XIX

It was with some nightmare surprise that Oliver on waking regarded his

tidy cell. Then he remembered and in spite of the fact that yesterday

evening with all that belonged to it kept hurting wherever it was that

most of him lived with the stiff repeating ache of a nerve struck again

and again by the same soft hammer, he couldn't help laughing a little.

The popular college remedy for disprized love had always been an

instantaneous mingling of conflicting alcohols--calling a large

policeman a big blue boob seemed to produce the same desired result of

bringing one to one's senses by first taking one completely out of them

without the revolving stomach and fuzzed mind of the first instance. He

tried to think of yesterday evening airily. Silly children quarreling

about things that didn't matter at all. Of course Nancy should have the

job if she wanted--of course he'd apologize, apologize like Ecclesiastes

even for being alive at all if it was necessary--and then everything

would be _all_ right, just all right and fixed. But the airy attitude

somehow failed to comfort--it was a little too much like trying to

shuffle a soft-shoe clog on a new grave. Nancy _had_ been unreasonable.

Nancy _had_ said or hadn't denied that she wasn't sure she loved him any

more. He _had_ released her from the engagement and told her good-by.

He stared at the facts--they sprang up in front of him like choking

thorns--thorns he had to clear away with his hands before he could even

touch Nancy again. Was he sure--even now? All the airiness dropped from

him like a clown's false face. As he thought of what would happen if

Nancy had really meant it about not loving him, it seemed to him that

somebody had taken away the pit of his stomach and left nothing in its

place but air.

Anyhow the first thing to do was to get out of this place--he examined

the neat bars in the door approvingly and wondered how the devil you

acted when you wanted to be let out. There wasn't any way of opening

a conversation about it with no one to talk to--and the corridor was

merely a length of empty steel--and, damn it, his train left at Ten

Seven and he had to see Nancy and explain everything in the world before

it left--and if he didn't get back to New York in time he might lose his

job. There must be some way of explaining to the people in charge that

he hadn't done anything but kid a policeman--that he must get out.

He went over to the door and tried it tentatively--no inside doorknob,

of course, this wasn't a hotel. He looked through the bars--nothing but

corridor and the cell on the other side. Should he call? For an instant

the fantastic idea of crying “Waiter!” or “Please send up my breakfast!”

tugged at him hard, but fantasy had got him into much too much trouble

as it was, he reflected savagely. It made you feel ridiculously

self-conscious, standing behind bars like this and shouting into

emptiness. Still he had to get out. He cleared his throat.

“Hey,” he remarked in a pleasant conversational tone. “Hey!”

No answer, he grew bolder.

_“Hey!”_ This time the conversational tone was italicized. A rustle of

voices somewhere rewarded him--that must be people talking. Well, if

they talked, they could listen.

“HEY!” and now his voice was emphatic enough for headline capitals.

The rustle of voices ceased. There was a moment of stupefied silence.

Then,

“SHUT UP!” came from the end of the corridor in a roar that made Oliver

feel as if he had been cooing. The roar irritated him--they might be a

little more mannerly. He clutched the bars and discovered to his pleased

surprise that they would rattle. He shook them as hard as he could like

a monkey asking for peanuts.

“Hey there! I want to get out!” and though he tried to make his voice as

impressive as possible it seemed to him to pipe like a canary's in that

long steel emptiness.

“I've got to catch a train!” he added desperately and then had to stuff

his coat sleeve into his mouth to keep from spoiling his dramatics with

most unseasonable mirth.

There were noises from the end of the corridor--the noises of strong men

at bitter war with something stronger than they, strange rumblings and

snortings and muffled whoops. Then the voice came again and this time

its words were slow and deliberately spaced so as to give it time to

master whatever rocked it between whiles.

“Say--you--_humorist_” said the voice and here it rose sharply

into an undignified squawk of laughter, “You--innercent

child--comedian--you--Charlie--Chaplin--of the--hoosegow--you

_shut_ up--or I'll come down there and--bend--something--over--your

merry little face--_understand?_” “Yes sir,” said Oliver subduedly.

“Ah right. Now go bye-bye--mama'll call you when she's ready to take you

walking” then explosively “I got to catch a train! Oh Holy Mike!”

Oliver left the window and went back toward his bunk, considerably

chastened. As he did so a bundle of second-hand clothes on the floor

rolled over and disclosed a red and unshaven face.

“Wup!” said Oliver--he had almost stepped on it.

“Wha'?” said the bundle, opening sick eyes.

“Oh nothing. I only said good morning.”

“Wha'?”

“Good morning.”

“Wha'?”

“Good morning.”

After incredible difficulties, the bundle attained a sitting position.

“You kid'n me?” it demanded thickly, looking at Oliver with as much

surprise as if he had just grown up out of the floor like a plant.

“Oh no. No.”

“You're _nah_ kid'n me?”

“No.”

“Ah ri'. 'S countersign. Pass. Fren'.”

It attempted a military gesture but succeeded merely in hitting its

mouth with its hand. It then looked at the hand as if the latter had

done it on purpose and became sunk in profound cogitation.

“Not feeling very well today?” Oliver ventured.

It looked at him.

“_Well?_” it said briefly. Then, after a silence devoted to trying to

find where its hands were.

“Hoosh.”

“What?” said Oliver.

“_Hoosh_. Goo' hoosh. Gran' hoosh. Oh, _hoosh!_” and as if the mention

of the word had stricken it back into clothes again it slid slowly down

on its back, closed its eyes and began to snore.

Oliver, perched on his bunk for what comfort there was, sat and

considered. He looked at the bundle--the bars--the bars--the bundle. The

bundle wheezed apoplectically--no sound of footsteps came from beyond

the bars. Oliver wondered if Nancy loved him. He wondered if he would

ever catch that Ten Seven. But most of all he wondered why on earth he

had happened to get in here and how on earth he was ever going to get

out.

Young People's Pride: A Novel · 第 24 / 59 题