BROKEN LINES

In examining the simple encircling bands of many of the food bowls,

jars, and other ceramic objects, it will be noticed that they are not

continuous, but that there is a break at one point, and this break is

usually limited to one point in all the specimens. Various

explanations of the meaning of this failure to complete the band have

been suggested, and it is a remarkable fact that it is one of the most

widely extended characteristics of ancient pottery decoration in the

whole Pueblo area, including the Salado and Gila basins. While in the

specimens from Sikyatki the break is simple and confined to one point,

in those from other regions we find two or three similar failures in

the continuity of encircling lines, and in some instances the lines at

the point of separation are modified into spirals, terraces, and other

forms of geometric figures. In the more complex figures we find the

most intricate variations, which depart so widely from the simple

forms that their resemblances are somewhat difficult to follow. A

brief consideration of these modifications may aid toward an

understanding of the character of certain geometric ornamental

motives.

[Illustration: BUREAU OF AMERICAN ETHNOLOGY

Archeological Expedition to Arizona in 1895 Seventeenth Annual Report of the Bureau of American Ethnology to the Secretary of the Smithsonian Institution, 1895-1896, Government Printing Office, Washington, 1898, pages 519-744 · 第 223 / 295 题