CHAPTER III.

General Trednoke’s house was built by Spanish missionaries in the

sixteenth century; and in its main features it was little altered in

three hundred years. In a climate where there is no frost, walls of

adobe last as long as granite. The house consisted, practically, of but

one story; for although there were rooms under the roof, they were used

only for storage; no one slept in them. The plan of the building was

not unlike that of a train of railway-cars,--or, it might be more

appropriate to say, of emigrant-wagons. There was a series of rooms,

ranged in a line, access to them being had from a narrow corridor,

which opened on the rear veranda. Several of the rooms also communicated

directly with each other, and, through low windows, gave on the veranda

in front; for the house was merely a comparatively narrow array of

apartments between two broad verandas, where most of the living,

including much of the sleeping, was done.

Logically, there can be nothing uglier than a Spanish-American dwelling

of this type. But, as a matter of fact, they appear seductively

beautiful. The thick white walls acquire a certain softness of tone; the

surface scales off here and there, and cracks and crevices appear. In

a damp country, like England, they would soon become covered with moss;

but moss is not to be had in this region, though one were to offer for

it the price of the silk velvet, triple ply, which so much resembles

it. Nevertheless, there are compensations. The soil is inexhaustibly

fertile, and its fertility expresses itself in the most inveterate

beauty. Such colors and varieties of flowers exist nowhere else, and

they continue all the year round. Climbing vines storm the walls, and

toss their green ladders all over it, for beauty to walk up and down.

Huge jars, standing on the verandas, emit volcanoes of lovely blossoms;

and vases swung from the roof drip and overflow with others, as if water

had turned to flowers. In the garden, which extends over several acres

at the front of the house, and, as it were, makes it an island in

a gorgeous sea of petals, there are roses, almonds, oranges, vines,

pomegranates, and a hundred rivals whose names are unknown to the

present historian, marching joyfully and triumphantly through the

seasons, as the symphony moves through changes along its central theme.

Everything that is not an animal or a mineral seems to be a flower.

There are too many flowers,--or, rather, there is not enough of anything

else. The faculty of appreciation wearies, and at last ceases to

take note. It is like conversing with a person whose every word is

an epigram. The senses have their limitations, and imagination and

expectation are half of beauty and delight, and the better half;

otherwise we should have no souls. A single violet, discovered by chance

in the by-ways of an April forest in New England, gives a pleasure

as poignant as, and more spiritual than, the miles upon miles of

Californian splendors.

Monotony is the ruling characteristic,--monotony of beauty, monotony

of desolation, monotony even of variety. The glorious blue overhead

is monotonous: as for the thermometer, it paces up and down within the

narrowest limits, like a prisoner in his cell, or a meadow-lark hopping

to and fro in a seven-inch cage. The plan and aspect of the buildings

are monotonous, and so is the way of life of those who inhabit them.

Fortunately, the sun does rise and set in Southern California: otherwise

life there would be at an absolute stand-still, with no past and no

future. But, as it is, one can look forward to morning, and remember the

evening.

Then, there are the not infrequent but seldom very destructive

earthquakes; the occasional cloud-bursts and tornadoes, sudden and

violent as a gunpowder-explosion; and, finally, the astounding contrast

between the fertile regions and the desert. There are places where you

can stand with one foot planted in everlasting sterility and the other

in immortal verdure. In the midst of an arid and hopeless waste, you

come suddenly upon the brink of a narrow ravine, sharply defined as

if cut out with an axe, and packed to the brim with enchanting and

voluptuous fertility. Or you will come upon mountains which sweep upward

out of burning death into sumptuous life. When the monotony of life

meets the monotony of death, Southern California becomes a land of

contrasts; and the contrasts themselves become monotonous.

General Trednoke’s ranch was very near the borders of these two mighty

forces. An hour’s easy ride would carry him to a region as barren

and apparently as irreclaimable as that through which Childe Roland

journeyed in quest of the Dark Tower; lying, too, in a temperature so

fiery that it coagulated the blood in the veins, and stopped the beating

of the heart. Underfoot were fine dust, and whitened bones; the air

was prismatic and magical, ever conjuring up phantom pictures, whose

characteristic was that they were at the farthest remove from any

possible reality. The azure sky descended and became a lake; the

pulsations of the atmosphere translated themselves into the rhythmic

lapse of waves; spikes of sage-brush and blades of cactus became sylvan

glades, and hamlets cheerful with inhabitants. Only, all was silent; and

as you drew near, the scene trembled, altered, and was gone!

Hideous black lizards and horned toads crawl and hop amid this

desolation; and the deadly little sidewinder rattlesnake lies basking in

the blaze of sunshine, which it distils into venom. Sometimes the level

plain is broken up into savage ridges and awful canons, along whose arid

bottoms no water streams. As you stagger through their chaotic bottoms,

you see vast boulders poised overhead, tottering to a fall; a shiver

of earthquake, a breath of hurricane, and they come crashing and

splintering in destruction down. Along the sides of these acclivities

extend long, level lines and furrows, marks of where the ocean flowed

ages ago. But sometimes the hills are but accumulations of desert dust,

which shift slowly from place to place under the action of the wind,

melting away here to be re-erected yonder; mounding themselves, perhaps,

above a living and struggling human being, to move forward, anon,

leaving where he was a little heap of withered bones. A fearful place is

this broad abyss, where once murmured the waters of a prehistoric sea.

Let us return to the cool and fragrant security of the general’s ranch.

At right angles to the main body of the house extend two wings,

thus forming three sides of a square, the interior of which is the

court-yard. Here the business of the establishment is conducted. It is

the liveliest spot on the premises; though it is liveliness of a very

indolent sort. The veranda built around these sides is twenty feet

in breadth, paved with tiles that have been worn into hollows by

innumerable lazy footsteps, mostly shoeless, for this side of the house

is frequented chiefly by the servants of the place, who are Mexican

Indians. Ancient wooden settles are bolted to the walls; from hooks hang

Indian baskets of bright colors; in one corner are stretched raw hides,

which serve as beds. Small brown children, half naked, trot, clamber,

and crawl about. Black-haired, swarthy women squat on the tiled floor,

pursuing their vocations, or, often, doing nothing at all beyond

continuing a placid organic existence. Boys and men saunter in and out

of the court-yard, chatting or calling in their musical patois; once

in a while there is a thud and clatter of hoofs, a rider arriving or

departing. It is an entertaining scene, charming in its monotony of

small changes and evolutions; you can sit watching it in a half-doze for

twenty years at a stretch, and it may seem only as many minutes, or vice

versa.

Most of the rooms in the wings are used for the kitchens and other

servants’ quarters; but one large chamber is devoted to a special

purpose of the general’s own: it is a museum; the Curiosity-Room, he

calls it. It is lighted by two windows opening on opposite sides, one

on the court-yard, the other on an orange grove at the south end of the

house. Besides being, in itself, a cool and pleasant spot, it is full

of interest to any one who cares about the relics and antiquities of an

ancient and vanishing race, concerning whom little is or ever will be

known. There are two students in it at this moment; though whether they

are studying antiquities is another matter. Let us give ear to their

discourse and be instructed.

“But this was made for you to wear, Miss Trednoke. Try it. It fits you

perfectly, you see. There can be no doubt about your being a princess,

now!”

“I sometimes feel it,--here!” she said, putting her hand on her bosom.

She was looking at him as she said it, but her eyes, instead of any

longer meeting his, seemed to turn their regard inward, and to traverse

strange regions, not of this world. “I see some one who is myself,

though I can never have been she: she is surrounded with brightness, and

people not like ours; she thinks of things that I have never known. It

is the memory of a dream, I suppose,” she added, in another tone.

“Heredity is a queer thing. You may be Aztecan over again, in mind and

temperament; and every one knows how impressions are transmitted.

If features and traits of character, why not particular thoughts and

feelings?”

“I think it is better not to try to explain these things,” said she,

with the unconscious haughtiness which maidens acquire who have not seen

the world and are adored by their family. “They are great mysteries,--or

else nothing.” She now removed from her head the curious cap or helmet,

ornamented with gold and with the green feathers of the humming-bird,

which her companion had crowned her with, and hung it on its nail in the

cabinet. “Perhaps the thoughts came with the cap,” she remarked, smiling

slightly. “I don’t feel that way any more. I ought not to have spoken of

it.”

“I hope the time will come when you will feel that you may trust me.”

“You seem easy to know, Mr. Freeman,” she replied, looking at him

contemplatively as she spoke, “and yet you are not. There is one of you

that thinks, and another that speaks. And you are not the same to my

father, or to Professor Meschines, that you are to me.”

“What is the use of human beings except to take one out of one’s self?”

“But it is not your real self that comes out,” said Miriam, after a

little pause. She never spoke hurriedly, or until after the coming

speech had passed into her face.

Freeman laughed. “Well,” he said, “if I’m a hypocrite, I’m one of those

who are made and not born. As a boy, I was frank enough. But a good

part of my life has been spent with people who couldn’t be trusted; and

perhaps the habit of protecting myself against them has grown upon me.

If I could only live here for a while it would be different.--Here’s an

odd-looking thing. What do you call that?”

“We call it the Golden Fleece.”

“The Golden Fleece! I can imagine a Medea; but where is the Dragon?”

“If Jason came, the Dragon might appear.”

“I remember reading somewhere that the Dragon was less to be feared than

Medea’s eyes. But this fleece seems to have lost most of its gold. There

is only a little gold embroidery.”

“It shows where the gold is hidden.”

“It’s you that are concealing something now, Miss Trednoke. How can a

woollen garment be a talisman?”

“The secret might be woven into it, perhaps,” replied Miriam, passing

her fingers caressingly over the soft tunic. “Then, when the right

person puts it on, it would----But you don’t believe in these things.”

“I don’t know: you don’t give me a chance. But who is the right person?

The thing seems rather small. I’m sure I couldn’t get it on.”

“It can fit only the one it was made for,” said Miriam, gravely. “And

if you wanted to find the gold, you would trust to your science, rather

than to this.”

“Well, gold-hunting is not in my line, at present. Every nugget has been

paid for more than once, before it is found. Besides, there is something

better than gold in Southern California,--something worth any labor to

get.”

“What is it?” asked Miriam, turning her tranquil regard upon him.

Harvey Freeman had never been deficient in audacity. But, standing in

the dark radiance of this maiden’s eyes, his self-assurance dwindled,

and he could not bring himself to say to her what he would have said to

any other pretty woman he had ever met. For he felt that great pride and

passion were concealed beneath that tranquil surface: it was a nature

that might give everything to love, and would never pardon any frivolous

parody thereof. Freeman had been acquainted with Miriam scarcely two

days, but he had already begun to perceive the main indications of a

character which a lifetime might not be long enough wholly to explore.

Marriage had never been among the enterprises he had, in the course of

his career, proposed to himself: he did not propose it now: yet he dared

not risk the utterance of a word that would lead Miriam to look at him

with an offended or contemptuous glance. It was not that she was, from

the merely physical point of view, transcendently beautiful. His first

impression of her, indeed, had been that she was merely an unusually

good example of a type by no means rare in that region. But ere long

he became sensible of a spiritual quality in her which lifted her to a

level far above that which can be attained by mere harmony of features

and proportions. Beneath the outward aspect lay a profound depth of

being, glimpses of which were occasionally discernible through her eyes,

in the tones of her voice, in her smile, in unconscious movements of

her hands and limbs. Demonstrative she could never be; but she could,

at will, feel with tropical intensity, and act with the swiftness and

energy of a fanatic.

In Miriam’s company, Freeman forgot every one save her,--even

himself,--though she certainly made no effort to attract him or (beyond

the commonplaces of courtesy) to interest him. Consequently he had

become entirely oblivious of the existence of such a person as Grace

Parsloe, when, much to his irritation, he heard the voice of that young

lady, mingled with others, approaching along the veranda. At the same

moment he experienced acute regret at the whim of fortune which had made

himself and that sprightly young lady fellow-passengers from Panama, and

at the idle impulse which had prompted him to flirt with her.

But the past was beyond remedy: it was his concern to deal with the

present. In a few seconds, Grace entered the curiosity-room, followed by

Professor Meschines, and by a dashing young Mexican senor, whom Freeman

had met the previous evening, and who was called Don Miguel de Mendoza.

The senor, to judge from his manner, had already fallen violently in

love with Grace, and was almost dislocating his organs of speech in the

effort to pay her romantic compliments in English. Freeman observed this

with unalloyed satisfaction. But the look which Grace bent upon him and

Miriam, on entering, and the ominous change which passed over her mobile

countenance, went far to counteract this agreeable impression.

One story is good until another is told. Freeman had really thought

Grace a fascinating girl, until he saw Miriam. There was no harm in

that: the trouble was, he had allowed Grace to perceive his admiration.

He had already remarked that she was a creature of violent extremes,

tempered, but not improved, by a thin polish of subtlety. She was now

about to give an illustration of the passion of jealousy. But it was not

her jealousy that Freeman minded: it was the prospect of Miriam’s scorn

when she should surmise that he had given Grace cause to be jealous.

Miriam was not the sort of character to enter into a competition with

any other woman about a lover. He would lose her before he had a chance

to try to win her.

But fortune proved rather more favorable than Freeman expected, or,

perhaps, than he deserved. Grace’s attack was too impetuous. She stopped

just inside the threshold, and said, in an imperious tone, “Come here,

Mr. Freeman: I wish to speak to you.”

“Thank you,” he replied, resolving at once to widen the breach to the

utmost extent possible, “I am otherwise engaged.”

“Upon my word,” observed the professor, with a chuckle, “you’re

no diplomatist, Harvey! What are you two about here? Investigating

antiquities?”

“The remains of ancient Mexico are more interesting than some of her

recent products,” returned Freeman, who wished to quarrel with somebody,

and had promptly decided that Senor Don Miguel de Mendoza was the most

available person. He bowed to the latter as he spoke.

“You--a--spoken to me?” said the senor, stepping forward with a polite

grimace. “I no to quite comprehend----”

“Pray don’t exert yourself to converse with me out of your own language,

senor,” interrupted Freeman, in Spanish. “I was just remarking that the

Spaniards seem to have degenerated greatly since they colonized Mexico.”

“Senor!” exclaimed Don Miguel, stiffening and staring.

“Of course,” added Freeman, smiling benevolently upon him, “I judge only

from such specimens of the modern Mexican as I happen to meet with.”

Don Miguel’s sallow countenance turned greenish white. But, before he

could make a reply, Meschines, who scented mischief in the air, and

divined that the gentler sex must somehow be at the bottom of it, struck

in.

“You may consider yourself lucky, Harvey, in making the acquaintance of

a gentleman like Senor de Mendoza, who exemplifies the undimmed virtues

of Cortez and Torquemada. For my part, I brought him here in the

hope that he might be able to throw some light on the mystery of this

embroidered garment, which I see you’ve been examining. What do you say,

Don Miguel? Have these designs any significance beyond mere ornament?

Anything in the nature of hieroglyphics?”

The senor was obliged to examine, and to enter into a discussion,

though, of course, his ignorance of the subject in dispute was as the

depths of that abyss which has no bottom. Miriam, who was not fond of

Don Miguel, but who felt constrained to exceptional courtesy in view

of Freeman’s unwarrantable attack upon him, stood beside him and the

Professor; and Freeman and Grace were thus left to fight it out with

each other.

But Grace had drawn her own conclusions from what had passed. Freeman

had insulted Don Miguel. Wherefore? Obviously, it could only be because

he thought that she was flirting with him. In other words, Freeman was

jealous; and to be jealous is to love. Now, Grace was so constituted

that, though she did not like to play second fiddle herself, yet she

had no objection to monopolizing all the members of the male species who

might happen, at a given moment, to be in sight.

She had, consequently, already forgiven Freeman for his apparent

unfaithfulness to her, by reason of his manifest jealousy of Don Miguel.

As a matter of fact, he was not jealous, and he was unfaithful; but

fate had decreed that there should be, for the moment, a game of

cross-purposes; and the decrees of fate are incorrigible.

“I had no idea you were so savage,” she said, softly.

“I’m not savage,” replied Freeman. “I am bored.”

“Well, I don’t know as I can blame you,” said Grace, still more softly:

she fancied he was referring to Miriam. “I don’t much like Spanish

mixtures myself.”

“One has to take what one can get,” said Freeman, referring to Don

Miguel.

“But it’s all right now,” rejoined she, meaning that Freeman and herself

were reconciled after their quarrel.

“If you are satisfied, I am,” observed Freeman, too indifferent to care

what she meant.

“Only, you mustn’t take that poor young man too seriously,” she went

on: “these Mexicans are absurdly demonstrative, but they don’t mean

anything.”

“He won’t, if he values his skin,” said Freeman, meaning that if Don

Miguel attempted to interfere between himself and Miriam he would wring

his neck.

“He won’t, I promise you,” said Grace, sparkling with pleasure.

“I don’t quite see how you can help it,” returned Freeman.

“I should hope I could manage a creature like that!” murmured she,

smiling.

“Well,” said Freeman, after a pause,--for Grace’s seeming change of

attitude puzzled him a little,--“I’m glad you look at it that way. I

don’t wish to be meddled with; that’s all.”

“You shan’t be,” she whispered; and then, just when they were

approaching the point where their eyes might have been opened, in came

General Trednoke. The group round the Golden Fleece broke up.

The general wore his riding-dress, and his bearing was animated, though

he was covered with dust.

“I was wondering what had become of you all,” he said, as the others

gathered about him. “I have been taking a canter to the eastward.

Kamaiakan said this morning that one of the boys had brought news of a

cloud-burst in that direction. I rode far enough to ascertain that there

has really been something of the kind, and I think it has affected the

arroyo on the farther side of the little sierra. Now, I don’t know how

you gentlemen feel, but it occurred to me that it might be interesting

to make up a little party of exploration to-morrow. Would you like to

try it, Meschines?”

“To be sure I should!” the professor replied. “I imagine I can stand as

much of the desert as you can! And I want to catch a sidewinder.”

“Good! And you, Mr. Freeman?”

“It would suit me exactly,” said the latter. “In fact, I had been

intending to gratify my curiosity by making some such expedition on my

own account.”

“Ah!” said the general, eying him with some intentness. “Well, we may be

able to show you something more curious than you anticipate.--And now,

Senor de Mendoza, there is only you left. May we count on your company

into the desert?”

But the Mexican, with a bow and a grimace, excused himself. Scientific

curiosity was an unknown emotion to him; but he foresaw an opportunity

to have Grace all to himself, and he meant to improve it. He also wished

leisure to think over some plan for getting rid of Senor Freeman, in

whom he scented a rival, and who, whether a rival or not, had behaved to

him with a lack of consideration in the presence of ladies.

The Golden Fleece: A Romance · 第 3 / 8 章