XXXIII

Oliver had depended on Ted's noisy habits in dressing and packing to

wake him and give them a chance to talk before Ted left--but when he

woke it was to hear a respectful servantly voice saying “Ten o'clock,

sir!” and his first look around the room showed him that Ted's bed was

empty and Ted's things were gone. There was a scribbled note propped up

against the mirror, though.

“Dear Ollie:

“So long--and thanks for both good advice

and sympathy. The latter helped if the former

didn't. Drop me a message at 252A as soon

as you decide on this French proposition. I'm

serious about it. TED.”

By the time he had read this through, Oliver began to feel rather

genuinely alarmed.

He could not believe that the whole affair between Ted and Elinor Piper

had gone so utterly wrong as the note implied--he had had a whimsical

superstition that it must succeed because he was playing property man to

it after his own appearance as Romeo had failed--but he knew Ted and

the two years' fight against the struggling nervous restlessness and

discontent with everything that didn't have either speed or danger in

it that the latter, like so many in his position, had had to make. His

mouth tightened--no girl on earth, even Nancy, could realize exactly

what that meant--the battle to recover steadiness and temperance and

sanity in a temperament that was in spite of its poised externals

most brilliantly sensitive, most leapingly responsive to all strong

stimuli--a temperament moreover that the war and the armistice between

them had turned wholly toward the stimuli of fever--and Ted had made

it with neither bravado nor bluster and without any particular sense

of doing very much--and now this girl was going to smash it and him

together as if she were doing nothing more important than playing with

jackstones.

He remembered a crowd of them talking over suicide one snowy night up

in Coblenz--young talk enough but Ted had been the only one who really

meant it--he had got quite vehement on picking up your proper cue for

exit when you knew that your part was through or you were tired of the

part. He remembered café hangers-on in Paris--college men--men who could

talk or write or teach or do any one of a dozen things--but men who had

crumbled with intention or without it under the strain of the war

and the snatches of easy living to excess, and now had about them in

everything they said or wore a faint air of mildew; men who stayed in

Paris on small useless jobs while their linen and their language verged

more and more toward the soiled second-hand--who were always meaning to

go home but never went. If Ted went to Paris--with his present mind. Why

Ted was his best friend, Oliver realized with a little queer shock in

his mind--it was something they had never just happened to say that way.

And therefore. Far be it from Oliver to be rude to the daughter of his

hostess, but some things were going to be explained to Miss Elinor Piper

if they had to be explained by a public spanking in the middle of the

Jacobean front hall.

But then there was breakfast, at which few girls appeared, and Elinor

was not one of the few. And then Peter insisted on going for a swim

before lunch--and then lunch with Elinor at the other end of the table

and Juliet Bellamy talking like a mechanical piano into Oliver's ear

so that he had to crane his neck to see Elinor at all. What he saw,

however, reassured him a little--for he had always thought Elinor one

of the calmest young persons in the world, and calm young persons do not

generally keep adding spoonfuls of salt abstractedly to their clam-broth

till the mixture tastes like the bottom of the sea.

But even at that it was not till just before tea-time that Oliver

managed to cut her away from the vociferous rest of the house-party that

seemed bent on surrounding them both with the noise and publicity of a

private Coney Island. Peter has expressed a fond desire to motor over

to a little tea-room he knows where you can dance and the others had

received the suggestion with frantic applause. Oliver was just starting

downstairs after changing his shoes, cursing house-party manners in

general and Juliet Bellamy in particular all over his mind when Elinor's

voice came up to him from below.

“No, really, Petey. No, I know it's rude of me but honestly I am _tired_

and if I'm going to feel like anything but limp _tulle_ this evening.

No, I'm _perfectly_ all right, I just want to rest for a little while

and I promise I'll be positively incandescent at dinner. No, Juliet

dear, I wouldn't keep you or anybody else away from Peter's nefarious

projects for the world--”

That was quite enough for Oliver--he tiptoed back and hid in his own

closet--wondering mildly how he was going to explain his presence there

if a search party opened the door. He heard a chorus of voices calling

him from below, first warningly, then impatiently--heard Peter bounce up

the stairs and yell “Ollie! Ollie, you slacker!” into his own room--and

then finally the last motor slurred away and he was able to creep out of

his shell.

He met Elinor on the stairs--looking encouragingly droopy, he thought.

“Why Ollie, what's the matter? The pack was howling for you all over the

house--they've all gone over to the Sharley--look, I'll get you a car--”

She went down a couple of steps toward the telephone.

Oliver immediately and without much difficulty put on his best

expression of blight.

“Sorry, El--must have dropped off to sleep,” he said unblushingly.

“Lay down on my bed to sort of think some things over--and that's what

happens of course. But don't bother--”

“It's no trouble. I could take you over myself but I was so sort of

fagged out--that's why I didn't go with them,” she added--a little

uncertainly he noticed.

“And--oh it's just being silly and tired I suppose, but all of them

together--”

“I know,” said Oliver and hoped his voice had sounded appropriately

bitter. “No reflections on you or Peter, El, you both understand and

you've both been too nice for words--but some of the others sometimes--”

“Oh I'm _sorry_,” said Elinor contritely, and Oliver felt somewhat as if

he were swindling her out of sympathy she probably needed for herself by

deliberately calling attention to his own cut finger. But it had to

be done--there wasn't any sense in both of them, he and Ted, walking

crippled when one of them might be able to doctor the other up by just

giving up a little pride. He went on.

“So I thought--I'd just stay around here with a book or something--get

some tea from your mother, later, if she were here--”

“Why, I can do that much for you, Ollie, anyway. Let's have it now.”

“But look here, if you were going to do anything--” knowing that after

that she could hardly say so, even if she were.

“Oh no. And besides, with both of us here and both of us blue it would

be silly if we went and were melancholy at each other from opposite

sides of the house.” She tried to be enthusiastic. “And there's

strawberry jam and muffins somewhere--the kind that Peter makes himself

such a pig about--”

“Well, Elinor, you certainly are a friend--”

A little later, in a quiet corner of the porch with the tea-steam

floating pleasantly from the silver nose of its pot and a decorous

scarlet and yellow still-life of muffins and jam between them, Oliver

felt that so far things had slid along as well as could be expected.

Elinor's manners in the first place and her genuine liking for him

in the second had come to his help as he knew they would--she was too

concerned now with trying to comfort him in small unobtrusive ways to be

on her guard herself about her own troubles. All he had to do, he knew,

was to sit there and look ostentatiously brokenhearted to have the

conversation move in just the directions he wished and that, though it

made him feel shameless was not exactly difficult--all he required was

a single thought of the last three weeks to make his acting sour

perfection itself. “Greater love hath no man than this,” he thought

with a grotesque humor--he wondered if any of the celebrated story-book

patterns of friendship from Damon and Jonathan on would have found

things quite so easy if they had had to take not their lives but most of

their most secret and painful inwards and put them down on a tea-table

like a new species of currant bun under the eyes of a friendly

acquaintance to help their real friends.

“I can't tell you how awfully decent it was of you and Peter,” he began

finally after regarding a buttered muffin for several minutes as if it

were part of the funeral decorations for dead young love. “Asking me out

here, just now. Oh I'll write you a charming bread-and-butter letter

of course--but I wanted to tell you really--” He stopped and let the

sentence hang with malice aforethought. Elinor's move. Trust Elinor.

And the trust was justified for she answered as he wanted her to, and at

once.

“Why Ollie, as if it was anything--when we've all of us more or less

grown up together, haven't we--and you and Peter--” She stopped--oh

what was the use of being tactful! “I suppose it sounds--put

on--and--sentimental and all that--saying it,” she laughed nervously,

“but we--all of us--Peter and myself--we're so really _sorry_--if

you'll believe us--only it was hard to know if you wanted to have us say

so--how awfully sorry we were. And then asking you out here with this

howling mob doesn't seem much like it, does it? but Peter was going

to be here--and Ted--and I knew what friends you'd been in college--I

thought maybe--but I just didn't want you to think it was because we

didn't care--”

“I know--and--and--thanks--and I do appreciate, Elinor.” Oliver noticed

with some slight terror that his own voice seemed to be getting a little

out of control. But what she had just said took away his last doubt as

to whether she was really the kind of person Ted ought to marry--and in

spite of feeling as if he were trapping her into a surgical operation

she knew nothing about, he kept on.

“It gets pretty bad, sometimes,” he said simply and waited. Last

night--if things came out right later--will have been just what Elinor

needed most, he decided privately. She had always struck him as being a

little too aloof to be quite human--but she was changing under his eyes

to a very human variety of worried young girl.

“Well, isn't there something we can really _do_?” she said diffidently,

then changing,

“Oh I mean it--if you don't think it's only--probing--asking that?” as

she changed again.

“Not a thing I'm afraid, Elinor, though I really do thank you.” He hated

his voice--it sounded so brave. “It's just finished, that's all. Can't

kick very well. Oh no,” as she started to speak, “it doesn't hurt to

talk about, really. Helps, more. And Peter and Ted help too--especially

Ted.”

He watched her narrowly--changing color like that must mean a good deal

with Elinor.

Then “Why Ted?” she said, almost as if she were talking to herself

and then started to try and make him see that that didn't matter--a

spectacle to which he remained gratifiedly blind. He addressed his next

remarks at the dish of jam so that she wouldn't be able to catch his

eye.

“Oh, I'm not slamming Peter's sympathetic soul, El, you know I'm

not--but Ted and I just happened to go through such a lot of the war and

after it together--and then Ted saw a good deal more of Nancy. Peter's

delightful. And kind. But he does assume that because lots of people get

engaged and disengaged again all over the lot these days as if they were

cutting for bridge-partners there isn't anything particularly serious in

things like that. Nothing to really make you make faces and bust,

that is. Well, ours happened to be one of the other kind--that's the

difference. And Peter, well, Peter isn't exactly the soul of constancy

when it comes to such matters--”

“Peter--oh Peter--if you knew the millions of girls that Peter's kept

pictures of--”

“Well, I've heard all about the last hundred thousand or so, I think.

But there's perfect safety in thousands. It's when you start being so

stalwart and sure and manly about one--”

Oliver spread out his hands. Elinor's color--the way it fluctuated

at least--was most encouraging. So was the fact that she had tried to

butter her last muffin with the handle of her knife. “But I don't see

_how_ if a girl really cared about a man she could let anything--” she

said and then stopped with a burning flush. And now Oliver knew that

he had to be very careful. He looked over his tools and decided that

infantile bitterness was best.

“Girls are girls,” he said shortly, stabbing a muffin. “They tell you

they do and then they tell you they don't--that's them.”

“Oliver Crowe, I never heard such a nasty, childish seventeen-year-old

idea from you in my whole life!” Oh what would calm Mrs. Piper say

if she could see Elinor, eyes cloudy with anger, leaning across the

tea-wagon and emphasizing her points by waves of a jammy knife as she

defends constancy and romance! “They do _not_! When a girl cares for a

man--and she knows he cares for her--she doesn't care about _anything_

else, she--”

“That's what Nancy said,” remarked Oliver placidly out of his muffin.

“And then--”

“Well, you know I'm sorry for you--you know I'm just as sorry for you as

I can be,” went on Elinor excitedly. “But all the same, my dear Ollie,

you have no right in the least to say that just because one girl has

broken her engagement with you, all girls are the same. I know dozens of

girls--” “So do I,” from Oliver, quietly. “Dozens. And they're just the

same.”

“They _aren't_. And I haven't the slightest wish to suggest that it was

_your_ fault, Oliver--but no girl as sweet and friendly and darling as

Nancy Ellicott, the little I knew of her that is, but other girls can

tell, and she certainly thought you were the person that made all the

stars come out in the sky and twinkle, would go and break her engagement

_entirely_ of her own accord--you _must_ have--”

And now Oliver looked at her with a good deal of sorrowful pity--she had

delivered herself so completely into his hands.

“I never said it was her fault, Elinor,” he said gently, keeping the

laughter back by a superb effort of will. “It was mine, I am sure,” and

then he added most sorrowfully, “All mine.”

“_Well!_”

For a moment he forgot that he was there playing checkers with himself

and Elinor for Ted.

“You've never been through it, have you?” he said rather fiercely. “You

can't have--you couldn't talk like that if you had. When you've put

everything you've got in mind or body or soul completely in one person's

hands and then, just because of a silly misunderstanding we neither of

us meant--they drop it--and you drop with it and the next thing you

know you're nothing but a _mess_ and all you can wonder is if even the

littlest part of you will ever feel whole again--” He realized that he

was very nearly shouting, and then, suddenly, that if he kept on this

way the game was over and lost. He must think about Ted, not Nancy. Ted,

Ted. Mr. Theodore Billett, Jr.

“She'd forgiven me such a lot,” he ended rather lamely. “I thought she'd

keep on.”

But his outburst had only made Elinor feel the sorrier for him--he felt

like a burglar as he saw the kindness in her eyes.

“I don't imagine she ever had such an awful lot to forgive, Ollie,” she

said gently.

Then the lie he had been leading up to all the way came at last,

magnificently hesitant.

“She had, Elinor. I was in France you know.”

He was afraid when he had said it--it sounded so much like a title out

of a movie--but he looked steadily at her and saw all the color go out

of her face and then return to it burningly.

“Well, that wasn't anything to be--forgiven about exactly--was it?” she

said unsteadily.

He spoke carefully, in broken sentences, only the knowledge that this

was the only way he could think of to help things nerving his mind. “It

wasn't being in France, Elinor. It was--the adjuncts. I don't suppose I

was any worse than most of my outfit--but that didn't make it any easier

when I had to tell her I hadn't been any better. I felt,” his voice

rose, his literary trick of mind had come to his rescue now and made him

know just how he would have felt if it had really happened, “I felt

as if I were in hell. Really. But I had to tell her. And when she'd

forgiven me that--and said that it was all right--that it didn't make

any real difference now--I thought she was about the finest person in

the world--for telling me such nice lies. And after that--I was so sure

that it was all right--that because of her knowing and still being able

to care--it would last--oh well--”

He stopped, waiting for Elinor but Elinor for a person so voluble a

little while ago seemed curiously unwilling to speak.

“Lord knows why I'm telling you this--except that we started arguing

and you're nice enough to listen. It's not tea-table conversation, or

it wouldn't have been ten years ago--and if I've shocked you, I'm sorry.

But after that, as I said--I didn't think there was anything that could

separate us--really I didn't--and then just one little time when we

didn't quite understand each other and--over. Sorry to spoil your

illusions, Elinor, but that's the way people do.”

“But how could she?” and this time there was nothing but pure hurt

questioning in Elinor's voice and the words seemed to hurt her as if she

were talking needles. “Why Ollie--she couldn't possibly--if she really

cared--”

All he wondered was which of them would break first.

“She could,” he said steadily, in spite of the fact that everything in

his mind kept saying “No. No. No.” “Any girl could--easily. Even you,

Elinor--if you'll excuse my being rude--”

For a moment he thought that his carefully plotted scenario was going

to break up into melodrama with the reticent, composed and sympathetic

Elinor's suddenly rising and slapping his face. Then he heard her say in

a voice of utter anger,

“How can you say anything like that, how can you? You are being the most

hateful person that ever lived. Why if I really cared for anyone--if

I ever really cared--” and then she began to cry most steadily and

whole-heartedly into her napkin and Oliver in spite of all the generous

plaudits he was receiving from various parts of his mind for having

carried delicate business successfully to a most dramatic conclusion,

wondered what in the name of Hymen his cue was now. Some remnants of

diplomacy however kept him from doing anything particularly obtrusive

and, after he had received an official explanation of nervous headache

with official detachment, the end of tea found them being quite cheerful

together. Neither alluded directly to what both thought about most but

in spite of that each seemed inwardly convinced of being completely

if cryptically understood by the other and when the noise of the first

returning motor brought a friendly plotter's “You talk to them--they

mustn't see me this way,” from Elinor and a casual remark from Oliver

that he felt sure he would have to run into town for dinner--family

had forwarded a letter from an editor this morning--so if she wanted

anything done--they seemed to comprehend each other very thoroughly.

He babbled with the returning jazzers for a quarter of an hour or so,

tactfully circumvented Peter into offering him the loan of a car since

he had to go into New York, and intimated that he would drop back and in

at the Rackstraws' dance as soon as possible, after many apologies for

daring to leave at all. Then he went slowly upstairs, humming loudly as

he did so. Elinor met him outside his door.

“Ollie--as long as you're going in--I wonder if you'd mind--” Her tone

was elaborately careless but her eyes were dancing as she gave him a

letter, firmly addressed but unstamped.

“No, glad to--” And then he grinned. “You'll be at the Rackstraws'.”

“Yes, Ollie.”

“Well--we'll be back by ten thirty or try to. Maybe earlier,” he said

at her back and she turned and smiled once at him. Then he went into his

room.

“Mr. Theodore Billett,” said the address on the letter, “252A Madison

Ave., N. Y. C.,” and down in the lower corner, “Kindness of Mr. Oliver

Crowe.”

He thought he might very well ask for the latter phrase on Ted's and

Elinor's wedding invitations. He passed a hand over his forehead--that

had been harder than walking a tight-rope with your head in a sack--but

the chasm had been crossed and nothing was left now but the fireworks

on the other side. How easy it was to tinker other people's love-affairs

for them--for oneself the difficulties were somehow a little harder to

manage, he thought. And then he began considering how long it would take

from Southampton to New York in the two-seater and just where Ted would

most likely be.

Young People's Pride: A Novel · 第 40 / 59 题