CHAPTER XI

FLAMES

Some hours later Rachel sat at a window of her room with her forehead

resting on her hands. The clouds by this time covered the face of the

moon; and the darkness was enlivened by patches and scars of lightning,

as though the heavens were being laid open with a fiery whip. Rain

fell. A fine spray of moisture penetrated the ragged awning. Rachel

never stirred.

A dull lethargy had descended on her. She no longer thought of Emil or

of her husband. She had but one sensation--the inevitable had

happened. The fury of the storm brought her a sense of relief. At

moments she felt herself being carried forward by a dark irresistible

current. None the less her determination, like an anchor, held. She

never faltered in her resolution to leave Gray Arches; she even heard

herself explaining the matter to Simon and she saw his face. His

fingers trembled through his hair, his jaw fell, all the blood receded

from his cheek. "But why disturb him?" she thought; "why should he be

made to suffer?" No, plainly, she must invent some pretext for

leaving, then go at once. She must not see Emil again.

Without realizing it, Rachel dropped at last into a troubled sleep,

from which she was aroused by a rap on the door.

"Oh, has he gone?" she cried, starting to her feet, and she pushed back

the hair from her face. "Has Simon gone?"

The very possibility that her husband already had started for the city,

in view of her resolution, seemed to her a tragedy.

Emily, after a short, sharp inspection of her, laid a pile of

freshly-ironed linen on a chair.

"Yes," she answered, "he knocked at your door, but you gave no sign and

he didn't like to disturb you. Peter was slow harnessing and Mr. Hart

was afraid he wouldn't make the train, but he must have made it or he'd

be back by now. It is after eight o'clock."

Rachel sank into her chair with huddled knees. She looked as if she

never intended to move again.

Emily took her wrist. "Wouldn't you like your coffee here?"

Rachel looked up at her stupidly.

Emily repeated the question; she even broke into scolding as she

brought a loose gown to the other and insisted on her removing her

dress. But once outside the door, Emily extended both hands as if

appealing to a protective Providence. "A nice state of things!" she

muttered, with an expression of mingled pain, indignation and perfect

comprehension.

But when she appeared with the breakfast tray a few moments later she

was as stern of aspect as before. After shaking out a table-cloth, she

placed the tray on a little stand at Rachel's elbow.

But Rachel turned away. With her head propped on her two hands, she

stared in front of her; and nothing Emily could say served to draw her

from this state.

That morning the little toy-maker could not work as usual. A tiny

parachute was very nearly ruined by an ill-directed movement of the

shears; and a piece of green satin for the aeronaut's coat was utterly

spoiled by tears, which she scorned to notice, falling upon it. She

was so upset that more than once the utensils of her craft rolled on

the floor while her hands dropped to her knees. To herself Emily

fiercely denied any attraction in Emil and she praised staunchly every

one of Simon Hart's qualities.

About one o'clock Rachel, after refusing luncheon, left the house for a

walk; and Emily, having satisfied herself that the other went to the

beach, lay down on her bed. "Let her tire herself out; it is the best

thing she can do," Emily murmured, and dropped asleep, with a tear

standing in a furrow under one eye.

The caretaker, who served in the capacity of cook, in company with her

husband and the other servants, was spending the day with friends and

would not return until late; even Peter, the coachman, was away for the

afternoon. Meanwhile, in this house far removed from the city, the

stillness which is peculiar to the Sabbath, deepened.

Rachel walked the beach. She sat down, but immediately rose again.

Not only her own life, but all the life about her seemed suspended.

Emil was on his way to the station now; in her mind she could see him

swinging along the road: so robust and naïve was his egotism, he would

never question for a moment that she would come. At the thought of his

disappointment, she began sobbing with her handkerchief to her lips.

All sorts of dark thoughts rose indistinctly from the depths of her

soul. Simon, save for one failing, was hopelessly free of faults; he

was almost perfect. Scarcely aware of what was passing in her mind,

she began picturing what would happen in case of his death. But there

was Annie. However, Annie could obtain a divorce; she could return, as

Emil had said, to her parents. Rachel arranged every detail of the

situation; but these scarcely articulate plans, these involuntary

dreams, were accompanied by a physical sensation of shame--revulsion.

She shook herself free of the sorry brood and looked about her. Had

she been there an hour, two hours, five minutes? She did not know.

Presently a vesper bell from a distant village sounded intermittently

above the plashing of the waves. With her hand pressed to her heart,

she listened. Then she sped to the house.

In the hallway the old-fashioned clock marked a quarter past five.

Three quarters of an hour more! There was still time to meet Emil!

And she pictured him waiting for her in the grove near the station,

impatiently scanning the road. Reaching her room, she flung herself

into a chair and clung to its arms to prevent herself from answering

the summons. Dumb, breathless, distraught, with her head hanging on

her breast, she listened to the measured ticking of the clock which

reached her from the hall. She could still restrain her body, but she

could not control her mind.

"To-day decides my fate; either I go with Emil now, or I remain with

Simon forever. To-day decides my fate."

She seemed to have a fondness for the phrase for she said it over and

over.

"If I remain with Simon, all will go on as before; but if I go with

Emil--"

She closed her eyes. The walls of the room dropped away and she saw a

landscape. Sedge grass bordered the road to the station. In it she

sank repeatedly and its brown waves washed over her head. But ever

before her was Emil. Infinitely multiplied, he smiled at her from the

leaves, the grass, the dust. The faces resolved themselves into one

face. He drew near; she was penetrated by his presence. All the love

in her, all the joy of which she was capable, was revealed. She

clasped her hands about his neck, she laid her face on his breast, and

the past with its futile struggles, its anguish, like a bad dream,

receded from her.

Then she recognized the sunlight striking through the white shades of

the room. It was tracing the usual pattern on the floor and glistening

indolently on the brass knobs of the dressing-table.

With a cry she started to her feet. Maddened, she began to heap some

articles into a dressing-bag. She was turning from her bureau to the

bag when John Smith's letter, which she had not yet read, caught her

eye. It was propped against the frame of the mirror. She put out a

hand.

With his closely-written pages which she passed over, there was a

little yellow note directed to her mother in a feeble scrawl. Leaning

against the embrasure of the window, Rachel unfolded the note almost

against her will. But the more she endeavoured to fix her attention

upon it, the more confused she became.

"My dear Lavina: I ought not to have left you--"

She stared at the words, which trailed off into an illegible run of

characters; and the note with its message for another heart, stilled

now these twenty years, slipped from her fingers.

Outside the sunlight danced on the multitudinous leaves and shimmered

on the gravel path. Except for the sound of the sea all was silence.

A passing breeze fluttered the paper at her feet and the room was

filled with the subtle exhalation of that old regret.

She was on her knees. She still saw Emil, heard his voice; and as if

grasping something, she opened her arms and carried them back against

her heart while her whole frame trembled.

Then the miracle held her spell-bound:

_She had been saved from the irretrievable step; she had been plucked

back from the rock's edge_.

Slowly, slowly the dry heart-flames subsided. As mists rose from the

ground in summer after the heat and fever of the day, so something pure

as childhood, sweet as the aspirations of early youth, rose from the

depths of her soul. All the treachery, all the longing of purely

selfish love was annihilated. It was one of those crises when the

heart sets wide its doors; when the emotion that was personal becomes

universal.

The shrubbery was alive with insects, murmuring gently; and amid the

foliage of the trees, the birds were preparing to go to roost. They

had reached those wistful days in late summer, which by the sea fade

away in evenings of gold and rose, which fade away into the sea itself.

A little wind set all the leaves astir. As she looked toward the sea,

a wonderful serenity seemed to fall upon her from that radiant sunset

sky, seemed to light on her like a benediction from the dying day.

She turned her eyes in the direction of the gardener's cottage. Owing

to a row of large trees and an intervening wall, barely more than its

red pointed roof was visible. Buried in greenery, bathed in the calm

light, it had, at this distance, an ethereal, unreal aspect, like a

cottage seen in a picture. About it nothing stirred. But, as she

looked, a trail of smoke appeared above a rear gable. This doubled

angrily upon itself, then spread out in the still air like a fan. It

became in an instant an all-enveloping sable mass crossed by licking

tongues of red. In the midst of the sweet country, the cottage in

utter silence was being destroyed, its burning but emphasizing the

surrounding peace.

Rachel's feet scarcely touched the stairs. She was out of doors and

crossing the lawn without realizing her own movements. As she ran, she

cried for help. But she recollected that all the servants were away.

André had not been seen since the evening before; and, except for Emily

Short asleep in a distant wing, the place was deserted. She had gone

but a few steps when a cry of horror burst from her. _Annie_! Where

was Annie? When not engaged in hanging about Emil while he worked, she

was in the habit of visiting at the big house. But that day Rachel had

not seen her. Then she recollected Emil's words about his wife's habit

of taking a nap in the afternoon.

"Annie!--wake up!--Fire!"

Rachel's cries were confused. She was breathless, almost falling; but

despite this excitement, the wonderful sense of peace that had come to

her remained in her heart like a dove in its nest.

She stumbled once as she crossed the lawn, and once her dress caught on

a branch. She wrenched it free. Beyond the wall the longer, coarser

grass impeded her steps and the rays of the setting sun, glancing

across the grass, seemed coming to meet her.

"Fire! Annie, fire!" she called.

She was near enough to the cottage now to make out that its windows and

doors were closed. She sprang up the path and the hot breath of flames

struck into her face. She tried the door, it was locked; and she

divined what had happened. Annie had feared to go to sleep with the

cottage open; when Emil had started for the station, she had locked

herself in.

In a frenzy, Rachel beat upon the door with her flattened palms. The

vine over her head was fluttering in a keen breeze and all its leaves

were curling. She wrenched open the nearest blind and the slat already

smoking, scorched her hands. This house of old and seasoned timbers

was burning like paper. She climbed over the sill.

Face down, with the skirt of her dress drawn over her head and across

her mouth, she groped her way to the chamber. She felt along the bed;

it was empty. Then out into the living room where the organ stood,

with lurid flashes playing over its keys, she stumbled. And there,

lying across the threshold, was something that yielded to her touch yet

resisted it. Gathering Annie in her arms, folding her in a spread

which she tore from a table, Rachel groped her way back to the window.

The walls of the cottage seemed drawing together like the fingers of a

hand about to close; but she scarcely felt the intense heat, was

scarcely aware of the suffocating smoke, because of that emotion which

was more than joy as it was more than peace.

As she half-dragged, half-carried her insensible burden to the window,

she felt the joy of that Freedom of which she had ever dreamed.

Annie's head fell back lifeless, and her arms hung inert; but a slight

shiver ran through her body, when, with a supreme effort, Rachel lifted

her to the sill. For an instant she balanced her burden there; then,

not knowing what she did, blinded by the smoke, the flames that all at

once darted out upon her from every direction, she thrust the body

through the window.

She had a sense that it was received--that someone, in a frantic dear

and well-known voice, called her name. She tried to follow, to

struggle into the sweet air, where beyond the smoke and the flames, she

knew the leaves were still dancing. But something heavy, inflexible,

struck her head.

She fell back into the darkness.

Some minutes before the flames made their appearance above the

surrounding trees, a sombre scene took place on a slight rise of ground

at the rear of the cottage.

As Ding Dong, carrying a pail of milk he had secured at a neighbouring

farm, sauntered unsuspecting toward his master's dwelling, he felt

himself seized from behind by the waist and shoulders; his arms

grasped, bent, wrenched, his feet thrust from under him. Dumfounded,

he sprawled on the ground with fingers of steel at his throat. Athwart

a reddish haze he saw the livid countenance and bloodshot eyes of the

young man who had made his appearance at Gray Arches a day or two

before.

With writhings and twistings, Ding Dong tried to wrap his assailant in

sinewy arms, to close with him, to crush him in a mighty embrace; the

other fought with the strength of desperation.

Finally, pinning Ding Dong to the earth, André flung a look toward the

cottage. The flames were now mounting above the trees. A savage joy

distorted his face.

He laughed.

At the same instant Ding Dong, hurled him aside. Seeing the flames,

the fellow started for the cottage with André after him, but he had

gone but a short distance, when he halted and lifted his arm.

A mournful procession was slowly crossing the open field in the light

of the waning day and André, rigid, his head advanced, caught the

flutter of a familiar dress, saw a deathlike face.

The locked doors and windows had deceived him. Believing the cottage

deserted, he had sought to destroy the organ which, in his blindness,

he thought recommended the inventor to Rachel's favour; and he had

destroyed instead the object of his own devotion--his own love.

The flames leaping into the sky revealed all the impotence of that act

of jealousy and revenge.

The Bird in the Box · 第 11 / 13 章