By ROSAMOND LANGBRIDGE

(From _The Manchester Guardian_)

1922

Patrick Deasey described himself as a "philosopher, psychologist, and

humorist." It was partly because Patrick delighted in long words, and

partly to excuse himself for being full of the sour cream of an inhuman

curiosity. His curiosity, however, did not extend itself to science and

_belles lettres_; it concerned itself wholly with the affairs of other

people. At first, when Deasey retired from the police force with a

pension and an heiress with three hundred pounds, and time hung heavy

on his hands, he would try to satisfy this craving through the medium

of a host of small flirtations with everybody's maid. In this way he

could inform himself exactly how many loaves were taken by the Sweeneys

for a week's consumption, as compared with those which were devoured by

all the Cassidys; for whom the bottles at the Presbytery went in by the

back door; and what was the real cause of the quarrel between the twin

Miss McInerneys.

But these were but blackbird-scratchings, as it were, upon the deep

soil of the human heart. What Deasey cared about was what he called

"the secrets of the soul."

"Never met a man," he was wont to say, "with no backstairs to his mind!

And the quieter, decenter, respectabler, innocenter a man looked--like

enough!--the darker those backstairs!"

It was up these stairs he craved to go. To ring at the front door of

ordinary intercourse was not enough for him. When Deasey invested his

wife's money in a public-house he developed a better plan. It was the

plan which made him ultimately describe himself as a humorist. He would

wait until the bar was deserted by all but the one lingering victim

whom his trained eye had picked out. Then, rolling that same eye about

him, as though to make quite sure no other living creature was in

sight, he would gently close the door of the bar-parlour, pick up a

tumbler, breathe on it, polish the breath, lean one elbow on the bar,

look round him once again, and, setting the whisky-bottle betwixt his

customer and himself, with a nod which said "Help yourself," he would

lean forward, with the soft indulgent grin of the human

man-of-the-world, and begin:

"Now, don't distress yourself, me dear man, but as between frien's,

certain delicate little--facts--in your past life have come

inadvertently to me hearing."

Sometimes he would allude to a "certain document," or "incriminating

facts," or "certain letters"--he would ring the changes on these three,

according to the sex and temperament with which he had to deal. But

always, whatever the words, whatever the nature or sex, the shot would

tell. First came the little start, the straightened figure, the pallor

or flush, the shamed and suddenly-lit eyes, and then--

"Who told you, Mr. Deasey, sir?" Or "Where did you get the letter?"

"Ah, now, that would be telling!" Deasey would make reply. "But 'twas

from a _certain person_ whom, perhaps, we need not name!" Then the

whiskey-bottle would move forward, like a pawn in chess, and the next

soothing words would be, "Help yourself now--don't be shy, me dear man!

And--your secret is safe with me!"

Forthwith the little skeleton in that man's cupboard would lean forward

and press upon the door, until at last the door flew open and a bone or

two, and sometimes the whole skeleton, would rattle out upon the floor.

He had played this game so often, that, almost at first sight he could

classify his dupes under the three heads into which he had divided

them: Those who demanded with violent threats--(which melted like snow

before the sunshine of John Jamieson) the letter, or the name of the

informant; those who asked, after a gentle sip or two how the letter

had come into his hands, and those who asked immediately if the letter

hadn't been destroyed. As a rule, from the type that demanded the

letter back, he only caught sight of the tip of the secret's ears. From

those--they were nearly always the women--who swiftly asked if he

hadn't destroyed the letters, he caught shame-faced gleams of the

truth.

But those who asked between pensive sips, how the facts or the letter

had come his way, these were the ones who yielded Deasey the richest

harvest of rattling skeleton bones.

Indeed, it was curiously instructive how John Jamieson laid down a

causeway of gleaming stepping-stones, so that Deasey might cross

lightly over the turgid waters of his victims' souls. At the words,

accompanied by John Jamieson--"A certain dark page of your past

history--help yourself, me boy!--has been inadvertently revealed to me,

but is for ever sacred in me breast!"--it was strange to see how, from

the underworld of the man's mind, there would trip out the company of

misshapen hobgoblins and gnomes which had been locked away in darkness,

maybe, this many a year.

"Well--how would I get the time to clane the childer and to wash their

heads, and I working all the day at curing stinkin' hides! 'Twas

Herself should have got it, and Herself alone!"...

The best British short stories of 1922 · 第 62 / 117 题