XIX

The pink dressing-gown which Pinnie had engaged to make for Rose

Muniment became, in Lomax Place, a conspicuous object, supplying poor

Amanda with a constant theme for reference to one of the great

occasions of her life—her visit to Belgrave Square with Lady Aurora,

after their meeting at Rosy’s bedside. She described this episode

vividly to her companion, repeating a thousand times that her

ladyship’s affability was beyond anything she could have expected. The

grandeur of the house in Belgrave Square figured in her recital as

something oppressive and fabulous, tempered though it had been by

shrouds of brown holland and the nudity of staircases and saloons of

which the trappings had been put away. “If it’s so noble when they’re

out of town, what can it be when they are all there together and

everything is out?” she inquired suggestively; and she permitted

herself to be restrictive only on two points, one of which was the

state of Lady Aurora’s gloves and bonnet-strings. If she had not been

afraid to appear to notice the disrepair of these objects, she would

have been so happy to offer to do any little mending. “If she would

only come to me every week or two, I would keep up her rank for her,”

said Pinnie, with visions of a needle that positively flashed in the

disinterested service of the aristocracy. She added that her ladyship

got all dragged out with her long expeditions to Camberwell; she might

be in tatters, for all they could do to help her at the top of those

dreadful stairs, with that strange sick creature (she was too

unnatural) thinking only of her own finery and talking about her

complexion. If she wanted pink, she should have pink; but to Pinnie

there was something almost unholy in it, like decking out a corpse, or

the next thing to it. This was the other element that left Miss Pynsent

cold; it could not be other than difficult for her to enter into the

importance her ladyship appeared to attach to those pushing people. The

girl was unfortunate, certainly, stuck up there like a kitten on a

shelf, but in her ladyship’s place she would have found some topic more

in keeping, while they walked about under those tremendous gilded

ceilings. Lady Aurora, seeing how she was struck, showed her all over

the house, carrying the lamp herself and telling an old woman who was

there—a kind of housekeeper, with ribbons in her cap, who would have

pushed Pinnie out if you could push with your eyes—that they would do

very well without her. If the pink dressing-gown, in its successive

stages of development, filled up the little brown parlour (it was

terribly long on the stocks), making such a pervasive rose-coloured

presence as had not been seen there for many a day, this was evidently

because it was associated with Lady Aurora, not because it was

dedicated to her humble friend.

One day, when Hyacinth came home from his work, Pinnie announced to him

as soon as he entered the room that her ladyship had been there to look

at it—to pass judgment before the last touches were conferred. The

dressmaker intimated that in such a case as that her judgment was

rather wild, and she had made an embarrassing suggestion about pockets.

Whatever could poor Miss Muniment want of pockets, and what had she to

put in them? But Lady Aurora had evidently found the garment far beyond

anything she expected, and she had been more affable than ever, and had

wanted to know about every one in the Place; not in a meddling, prying

way, either, like some of those upper-class visitors, but quite as if

the poor people were the high ones and she was afraid her curiosity

might be ‘presumptious’. It was in the same discreet spirit that she

had invited Amanda to relate her whole history, and had expressed an

interest in the career of her young friend.

“She said you had charming manners,” Miss Pynsent hastened to remark;

“but, before heaven, Hyacinth Robinson, I never mentioned a scrap that

it could give you pain that any one should talk about.” There was an

heroic explicitness in this, on Pinnie’s part, for she knew in advance

just how Hyacinth would look at her—fixedly, silently, hopelessly, as

if she were still capable of tattling horribly (with the idea that her

revelations would increase her importance), and putting forward this

hollow theory of her supreme discretion to cover it up. His eyes seemed

to say, ‘How can I believe you, and yet how can I prove you are lying?

I am very helpless, for I can’t prove that without applying to the

person to whom your incorrigible folly has probably led you to brag, to

throw out mysterious and tantalising hints. You know, of course, that I

would never condescend to that.’ Pinnie suffered, acutely, from this

imputation; yet she exposed herself to it often, because she could

never deny herself the pleasure, keener still than her pain, of letting

Hyacinth know that he was appreciated, admired and, for those ‘charming

manners’ commended by Lady Aurora, even wondered at; and this kind of

interest always appeared to imply a suspicion of his secret—something

which, when he expressed to himself the sense of it, he called,

resenting it at once and yet finding a certain softness in it, ‘a

beastly _attendrissement_’. When Pinnie went on to say to him that Lady

Aurora appeared to feel a certain surprise at his never yet having come

to Belgrave Square for the famous books, he reflected that he must

really wait upon her without more delay, if he wished to keep up his

reputation for charming manners; and meanwhile he considered much the

extreme oddity of this new phase of his life (it had opened so

suddenly, from one day to the other); a phase in which his society

should have become indispensable to ladies of high rank and the

obscurity of his condition only an attraction the more. They were

taking him up then, one after the other, and they were even taking up

poor Pinnie, as a means of getting at him; so that he wondered, with

humorous bitterness, whether it meant that his destiny was really

seeking him out—that the aristocracy, recognising a mysterious affinity

(with that fineness of _flair_ for which they were remarkable), were

coming to him to save him the trouble of coming to them.

It was late in the day (the beginning of an October evening), and Lady

Aurora was at home. Hyacinth had made a mental calculation of the time

at which she would have risen from dinner; the operation of ‘rising

from dinner’ having always been, in his imagination, for some reason or

other, highly characteristic of the nobility. He was ignorant of the

fact that Lady Aurora’s principal meal consisted of a scrap of fish and

a cup of tea, served on a little stand in the dismantled

breakfast-parlour. The door was opened for Hyacinth by the invidious

old lady whom Pinnie had described, and who listened to his inquiry,

conducted him through the house, and ushered him into her ladyship’s

presence, without the smallest relaxation of a pair of tightly-closed

lips. Hyacinth’s hostess was seated in the little breakfast-parlour, by

the light of a couple of candles, immersed apparently in a collection

of tolerably crumpled papers and account-books. She was ciphering,

consulting memoranda, taking notes; she had had her head in her hands,

and the silky entanglement of her tresses resisted the rapid effort she

made to smooth herself down as she saw the little bookbinder come in.

The impression of her fingers remained in little rosy streaks on her

pink skin. She exclaimed, instantly, “Oh, you have come about the

books—it’s so very kind of you;” and she hurried him off to another

room, to which, as she explained, she had had them brought down for him

to choose from. The effect of this precipitation was to make him

suppose at first that she might wish him to execute his errand as

quickly as possible and take himself off; but he presently perceived

that her nervousness, her shyness, were of an order that would always

give false ideas. She wanted him to stay, she wanted to talk with him,

and she had rushed with him at the books in order to gain time and

composure for exercising some subtler art. Hyacinth stayed half an

hour, and became more and more convinced that her ladyship was, as he

had ventured to pronounce her on the occasion of their last meeting, a

regular saint. He was privately a little disappointed in the books,

though he selected three or four, as many as he could carry, and

promised to come back for others: they denoted, on Lady Aurora’s part,

a limited acquaintance with French literature and even a certain

puerility of taste. There were several volumes of Lamartine and a set

of the spurious memoirs of the Marquise de Créqui; but for the rest the

little library consisted mainly of Marmontel and Madame de Genlis, the

_Récit d’une Sœur_ and the tales of M. J. T. de Saint-Germain. There

were certain members of an intensely modern school, advanced and

scientific realists, of whom Hyacinth had heard and on whom he had long

desired to put his hand; but, evidently, none of them had ever stumbled

into Lady Aurora’s candid collection, though she did possess a couple

of Balzac’s novels, which, by ill-luck, happened to be just those that

Hyacinth had read more than once.

There was, nevertheless, something very agreeable to him in the moments

he passed in the big, dim, cool, empty house, where, at intervals,

monumental pieces of furniture—not crowded and miscellaneous, as he had

seen the appurtenances of the Princess—loomed and gleamed, and Lady

Aurora’s fantastic intonations awakened echoes which gave him a sense

of privilege, of rioting, decently, in the absence of jealous

influences. She talked again about the poor people in the south of

London, and about the Muniments in particular; evidently, the only

fault she had to find with these latter was that they were not poor

enough—not sufficiently exposed to dangers and privations against which

she could step in. Hyacinth liked her for this, even though he wished

she would talk of something else—he hardly knew what, unless it was

that, like Rose Muniment, he wanted to hear more about Inglefield. He

didn’t mind, with the poor, going into questions of poverty—it even

gave him at times a strange, savage satisfaction—but he saw that in

discussing them with the rich the interest must inevitably be less;

they could never treat them _à fond_. Their mistakes and illusions,

their thinking they had got hold of the sensations of the destitute

when they hadn’t at all, would always be more or less irritating. It

came over Hyacinth that if he found this want of perspective in Lady

Aurora’s deep conscientiousness, it would be a queer enough business

when he should come to go into the detail of such matters with the

Princess Casamassima.

His present hostess said not a word to him about Pinnie, and he guessed

that she had an instinctive desire to place him on the footing on which

people do not express approbation or surprise at the decency or

good-breeding of each other’s relatives. He saw that she would always

treat him as a gentleman, and that even if he should be basely

ungrateful she would never call his attention to the fact that she had

done so. He should not have occasion to say to her, as he had said to

the Princess, that she regarded him as a curious animal; and it gave

him immediately that sense, always so delightful to him, of learning

more about life, to perceive there were such different ways (which

implied still a good many more) of being a lady of rank. The manner in

which Lady Aurora appeared to wish to confer with him on the great

problems of pauperism might have implied that he was a benevolent

nobleman (of the type of Lord Shaftesbury), who had endowed many

charities and was noted, in philanthropic schemes, for his practical

sense. It was not less present to him that Pinnie might have tattled,

put forward his claims to high consanguinity, than it had been when the

dressmaker herself descanted on her ladyship’s condescensions; but he

remembered now that he too had only just escaped being asinine, when,

the other day, he flashed out an allusion to his accursed origin. At

all events, he was much touched by the delicacy with which the earl’s

daughter comported herself, simply assuming that he was ‘one of

themselves’; and he reflected that if she did know his history (he was

sure he might pass twenty years in her society without discovering

whether she did or not), this shade of courtesy, this natural tact,

coexisting even with extreme awkwardness, illustrated that ‘best

breeding’ which he had seen alluded to in novels portraying the

aristocracy. The only remark on Lady Aurora’s part that savoured in the

least of looking down at him from a height was when she said,

cheerfully, encouragingly, “I suppose that one of these days you will

be setting up in business for yourself;” and this was not so cruelly

patronising that he could not reply, with a smile equally free from any

sort of impertinence, “Oh dear, no, I shall never do that. I should

make a great mess of any attempt to carry on a business. I haven’t a

particle of that kind of aptitude.”

Lady Aurora looked a little surprised; then she said, “Oh, I see; you

don’t like—you don’t like—” She hesitated: he saw she was going to say

that he didn’t like the idea of going in, to that extent, for a trade;

but he stopped her in time from attributing to him a sentiment so

foolish, and declared that what he meant was simply that the only

faculty he possessed was the faculty of doing his little piece of work,

whatever it was, of liking to do it skillfully and prettily, and of

liking still better to get his money for it when it was done. His

conception of ‘business’, or of rising in the world, didn’t go beyond

that. “Oh yes, I can fancy!” her ladyship exclaimed; but she looked at

him a moment with eyes which showed that he puzzled her, that she

didn’t quite understand his tone. Before he went away she inquired of

him, abruptly (nothing had led up to it), what he thought of Captain

Sholto, whom she had seen that other evening in Audley Court. Didn’t

Hyacinth think he was very odd? Hyacinth confessed to this impression;

whereupon Lady Aurora went on anxiously, eagerly: “Don’t you consider

that—that—he is decidedly vulgar?”

“How can I know?”

“You can know perfectly—as well as any one!” Then she added, “I think

it’s a pity they should—a—form relations with any one of that kind.”

‘They’, of course, meant Paul Muniment and his sister. “With a person

that may be vulgar?” Hyacinth asked, regarding this solicitude as

exquisite. “But think of the people they know—think of those they are

surrounded with—think of all Audley Court!”

“The poor, the unhappy, the labouring classes? Oh, I don’t call _them_

vulgar!” cried her ladyship, with radiant eyes. The young man, lying

awake a good deal that night, laughed to himself, on his pillow, not

unkindly, at her fear that he and his friends would be contaminated by

the familiar of a princess. He even wondered whether she would not find

the Princess herself rather vulgar.

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