CHAPTER VII

IN WHICH JOHN SMITH UNBURDENS HIS CONSCIENCE

Rachel's mouth was now perfectly formed to express her emotions, as it

had not been in early youth. There had come a little added fulness in

the curves of the upper lip, a little added sensitiveness in the line

of the lower. With its well-defined corners, melting, when she smiled,

into a pair of will-o'-the-wisp dimples, this mouth of hers was worthy

to form the lure for many an exciting escapade on the part of her

lovers. In her intelligent, sometimes perfervid, often gloomy face, it

suggested a series of grace-notes introduced wilfully into a bit of

serious music. It destroyed the general harmony of her face and

increased its fascination. On the morning following the primitive race

across the sands, the grace-notes dominated the more serious expression

of her personality.

In the depths of her there was plenty of sadness, but the joy which is

inseparable from any confession of love, even the love which battles

against insurmountable barriers, glowed through her and informed every

fibre of her with sparkling animation. She laughed frequently for no

apparent cause.

The wide lawns about Gray Arches still glistened with dew and birds

sang in the branches of the trees. The notes mingled with the plash of

the waves on the distant beach, and with that infinite murmur of sounds

that came out of the sunshine, out of the grass, out of the shimmering

distances of that smiling country, checkered in light open fields and

in dark variegated woods. All around, everywhere, was vivid

palpitating life.

Rachel with a huge pair of shears that flashed in the sun, was snipping

dead roses from a bush of the late-blooming variety. Brown and

withered, they fell on the gravel path--mere ghosts of flowers; and, at

every onslaught, all the green leaves of the bush shook and all its

fresh blossoms trembled and poured forth an intoxicating perfume as if

to thank her for the service. Beside her, seated on the grass, André

was making the flowers they had gathered into a bouquet. He held in

his brown hands nasturtiums, gladioli and dahlias. Occasionally,

unable to resist an unusually perfect one, Rachel flung him still

another rose.

"There," she said, "that's enough; if I cut any more, I shan't be able

to carry them, and the hospital nurse may not let John Smith have them

anyway."

A thorn had scratched her wrist, and she lifted the hand to her lips.

André regarded her with a vigorous gaze. "Do you know," he said at

last, "you look like a rose yourself."

She threw him the shadow of a glance from between half-closed lids. In

her morning dress of delicate pink muslin, beneath a shade hat with a

flapping brim, she did look like a rose; and a wide collar, turned up

over her throat to protect it from the sun, heightened the illusion.

Against its colour her cheeks had taken a richer tinge and her eyes,

between their curling lashes, were unusually deep and liquid. She was

amazingly beautiful with a superadded beauty, with that fleeting and

ethereal grace, which, independent of features or contours, touches any

woman when she realizes that she is loved where she herself loves.

Now, as if anxious to divert André's too curious gaze, she began

speaking rapidly and almost at random. The air and the sunlight

appeared to intoxicate her.

"Have you ever noticed, André," she cried, "the boastfulness of Nature

when she has anything worth displaying? She is for all the world like

a woman who takes particular pride in showing off her children, like

that Mrs. Polestacker we both knew who was always calling attention to

her Katie's teeth and curls. Take that rose bush," she continued, "it

fairly swaggers with pride now that it is covered so finely with roses,

but once the flowering season is over, and see how meekly it will

obliterate itself; it will retire into the background like an old maid

at a dance. For who notices the larkspur when its time is past, or the

raspberry bush when it is no longer hung with its little crimson lamps?

It is the energy that a growing, living thing puts forth that it would

flaunt before us, saying, 'See here, _I_ produced these flowers--these

berries!' and it is that energy which attracts us--the immense energy

of being." And throwing back her head, her neck on the strain, her

arms falling at her sides, with the shears in one hand, she gazed into

the deep blue of the sky which, bending down over the earth, was like

an inverted sea.

Unconsciously, as in the old days, she spoke her thoughts aloud to

André. He did not reply; if truth were told, he was in the dark as to

her meaning, but that only increased the enchantment.

André was Rachel's senior by six years, but owing to his mind in which

the impressions were deep but few, he still looked a youth, almost a

child. His beauty, agile, simple, unsettled, with admirable

disposition of colouring, was that of a child. High on the cheek

bones, under the eyes, the blood came and went with his emotions, and

his arched lips under his tiny moustache stood a little open, which

gave him an innocent expression. He was difficult to resist, just as a

child is difficult to resist. Rachel's feeling for him was almost

maternal; but for all that, her comprehension of him failed at one

point.

When he had first received word of her marriage, André had cast himself

on the ground, and the earth had seemed to respond with deep tremours

to his grief. He had told himself that he would never see her again.

As for her husband, he felt that it would be impossible for him to ever

meet Simon Hart without yielding to the desire to fly straight at his

throat. Yet, he had met him and experienced no emotion of the sort.

Something told him that Rachel was not in love with her husband. Still

there was that in her eyes which bewildered him. Now with his hands

clasped behind his head and his back against a tree, he regarded her

with a devotion, a tenderness, a desperation of which none but a pure

and youthful soul is capable, and the old agony began to stir again in

the depths of his breast.

Ceasing from her ecstatic contemplation of the sky, Rachel looked over

at the gardener's cottage. As she did so, all her outlines went to

deeper softness. André, sensitively, felt the thrill through her of

some ineffable emotion.

"What are you thinking about, Rachel?" he demanded.

She started and the colour mounted.

"Thinking?"

"Yes; just now, when you turned and looked over yonder?"

"Oh! ... I was thinking of Mr. St. Ives's improvement of the organ.

It's really extraordinary what he has accomplished, André; and by such

simple means. You must see it. He's carrying on his work over there

in the gardener's cottage. And I was comparing his invention and his

natural pride in it, to the rose bush and its roses, I suppose."

"St. Ives?" André was sitting upright and rigid. "Is he--is he the one

who came to Pemoquod that time?"

"Yes. My husband formed a company to represent his inventions. I

always felt Mr. St. Ives had great promise," she went on as frankly as

she could, "and I persuaded Simon to get up a company. Now he's glad

he did."

André was wretched. "And he's here?

"Yes; for a few weeks. Mr. Hart was anxious that the work shouldn't be

delayed, so he came here while the shop is being altered."

André said no more. And Rachel exerted herself to dispel his gloom.

So contagious was the vitality of her mood that he apparently forgot

the incident.

Presently, bidding him gather up the withered roses that littered the

path, and taking into her own hands the bunch of fresh blossoms, she

led the way to the house and André followed. His old dream, in all its

simplicity, once more possessed his heart.

When Rachel arrived at the hospital, John Smith was expecting her. In

a clean shirt with his grey hair neatly brushed and his gaunt frame

arranged under a spotless sheet, he was eagerly awaiting her. The

floor nurse warned her that the interview must be a brief one; the

patient could not live more than a day or two.

John Smith's story was substantially what Rachel had surmised it would

be, and as he told it with frequent interruptions when the cough racked

him, she had difficulty in fixing her thoughts upon him. The vital

moment of her own life called her, and try as she would, she could give

but a divided attention.

"The fact is, I ain't done just the straight thing by you," he rambled

on, "and I'm glad you're as well fixed as you are. It ain't quite the

same as if I'd found you in want. However, I've suffered for putting

this time off; I've been hectored in ways you wouldn't dream of.

Needn't tell me the dead don't take their revenge if you pass over

their wishes! I don't mean that they come back or anything of that

sort," he interrupted himself, in response to a questioning glance,

"but they stick in your mind somehow--you can't forgit how they looked

when they told you to do such and such a thing, and you don't do it.

But I'll say this much for myself, I meant as much as could be to give

you that money when I reached America seventeen years ago, a month or

two after your father's death; but I had a hard run of luck, and I used

some of it, and then I used more, until it was about all gone. And it

was only when I got this cough about three years and a half ago, that I

began to think a good bit about Thomas Beckett. Funny too, so long

after his death; but I'd see him when I was droppin' off to sleep, and

he'd look at me so! But your father didn't do the straight thing

either," he broke off with sudden resentment, "for he left your mother,

as far as I could gather, to shift for herself.

"As I was saying, perhaps it was my low state of health, but he gave me

no rest; seemed as if he was tryin' to say that you needed that money.

And finally the thought come to me that perhaps I ought to give your

mother at least part of what was owin' her; so I wrote to Old Harbour

and you know the rest. You see," he concluded, "when I learned that

your mother had been dead more'n twenty years, I was afraid to make

myself known. I was fearful some relative or friend'd get after me on

your part. So I sent seven hundred dollars along, it was all I'd

saved, to that friend of yours whose name the postmaster gave me, and

then I left. I went away from the town in Massachusetts where I'd been

workin' and I found a job as foreman in a mill in another town. And I

thought everything'd be all right then; but do you know, I still

dreamed of your father, and the upshot was, that I went to a priest and

made a clean breast of the story; and as he told me to do, I worked

hard and paid it all up. Yes, I've paid it all up," he finished, "for

the balance, the eight hundred dollars that was comin' to you, I

deposited in your name in the bank at Old Harbour;" and fumbling in the

pocket of his shirt, he handed her a sealed envelope. "There's the

deposit slip, and the whole story written out ready to be mailed to you

in case I didn't manage to see you," he explained.

His face had grown brighter, had regained a faint expression of health,

as the load that had long oppressed his conscience was lifted.

Rachel left the invalid holding admiringly in his bony fingers her

bunch of flowers. She reached the door of the ward; then, with a

sudden eagerness, she retraced her steps.

"Was my Father a happy man?" she asked, "or did he seem to regret all

along what he had done in leaving my Mother?" She waited his answer

with bated breath.

But relief was manifest all over John Smith. Had he not triumphantly

passed through the ordeal of his confession? At her question his eyes

glistened; he laughed a weak, irresponsible laugh.

"No, I don't think he worried much about it till he come to die. It

was far-away questions that touched your father more; he was always

reading and sometimes he'd argue and git angry. But barring those

times, he was pretty jolly as far as I can recollect. It was only when

he seen the last port just ahead, that same as me, he seemed to think

things over. But, I've done the right thing, and I'm going to git

well," he proclaimed.

The same nurse she had seen on coming, met her in the corridor. Rachel

directed her to have John Smith moved to a private room with special

attendant; then she left the hospital.

For some reason she was relieved that her father had not regretted his

course sooner, that he had remained, almost to the last, a true

vagabond. As to her one-time hot defence of him on the score of his

loyalty to her mother, the point had lost significance.

All that was mettlesome in her character was aroused. Having promised

Emil to go to the marble works, she was going there, in the face of

fancied influences from the past; in the face, too, of the vigorous

warning of her own conscience. The coming interview was absolutely

necessary that she might, once and for all, make clear to him her

position. In this juggling with conscience most women are adept.

Rachel played the game so well as to be almost self-deceived. However,

as the moment of the meeting drew near, she grew faint and a tide of

irrepressible joy mingled with and almost dominated her misery. When

she quitted the hospital she was pale with determination, like a

soldier before battle, but her eyes, overflowing with light, were the

eyes of a woman in love. Her mind was too full of its own matter to

allow her to care about anything else. Does not the surge of passion

in one's own breast drown the echo of death and despair from another's

heart?

She stopped at one of the large shops where delicacies were for sale,

and ordered a basket of fruits and jellies sent to John Smith; then,

hailing a cab, she drove to the marble works, which lay in the

direction of the Bronx on the outskirts of the city.

The Bird in the Box · 第 7 / 13 章