CHAPTER VIII--AFLOAT

The _Admiral Pekhard_ nosed her way out of the port just as dusk fell.

She dropped her pilot off the masked light at the end of the last great

American dock--a dock big enough to hold the _Leviathan_--and thereafter

followed the stern lights of a destroyer. Thus she got into the

roadstead, and thence into the open sea.

The work of the Allied and American navies at this time was such that

not all ships returning to America could be convoyed through the

submarine zone. This ship on which Ruth Fielding had taken passage for

home was accompanied by the destroyer only for a few miles off Brest

Harbor.

The passengers, however, did not know this. They were kept off the open

decks during the night, and before morning the _Admiral Pekhard_ was

entirely out of sight of land, and out of sight of every other vessel as

well. Therefore neither Ruth nor any other of the passengers was

additionally worried by the fact that the craft was quite unguarded.

The _Admiral Pekhard_ mounted a gun fore and aft, and the crews of these

guns were under strict naval discipline. They were on watch, turn and

turn about, all through the day and night for the submarines which, of

course, were somewhere in these waters.

The _Admiral Pekhard_ was not a fast ship; but she was very comfortably

furnished, well manned, and was said to be an even sailing vessel in

stormy weather. She had been bearing wounded men back to England for

months, but was now being sent to America to bring troops over to take

the place of the wounded English fighters.

Ruth learned these few facts and some others at dinner that night. There

were some wounded American and Canadian officers going home; but for the

most part the passengers in the first cabin were Red Cross workers,

returning commissioners both military and civil, a group of Congressmen

who had been getting first-hand information of war conditions.

Then there were a few people whom the girl could not exactly place. For

instance, there was the woman who sat next to her at the dinner table.

She was not an old woman, but her short hair, brushed straight back over

her ears like an Americanized Chinaman's, was streaked with gray. She

was sallow, pale-lipped, and with a pair of very bright black

eyes--snapping eyes, indeed. She wore her clothes as carelessly as she

might have worn a suit of gunnysacking on a desert island. Her

eyeglasses were prominent, astride a more prominent nose. She was not

uninteresting looking.

"As aggressive as a gargoyle," Ruth thought. "And almost as homely! Yet

she surely possesses brains."

On her other hand at table Ruth found a kindly faced Red Cross officer

of more than middle age, who offered her aid at a moment when a friend

was appreciated. Ruth did very well with the oysters and soup; and she

made out with the fish course. But when meat and vegetables and a salad

came on, the girl had to be helped in preparing the food on her plate.

The black-eyed woman watched the girl of the Red Mill curiously, seeing

her left arm bandaged.

"Hurt yourself?" she asked shortly, in rather a gruff tone.

"No," said Ruth simply. "I was hurt. I did not do it myself."

"Ah-ha!" ejaculated the strange woman. "Are you literal, or merely

smart?"

"I am only exact," Ruth told her.

"So! You did _not_ hurt yourself? How, then?" and she glanced

significantly at the girl's bandaged arm.

"Why, do you know," the girl of the Red Mill said, flushing a little,

"there is a country called Germany, in Central Europe, and the German

Kaiser and his people are attacking France and other countries. And one

of the cheerful little tricks those Germans play is to send over bombing

machines to bomb our hospitals. I happened to be working in a hospital

they bombed."

"Ah-ha!" said the woman coolly. "Then you are merely smart, after all."

"No!" said Ruth, suddenly losing her vexation, for this person she

decided was not quite responsible. "No. For, if I were really smart, I

should have been so far behind the lines that the Hun would never have

found me."

The black-eyed woman seemed to feel Ruth's implied scorn after all.

"Oh!" she said, resetting her eyeglasses with both hands, "I have been

in Paris all through the war."

"Oh, then you'd heard about it?" Ruth intimated. "Well!"

"I certainly know all about the war," said the woman shortly.

The girl of the Red Mill seldom felt antagonism toward people--even

unpleasant people. But there was something about this woman that she

found very annoying. She turned her bandaged shoulder to her, and gave

her attention to the Red Cross officer.

Strangely enough, the queer-looking woman continued to put herself in

Ruth's way. After dinner she sought her out in a corner of the saloon

where Ruth was listening to the music. The windows of the saloon were

shaded so that no light could get out; but it was quite cozy and

cheerful therein.

"You are Miss Fielding, I see by the purser's list," said the curious

person, staring at Ruth through her glasses.

"I have not the pleasure of knowing you," returned the girl of the Red

Mill. "Can I do anything for you?"

"I am Irma Lentz. I have been studying in Paris. This war is a hateful

thing. It has almost ruined my career. It has got so now that one cannot

work in peace even in the Latin Quarter of the town. War, war, war! That

is all one hears. I am going back to New York to see if I can find peace

and quietness--where one may work without being bothered."

"You are----?"

"An artist. I have studied with some of the best painters in France. But

I declare! even those teachers have closed their _ateliers_ and gone to

war. I must, perforce, close my own studio and go back to America. And

America is crude."

"Seems to me I have heard that said before," sniffed Ruth. "Although my

acquaintance among artists has been small. Do you expect to find perfect

peace and quietness in the United States?"

"I do not expect to find the disturbance that is rife in Paris," said

Irma Lentz shortly. "This war is too unpopular in the United States for

more than a certain class of the people to be greatly disturbed over

what is going on so far away from home."

Ruth looked at her amazedly. The artist seemed quite to believe what she

said. Aside from some few pro-Germans whom she had heard talk before

Ruth Fielding had left the United States, she had heard nothing like

this. It was what the Germans themselves had believed--and wished to

believe.

"I wonder where you got that, Miss Lentz," Ruth allowed herself to say

in amazement.

"Got what?"

"The idea that the war--at least now we are in it--is unpopular at home.

You will discover your mistake. I understand that even in Washington

Square they know we are fighting a war for democracy. You will find your

friends of Greenwich Village--is that not the locality of New York you

mean?--are very well aware that we are at war."

"Perfect nonsense!" snapped Irma Lentz, and she got up and flounced

away.

"Now," thought the girl of the Red Mill, very much puzzled, "I wonder

just what and who she is? And has she been in Paris all through the war

and has not yet awakened to the seriousness of the situation? Then there

is something fundamentally wrong with Irma Lentz."

She might not have given the strange woman much of her attention during

the voyage, however, for Ruth did not like unpleasant people and there

were so many others who were interesting, to say the least, on board the

ship, if a little incident had not occurred early the next morning which

both surprised Ruth and made her deeply suspicious of Irma Lentz.

The girl could not sleep very well because of pain in her shoulder and

arm. Perhaps she had tried to use the arm more than she should. However,

being unable to sleep, she rose at dawn and rang for the night

stewardess. She had already won this woman's interest, and she helped

Ruth dress. The girl left her stateroom and went on deck, which was free

to the passengers now.

As she passed through a narrow way behind the forward deck-house on the

main deck, she heard a sudden explosion of voices--a sharp, high voice

and one deeper and more guttural. But the point that held Ruth

Fielding's attention so quickly was that the language used was German!

There was no doubting that fact.

There certainly should be nobody using that language on this British

ship carrying Americans to the United States! That was Ruth's first

thought.

She walked quietly to the corner of the house and peered around it. The

morning was still misty and there were few persons on deck save the

gangs of cleaners. Backed against a backstay, and facing the point where

the girl of the Red Mill stood, was Irma Lentz, in mackintosh and veil.

The strange woman was talking angrily with a barefooted sailor in

working clothes. He was bareheaded as well as barefooted, and his coarse

shirt was open at the throat displaying a hairy chest. He possessed a

mop of flaxen hair, and his countenance was too Teutonic of cast to be

mistaken.

Besides, like the woman, he was speaking German in a most excited and

angry fashion.

Ruth Fielding Homeward Bound; Or, A Red Cross Worker's Ocean Perils · 第 8 / 25 章