I rose and went quietly out of the shop.

"Happy to show you anything," I said, smiling.

"Don't need anything in the fur line to-day," said he; "much obliged."

"What fine grapes those are," I commented.

"Um," said he, "they call 'em white muskets of Alexander"; and he

grimaced.

"Where are such to be had?" I asked.

"Well," he said, "I got these just round the corner; but _you'd_ have to

visit some uptown fruit emporium and pay the price."

"So you bought the last bunch?"

"Bought nothin'," he said, and he smiled in a knowing and leering way.

"They were given to me," he said, "by a married woman. I happened to

drop in and she happened to have sent her husband uptown to fetch these

grapes for her because she's playing sick and works him in more ways

than one--but she said the grapes sickened her conscience, and she made

me take 'em away."

"So she has a conscience?" I said.

"They all have," said the young man. "Have one?"

I took one of the grapes with a hand that shook, and ate it, and felt

the red blood in my veins turn into acid.

There happened to be a man in the neighborhood who had been nibbling

after my business for some time. I went to him now and made him a cheap

sale for cash. This I deposited with my savings, keeping out a hundred

dollars for myself, and put the whole in trust for my wife and children.

Then I went away and, after many hardships, established myself in a new

place. And, as is often the case with men who have nothing whatsoever to

live for and who are sad, I prospered. God was ever presenting me with

opportunities and the better ends of bargains.

When fifteen years had passed I returned once more to New York. I had

reached a time of life when the possibility of death must be as steadily

reckoned with as the processes of digestion. And I wished, before I lay

down in the narrow house, to revisit the scenes of my former happiness.

I took the same furnished lodging to which we had gone after our

wedding. I lay all night, but did not sleep, in our nuptial bed. Alone,

but rather in reverence and revery than sadness, I made all those little

excursions upon which we had been so happy during the days of our

honey-moon. I made a point of feeding the animals in the park, of dining

at Claremont--I even stood for a long time before the fruit shop that is

near the Grand Central. But I was too old to feel much. So it seemed.

One day I sat on the steps of the lodging-house in the sun. I had been

for a long walk and I was very tired, very sick of my mortal coil, very

sure that I did not care if the end were to be sleep or life

everlasting. Then came, slowly around the corner of the shabby street

and toward me, a hansom cab. Its occupant, an alert, very young, eager

man, kept glancing here and there as if he were looking for something or

some one; for the old East Side street had still its old look, as if all

the inhabitants of its houses had rushed out to watch an eclipse of the

sun or the approach of a procession--and were patiently and idly

awaiting the event.

The children, and even many of the older people, mocked at the young man

in the hansom and flung him good-natured insults. But he knew the

language of the East Side and returned better than he received. My old

heart warmed a little to his young, brightly colored face, his quick,

flashing eyes, and his ready repartees. And it seemed to me a pity that,

like all the pleasant moments I had known, he, too, must pass and

be over.

But his great eyes flashed suddenly upon my face and rested; then he

signalled to the driver to stop and, springing out, a big sketch-book

under his arm, came toward me with long, frank strides.

"I know it's cheeky as the devil," he began in a quick, cheerful voice,

while he had yet some distance to come, "but I can't help it. I've been

looking for you for weeks, and--"

"What is it that I can do for you?" I asked pleasantly.

"You can give me your head." He said it with an appealing and delighted

smile. "I'm a sort of artist--" he explained.

"Show me," I said, and held out my hands for the sketch-book.

"Nothing but notes in it," he said, but I looked, not swiftly, through

all the pages and--for we Poles have an instinct in such matters--saw

that the work was good.

"Do you wish to draw me, _Master?_" I said.

He perceived that I meant the term, and he looked troubled and pleased.

"Will you sit for me?" he asked. "I will--"

But I shook my head to keep him from mentioning money.

"Very cheerfully," I said. "It is easy for the old to sit--especially

when, by the mere act of sitting, it is possible for them to become

immortal. I have a room two flights up--where you will not be

disturbed."

"Splendid!" he said. "You are splendid! Everything's splendid!"

When he had placed me as he wished, I asked him why my head suited him

more than another's.

"How do I know?" he said. "Instinct--you seem a cheerful man and yet I

have never seen a head and face that stood so clearly for--for--please

take me as I am, I don't ever mean to offend--steadiness in sorrow.... I

am planning a picture in which there is to be an ol--a man of your age

who looks as--as late October would look if it had a face...."

Then he began to sketch me, and, as he worked, he chattered about this

and that.

"Funny thing," he said, "I had a knife when I started and it's

disappeared."

"Things have that habit," I said.

"Yes," said he, "things and people, and often people disappear as

suddenly and completely as things--chin quarter of an inch lower--just

so--thank you forever--"

"And what experience have you had with people disappearing?" I asked.

"And you so young and masterful."

"I?" he said. "Why, a very near and dear experience. When I was quite a

little boy my own father went to his place of business and was never

heard of again from that day to this. But he must have done it on

purpose, because it was found that he had put all his affairs into the

most regular and explicit order--"

The Spread Eagle and Other Stories · 第 34 / 55 题