whose aid or medium

was necessary to attain to wisdom. Outside of us was always Somebody

Else to be invoked, conciliated, met in vision or trance, united to

in spiritual unity or syncope. Sometimes they hit upon some form of

hypnotism or mesmerism, opiates or forced swoons and convulsions,

and so extorted from the nerves and dream-power some of their secrets

which were all duly attributed to the "spirits." But in the whole

range of occult literature from Hermes Trismegistus down to Madame

Blavatsky there is not a shade of a suspicion that all the absolutely

authentic marvels of magic began and ended with man himself.

Least of all did any speculator yet conjecture how to set forth

on the path which leads us to this wonderland. For there is a way

to it, and a power to master the infinite stores of memory and

render the dream-power a willing servant, if we take the pains to

do it. Firstly--as may be found asserted, and I think fairly proved,

in my work on "Practical Education," and in the "Memory of David Kay"

(London, 1888)--every child by a very easy gradual process, simply that

of learning by heart, and reviewing, can develope its memory to such a

degree that all which that child reads, hears, or sees can be literally

retained for life. Secondly, quickness of perception, which is allied

to memory, can be taught so as to develope intuitive observation

and intelligence to an equally incredible extent. Thirdly--and for

this I have had abundant personal experience--every child can learn

Design and the Minor Arts or develope the Constructive faculties,

and by doing this alone a pupil becomes exceptionally clever in all

studies. The proof of this is that the 200 pupils who attended an

industrial or art school in Philadelphia took precedence in studies

among 110,000 others in the public schools.

If all the stores of our memory were distinctly cognized by our waking

will when they first came into our possession, we should have the first

great element of power beyond all our present dreams of greatness. That

this can be done has been recognized by many of the most advanced

thinkers of the day. If a child be trained to exercise quickness of

perception so that at last it observes and remembers everything--and

experiment has proved this also--it will make the Dream Power a

waking power absolutely in harmony and accordance with waking wisdom

or conscious will. For the reason why the capricious, wild, strange

fitful faculty has always remained foreign to us, is because in all

our culture we have never sought to subdue and train the powers allied

to it. Catch and tame one water-fairy, says the Red Indian legend,

and you may get all her sisters. Waking quickness of perception is

a wonderful ability. It can be trained to flit like lightning over

illimitable fields of thought (supplied by a vast memory), and with

them it spontaneously developes comparison and deduction. Now all of

this is marvellously akin to the habitual action of the dream power

plus that of reflection. And it is not possible to conceive that with

waking quickness of perception, or voluntary subtlety of thought,

cultivated in infancy to the highest power, its twin which sports in

sleep should not feel its influence and act under it.

The result of this culture would inevitably be that the marvels,

mysteries, and magic as they seem to us of the dream, or intuitive

power, would be perfectly under our waking control, or to such an

extent that we could secure all that is profitable in them. It is a

very curious fact that while Reflection or Waking Wisdom slumbers,

Quickness of Perception or Perception and Association seem to

be always awake--in dreams or waking. A very extended series of

observations has convinced me that the acquisition of a very great

degree of Observation itself, or of Attention, is as possible as to

learn French, and no harder; yet as a branch of study it literally

does not exist. As a writer in the New York Tribune remarks: "In fact,

observation is almost an atrophied faculty, and when a writer practises

it for the purposes of his art, we regard the matter as in some sense

wonderful." Interest, as Maudsley has shown, is a natural result of

Attention, and the two generate Will. Whether we can actually control

the Dream-power is not as yet proved by experiment. All that we can

say is that it is probable. But that this power manifests itself in

waking hours when it submits to Reflection, is an established fact. It

shows itself in all imagination, in all originality, brave art or

"fantasy." Therefore it is no extravagant deduction to conclude that

all of its action which now seems so wonderful, and which has furnished

the ground-work for what we call magic, is perfectly within our grasp,

and may be secured by simple methods of training which require only

perseverance to perfect them.

The gypsy fortune-teller is accustomed for years to look

keenly and earnestly into the eyes of those whom she dukkers or

"fortune-tells." She is accustomed to make ignorant and credulous

or imaginative girls feel that her mysterious insight penetrates

"with a power and with a sign" to their very souls. As she looks into

their palms, and still more keenly into their eyes, while conversing

volubly with perfect self-possession, ere long she observes that she

has made a hit--has chanced upon some true passage or relation to the

girl's life. This emboldens her. Unconsciously the Dream Spirit, or the

Alter-Ego, is awakened. It calls forth from the hidden stores of Memory

strange facts and associations, and with it arises the latent and often

unconscious quickness of Perception, and the gypsy actually apprehends

and utters things which are "wonderful." There is no clairvoyance,

illumination or witchcraft in such cases. If such powers existed

as they are generally understood to do, we should for one case of

curious prediction hear of twenty thousand. But the Dream-power is

at best fitful, irregular and fantastic in its action; it is at all

times untrustworthy, for it has never been trained unless of yore by

Chaldæan priests and magi. In some wonderful way facts do, however,

manifest themselves, evoked out of the unknown by "occult," though

purely material, mental faculties; and the result is that wonder at the

inexplicable--which makes miracles--until we are accustomed to them.

That gypsy women often do surmise or arrive at very curious and

startling truths I know by my own experience, and also know that I

myself when reading character in people's hands according to the laws

laid down in books on chiromancy, when I have felt deeply interested,

or as one may say excited or inspired, and have gone a little beyond

mere description into conjecture and deduction, have been amazed at

my own successes. It happened once that when in company with several

ladies it was proposed after lunch to go to a gypsy camp on the

Thames, and have fortunes told. Among these ladies was one of a very

imaginative temperament, who had not only lived many years in the East,

but had resided several winters as a guest in Arab families. As she

was very much disappointed at not finding the gypsies, I offered to

tell her fortune by onomancy, i.e., by taking the letters of her name

according to numbers, and deducing from them her past and future. This

I did in a most reckless manner, freely setting down whatever came into

my mind. It seems to me now that a kind of inspiration suggested what

I wrote and predicted. What was my amazement to hear the lady declare

that all which had been written as to her past life was literally true,

and I saw that she was simply awed at my supposed power of prediction,

and had the fullest faith in what I had declared as regarded the

future. What I had intended for a jest or mere entertainment turned

out to be serious enough. And reflecting on the evil consequences

of such belief on a person who naturally attributed it all to magic,

I deeply regretted what I had done, and have not since attempted any

renewal of such oracle-work. It had previously occurred that I wrote

out such a prediction for another lady which I did not clearly explain

to her, but in which there was a regular recurrence and repetition

of something unfortunate. This was shown in after years, and the

troubles all came to pass as I had written. Now the more I studied

this case the more I was convinced that it was based on unconscious

observation, comparison, and deduction. Fichte has said that no bird

can fly beyond itself, but the mind sometimes does actually precede

its own conscious reasoning and throw back facts to it.

It may be urged by those who still cling to the old-fashioned fetish

of a distinction between Spirit and Matter, that this explanation of

predictions, oracles, and insight, is simply materialistic and utterly

destructive of all the poetry, grandeur, and beauty which is associated

with mysterious divination. But for those who believe with Maudsley,

et sui generis, that all such distinctions are not seriously worth

considering, and to him who can rise to the great philosophy now

dawning on the world, there is perceptible in it something far more

wonderful and poetical, beautiful and even awful, than ever was known

to any occultist of old--for it is scientific and true. It is also true

that man can now talk across the world and hear all sounds conveyed

to him through the depths of ocean. He can catch these sounds and

keep them for centuries. How long will it be before sights, scents,

and tastes will be thus transferred, and the man sitting in London

will see all things passing in Asia, or wherever it pleases him or an

agent to turn a mirror on a view? It will be. [19] Or how long before

the discovery of cheap and perfect aerial navigation will change all

society and annihilate national distinctions? That, too, will be. These

and a thousand stranger discoveries will during the ensuing century

burst upon the world, changing it utterly. We go on as of old in our

little petty narrow grooves, declaring that this will be, and that will

never come to pass, and that this or that kind of hop-scotch lines,

and tip-cat and marbles rules, are the eternal laws of humanity,

and lo! all the while in his study some man whom you regard as a

dreamer or dolt is preparing that which will be felt forever.

One of these great discoveries, and that not the least, will be the

development and mastery of memory and perception, attention, interest,

and will in children, with the constructive faculty which stimulates

the whole by means of easy gradual series of instructions. When

this system shall be perfected, we shall advance to understanding,

controlling, and disciplining the subtler and stranger powers of the

brain, which now puzzle us as dreams, intuitions, poetic inspiration,

and prophecy. But this prophecy comes not from it, nor from any vague

guessing or hoping. It is based on facts and on years of careful

study of a thousand children's minds, and from a conviction derived

from calm observation, that the powers of the human mind are infinite

and capable of being developed by science. And they will be!

There is very little knowledge among gypsies of real chiromancy, such

as is set forth in the literature of occult or semi-occult science. Two

centuries ago, when chiromancy was studied seriously and thoroughly

by learned and wise men, the latter compared thousands of hands,

and naturally enough evolved certain truths, such as you, reader,

would probably evolve for yourself if you would do the same. Firstly

they observed, as you may do, that the hand of a boor is not marked

like that of a gentleman, nor that of an ignoramus like the palm of

an artist or scholar. The line which indicates brain is on an average

shorter in women than in men; in almost every instance certain signs

infallibly indicate great sensuality, Others show a disposition to

dreaminess, sentimentalism, the occult. Now as Love, Wisdom, Strength

of Will, or Inertness, are associable with Venus, Apollo, Jupiter,

or Saturn, and as astrology was then seriously believed in, it came

to pass that the signs of chiromancy were distributed to the seven

planets, and supposed to be under their dominion. It was an error, but

after all it amounts to a mere classification. Properly considered,

the names Jupiter, Saturn, Apollo, Mercury, Venus, and Mars are only

synonymes of qualities, meaning masculine virtue and character,

aptitude, art, cleverness, sexual passion, and combativeness. He

who would, without a trace of superstition, analyze and describe

many hands compared with the characters of their owners, would adopt

effectively the same arrangement.

When we remember the age in which they lived and the popular yearning

for wonders and marvels which then characterized even the wisest men,

the old chiromancers were singularly free from superstition. There

were many among them who would have regarded with supreme contempt

a Desbarolles, with his fortune-telling for twenty francs.

To these truly honest men, the gypsies, with their pretended

chiromancy, were at first a great puzzle. The learned Prætorius, in

his vast work on Chiromancy and Physiognomy, devotes seventy-five

pages to this "foreign element in our midst," and comes to the

conclusion that they are humbugs. They do not know the lines--they

know nothing. The intrusion of the latent powers of the mind had no

place in the philosophy of Prætorius, therefore he did not perceive

the back door by which the Romany slipped into the oracle. Yet

there is abundant evidence even in his own valuable collection of

the works of his predecessors, that many of them when tempted from

merely describing character to straying into prophecy, were guided by

something more mysterious than the laws of the lines of life, of the

head, heart, the circle of Venus, the "hepatic," and viâ lactea. The

Hungarian gypsies have a system of chiromancy of their own which the

reader may find in the book "Vom Wandernden Zigeunervolke," by Dr. von

Wlislocki, Hamburg, 1890. I had translated this and more of the kind

for this chapter, but omitted it, thinking, firstly, that its place

is supplied by more important matter; and, secondly, because it is,

save as perhaps indicative of Indian origin, quite valueless, being

merely of the prophetic kind.

I have more than once known gypsies to tell me things of my past life

which were certainly remarkable, bewildering, or inexplicable. And for

the ordinary seeker of "voonders oopon voonders" it is all-sufficient

that a thing shall be beyond clear intelligence. "How do you explain

that?" is their crucial question, and their cry of triumph when

relating some case of an authentic apparition, a spiritual feat

of thaumaturgy, or a dream fulfilled. In fact they would rather

not have it explained. I well remember how Professor Joseph Henry,

when lecturing on natural science, narrated to us, his hearers, how

when he told certain people how certain tricks of a common conjuror

were executed, they all protested that it could not be the way it

was done. They did not wish to be disillusioned. Raise a man from

the dead, make him fly through the air, and it is for everybody a

miracle. Give them the power to do the same, and in a month's time

it will be no longer miraculous, but something "in the due course of

nature." And what single fact is there in the due course of nature

which is not as inexplicable if we seek for a full explanation of

it? Consider this thing every day till you are penetrated with it,

bear it in mind constantly, and in due time all phenomena will

be miracles. We can apparently get a little nearer to the causes

and give our discoveries names, but the primal causes as constantly

recede and are continually buried in deeper mystery. But with most

people names pass for explanations.

"Can you tell me what a hypothesis is?" asked a young gentleman at a

dinner party of a friend who passed for being well-informed. "Hush,"

was the reply. "Not now--ladies present."

"Mon caporal," asked a French soldier, "can you tell me what is

meant by an equilateral?" "Certainly--mais d'abord--do you know

Hebrew?" "No." "Ah, then it would be impossible to explain it to you."

"What is it that makes people's heads ache?" inquired an old lady

of a youth who had just begun his medical studies. "Oh, it is only

the convolution of the anomalies of the ellipsoid," replied the

student. "Just see now what it is to git larnin!" commented the

dame. "He knows it all in a straight line?"

The one is satisfied that a hypothesis is something improper, the

other that an equilateral is a matter which he might understand if

he were as learned as his corporal, and the third is pleased to find

that the mystery has at least a name. And human beings are satisfied

in the same way as to the mysteries of Nature. Give them a name and

assure them that the learned understand it, and they are satisfied.

It is a fundamental principle of human folly to assume that any

alleged marvel is a "violation of the laws of Nature," or the work of

supernatural influences, until it is proved not to be such. Nature

cannot be violated. She is ever virgin. And "how do you account for

that?" is always assumed to be a test question. It cannot be denied

that in almost every case, the narrator assumes the absolute truth

of all which he states, when, as is well known, even in the most

commonplace incidents of ordinary life, such truth can very rarely be

obtained. Secondly, he assumes that all the persons who were cognizant

of the miracle, or were concerned in it, were not only perfectly

truthful, but endowed with perfect perfections, and absolutely sound

judgments. If there is the least shadow of a possibility that one

of them could have erred in the least particular, the whole must

fall to the ground as a proof or test--for we must have irrefragible

and complete evidence before we adopt a faith on which all our life

may depend. But, thirdly, by asking any one to account for a marvel,

he assumes that the one thus called on knows everything short of the

supernatural or Infinite, which is simply silly.

But there is a higher source of admiration and wonder than could

ever be established by vulgar fetish, Animism, or supernaturalism,

and this is to be found in the mysteries of Nature which man has never

penetrated, and which, as soon as they are overcome, reveal others far

grander or deeper. Thus as Alps rise beyond Alps, and seas of stars

and solar systems spread in proportions of compound multiplication,

our powers of vision increase. And it often happens to him who looks

deeply into causes, that one of the myriad test cases of so-called

"supernaturalism," when it has ignominiously broken down--as all do

sooner or later--often reveals a deeper marvel or mystery than it

was intended to support. Thus some Red Indians in North America,

on being told how certain juggling tricks which they had accepted

for magic were performed, calmly replied that it did not make the

least difference--that a man must have been a magician (or divinely

inspired) to be able to find out such tricks. And I myself knew an

Indian trader named Ross, who, being once among a wild tribe, put on

a mask of papier maché, which caused tremendous excitement and awe,

which was not in the least diminished when he took it off and put it

into their hands and explained its nature, for they maintained that

the thing which could cause such terror indicated the existence of

superior mental power, or magic, in the maker. In which there is,

as it seems to me, indications of a much higher wisdom or sagacity

than is to be found in the vulgar spiritualist who takes the event or

thing itself for the miracle, and who, when found out in his tricks,

ignominiously collapses.

The conclusion from all this is, that I have seen and heard of much

in gypsy witchcraft and fortune-telling which, while it was directly

allied to humbug of the shallowest kind, also rested on, or was

inspired by, mental action or power which, in our present state of

knowledge, must be regarded as strangely mysterious and of the deepest

interest. And this is indeed weird, in the fullest and truest sense,

since it is used for prophecy. I will now endeavour to illustrate this.

It is but natural that there should be "something in" gypsy

fortune-telling. If the reader were to tell ten fortunes a day for

twenty years it would be very remarkable indeed if in that time he had

not learned some things which would seem wonderful to the world. He

would detect at a glance the credulous, timid, bold, doubtful, refined

or vulgar nature, just as a lawyer learns to detect character by

cross-examination. Many experiments of late years have gone very far

to establish the existence of a power of divining or reading thought;

how this is really done I know not; perhaps the experts in it are as

ignorant as I am, but it is very certain that certain minds, in some

(as yet) marvellous way, betray their secrets to the master. That

there are really gypsies who have a very highly cultivated faculty of

reading the mind by the eye is certainly true. Sometimes they seem to

be themselves uncertain, and see as through a glass darkly, and will

reveal remarkable facts doubtfully. I remember a curious illustration

of this. Once I was walking near Bath, and meeting a tinker asked him

if there were any gypsies in the vicinity. He gave me the address

of a woman who lived in a cottage at no great distance. I found it

with some trouble, and was astonished on entering at the abominably

miserable, reckless, squalid appearance of everything. There was a

half or quarter-bred gypsy woman, ragged, dirty, and drunk, a swarm

of miserable children, and a few articles of furniture misplaced

or upset as if the inmates had really no idea of how a room should

be lived in. I addressed the woman civilly, but she was too vulgar

and degraded to be capable of sensible or civil conversation with

a superior. Such people actually exist among the worst class of

vagabonds. But as I, disgusted, was about to leave, and gave her a

small gratuity, she offered to tell my fortune, which I declined,

whereupon she cried, "You shall see that I know something;" and

certainly told me something which astonished me, of an event which

had taken place two years before at a great distance. To test her I

coolly denied it all, at which she seemed astonished and bewildered,

saying, "Can I have made a mistake? You are certainly the person." All

of this may be explained by causes which I shall set forth. But it

cannot be too earnestly insisted on to people who habitually doubt,

that because a thing can be explained in a certain way (i.e., by

humbug) that it necessarily follows that that is the only explanation

of it. Yet this is at the present day actually and positively the

popular method, and it obtains very largely indeed with the small

critics of the "safe school." Mrs. Million has diamonds; she may have

stolen them--a great many people have stolen diamonds--therefore she

is probably a thief. The Icelandic sagas describe journies to America;

but the writers of the sagas were often mythical, exaggerative, and

inaccurate--therefore all they narrate as regards America must be,

of course, untrue.

Jack Stripe

Eats tripe,

It is therefore credible

That tripe is edible;

And it follows perforce,

As a matter of course,

That the devil will gripe

All who do not eat tripe.

But I do not insist that there is anything "miraculous" in gypsy

fortune-telling. It may be merely the result of great practical

experience and of a developed intuition, it may be mind or

"thought-reading"--whatever that really is--or it may result from

following certain regular rules. This latter method will be pronounced

pure humbug, but of that I will speak anon. These rules followed by

anybody, even the feeblest dilettante who has only read Desbarolles

for drawing-room entertainment, will often astonish the dupe. They are,

"in few," as follows:--

1. It is safe in most cases with middle-aged men to declare that

they have had a law-suit, or a great dispute as to property, which

has given them a great deal of trouble. This must be impressively

uttered. Emphasis and sinking the voice are of great assistance

in fortune-telling. If the subject betray the least emotion,

or admit it, promptly improve the occasion, express sympathy,

and "work it up."

2. Declare that a great fortune, or something greatly to the

advantage of the subject, or something which will gratify him,

will soon come in his way, but that he must be keen to watch his

opportunity and be bold and energetic.

3. He will have three great chances, or fortunes, in his life. If

you know that he has inherited or made a fortune, or had a good

appointment, you may say that he has already realized one of

them. This seldom fails.

4. A lady of great wealth and beauty, who is of singularly

sympathetic disposition, is in love with him, or ready to be,

and it will depend on himself to secure his happiness. Or he will

soon meet such a person when he shall least expect it.

5. "You had at one time great trouble with your relations (or

friends). They treated you very unkindly." Or, "They were prepared

to do so, but your resolute conduct daunted them."

6. "You have been three times in great danger of death." Pronounce

this very impressively. Everybody, though it be a schoolboy

believes, or likes to believe, that he has encountered perils. This

is infallible, or at least it takes in most people. If the subject

can be induced to relate his hairbreadth escapes, you may foretell

future perils.

7. "You have had an enemy who has caused you great trouble. But

he--or she--it is well not to specify which till you find out the

sex--will ere long go too far, and his or her effort to injure you

will recoil on him or her." Or, briefly, "It is written that some

one, by trying to wrong you, will incur terrible retribution." Or,

"You have had enemies, but they are all destined to come to

grief." Or, "You had an enemy but you outlived him."

8. "You got yourself once into great trouble by doing a good act."

9. "Your passions have thrice got you into great trouble. Once

your inconsiderate anger (or pursuit of pleasure) involved you in

great suffering which, in the end, was to your advantage." Or else,

"This will come to pass; therefore be on your guard."

10. "You will soon meet with a person who will have a great

influence on your future life if you cultivate his friendship. You

will ere long meet some one who will fall in love with you,

if encouraged."

11. "You will find something very valuable if you keep your eyes

open and watch closely. You have twice passed over a treasure

and missed it, but you will have a third opportunity."

12. "You have done a great deal of good, or made the fortune or

prosperity of persons who have been very ungrateful."

13. "You have been involved in several love affairs, but your

conduct in all was really perfectly blameless."

14. "You have great capacity for something, and before long

an occasion will present itself for you to exert it to your

advantage."

By putting these points adroitly, and varying or combining them,

startling cases of conviction may be made. Yet even into this deception

will glide intuition, or the inexplicable insight to character,

and the deceiver himself be led to marvel, so true is it that he who

flies from Brama goes towards him, let him do what he will, for Truth

is everywhere, and even lies lead to it.

The reader has often seen in London Italian women who have small birds,

generally parrakeets, or paraquitos, which will for a penny pick out

for her or for him slips of paper on which is printed a "fortune." If

he will invest his pence in these he will in most instances find

that they "fit his case" exactly, because they are framed on these

or other rules, which are of very general application. There was,

in 1882, an Italian named Toricelli. Whether he was a descendant of

the great natural philosopher of the same name who discovered the law

of the vacuum I do not know, but he certainly exhibited--generally

in Piccadilly--an ingenious application of it. He had a long glass

cylinder, filled with water, in which there was a blown glass image

of an imp. By pressing his hand on the top of the cover of the tube

the folletto or diavoletto was made to rise or fall--from which the

prediction was drawn. It will hardly be believed, but the unfortunate

Toricelli was actually arrested by the police and punished for

"fortune-telling." [20] After this he took to trained canaries or

parrakeets, which picked out printed fortunes, for a living. Whether

the stern arm of British justice descended on him for this latter

form of sorcery and crime I do not know.

"Forse fu dal demonio trasportato,

Fiancheggiandosi del' autorita

Di Origene o di San Girolamo."

Now it may be admitted that to form such rules (and there are many

more far more ingenious and generally applicable) and to put them into

practice with tact, adapting them to intuitions of character, not only

as seen in the face but as heard in the voice or betrayed by gestures

and dress and manner, must in the end develop a power. And, further

still, this power by frequent practice enables its possessor to perform

feats which are really marvellous and perhaps inexplicable, as yet,

to men of science. I have, I think, indicated the road by which they

travel to produce this result, but to what they arrived I do not know.

Nor do they all get there. What genius is, physiology, with all the

vast flood of light spread by Francis Galton on hereditary gifts,

cannot as yet explain. It is an absolute thing of itself, and a

"miracle." Sometimes this wonderful power of prediction and of reading

thought and quickly finding and applying rules falls into the hands

of a genius. Then all our explanations of "humbug" and "trickery"

and juggling fall to the ground, because he or she works what are

absolutely as much miracles as if the artist had raised the dead. Such

geniuses are the prophets of old; sometimes they are poets. There

are as many clearly-defined and admirable predictions as to events

in art and politics in the works of Heine, which were fulfilled,

as can be found anywhere.

By the constant application of such rules, promptly and aptly,

or boldly, the fortune-teller acquires a very singular quickness of

perception. There are very few persons living who really know what this

means and to what apparently marvellous results constant practice in it

may lead. Beginning with very simple and merely mechanical exercises

("Practical Education," p. 151. London: Whittaker & Co.), perception

may be gradually developed until not only the eye and ear observe

a thousand things which escape ordinary observation, and also many

"images" at once, but finally the mind notes innumerable traits of

character which would have once escaped it, combines these, and in a

second draws conclusions which would amuse those who are ignorant--as

indeed all men are as yet--of the extraordinary faculties latent in

every man.

I beg the reader to pay special attention to this fact. There is

nothing in all the annals of prophecy, divination, fortune-telling, or

prediction, which is nearly so wonderful as what we may all do if we

would by practice and exercise bring out of ourselves our own innate

power of perception. This is not an assertion based on metaphysical

theory; it is founded on fact, and is in strict accordance with the

soundest conclusions of modern physiology. By means of it, joined

to exercises in memorizing, all that there is in a child of ordinary

intellect may be unerringly drawn out; and when in due time knowledge

or information is gradually adduced, there is perhaps no limit to

what that intellect may become. The study, therefore, of quickness

of perception, as set forth or exercised in gypsy fortune-telling,

is indeed curious; but to the far-reaching observer who is interested

in education it is infinitely more useful, for it furnishes proof of

the ability latent in every mind to perform what appear to be more than

feats of intelligence or miracles, yet which often are all mere trifles

compared to what man could effect if he were properly trained to it.

Sorcery! We are all sorcerers, and live in a wonderland of marvel

and beauty if we did but know it. For the seed sprouting from the

ground is as strange a truth as though we saw the hosts of heaven

sweeping onward in glory, or could commune with fairies, or raise

from his grave the master magician of song who laid a curse on all

who should dig his dust. But like children who go to sleep in the

grand opera, and are wild with delight at Punch, we turn aside from

the endless miracle of nature to be charmed and bewildered with the

petty thaumaturgy of guitars in the dark, cigarettes, and rope-tying,

because it corresponds to and is miracle enough for us. And perhaps it

is as well; for much thought on the Infinites made Jean Paul Richter

and Thomas Carlyle half mad and almost unfit for common life. Seek

truth in Science and we shall be well balanced in the little as well

as the great.

Gypsy Sorcery and Fortune Telling Illustrated by numerous incantations, specimens of medical magic, anecdotes and tales · 第 11 / 16 章