PALAZZO SPINI

_Via Tornabuoni. No. 2._

According to a genealogy drawn up by one of the Spini in the XVth

century the family descend from Spina Moscardi, who lived in the XIIth

century; and whose ancestor, a Roman soldier, settled in Florence at

the time of the foundation of the city. His sons were Manetti and Ugo,

both knights of the Golden Spur and wealthy merchants. Verini names the

Spini among the great families of Florence.

“Qualis Spinorum fuerit fortuna secundos

Vobis, quæ fuxta sunt alta palatia muros

Testantur genus antiquum Romana propago.”

The houses and towers of both the brothers were partially destroyed by

the Ghibellines in 1260–1266, and the remainder by the terrible flood

of 15th December, 1288, when the Gianfigliazzi palace opposite was

also swept away.

The present magnificent pile was erected about 1290 by Manetti’s son,

Ruggieri, commonly called Geri, on the site of the old family palaces.

Some say that Arnolfo di Lapo superintended the building, others

that he only gave the design. Geri Spini, an able and very rich wool

merchant, and the recognized head of the Guelph, or Black, party in

Florence, must have been a remarkable and a many-sided man. Charles of

Anjou named him his representative in Tuscany, he was Commissary of War

for his native city, ambassador to Pope Boniface VIII. and afterwards

to Benedict XI., when he rode into Rome at the head of 150 horsemen,

all his own followers. On his return he was made Captain of Florence

and a knight of the Golden Spur. King Robert of Naples created him

Lieutenant-Governor of Arezzo and other cities, and in addition to

all these multifarious duties he, together with the Mozzi, was banker

to the Holy See, and he had to attend to his own business. He and

his wife, Oretta Malespina, “a charming and virtuous lady,” are both

immortalized by Boccaccio in the _Decamerone_. The story of the lady

depends entirely on its charming and almost untranslatable language,

but that of Messer Geri gives a vivid description of Florentine life

and manners in the XIVth century.

[Illustration: PALAZZO SPINI.]

“I tell how Pope Boniface, with whom Messer Geri Spini stood in high

honour, sent to Florence certain noble ambassadors on account of the

great need he was in. They dismounted at the house of Messer Geri,

and talking together of the Pope’s affairs it happened that Messer

Geri and these ambassadors walked out nearly every morning, passing

in front of Sta. Maria Ughi, where Cisti, the baker, had his oven and

personally exercised his art. Although fortune had bestowed on him

such a humble calling yet had she been very kind to him, inasmuch as

he had become exceeding rich, and though he would not change his

occupation, he lived splendidly; having, among other good things, the

best red and white wine that were to be found in Florence or in the

country round. Seeing that Messer Geri and the ambassadors of the Pope

passed his door every day and the heat being great, he bethought him

that it would be an act of courtesy to offer them some of his good

white wine to drink. But having regard to his condition and to that

of Messer Geri, it did not appear fitting that the invitation should

come from him, so he cast about for a way of inducing Messer Geri to

invite himself. Always dressed in a jacket of dazzling whiteness and

an apron fresh from the laundry, so that he looked more like a miller

than a baker, every morning he set in front of his door, at the hour

when Messer Geri and the ambassadors were wont to pass, a new copper

waterpot, well tinned, a new earthen vase of Bologna full of his good

white wine and two tumblers, which seemed to be of silver, so bright

were they. Then sitting down he would clear his throat once or twice,

and as they passed begin to sip his wine with such manifest delight

that a desire for it would have been raised in a dead man. Messer Geri

saw this for one morning, and for two, and on the third he said: What

is it, Cisti? Is it good? Cisti, rising quickly, replied: Messere, yes

indeed, but how good I could never make you understand unless you taste

it. Messer Geri, in whom either the weather, or more business than

usual, or perchance the tasty sips of Cisti had caused thirst, turned

to the ambassadors, and smiling, said: What say you, gentlemen, would

it not be well if we taste the wine of this good man; most likely we

shall have no cause to repent? And together they went towards Cisti. He

placed a fine bench outside and begged them to be seated, and to their

servants who pushed forward to wash the tumblers he said: Companions,

stand back and leave me to do this work, for I know as well how to

pour out wine as to make bread, and do not you think to have a drop.

Saying this he washed four good new tumblers, had a fresh small earthen

jar of his good white wine brought up, and carefully gave to drink to

Messer Geri and his companions. The wine seemed to them the best they

had tasted for a long, long time, and they praised it mightily, so

while the ambassadors stayed they went nearly every morning together

with Messer Geri to drink. When the time came for their departure

Messer Geri gave a fine banquet, to which he invited many of the most

honourable citizens, and he also invited Cisti, who would not go on

any account. So Messer Geri ordered one of his servants to go for a

flask of Cisti’s wine, and to serve half a glass of it to every guest

during the first course. The servant, perchance angered because he

had never been able to taste of the wine, took a large double flask,

and when Cisti saw it he said: My son, Messer Geri has not sent you

to me. The servant affirmed that he had, but not being able to obtain

any other reply, returned to Messer Geri and told him. And Messer Geri

said: Return, and tell him it is so, and if he answers thee in the

same fashion, ask him to whom I send thee. The servant went and said:

Of a surety, Cisti, Messer Geri sends me to thee. Cisti answered: And

I am sure, my son, it is not so. Well then, replied the servant, to

whom has he sent me? And Cisti said: To the Arno. And when the servant

brought this reply to Messer Geri the eyes of his intellect opened

and he said to the servant: Let me see what manner of flask thou hast

taken. And when he saw it he said: Cisti was right, and scolded the man

well and made him take a proper flask. When Cisti saw it he said: Now I

know Messer Geri has sent thee, and he filled it joyfully. And on the

same day he filled a small barrel with like wine and causing it to be

carried with all due care to the house of Messer Geri went there and

waited on him, saying: Messere, I would not that you should think that

the large flask of this morning alarmed me. Only it seemed to me that

you had forgotten what I said to you; that this is not everyday wine

for a family, and so I desired to remind you this day. Now as I do not

wish to act as your guardian, I have brought you all the wine to do

with as you will. Messer Geri accepted Cisti’s gift with great joy and

rendered him such thanks as were fitting, and ever after looked upon

him as a friend.”

Old Dino Compagni attributes the bitter hatred between the Cerchi and

the Donati, which brought such evils upon Florence, to the direct

agency of the devil, “abettor of all ill; who so arranged that a

company of youths who were riding together after supper one evening

on the calends of May, became so full of pride that they planned to

meet with a company of the Cerchi and use fists and swords against

them. On that evening, which is the renewal of springtide, women are

wont to dance with their neighbours. The young Cerchi met the company

of the Donati, amongst whom were Messer Corso’s nephew, Baldellino

de’ Bardi, Piero Spini and others, and they fell upon the Cerchi with

drawn swords. During the encounter Ricoverino de’ Cerchi had his nose

cut off by one of the Donati party, said to be Piero Spini, in whose

house they afterwards all took refuge. This stroke was the destruction

of our city, because from it arose great hatred among the citizens.

The Cerchi never said who did it, waiting to take signal vengeance.”

The old chronicler goes on to describe how in 1301, when Charles of

Valois stayed in the Frescobaldi palace in Florence, they and the

Spini fortified their palaces and erected machines on their towers

for throwing stones, so that together they could command Ponte a Sta.

Trinita. Messer Manetto Scali also made warlike preparations on his

palace, “so the Spini, whose large palace was opposite his, increased

their fortifications, knowing how powerful the Scali were. Thereupon

the two parties began to try and deceive each other and mutually made

friendly speeches. The Spini said to the Scali, Now why do we act

thus? After all we are friends and relatives, and all Guelphs; and our

only intent is to liberate our necks from the chain which the people

have put upon you and upon us, and then we shall be more powerful than

we are now. Therefore, by God, let us be one, as we ought to be.”

When later there was discord in Florence because the Ghibellines

wished to send an embassy to salute the Emperor Henry VII. who was at

Pisa, and the Guelphs, with Messer Rossa della Tosa, Messer Pazzino

de’ Pazzi, Messer Betto Brunelleschi and Messer Geri Spini at their

head, refused, old Dino finishes his chronicle with an outburst of

indignation. “Oh, iniquitous citizens, who have corrupted and vitiated

the whole world by evil ways and illicit gains. It is you who have

introduced every bad custom into the world, which now begins to revolt

against you. The Emperor, with his army will capture you and destroy

your riches on land and on sea.” But the Emperor soon afterwards died

at Buonconvento, so Dino’s prophecy came to nought.

Doffo Spini was killed at the battle of Montecatini in 1315, and

Nepo, his brother, was foremost among those citizens who expelled

the Duke of Athens, tyrant of Florence. In 1498 another Doffo Spini

made himself conspicuous by his virulent antagonism to Savonarola. He

was the leader of a band of young nobles who called themselves the

“Compagnacci,” and when the ordeal by fire was to take place Doffo,

at the head of three hundred well armed Compagnacci, forced his way

into the Piazza della Signoria in spite of the proclamation that armed

men should not enter. Violi tells us that Doffo Spini often went to

Botticelli’s workshop “and frequently said that they had no intention

of making the Franciscan enter the fire, and of this they had assured

him; it sufficed for them that he should continue the game long enough

to enable them to carry out their intention of putting an end to this

business of the Friar.” Doffo was one of the examiners appointed to

conduct the trial of the three friars, but according to the testimony

of Simone Filipepi, Botticelli’s brother, he seems afterwards to have

repented of his persecution of Savonarola.

In 1651 the northern half of the great palace was bought by Niccolò

Guasconi, and after his death it was sold to the Da Bagnano family,

from whom the Marchese Alessandro Feroni bought it in 1768. The other

half remained in the possession of the Spini until the death of the

last of the family, leaving an only daughter married to Gugliemo Del

Tovaglia. She had no children and made Luca Domenico Pitti her heir,

whose son Roberto Pitti Spini sold his half of the palace to the

Marchese Francesco Feroni in 1807. The southern façade rose straight

from the bed of the Arno and the street passed under the palace by a

long archway. Room after room and balcony after balcony overhanging the

river had been built until the height reached 60 braccie, and grave

fears were entertained for the stability of the building. So in July,

1823, that side of Palazzo Spini was taken down and the façade thrown

back to admit of the continuation of the Lung’Arno Acciaiuoli. In 1834

the whole palace was sold to Mde. Hombert, and the fine old building

was turned into an hotel. The Commune of Florence bought it in 1846,

and some years later it was admirably restored.

In the church of Sta. Trinita is a fresco by Domenico Ghirlandajo in

which Palazzo Spini is represented as it was in the XVth century.

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