CHAPTER XXV

A few days later, on a day of uncertain sunshine and showers, Peter

left them. Martin was the sorrier of the two to see him go, for it

seemed to Martin that the tragedy had united Cherry and himself in a

peculiar manner, had rounded and secured their relationship, and had

made for them a new life that had no place for Peter. With a sort of

affectionate pity for the older man he would have been glad to have him

stay longer, to play the old piano, work in the old garden, and share

their talks of Alix and of all the old days. But to Cherry Peter's

going was a relief; it burned one more bridge behind her. It confirmed

her in the path she had chosen; it was to her spirit like the cap that

marks the accepted student nurse, or like the black coif that replaces

the postulant's white veil of probation.

He had been in the downstairs bedroom, talking with Martin, for perhaps

an hour; he had drawn them a rough sketch of the little addition to the

house that Cherry meant some day to build next to the study, and he and

Martin had been discussing the details. Cherry had left them there, and

was sweeping the wet, dun-coloured leaves from the old porch, in a pale

shaft of sunshine, and thinking that there must be a wide railing here

next summer for Martin's books, and a gay awning to be drawn or furled

as Martin fancied, when a sudden step in the doorway behind her made

her look up.

Peter had come out of the house, with Buck curving beside him. He wore

his old corduroy clothes and his shabby cap, but there was something in

his aspect that made her ask:

"Not going?"

"Yes, I'm going now!" he said.

She rested her broom against the thick trunk of the old banksia, and

rubbed her two hands together, and came to the top of the steps to say

good-bye. And standing there, under the rose tree, she linked her arm

about it, looking up through the branches, where the shabby foliage of

last year lingered.

"How fast it's grown since that terrific pruning we gave it all that

long time ago!" she said.

"Little more than six years ago, Cherry!" he reminded her.

"Only six years--" She was obviously amazed.

"It doesn't seem possible that all this has happened in six years!" she

exclaimed. "Those were wonderful old days, with Anne and Alix scolding

you, and Dad here, looking out for us all," she mused, tenderly. "We'll

never be so happy again."

He did not answer. He had her hand now for farewells, and perhaps, with

the thought of those short six years had come also the thought that

this slender figure in the housewifely blue linen, this exquisite

little head, so trim and demure despite all its rebel tendrils of gold,

this lovely face, still the face of a child, with a child's trusting,

uplifted eyes, might have been his. The old home might have been their

home, and perhaps--who knows, there might have been a new Cherry and a

new Peter beginning to look eagerly out at life through the screen of

the old rose vine.

Too late now. A single instant of those lost years might have bought

him all this, but there was no going back. He put his arm about her,

and kissed her forehead, and said: "God bless you, Cherry!"

"God bless you, dear!" she answered, gravely. She watched the tall

figure, with its little limp, and with the dog leaping and circling

about it in ecstasy, until the redwoods closed around, him. Then she

took up the broom again, and slowly and thoughtfully crossed the old

porch, and shut the door.

Peter, walking with long strides, and with a furrowed brow and absent

eyes, crossed the village, and climbed once more the old trail that led

up to the cabin. His great boots made simple work of the muddy roads,

his hands were thrust deep into the pockets of his shabby old coat, and

his cap pulled low. The rain had stopped, but every branch that hung

down over his path, or stretched an arm to stop him, was charged with

water; the creeks were swollen and yellow, and raced along between

crumbling banks with a fresh rushing sound that mingled with the

creaking of wet boughs and the wild spring chant of the wind high up in

the tops of the redwoods.

Coming out of the forest, on the ridge, where the dim road ran under

the scattered oaks, he saw the last of the battle of the dying storm

raging over the valley below. Great masses of cloud were in travail;

when the sun was hidden, the world was wrapped in shade and chill; when

it burst forth, every wet tree and spear glistened and twinkled in the

flood of warmth and light, the dried brown grass sparkled with jewels,

and the great roadside rain pools flashed back the azure of the sky.

The mountain was partly obscured by rapidly shifting masses of mist;

the air was pungent and seemed to hum with a thousand tiny, electric

voices.

Already there was new grass showing a timid film of emerald under the

brown growth of last year. While Peter climbed, the good earth giving

soddenly under his feet, and grasses tangling in the clasps of his

walking shoes, the sunlight conquered, the sky cleared, and the last of

the storm drifted and spread and vanished in a bath of dazzling blue.

Birds began to circle in brief flights; cloud shadows fell clear-cut on

the west, dark flank of the mountain; and in the saturated marshy

spots, where a scummy green growth already was spread over the crystal

pools of the little hillside springs, frogs were exultant.

The roof of the little cabin and the outbuildings smoked up into the

pure warm air; the Jersey, placidly awaiting her hour, looked at him

with soft, great eyes; and Alix's chickens picked and squawked on the

steaming mound near the stable. Kow was hanging out the blue

glass-towels, everything--everything was as he had found it a hundred,

a thousand, happy times!

Peter spoke to the Chinese and went into the cabin. It was dusted,

orderly, complete; he and Alix might have left it yesterday. Kow had

seen him coming, he thought, and had had time to light the fire, which

was blazing freshly up to the chimney's great throat. He sat down,

staring at the flames.

Buck pushed open the swinging door between the pantry and the sitting

room, and came in, a question in his bright eyes, his great plumy tail

beating the floor as he lay down at Peter's side. Presently the dog

laid his nose on Peter's knee and poured forth a faint sound that was

not quite a whine, not quite a sigh, and rose restlessly, and went to

the closed door of Alix's room, and pawed it, his eager nose to the

threshold.

"Not here, old fellow!" Peter said, stroking the silky head under his

hand.

He had not been in this room since the day of her death. It struck him

as strangely changed, strangely and heartrendingly familiar. The

windows were closed, as Alix had never had them closed, winter or

summer, rain or sunshine. Her books stood in their old order, her

student's Shakespere, and some of her girlhood's books, "Little Women,"

and "Uncle Max." In the closet, which exhaled a damp and woody smell,

were one or two of the boyish-looking hats he had so often seen her

crush carelessly over her dark hair, and the big belted coat that was

as plain as his own, and the big boots she wore when she tramped about

the poultry yard, still spattered with pale, dry mud. Her father's worn

little Bible lay on the table, and beside it another book "Duck Raising

for the Market," with the marks of muddy and mealy hands still

lingering on its cover.

Suddenly, evoked by these silent witnesses to her busy and happy life,

the whole woman seemed to stand beside Peter, the tall, eager, vital

woman who had been at home here, who had ruled the cabin with a

splendid and vital personality. He seemed to feel her near him again,

to see the interested eyes, the high cheek-bones touched with scarlet,

the wisp of hair that would fall across her face sometimes when she was

deep in baking, or preserving, or poultry-farming, and that she would

brush away with the back of an impatient hand, only to have it slip

loose again.

One of her kitchen aprons, caught in the current of air from the opened

door, blew about on its hook. He remembered her, on many a wintry day,

buttoned into just such a crisp apron, radiantly busy and brisk in her

kitchen, stirring and chopping, moving constantly between stove and

table. With strong hands still showing traces of flour she would come

to sit beside him at the piano, to play a duet with her characteristic

dash and finish, only to jump up in sudden compunction, with an

exclamation: "Oh, my ducks--I'd forgotten them! Oh, the poor little

wretches!"

And she would be gone, leaving a streak of wet, fresh air through the

warm house from the open door, and he would perhaps glance from a

window to see her, roughly coated and booted, ploughing about her duck

yard, delving into barrels of grain, turning on faucets, wielding a

stubby old broom.

She loved her life, he mused, with a bitter heartache, as he stood here

in her empty room. Sometimes he had marvelled at the complete and

unquestioning joy she had brought to it. Books, puzzles, music, and

fires sufficed her in the few hours that she ever spent in her own

drawing room. For the rest she had the kitchen and the farmyard, and

the world out of doors, the oaks and the grass, the great stretches of

dim forest, the muddy trails, the blowing airs on the crest of the

ridge that made her shout and stagger in their wild onslaught. Peter

reminded himself that never in their years together had he heard her

complain about anything, or seem to feel bored or at a loss.

"We've always thought of Cherry as the child!" he thought. "But it was

she, Alix, who was the real child. She never grew up. She never entered

into the time of moods and self-analysis and jealousies and desires!

She would have played and picnicked all her life----"

His heart pressed like a dull pain in his chest. Dully, quietly, he

went out to the fire again, and dully and quietly moved through the

day. Her books and music might stand as they were, her potted ferns and

her scattered small possessions--the sewing-basket that she always

handled with a boy's awkwardness, and the camera she used so

well--should keep their places. But he went to her desk, thinking in

this long, solitary evening, to destroy various papers that she might

wish destroyed before the cabin was deserted. And here he found her

letter.

He found it only after he had somewhat explored the different small

drawers and pigeonholes of the desk, drawers and pigeonholes which

were, to his surprise, all in astonishing order for Alix. Everything

was marked, tied, pocketed; her accounts were balanced, and if she had

anywhere left private papers, they were at least nowhere to be found.

Seeing in all this a dread confirmation of his first suspicion of her

death, Peter nevertheless experienced a shock when he found her letter.

It had been placed in an empty drawer, face up, and was sealed, and

addressed simply with his name.

He sat holding it in his hand, and moments passed before he could open

it.

So it had been true, then, the fear that he had tried all these weeks

to crush? He had been weighing, measuring, remembering, until his very

soul was sick with the uncertainty. His mind had been a confused web of

memories, of this casual word and that look, of what she had possibly

heard, had probably seen, had suspected--known--

Now he would know. He tore open the envelope, and the dozen written

lines were before his eyes. The letter was dated, a most unusual thing

for Alix to do, and "Saturday, one o'clock" was written under the date.

It was the day of her death.

He read:

PETER DEAR, Don't feel too badly if I find a stupid way out. I've been

thinking for several days about it. You've done so much for me, and

after you, of course there's no one but Cherry. She could be free now,

he couldn't prevent it. When I saw your face a few minutes ago I knew

we couldn't fight it. Remember, this is our secret. And always remember

that I want you to be happy because I love you so!

It was unsigned.

Peter sat staring at it for awhile without moving, without the stir of

a changing expression on his face. Then he folded it up, and put it in

the pocket of his coat, and went out to the backyard, where Kow was

feeding the chickens. The wet, dark day was ending brilliantly in a

wash of red sunset light that sent long shadows from the young fruit

trees, and touched every twig with a dull glow.

"Kow," Peter said, after an effort to speak that was unsuccessful. The

Chinese boy looked at him solicitously; for Peter's face was ashen, and

about his mouth were drawn lines. "Kow," he said, "I go now!"

"Go now other house?" Kow nodded, glancing down toward the valley.

But Peter jerked his head instead toward the bare ridge.

"No, I go now--not come back!" he said, briefly. "To-night--maybe

Bolinas--to-morrow, Inverness. I don't know. By and by the big

mountains, Kow--by and by I forget!"

Tears glittered in the Chinese boy's eyes, but he smiled with a great

air of cheer.

"I keep house!" he promised.

The dog came fawning and springing from the stables, and Peter whistled

to him.

"Come on, Buck! We're going now!"

He opened the farmyard gate where her hand had so often rested, crossed

the muddy corral, opened another gate, and struck off across the

darkening world toward the ridge. The last sunlight lingered on crest

and treetop, tangled itself redly in the uppermost branches of a few

tall redwoods, and was gone. Twilight--a long twilight that had in it

some hint of spring--lay softly over the valley; the mountain loomed

high in the clear shadow.

Gaining the top of the first ridge, he paused and looked back. Lights

were beginning to prick forth in the brown houses of the valley, buried

in their trees. The busy little mountain train, descending, puffed

forth smoke and steam. Far away, the silver ribbons of the canals wound

through the marsh, and beyond the bay, the Oakland shore lay like a

chain of gems in the pale twilight.

Peter looked at the cabin, the little brown house that he had built

almost fifteen years ago. He remembered that it was in the beginning a

sort of experiment; his mother and he were too much alone in their big

city house, and she had suggested, with rare wisdom, that as he did not

care for society, and as his travels always meant great loneliness For

her, he should have a little eyrie of his own, to which he might

retreat whenever the fancy touched him.

She liked Del Monte and Tahoe, herself, but she had come to Mill Valley

now and then in the days of his first wild delight in its freedom and

beauty, silk-gowned and white-gloved and very much disliking dust. She

had sent him plants, roses, and fruit trees, and she had told him one

day that he had a neighbour in the valley who was an old friend of

hers, a Doctor Strickland, a widower, with children.

He remembered sauntering up the opposite canyon to duly call upon this

inventor-physician one day, and his delight upon finding a well-read,

music-loving, philosophic, erratic man, who had at once recognized a

kindred spirit, and who had made the younger man warmly welcome.

Presently, on the first call, an enchanting little girl In a shabby

smock had come in, a little girl all dimples, demureness, and untouched

babyish beauty. She had said that "Anne wath mad wiv her, and that

Alix--" she managed to lisp the name, "wath up in the madrone!"

A somewhat older child, named Alix, a freckled, leggy little person

with enormous front teeth, had proved the claim by falling out of the

madrone, and had received no sympathy for a bump, but a--to him--rather

surprising censure. He had yet to realize that nothing ever hurt Alix,

but that she always ruined her clothes, and frequently hurt other

persons and other things. He found her a spirited, enthusiastic little

person, extremely articulate, and quite unselfconscious, and she had

entertained him with an excited account of a sex feud that was being

pushed with some violence at her school, and had used expressions that

rather shocked Peter. A quiet third girl--a niece, he gathered--had

joined the group, a girl with braids and clean hands, who elucidated:

"Alix and I don't like our teacher!"

"She's a sneak and a skunk," Alix had frankly contributed. Cherry, now

quietly established in her father's lap, had smiled with mischievous

enjoyment; nobody else, to Peter's surprise, had paid this

extraordinary remark the slightest attention. He remembered that he had

fancied only the smallest of these children, and had been glad when

they all went out of the room.

But after that Alix used often to amuse him, and he always felt more at

home with her than with the other two. She had only been a gawky and

thin fifteen or sixteen when she began to assert herself in his

kitchen, dictate to Kow, and waste good butter and eggs on experiments.

He had secretly rather admired her quick tongue and her daring, he

liked her to ride his horses, and was amazed at the speed with which

she grasped the controlling principles of the motor-car. He had seen

her move plants, treat sick chickens, sew up the gashed head of a horse

with her own fingers, while Cherry, lovely, round-eyed, immaculate in

white ruffles, watched her with fear and admiration.

Looking down at the cabin, the years slipped past him like a flying

film, and it was the present again, and Alix--Alix was gone.

He roused himself, spoke to the dog, and they went on their way again.

Mud squelched beneath Peter's boots in the roadway; the dog sprang

lightly from clump to clump of dried grass. But when they left the

road, and cut straight across the rise of the hillside, the ground was

firmer, and the two figures moved swiftly through the dark night. The

early stars came out, and showed them, silhouetted against the sky

above Alix's beloved Tamalpais, the man's erect form with its slight

limp, the dog following faithfully, his plumy tail and feathered ruff

showing a dull lustre in the starlight.

Cherry, with her violet eyes and corn-coloured hair, Cherry, with her

little hands gathered in his, and her heart beating against his heart,

and Alix, his chum, his companion, his comrade on so many night walks

under the stars--he had lost them both. But it was Alix who was closest

to his thoughts to-night, Alix, the thought of whom was gradually

gripping his heart and soul with a new pain.

Alix was his own; Cherry had never been his own. It was for him to

comfort Cherry, it had always been his mission to comfort Cherry, since

the days of her broken dolls and cut fingers. But Alix was his own

comforter, and Alix might have been laughing and stumbling and

chattering beside him here, in the dark, wet woods, full of a child's

happy satisfaction in the moment and confidence in the morrow.

"Alix, my wife!" he said softly, aloud. "I loved Cherry--always. But

you were mine--you were mine. We belonged to each other--for better and

for worse--and I have let you go!"

He went on and on and on. They were plunging down hill now, under the

trees. He would see a light after awhile, and sleep for a few hours,

and have a hunter's breakfast, and be gone again. And he knew that for

weeks--for months--perhaps for years, he would wander so, through the

great mountains, with their snow and their forests, over the seas, in

strange cities and stranger solitudes. Always alone, always moving,

always remembering. That would be his life. And some day--some day

perhaps he would come back to the valley she had loved--

But even now he recoiled in distaste from that hour. To see the

familiar faces, to come up to the cabin again, to touch the music and

the books--

Worse, to find Cherry a little older, happy and busy in her life of

sacrifice, not needing him, not very much wanting the reminder of the

old tragic times--

An owl cried in the woods; the mournful sound floated and drifted away

into utter silence. Some small animal, meeting the death its brief life

had evaded a hundred times, screamed shrilly, and was silent. Great

branches, stirred by the night wind, moved high above his head, and

when there was utter silence, Peter could hear the steady, soft rush of

the ocean, dulled here to the sound of gigantic, quiet breathing.

Suddenly she seemed again to be beside him. He seemed to see the dark,

animated face, the slender, tall girl wrapped in her big, rough coat.

He seemed to hear her vibrating voice, with that new, tender note in it

that he had noticed when she last spoke to him.

"I'll go home ahead of you, Peter, and wait for you there!"

Tears suddenly flooded his eyes, and he put his hand over them, and

pressed it there, standing still, while the wave of tender and poignant

and exquisite memories broke over him.

"We'll go on, Buck," he whispered, looking up through the trees at a

strip of dark sky spangled with cold stars. "We'll go on. She's--she's

waiting for us somewhere, old fellow!"

THE END

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