CHAPTER IX.

A FEW BOOKS.

_The Negro in History and Civilization_

(From Superman to Man, by J. A. Rogers.)

This volume by Mr. Rogers is the greatest little book on the Negro that

we remember to have read. It makes no great parade of being

“scientific,” as so many of our young writers do who seem to think that

science consists solely in logical analysis. If science consists

fundamentally of facts, of information and of principles derived from

those facts, then the volume before us is one of the most scientific

that has been produced by a Negro writer. It sweeps the circle of all

the social sciences. History, sociology, anthropology, psychology,

economics and politics—even theology—are laid under contribution and

yield a store of information which is worked up into a presentation so

plain and clear that the simplest can read and understand it, and yet so

fortified by proofs from the greatest standard authorities of the past

and present that there is no joint in its armor in which the keenest

spear of a white scientist may enter.

Unlike an older type of scholar (now almost extinct) the author does not

go to vapid verbal philosophers or devotional dreamers for the facts of

history and ethnology. He goes to historians and ethnologists for them

and to anthropologists for his anthropology. The result is information

which stands the searching tests of any inquirer who chooses to doubt

and investigate before accepting what is set before him.

From this book the unlearned reader of the African race can gather proof

that his race has not always been a subject or inferior race. He has the

authority of Professor Reisner, of Harvard; of Felix Dubois, Volney,

Herodotus, Finot, Sergi, the modern Egyptologists and the scholars of

the white world who assembled at the Universal Races Congress in London

in 1911, for the belief that his race has founded great civilizations,

has ruled over areas as large as all Europe, and was prolific in

statesmen, scientists, poets, conquerors, religious and political

leaders, arts and crafts, industry and commerce when the white race was

wallowing in barbarism or sunk in savagery. Here he can learn on good

authority, from St. Jerome and Cicero, Herodotus and Homer down to the

modern students of race history, that cannibalism has been a practise

among white populations like the Scythians, Scots and Britons; that the

white races have been slaves; that here in America the slavery of white

men was a fact as late as the 19th century, and “according to Professor

Cigrand, Grover Cleveland’s grandfather, Richard Falley, was an Irish

slave in Connecticut.” In short, he will learn here, not that newspaper

science which keeps even “educated” Americans so complacently ignorant,

but the science of the scientists themselves. He will learn all that

this kind of science has to tell of the relative capacity and standing

of the black and white races—and much of it will surprise him. But all

of it will please and instruct.

The book also deals with the facts of the present position of the Negro

in America and the West Indies; with questions of religion, education,

politics and political parties, war work, lynching, miscegenation on

both sides, the beauty of Negro women and race prejudice. And on

everyone of these topics it gives a minimum of opinion and a maximum of

information. This information flows forth during the course of a series

of discussions between an educated Negro Pullman porter and a Southern

white statesman on a train running between Chicago and San Francisco.

The superior urbanity of the Negro, coupled with his wider information

and higher intelligence, eventually wins over the Caucasian to admit

that the whole mental attitude of himself and his race in regard to the

Negro was wrong and based on nothing better than prejudice.

This conversational device gives the author an opportunity to present

all the conflicting views on both sides of the Color Line, and the

result is a wealth of information which makes this book a necessity on

the bookshelf of everyone, Negro or Caucasian, who has some use for

knowledge on the subject of the Negro. The book is published by the

author at 4700 State Street, Chicago.

_“Darkwater”_

By W. E. B. Du Bois.

An unwritten law has existed for a long time to the effect that the

critical estimates which fix the status of a book by a Negro author

shall be written by white men. Praise or blame—. the elementary

criticism which expresses only the reviewer’s feelings in reference to

the book—has generally been the sole function of the Negro critic. And

the results have not been good. For, in the first place, white critics

(except in music) have been too prone to judge the product of a Negro

author as Dr. Johnson judged the dancing dog: “It isn’t at all like

dancing; but then, one shouldn’t expect more from a dog.” That is why

many Negro poets of fifth grade merit are able to marshal ecomiums by

the bushel from friendly white critics who ought to know better. On the

other hand, there is the danger of disparagement arising solely from

racial prejudice and the Caucasian refusal to take Negro literary

products seriously.

In either case the work fails to secure consideration solely on its

merits. Wherefore, it is high time that competent appraisal of Negro

books should come from “our side of the street.” But, then, the Negro

reading public should be taught what to expect, viz., that criticism is

neither “knocking” nor “boosting”; but an attempt, in the first place,

to furnish a correct and adequate idea of the scope and literary method

of the book under review, of the author’s success in realizing his

objects, and of the spirit in which he does his work. In the second

place, the critic should be expected to bring his own understanding of

the subject matter of the book to bear upon the problem of enlightening

the readers’ understanding, that at the end the reader may decide

whether the work is worth his particular while.

This book of Dr. Du Bois’ is one which challenges the swing of seasoned

judgment and appraisal. It challenges also free thinking and plain

speaking. For, at the very outset, find ourselves forced to demur to the

publishers’ assumptions as to its author’s status. “Even more than the

late Booker Washington, Mr. Du Bois is now chief spokesman of the two

hundred million men and women of African blood.” So say the

publishers—or the author. But this is outrageously untrue. Once upon a

time Dr. Du Bois held a sort of spiritual primacy among The Talented

Tenth, not at all comparable to that of Booker Washington in scope, but

vital and compelling for all that. The power of that leadership,

however, instead of increasing since Mr. Washington’s death, has

decreased, and is now openly flouted by the most active and outspoken

members of The Talented Tenth in Negro America. And, outside of the

twelve or fifteen millions “of African blood” in the United States, the

mass of that race in South and West Africa, Egypt and the Philippines

know, unfortunately, very little of Dr. Du Bois. It may be, however,

that this is merely a publishers’ rhodomontade.

And it is the publishers themselves who challenge for this volume a

comparison with “The Souls of Black Folk,” which was published by

McClurg in 1903. It is regrettable that they should force the issue, for

“The Souls of Black Folk” is a greater book than “Darkwater” in many

ways. In the first place, its high standard of craftsmanship is

maintained through every chapter and page. There are no fag-ends, as in

the chapter “Of Beauty and Death” in the present volume, where the

rhetoric bogs down, the author loses the thread of his purpose and goes

spieling off into space, spinning a series of incongruous purple patches

whose tawdry glitter shows the same reversion to crude barbarism in

taste which leads a Florida fieldhand to don opal-colored trousers, a

pink tie, pari-colored shirt and yellow shoes. Artistically, that

chapter is an awful thing, and I trust that the author is artist enough

to be ashamed of it.

And, though it may savor of anti-climax, “The Souls of Black Folk” was

more artistically “gotten” up—to use the grammar of its author.

“Darkwater” is cheaply bound and cheaply printed on paper which is

almost down to the level of the Seaside Library. Neither in mechanical

nor mental quality does the book of 1920 come up to the level of that of

1903.

Yet, in spite of some defects, “Darkwater” (with the exception of

chapters six, seven, eight and nine) is a book well worth reading. It is

a collection of papers written at different times, between 1908 and

1920, and strung loosely on the string of race. One wishes that the

author could have included his earlier essay on The Talented Tenth and

his address on the aims and ideals of modern education, delivered some

twelve years ago to the colored school children of Washington, D. C.

Each paper makes a separate chapter, and each chapter is followed by a

rhetorical sprig of symbolism in prose or verse in which the tone-color

of the preceding piece is made manifest to the reader. Of these

tone-poems in prose and verse, the best are the Credo; A Litany at

Atlanta; The Riddle of the Sphinx, and Jesus Christ in Texas. In these

the lyrical quality of the author’s prose is lifted to high levels. In

these elegance does not slop over into turgid declamation and rhetorical

claptrap—which has become a common fault of the author’s recent prose as

shown in The Crisis. In this, the first part of the book, the work is

genuine and its rhetoric rings true. Nevertheless, the sustained

artistic swing of “The Souls of Black Folk,” which placed that work (as

a matter of form and style) on the level of Edgar Saltus’ _Imperial

Purple_—this is not attained in “Darkwater.”

The book may be said to deal largely with the broad international

aspects of the problem of the color line and its reactions on

statecraft, welt-politik, international peace and international trade,

industry, education and the brotherhood of man. Each chapter, or paper,

is devoted to one of these reactions. Then there is a charming

autobiographical paper, “The Shadow of Years,” which first appeared in

The Crisis about three years ago, in which we have the study of a soul

by itself. The growth of the author’s mind under the bewildering shadow

cast by the color line is tragically set forth. I say tragically with

deliberation; for what we see here, despite its fine disguise, is the

smoldering resentment of a mulatto who finds the beckoning white doors

of the world barred on his approach. One senses the thought that, if

they had remained open, the gifted spirit would have entered and made

his home within them. _Mais, chacun a son gout_, and no one has the

right to quarrel with the author on that doubtful score.

In the chapter on “The Souls of White Folk” we have a fine piece, not so

much of analysis, as of exposition. The author puts his best into it.

And yet that best seems to have failed to bite with acid brutality into

the essential iron of the white man’s soul. For the basic elements of

that soul are Hypocrisy, Greed and Cruelty. True, the author brings this

out; but he doesn’t burn it in. The indictment is presented in terms of

an appeal to shocked sensibilities and a moral sense which exists, for

the white man, only in print; whereas it might have been made in other

terms which come nearer to his self-love. Nevertheless it is

unanswerable in its logic.

In “The Hands of Ethiopia,” as in “The Souls of White Folk,” we catch

the stern note of that threat which (disguise it as our journals will),

the colored races are making, of an ultimate appeal in terms of color

and race to the white man’s only God—the God of Armed Force. But the

author never reaches the height of that newer thought—an international

alliance of Black, Brown and Yellow against the arrogance of White.

In “Work and Wealth” and “The Servant in the House” the problems of work

and its reward, and the tragedy of that reward, are grippingly set forth

in relation to the Negro in America and in the civilized world. “The

Ruling of Men” is followed by three papers of very inferior merit and

the book ends with a fantastic short story, “The Comet” which, like “The

Coming of John” in “The Souls of Black Folk,” suggests that Dr. Du Bois

could be a compelling writer of this shorter form of fiction. The touch

in this story of incident is light, but arresting.

Dr. Du Bois, in the looseness of phrase current in our time in America,

is called a scholar—on what grounds we are not informed. But Dr. Du Bois

is not a scholar; his claim to consideration rests upon a different

basis, but one no less high. And when the Negro culture of the next

century shall assay the products of our own it will seem remarkable that

this supreme wizard of words, this splendid literary artist, should have

left his own demesne to claim the crown of scholarship. Surely, there is

honest credit enough in being what he is, our foremost man of culture.

And this “Darkwater,” despite its lapses from artistic grace, helps to

rivet his claim to that consideration. It is a book which will well

repay reading.

_The Rising Tide of Color Against White World Supremacy_

By Lothrop Stoddard

About ten years ago Mr. B. L. Putnam Weale in “The Conflict of Color”

tried to open the eyes of the white men of the world to the fact that

they were acting as their own grave diggers. About the same time

Mr. Melville E. Stone, president of the Associated Press, in an address

before the Quill Club on “Race Prejudice in the Far East” reinforced the

same grisly truth. Five years later “T. Shirby Hodge” wrote “The White

Man’s Burden: A Satirical Forecast,” and ended it with these pregnant

words: “The white man’s burden is—himself.” His publishers practically

suppressed his book, which, by the way, should have been in the library

of every intelligent Negro. The white world was indisposed then to

listen to its voices of warning. But today the physical, economic and

racial ravages of the World War have so changed the white world’s mind

that within four weeks of its appearance “The Rising Tide of Color

Against White World Supremacy,” by Lothrop Stoddard, has struck the

bull’s-eye of attention and has already become the most widely talked-of

book of the year. White men of power are discussing its facts and its

conclusions with bated breath and considerable disquietude.

Here is a book written by a white man which causes white men to shiver.

For it calls their attention to the writing on the wall. It proves that

the white race in its mad struggle for dominion over others has been

exhausting its vital resources and is exhausting them further. It proves

to the hilt the thesis advanced in 1917 in my brief essay on “The White

War and the Colored Races” that, whereas the white race was on top by

virtue of its guns, ships, money, intellect and massed man-power, in the

World War it was busy burning up, depleting and destroying these very

resources on which its primacy depended. But even though the white

capitalists knew all this their mad greed was still their master. This

great race is still so low spiritually that it sells even its racial

integrity for dollars and cents. Mr. Stoddard’s book may disturb its

sense of security for a brief space, but it cannot keep white

“civilization” from its mad dance of death. “What shall it profit a man

if he gain the whole world and lose his own soul?” And the white race

will finally find that this is even more true racially than

individually.

We have noticed for many years that whereas domestic journalism was

merely journalism—the passing register of parochial sensations—the

journalism of the international publicists like Lord Bryce, Meredith

Townsend, Archibald Colquhoon, Putnam Weale and Hyndman was something

more solid than journalism. In the writings of these men hard fact and

stark reality are wedded to wide reading and deep thinking. They are the

real social scientists rather than the stay-at-home, cloistered

sociologists who, presuming to know everything, have seen nothing. The

present volume is one of the best of the former and is full of the

qualities of its class. But at the very outset it suffers from the

unwelcome assistance of Dr. Madison Grant, “chairman of the New York

Zoological Society and trustee of the American Museum of Natural

History.” Dr. Grant has accumulated a large stock of musty ethnological

ideas of which he unburdens himself in what he evidently intends as a

“learned” introduction, without which freightage the book would be much

better. The difference in value and accuracy between Mr. Stoddard’s text

and the pseudo-scientific introduction of Dr. Grant would furnish fair

material for philosophic satire. Unfortunately we cannot indulge the

inclination in the columns of a weekly newspaper.

Dr. Grant, in owlish innocence, splutters out the usual futile folly

which (in other domains) has brought the white race to the frontiers of

the present crisis. He reads back into history the racial values of

today and trails the Anglo-Saxon’s crass conceit and arrogance across

the pages of its record, finding “contrast of mental and spiritual

endowments … elusive of definition,” and other racial clap-trap whose

falsity has been demonstrated again and again by warm-hearted

enthusiasts like Jean Finot and coldly critical and scientific scholars

like Dr. Taylor (“Origin of the Aryans”), Sergi (“The Mediterranean

Race”) and J. M. Robertson (“The Evolution of States”). But one can

forgive Dr. Grant; he is a good American, and good Americans (especially

“scientists” on race) are usually fifty years behind the English, who,

in turn, are usually twenty years behind the Germans. Dr. Grant’s

annexation of the past history of human culture to the swollen record of

the whites sounds good—even if it smells bad. And he is in good

Anglo-Saxon company. Sir Harry Johnston does the same thing and gets

titles (scientific and other) by so doing. The Englishman takes the very

Egyptians, Hindus and tribal Liberians, whom he would call “niggers” in

New York and London, and as soon as he finds that they have done

anything worth while he tags them with a “white” tag. Thus, to the

professional “scientist” like Dr. Grant, living in the parochial

atmosphere of the United States, science is something arcane, recondite

and off the earth; while to the American like Mr. Stoddard, who has been

broadened by travel and contact with the wider world, science, is, as it

should be, organized daily knowledge and common sense. Thus journalists,

good and bad, are the ones who form opinion in America, because

“scientists” are so distressingly stupid.

Mr. Stoddard’s thesis starts from the proposition that of the seventeen

hundred million people on our earth today the great majority is made up

of black, brown, red and yellow people. The white race, being in the

minority, still dominates over the lands of black, brown, red and (in

the case of China) has assumed a right of dictatorship and disposal even

in the yellow man’s lands. In the course of this dictatorship and

domination the white race has erected the barrier of the color line to

keep the other races in their place. But this barrier is cracking and

giving way at many points and the flood of racial self-assertion,

hitherto dammed up, threatens to overflow the outer and inner dikes and

sweep away the domination of the whites.

The author approaches his theme with a curiously graduated respect for

other races. This respect, while it is a novelty in the attitude of the

blond overlords, is always in direct proportion to the present power and

discernible potentialities of the races discussed. For the yellow man of

Japan and China he shows the greatest deference. The browns (of India,

Persia, Afghanistan, Egypt and the Mohammedan world in general) are, of

course, inferior, but must be respected for their militancy. The reds

(the original American stock which is the backbone of the population of

Mexico, Central and South America) are a source of contamination for

white blood and an infernal nuisance, capable of uniting with Japan and

China in an onslaught on the land areas reserved for white exploitation

in the western world; while the blacks, at the foot of the ladder, have

never amounted to anything, don’t amount to anything now, and can never

seriously menace the superiority of the whites.

The gradation is full of meaning, especially to those fervid theorists

who affect to believe that religion, morality, loyalty and good

citizenship constitute a good claim to the white man’s respect. For it

is Japan’s actual military might and China’s impending military might

which have put them in Grade A, while the brown man’s show of resistance

in Egypt, India and elsewhere under Islam, and his general physical

unrest and active discontent have secured for him a classification in

Grade B. The American in Mexico and South America keeps his window open

toward the east; but the black man still seems, in our author’s eyes, to

be the same loyal, gentle, stupid beast of burden that the white man’s

history has known—except in those parts of Africa in which he has

accepted the Mohammedan religion and thus become a part of the potential

terror of the Moslem world. In this we think our author mistaken; but,

after all, it is neither arguments nor logic that will determine these

matters, but deeds and accomplishments.

But, however his racial respect may be apportioned, Mr. Stoddard holds

that his race is doomed. “If the present drift be not changed we whites

are all ultimately doomed. Unless we set our house in order the doom

will sooner or later overtake us all.” The present reviewer stakes his

money on “the doom,” for the white race’s disease is an ingrowing one

whose development inheres in their very nature. They are so singularly

constituted that they would rather tear themselves to pieces parading as

the lords of creation than see any other people achieve an equal favor

of fortune.

In the pages of this book the author presents many chastening truths and

wide vistas of international politics which are enlightening when

carefully studied. But it is not our intent to cover the entire field of

his work, and we think that we have said enough to indicate the high

value and suggestiveness of the work. But we may be allowed to point out

that all the way through the author, though clear and enlightened,

remains an unreconstructed Anglo-Saxon, desirous of opening the eyes of

his race to the dangers which beset them through their racial injustice

and arrogance; but sternly, resolutely, intent that they shall not share

their overlordship with any other of the sons of earth. His book is

written in a clear and commendable style; he shows but few defects of

temper and a shrewd mastery of his materials. The book should be widely

read by intelligent men of color from Tokio to Tallahassee. It is

published by Charles Scribner’s Sons at $3, and is well worth the price.

THE BLACK MAN’S BURDEN

(A Reply to Rudyard Kipling.)

By HUBERT H. HARRISON

Take up the Black Man’s burden—

Send forth the worst ye breed,

And bind our sons in shackles

To serve your selfish greed;

To wait in heavy harness

Be-devilled and beguiled

Until the Fates remove you

From a world you have defiled.

Take up the Black Man’s burden—

Your lies may still abide

To veil the threat of terror

And check our racial pride;

Your cannon, church and courthouse

May still our sons constrain

To seek the white man’s profit

And work the white man’s gain.

Take up the Black Man’s burden—

Reach out and hog the earth,

And leave your workers hungry

In the country of their birth;

Then, when your goal is nearest,

The end for which you fought,

Watch other’s trained efficiency

Bring all your hope to naught.

Take up the Black Man’s burden

Reduce their chiefs and kings

To toil of serf and sweeper

The lot of common things:

Sodden their soil with slaughter,

Ravish their lands with lead;

Go, sign them with your living

And seal them with your dead.

Take up the Black Man’s burden—

And reap your old reward:

The curse of those ye cozen,

The hate of those ye barred

From your Canadian cities

And your Australian ports;

And when they ask for meat and drink

Go, girdle them with forts.

Take up the Black Man’s burden—

Ye cannot stoop to less.

Will not your fraud of “freedom”

Still cloak your greediness?

But, by the gods ye worship,

And by the deeds ye do,

These silent, sullen peoples

Shall weigh your gods and you.

Take up the Black Man’s burden—

Until the tale is told,

Until the balances of hate

Bear down the beam of gold.

And while ye wait remember

That justice, though delayed,

Will hold you as her debtor

Till the Black Man’s debt is paid.

TRANSCRIBER’S NOTE

Obvious typographical errors and punctuation errors have been corrected

after careful comparison with other occurrences within the text and

consultation of external sources.

Except for the changes noted below, misspelling in the text, and

inconsistent or archaic usage, have been retained.

In Chapter 3, “Emmet” has been replaced with “Emmett”.

“posiiton” has been replaced with “positon”.

In Chapter 5, “conquences” has been replaced with “consequences”; “lke”

has been replaced with “like”; “whch” has been replaced with “which”.

In Chapter 6, “Chanler” has been replaced with “Chandler”.

In Chapter 7, “behaf” has been replaced with “behalf”; “perpertrated”

has been replaced with “perpetrated”; “delibertaely” has been replaced

with “deliberately”; “whtie” has been replaced with “white”;

“sovereignity” has been replaced with “sovereignty”.

In Chapter 8, “anthroplology” has been replaced with “anthropology”.

“preceeding” has been replaced with “preceding”; In Chapter 9,

“resoures” has been replaced with “resources”. Additionally, the header

“CHAPTER NINE” has been replaced with “CHAPTER IX” to match with other

chapter headings in the book.

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