CHAPTER IV {p.104}

Illustrations of the Autobiography Continued. -- Anecdotes

of Scott's College Life.

1783-1786.

On returning to Edinburgh, and entering the College, in November,

1783, Scott found himself once more in the fellowship of all his

intimates of the High School; of whom, besides those mentioned in the

autobiographical fragment, he speaks in his diaries with particular

affection of Sir William Rae, Bart., David Monypenny (afterwards Lord

Pitmilly), Thomas Tod, W. S., Sir Archibald Campbell of Succoth,

Bart., all familiar friends of his through manhood,--and the Earl of

Dalhousie,[57] whom, on meeting with him after a long separation in

the evening of life, he records as still being, and having always

been, "the same manly and generous character that all about him loved

as the _Lordie Ramsay_ of the Yards." The chosen companion, however,

continued to be for some time Mr. John Irving--his suburban walks with

whom have been recollected so tenderly, both in the Memoir of 1808,

and in the Preface to Waverley of 1829. It will interest the reader to

compare with those beautiful descriptions the following extract from a

letter with which Mr. Irving has favored me:--

"Every Saturday, and more frequently during the vacations, we

used to retire, with three or four books from the circulating

library, to Salisbury Crags, Arthur's Seat, or Blackford Hill,

and read them together. He read {p.105} faster than I, and had,

on this account, to wait a little at finishing every two pages,

before turning the leaf. The books we most delighted in were

romances of knight-errantry; the Castle of Otranto, Spenser,

Ariosto, and Boiardo were great favorites. We used to climb up

the rocks in search of places where we might sit sheltered from

the wind; and the more inaccessible they were, the better we

liked them. He was very expert at climbing. Sometimes we got into

places where we found it difficult to move either up or down, and

I recollect it being proposed, on several occasions, that I

should go for a ladder to see and extricate him; but I never had

any need really to do so, for he always managed somehow either to

get down or ascend to the top. The number of books we thus

devoured was very great. I forgot great part of what I read; but

my friend, notwithstanding he read with such rapidity, remained,

to my surprise, master of it all, and could even weeks or months

afterwards repeat a whole page in which anything had particularly

struck him at the moment. After we had continued this practice of

reading for two years or more together, he proposed that we

should recite to each other alternately such adventures of

knight-errants as we could ourselves contrive; and we continued

to do so a long while. He found no difficulty in it, and used to

recite for half an hour or more at a time, while I seldom

continued half that space. The stories we told were, as Sir

Walter has said, interminable--for we were unwilling to have any

of our favorite knights killed. Our passion for romance led us to

learn Italian together; after a time we could both read it with

fluency, and we then copied such tales as we had met with in that

language, being a continued succession of battles and

enchantments. He began early to collect old ballads, and as my

mother could repeat a great many, he used to come and learn those

she could recite to him. He used to get all the copies of these

ballads he could, and select the best."

[Footnote 57: George, ninth Earl of Dalhousie, highly

distinguished in the military annals of his time, died on the

21st March, 1838, in his 68th year.]

These, {p.106} no doubt, were among the germs of the collection of

ballads in six little volumes, which, from the handwriting, had been

begun at this early period, and which is still preserved at

Abbotsford. And it appears that at least as early a date must be

ascribed to another collection of little humorous stories in prose,

the _Penny Chap-books_, as they are called, still in high favor among

the lower classes in Scotland, which stands on the same shelf. In a

letter of 1830[58] he states that he had bound up things of this kind

to the extent of several volumes, before he was ten years old.

[Footnote 58: See Strang's _Germany in 1831_, vol. i. p.

265.]

Although the Ashestiel Memoir mentions so very lightly his boyish

addiction to verse, and the rebuke which his vein received from the

apothecary's blue-buskined wife as having been followed by similar

treatment on the part of others, I am inclined to believe that while

thus devouring, along with his young friend, the stories of Italian

romance, he essayed, from time to time, to weave some of their

materials into rhyme;--nay, that he must have made at least one rather

serious effort of this kind, as early as the date of these rambles to

the Salisbury Crags. I have found among his mother's papers a copy of

verses, headed, "_Lines to Mr. Walter Scott--on reading his poem of

Guiscard and Matilda, inscribed to Miss Keith of Ravelston_." There is

no date; but I conceive the lines bear internal evidence of having

been written when he was very young--not, I should suppose, above

fourteen or fifteen at most. I think it also certain that the writer

was a woman; and have almost as little doubt that they came from the

pen of his old admirer, Mrs. Cockburn. They are as follows:--

"If such the accents of thy early youth

When playful fancy holds the place of truth;

If so divinely sweet thy numbers flow,

And thy young heart melts with such tender woe;

What {p.107} praise, what admiration shall be thine,

When sense mature with science shall combine

To raise thy genius, and thy taste refine!

"Go on, dear youth, the glorious path pursue

Which bounteous Nature kindly smooths for you;

Go, bid the seeds her hand hath sown arise,

By timely culture, to their native skies;

Go, and employ the poet's heavenly art,

Not merely to delight, but mend the heart.

Than other poets happier mayst thou prove,

More blest in friendship, fortunate in love,

Whilst Fame, who longs to make true merit known,

Impatient waits, to claim, thee as her own.

"Scorning the yoke of prejudice and pride,

Thy tender mind let truth and reason guide;

Let meek humility thy steps attend,

And firm integrity, youth's surest friend.

So peace and honor all thy hours shall bless,

And conscious rectitude each joy increase;

A nobler meed be thine than empty praise--

Heaven shall approve thy life, and Keith thy lays."[59]

[Footnote 59: [Miss Fleming, in her contribution to Dr. John

Brown's memorial of her sister Marjorie, says that these

verses were written by her aunt, Mrs. Keir, after meeting the

boy poet at Ravelston. Another aunt was the wife of Scott's

kinsman, Mr. William Keith of Corstorphine Hill, and it was

at her house, 1, North Charlotte Street, that Sir Walter came

to know familiarly her delightful little niece, during her

long visits to Edinburgh. These ladies and Mrs. Fleming were

the daughters of Dr. James Rae.--See _Marjorie Fleming_.]]

At the period to which I refer these verses, Scott's parents still

continued to have some expectations of curing his lameness, and Mr.

Irving remembers to have often assisted in applying the electrical

apparatus, on which for a considerable time they principally rested

their hopes. There is an allusion to these experiments in Scott's

autobiographical fragment, but I have found a fuller notice on the

margin of his copy of the Guide to Health, Beauty, Riches, and

Longevity, as Captain Grose chose to entitle an amusing collection of

quack advertisements.

"The celebrated Dr. Graham," says the annotator, "was an empiric of

some genius and great assurance. In fact, {p.108} he had a dash of

madness in his composition. He had a fine electrical apparatus, and

used it with skill. I myself, amongst others, was subjected to a

course of electricity under his charge. I remember seeing the old Earl

of Hopetoun seated in a large armchair, and hung round with a collar,

and a belt of magnets, like an Indian chief. After this, growing quite

wild, Graham set up his _Temple of Health_, and lectured on _the

Celestial Bed_. He attempted a course of these lectures at Edinburgh,

and as the Magistrates refused to let him do so, he libelled them in a

series of advertisements, the flights of which were infinitely more

absurd and exalted than those which Grose has collected. In one tirade

(long in my possession), he declared that 'he looked down upon them'

(the Magistrates) 'as the sun in his meridian glory looks down on the

poor, feeble, stinking glimmer of an expiring farthing candle, or as

G--himself, in the plenitude of his omnipotence, may regard the

insolent bouncings of a few refractory maggots in a rotten cheese.'

Graham was a good-looking man; he used to come to the Greyfriars'

Church in a suit of white and silver, with a chapeau-bras, and his

hair marvellously dressed into a sort of double toupee, which divided

upon his head like the two tops of Parnassus. Mrs. Macaulay, the

historianess, married his brother. Lady Hamilton is said to have first

enacted his Goddess of Health, being at this time a _fille de joie_ of

great celebrity.[60] The Temple of Health dwindled into a sort of

obscene _hell_, or gambling house. In a quarrel which took place

there, a poor young man was run into the bowels with a red-hot poker,

of which injury he died. The mob vented their fury on the house, and

the Magistrates, somewhat of the latest, shut up the exhibition. A

quantity of glass and crystal trumpery, the remains of the splendid

apparatus, was sold on the South Bridge for next to nothing. Graham's

next {p.109} receipt was the _earth-bath_, with which he wrought

some cures; but that also failing, he was, I believe, literally

starved to death."

[Footnote 60: Lord Nelson's connection with this lady will

preserve her celebrity. In Kay's _Edinburgh Portraits_ the

reader will find more about Dr. Graham.]

Graham's earth-bath, too, was, I understand, tried upon Scott, but his

was not one of the cases, if any such there were, in which it worked a

cure. He, however, improved about this time greatly in his general

health and strength, and Mr. Irving, in accordance with the statement

in the Memoir, assures me that while attending the early classes at

the College the young friends extended their walks, so as to visit in

succession all the old castles within eight or ten miles of Edinburgh.

"Sir Walter," he says, "was specially fond of Rosslyn. We frequently

walked thither before breakfast--after breakfasting there, walked all

down the river side to Lasswade--and thence home to town before

dinner. He used generally to rest one hand upon my shoulder when we

walked together, and leaned with the other on a stout stick."

The love of picturesque scenery, and especially of feudal castles,

with which the vicinity of Edinburgh is plentifully garnished, awoke,

as the Memoir tells us, the desire of being able to use the pencil.

Mr. Irving says--"I attended one summer a class of drawing along with

him, but although both fond of it, we found it took up so much time

that we gave this up before we had made much progress." In one of his

later diaries, Scott himself gives the following more particular

account of this matter:--

"I took lessons of oil-painting in youth from a little Jew

animalcule--a smouch called Burrell--a clever, sensible creature

though. But I could make no progress either in painting or drawing.

Nature denied me the correctness of eye and neatness of hand. Yet I

was very desirous to be a draughtsman at least--and labored harder to

attain that point than at any other in my recollection to which I did

not make some approaches. Burrell was {p.110} not useless to me

altogether neither. He was a Prussian, and I got from him many a long

story of the battles of Frederick, in whose armies his father had been

a commissary, or perhaps a spy. I remember his picturesque account of

seeing a party of the _black hussars_ bringing in some forage carts

which they had taken from a body of the Cossacks, whom he described as

lying on the top of the carts of hay mortally wounded, and, like the

dying gladiator, eyeing their own blood as it ran down through the

straw."

A year or two later Scott renewed his attempt. "I afterwards," he

says, "took lessons from Walker, whom we used to call _Blue Beard_. He

was one of the most conceited persons in the world, but a good

teacher; one of the ugliest countenances he had that need be

exhibited--enough, as we say, to _spean weans_. The man was always

extremely precise in the quality of everything about him; his dress,

accommodations, and everything else. He became insolvent, poor man,

and, for some reason or other, I attended the meeting of those

concerned in his affairs. Instead of ordinary accommodations for

writing, each of the persons present was equipped with a large sheet

of drawing-paper and a swan's quill. It was mournfully ridiculous

enough. Skirving made an admirable likeness of Walker; not a single

scar or mark of the small-pox, which seamed his countenance, but the

too accurate brother of the brush had faithfully laid it down in

longitude and latitude. Poor Walker destroyed it (being in crayons)

rather than let the caricature of his ugliness appear at the sale of

his effects. I did learn myself to take some vile views from nature.

When Will Clerk and I lived very much together, I used sometimes to

make them under his instruction. He to whom, as to all his family, art

is a familiar attribute, wondered at me as a Newfoundland dog would at

a greyhound which showed fear of the water."[61]

[Footnote 61: [See _Journal_, vol. i. pp. 137-139.]]

Notwithstanding {p.111} all that Scott says about the total failure

of his attempts in the art of the pencil, I presume few will doubt

that they proved very useful to him afterwards; from them it is

natural to suppose he caught the habit of analyzing, with some

approach at least to accuracy, the scenes over which his eye might

have continued to wander with the vague sense of delight. I may add

that a longer and more successful practice of the crayon might, I

cannot but think, have proved the reverse of serviceable to him as a

future painter with the pen. He might have contracted the habit of

copying from pictures rather than from nature itself; and we should

thus have lost that which constitutes the very highest charm in his

delineations of scenery, namely, that the effect is produced by the

selection of a few striking features, arranged with a light,

unconscious grace, neither too much nor too little--equally remote

from the barren generalizations of a former age, and the dull, servile

fidelity with which so many inferior writers of our time fill in both

background and foreground, having no more notion of the perspective of

genius than Chinese paper-stainers have of that of the atmosphere, and

producing in fact not descriptions but inventories.

The illness which he alludes to in his Memoir, as interrupting for a

considerable period his attendance on the Latin and Greek classes in

Edinburgh College, is spoken of more largely in one of his

prefaces.[62] It arose from the bursting of a blood-vessel in the

lower bowels; and I have heard him say that his uncle, Dr. Rutherford,

considered his recovery from it as little less than miraculous. His

sweet temper and calm courage were no doubt important elements of

safety. He submitted without a murmur to the severe discipline

prescribed by his affectionate physician, and found consolation in

poetry, romance, and the enthusiasm of young friendship. Day after day

John Irving relieved his mother and sister in their {p.112}

attendance upon him. The bed on which he lay was piled with a constant

succession of works of imagination, and sad realities were forgotten

amidst the brilliant day-dreams of genius drinking unwearied from the

eternal fountains of Spenser and Shakespeare. Chess was recommended as

a relief to these unintermitted, though desultory studies; and he

engaged eagerly in the game which had found favor with so many of his

Paladins. Mr. Irving remembers playing it with him hour after hour, in

very cold weather, when, the windows being kept open as a part of the

medical treatment, nothing but youthful nerves and spirit could have

persevered. But Scott did not pursue the science of chess after his

boyhood. He used to say that it was a shame to throw away upon

mastering a mere game, however ingenious, the time which would suffice

for the acquisition of a new language. "Surely," he said,

"chess-playing is a sad waste of brains."

[Footnote 62: See Preface to _Waverley_, 1829.]

His recovery was completed by another visit to Roxburghshire. Captain

Robert Scott, who had been so kind to the sickly infant at Bath,

finally retired about this time from his profession, and purchased the

elegant villa of Rosebank, on the Tweed, a little below Kelso. Here

Walter now took up his quarters, and here, during all the rest of his

youth, he found, whenever he chose, a second home, in many respects

more agreeable than his own. His uncle, as letters to be subsequently

quoted will show, had nothing of his father's coldness for polite

letters, but entered into all his favorite pursuits with keen

sympathy, and was consulted, from this time forth, upon all his

juvenile essays, both in prose and verse.

He does not seem to have resumed attendance at College during the

session of 1785-86; so that the Latin and Greek classes, with that of

Logic, were the only ones he had passed through previous to the

signing of his indentures as an apprentice to his father. The Memoir

mentions the ethical course of Dugald Stewart, as if he had {p.113}

gone immediately from the logical professor (Mr. Bruce) to that

eminent lecturer; but he, in fact, attended Mr. Stewart four years

afterwards, when beginning to consider himself as finally destined for

the Bar.

I shall only add to what he sets down on the subject of his early

academical studies, that in this, as in almost every case, he appears

to have underrated his own attainments. He had, indeed, no pretensions

to the name of an extensive, far less of an accurate, Latin scholar;

but he could read, I believe, any Latin author, of any age, so as to

catch without difficulty his meaning; and although his favorite Latin

poet, as well as historian, in later days, was Buchanan, he had

preserved, or subsequently acquired, a strong relish for some others

of more ancient date. I may mention, in particular, Lucan and

Claudian. Of Greek, he does not exaggerate in saying that he had

forgotten even the alphabet; for he was puzzled with the words [Greek:

aoidos] and [Greek: poiêtês], which he had occasion to introduce, from

some authority on his table, into his Introduction to Popular Poetry,

written in April, 1830; and happening to be in the house with him at

the time, he sent for me to insert them for him in his MS. Mr. Irving

has informed us of the early period at which he enjoyed the real Tasso

and Ariosto. I presume he had at least as soon as this enabled himself

to read Gil Blas in the original; and, in all probability, we may

refer to the same time of his life, or one not much later, his

acquisition of as much Spanish as served for the Guerras Civiles de

Granada, Lazarillo de Tormes, and, above all, Don Quixote. He read all

these languages in after-life with about the same facility. I never

but once heard him attempt to speak any of them, and that was when

some of the courtiers of Charles X. came to Abbotsford, soon after

that unfortunate prince took up his residence for the second time at

Holyrood-house. Finding that one or two of these gentlemen could speak

no English at all, he made some efforts to amuse them in their own

language after {p.114} the champagne had been passing briskly round

the table; and I was amused next morning with the expression of one of

the party, who, alluding to the sort of reading in which Sir Walter

seemed to have chiefly occupied himself, said, "Mon Dieu! comme il

estropiait, entre deux vins, le Français du bon sire de Joinville!" Of

all these tongues, as of German somewhat later, he acquired as much as

was needful for his own purposes, of which a critical study of any

foreign language made at no time any part. In them he sought for

incidents, and he found images; but for the treasures of diction he

was content to dig on British soil. He had all he wanted in the old

wells of "English undefiled," and the still living, though fast

shrinking, waters of that sister idiom which had not always, as he

flattered himself, deserved the name of a dialect.

As may be said, I believe, with perfect truth of every really great

man, Scott was self-educated in every branch of knowledge which he

ever turned to account in the works of his genius--and he has himself

told us that his real studies were those lonely and desultory ones of

which he has given a copy in the third chapter of Waverley, where the

hero is represented as "driving through the sea of books, like a

vessel without pilot or rudder;" that is to say, obeying nothing but

the strong breath of native inclination:--"He had read, and stored in

a memory of uncommon tenacity, much curious, though ill-arranged and

miscellaneous information. In English literature, he was master of

Shakespeare and Milton, of our earlier dramatic authors, of many

picturesque and interesting passages from our old historical

chronicles, and was particularly well acquainted with Spenser,

Drayton, and other poets, who have exercised themselves on romantic

fiction,--_of all themes the most fascinating to a youthful

imagination, before the passions have roused themselves, and demand

poetry of a more sentimental description_." I need not repeat his

enumeration of other favorites, Pulci, the {p.115} Decameron,

Froissart, Brantôme, Delanoue, and the chivalrous and romantic lore of

Spain. I have quoted a passage so well known, only for the sake of the

striking circumstance by which it marks the very early date of these

multifarious studies.

Memoirs of the Life of Sir Walter Scott, Volume 1 (of 10) · 第 4 / 8 章