PALAZZO GONDI

_Piazza S. Firenze. No. 1._

The progenitor of the great family of the Gondi, whose descendants

played an important part in French history, was a certain Bellincozzo,

who owned a house and a tower in the XIIth century near Sta. Maria

degl’Ughi, in Florence. One of his descendants, Forte, signed the peace

with Genoa in 1201, and from his grandson Gondo the family took their

name. Geri de’ Gondi lent money to the Republic of Florence, his name

appearing as a large creditor in 1324, and a few years later that

of his son Simone, who solemnly swore allegiance to the Guelph party

in 1351. But seven years afterwards he was accused of intriguing in

favour of the Ghibellines, and he and his descendants were declared

incapable of holding office. This sentence was annulled in 1438 in

favour of his grandson, Simone, who was elected Gonfalonier of Justice,

and lent 8,000 golden florins to the State. His brother Leonardo sold

the old family house and tower near Sta. Maria degl’Ughi to Palla

Novello Strozzi in the XVth century, and in 1488 his son Giuliano

began to build the fine palace in Piazza San Firenze; Giuliano da San

Gallo, with whom he had made a close friendship at Naples, being his

architect. He rendered such services to King Ferdinando of Naples that

he offered him a large pension, but Gondi, being, as the Florentines

say, “all of one piece,” refused, on the plea that no citizen of a free

republic should accept money from a foreign potentate. So Ferdinando’s

son, King Alfonso, bestowed on him the privilege of placing a ducal

crown in his coat-of-arms. Giuliano was twice Gonfalonier of Justice,

and died in 1501, before his magnificent palace was finished.

[Illustration: COURTYARD OF PALAZZO GONDI.]

A cousin of his, Giovanbattista Gondi, went to Paris, became a

naturalized French citizen and married a lady-in-waiting of Queen

Catherine. Having no children he adopted his nephew Girolamo, a clever

politician employed by the Queen and her sons after her in various

delicate missions. He received Henri IV. and his bride on their entry

into Paris in the fine Hôtel de Gondi built by him, but which his son

Jean Baptiste was forced to sell. It was bought by the King, who gave

it to the Prince de Condé. He also built a palace in Florence near

Sta. Maria Maggiore, which was sold to the Orlandini. Another Gondi,

Alberto, married the _gouvernante_ of the royal children, widow of the

Baron de Retz. A distinguished soldier he was in such favour at Court

that he was sent by Charles IX. as his proxy to marry Elisabeth of

Austria. In 1573 he became a Marshal of France, and some years later

was one of the hundred noblemen of high birth who first received the

Order of St. Esprit. In 1584 he was created Duc de Retz, and was in

command of the troops when Henri IV. entered Paris. His eldest son

Charles, Marquis de Belle-Isle, married the Princesse Antoinette

d’Orleans, daughter of the Duc de Longueville and of the Princesse de

Bourbon, and was killed before Mont St. Michel when only twenty-seven.

Another son, Henri, in whose favour his uncle the Cardinal de Gondi

retired, became Bishop of Paris. The youngest was the first Archbishop

of Paris, and his nephew Jean François Paul, the famous Cardinal de

Retz who joined the ranks of the Fronde after incurring the enmity of

Mazarin, succeeded him. Imprisoned by order of the King in the castle

of Nantes, he contrived to escape to Spain, and embarked on a galley

lent to him by the King for Piombino. After passing some years in Rome

he resigned his archbishopric, and was allowed to return to France in

1662, when the King made him Abbot of St. Denis, where he wrote his

well-known memoirs.[39]

But to return to the stately palace in Florence which Giuliano de’

Gondi began in 1488, and by will charged his sons to finish. The

courtyard and the balustrade of the staircase, decorated with delicate

carvings of animals and foliage, are among the finest things San Gallo

ever did. In the large room upstairs is a handsome wooden ceiling, and

a beautiful fireplace with a _frontone_, or mantel-front, also by San

Gallo, representing the triumph of Neptune, and two statues of Hercules

and of Samson. “It is so richly carved and so varied in style, and so

beautiful,” writes Vasari, “that naught like it had been seen before,

nor one with so many figures.” The old Roman statue in the palace is

mentioned in a letter from Giuliano da San Gallo’s son, Francesco, to

the head of the hospital of the Innocenti. “My father told Michelangelo

that the statue in the house of the Gondi represents a Consul, and was

found when the foundations for the palace of the Guelph party were

being dug, where once existed the baths. He carried it to the Gondi

palace, which he was then building, with the intention of placing it at

the corner in the Piazza. But this was not done, as the palace was not

finished.”

The fountain in the courtyard was erected by the descendant and

namesake of Giuliano de’ Gondi, and by special grace he was allowed by

the Grand Duke Ferdinando I. to take water from the fountain in the

Piazza della Signoria. When Florence became the capital of Italy the

Via de’ Gondi was too narrow for the increased traffic, and a large

portion of the old palace was taken off, but the southern façade was

admirably rebuilt. The palace still belongs to the Gondi family.

Florentine palaces & their stories · 第 77 / 128 题