CHAPTER THE SEVENTH:

_Wherein Our Pirate Meets a Lady, and One Virginia Grymes Hears a Strange

Tale_

I

“Speak of Angels,” remarked Pierre, brightly, “and you hear the flutter

of their wings!” He straightened up from his bow to the occupants of a

passing carriage.

“Meaning—?” asked Jean, inquiringly.

“The two ladies who have just passed.”

“The fair Amélie and her cousin Angélique?”

“Precisely. It is something unusual to see them together. I wonder what’s

up?”

“Ze frien’sheep of two women ees nozzing bud a plot against a zird,”

contributed De Moulin, sententiously.

The little group of friends, the Lafittes, De Moulin, and two Creole

acquaintances, all laughed together at this conceit. It was a bright

sunny day and the Rue Royale was alive with promenaders. As the little

group strolled down the street headed toward the waterfront, stopping

every now and then to salute a passing acquaintance, bow to a lady or

ladies in some picturesque balcony or passing carriage, they presented

a gallant sight. At this period of history, fashions in men’s clothing

were undergoing a marked change. The Lafittes, like most of their Creole

friends, still clung to the colorful knee-breeches and silk stockings

of the Revolutionary period, or highly polished boots. They carried

sword-canes. The Americans of the new order of things, however—men like

Livingston, Grymes, Governor Claiborne, and others of their official

contemporaries—wore the long breeches which were buttoned at the ankles,

that were just at that time becoming the vogue, with long stocks for

neck-wear, high beaver hats, and double-breasted, full-skirted coats.

“I have heard,” said Pierre, “that Amélie is contemplating entering the

Convent of the Ursulines. Is it true?”

De Moulin laughed wickedly.

“If you notice,” he remarked, “ze ladiz turn to God when ze dev’l won’

hay’ nozzin’ moah to do wiz dem—dat is, speak’n’ gen’rallee ...” he

amended, hastily.

Jean laughed.

“Don’t defame the fair sex so, François,” said he, “for if men loved God

as much as they love women—as Pascal says—men would be saints!”

“Without love,” said Pierre, sagely, “it would be sad to be a man....”

“From which I am to infer,” responded his brother, “that you are in that

tortured state? Who is it this time?”

Pierre sighed heavily.

“You may jest about it, little brother, but wait—just wait—until the germ

bites _you_! I should like to see that day....”

“The holy saints forfend!” exclaimed Jean, with mock piety.

“Of co’se Pierre eez in love!” cried De Moulin. “An’ so am I—an’ oweh

fr’en’s heah, too.”

“What do you mean?” demanded Jean.

“There gan be bud won,” went on the Creole.

“Who?” with perplexity.

“_La belle Américaine!_”

“A nymph—a fairy!” cried Pierre. “I had forgotten that you but just came

to town, Jean. Forgive me. She is a stranger—an American—and she is

ravishing—divine!”

“Heh nem is Virginia Grymes,” contributed one of the others.

“Grymes?” asked Jean. “Could it be—”

“_Mais oui, mon frère!_ It is the only daughter of our good friend

Grymes, the district attorney. It is said that she left a trail of broken

hearts in Philadelphia and Richmond. _Sacré diable!_ One can well believe

it! She was the belle of the Assembly Ball in the Quaker City when she

made her _début_ there.”

“Ah, Pierre,” said Jean, “I see you’ve been up to your old tricks. Has

she refused you, yet?”

“Only twice,” returned his brother, coolly, “but there is yet time.

Women like brave men, but audacious ones still more. I shall keep on

trying. However, I advise you to watch yourself well, _mon frère_, for

if she ever directs the battery of her eyes at you your poor heart will

capitulate at once. She is not the usual type of girl one meets, Jean.

Somehow she is different, fresher, a typical American, a Virginia rose!”

Jean looked amused. No woman had ever interested him like that. And he

told himself that no woman ever would. He had much to learn!

“Whatever she is,” he remarked, dryly, “I see that she has no lack of

supporters. But you need have no cause for anxiety.... What’s that,

gentlemen?”

With one accord the group turned their eyes in the direction of his

glance. There, a few hundred yards up the street, was tearing a large

open carriage, of the type known as barouche, drawn by two magnificent

black horses. Their eyes flamed, their teeth were bared between slavering

jaws, and their clattering hoofs struck sparks from the old cobblestones.

As the careening equipage bore down on them the crowd scattered left and

right, upsetting one another in their eagerness to escape from the path

of the oncoming steeds, to whose fright they added materially by their

excited cries and calls.

On second glance one saw that the box was empty. Almost two blocks behind

the carriage ran a coachman in livery, his black face almost livid with

fear, shouting to the horses and brandishing his useless whip.

The woman, or rather, girl, who was in the carriage, made no outcry, but

gripped the arm of her seat, her face white and tense, lips parted, eyes

wide.

Less than a block away, at the foot of the street, was the levee, beyond

which sparkled the waters of the Mississippi. It was straight for this

that the maddened runaways were thundering, straight to destruction.

The street was in an uproar. In the whole crowd of sailors, soldiers,

merchants, laborers, loafers, and negroes, not one man had the presence

of mind to do something to stop their spectacular flight—except one.

Suddenly, as if he had sprung up from the very earth, there appeared a

man standing in the middle of the street ... standing in the path of the

oncoming runaways bearing down upon him with the speed of a veritable

Juggernaut. The crowd for an instant ceased its cries, awaiting the

further action of this rash man.

The runaways were about fifteen yards from him when the man, pistol in

hand, aimed at the nearest horse.

That brief moment before he fired seemed an age to the onlookers. Just

as the horses were upon him he nimbly jumped aside. With a scream that

sounded almost human, the off horse fell dead in its tracks, a bullet in

his head. The other came to an abrupt halt.

In the meantime the man had not been idle. As the horses lurched past

him, he sprang to the carriage just in time to grasp its occupant in his

arms as she fell forward from the jar of the sudden halt. So nicely was

this maneuver timed that she hardly felt the shock and was lightly swung

into the street.

The crowd, cheering, surged tumultuously about them, leaving them

inclosed in a little space by the carriage steps.

Jean Lafitte stared at the girl he had rescued, and, unconsciously

dropped his jaw in amazement. For the first time in his life he felt

disconcerted, bewildered, unsure of himself. His mind was in a tumult.

Never before, he thought, had he seen such a beautiful girl.

Nut-brown hair, dark, curly and now a mass of riotous disorder, hung

about her shoulders, framing a piquant, highbred face of a delightful

olive complexion, which was heightened by a soft rosy glow. Her eyes,

veiled by long silky lashes, topped with exquisitely arched eyebrows,

were of an indescribable greenish-gray-brown color, the emerald note

predominating, perhaps. At the moment, in his subconscious mind, Jean

was trying to solve that all-important question, but their color was so

changeable that he felt himself baffled. Before he had time to complete

his mental inventory of her charms, however, he was brought back to the

prosaic realities of life by the sound of her voice.

Low, mellow, well modulated, it enchanted him as much as had her finely

cut face and slim, graceful, perfectly proportioned figure. As she spoke

he forced himself to listen.

“I cannot fully express, sir, my gratitude to you for your brave act. It

was wonderful!” Her eyes glowed, and her girlish bosom could be seen to

rise and fall from the excitement engendered by that wild ride.

“Scipio, the coachman, left the box for a few minutes, and our poor

horses took fright at something. In a moment they had bolted on that

terrible, thrilling ride! It was glorious!”

Jean mentally reared back on his heels. Here was a bit of femininity

altogether different from the languishing, insipid ladies of his

acquaintance.

“Glorious!” he gasped.

“Of course! It was wonderful!” she cried, not noticing the look on his

face. “Only, I’m sorry my poor horses caused you any inconvenience.”

“Wonderful!” “Inconvenience!” Jean stared.

“Do you realize, mademoiselle,” he said, stiffly, “that you might have

been seriously injured—killed—or perhaps drowned?”

“Drowned?” she repeated, with a bewildered look. An old sailor, one of

the bystanders, now chimed in.

“_Mon Dieu!_ De black devils were headed straight for dat wharf, down

dere. If it hadn’t been for _monsieur le capitaine_....” His voice

trailed off vaguely into nothingness, as if the words he left unsaid were

too terrible for contemplation, much less speech.

Her terrified eyes followed his finger. She shuddered. Then, as suddenly

as before, she resumed her former attitude. Her voice was abjectly

apologetic.

“How ungrateful I have acted! Pray forgive me, sir ... er ... Captain?”

she begged, archly contrite.

The bow that _monsieur le capitaine_ made was worthy of a Brummel. It set

her to thinking. Indeed, he presented a figure that any maiden would not

disdain to admire, and this one was not false to her sex.

For the first time she critically took note of his firm mouth, square

chin, domineering arched nose, broad brow, fine eyes and graceful

figure, and was at once favorably impressed. She also suddenly noticed

the obvious respect accorded him by the bystanders, a fact worthy of

investigation in itself. She at once burned to know his identity.

“I realize now, sir,” she went on, “what a debt I owe you, and shall

never forget it. If you would do me the honor of calling, sir, my father

would take pleasure in adding his thanks to mine. Perhaps you know him.

I—I am Virginia Grymes,” she ended.

So this was the new beauty—the rage of Creole society! He might have

known it, he thought, vexed.

“And I—I am Jean Lafitte,” he answered, with a studied carelessness.

Though he scarcely knew why, he waited for her next words eagerly. There

was a momentary pause as the significance of that well-known name sank

into her consciousness.

“Not—not—_the_ Jean Lafitte,” she faltered, and then could have bitten

off her tongue.

He stiffened, and a curious dignity was apparent in his reply.

“I believe I have that honor,” he said, dryly, as he mentally wondered at

the repugnance manifest in her tone, which he could not understand.

She hesitated for the briefest timable space, and in her answer Jean

recognized her as the thoroughbred and gentlewoman that she was,

notwithstanding the fact that she obviously had cause to dislike his name.

“Both my father and I would be delighted to have you call at your

earliest convenience,” she said, graciously, if somewhat stiltedly.

At this moment Pierre Lafitte, accompanied by his friends, reached them,

having fought his way with difficulty through the dense crowd.

“My dear Mademoiselle Grymes,” he cried, bowing, “how strange that this

should have happened! And that it should have been my brother who had the

pleasure of serving you! The lucky dog!”

“Your brother!” she exclaimed, strangely moved.

“But certainly! _Que je suis bête!_ I have forgotten that you do not

know him. How awkward of me! Allow me to introduce, mademoiselle,” said

Pierre, turning, “my only brother, M’sieu Jean Lafitte.” He stopped

suddenly, embarrassed and surprised.

Jean Lafitte had disappeared.

And not ten feet away, in the thick of the throng, Manuel Espinosa

studied the little tableau with his insolent eyes. He had seen Lafitte

unobtrusively slip away, but his intent glance had not followed him. It

was fixed on Virginia Grymes, and it was not pleasant to see. At that

moment his eyes were those of a primitive beast....

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