When we separated for the night, I felt that my going to bed would be

purposeless. I felt most painfully wide awake. I threw myself down upon

my bed, and worried myself by trying to imagine what secret there could

be between Maryon and Bludyer--for that a secret of some kind existed, I

felt certain. I tossed about till I heard the stroke of one. A dreadful

restlessness had come upon me. It seemed as if the solemn night-side of

life was busy waking now, but the silence and solitude of my antique

chamber became too much for me. I rose from my bed, and paced up and

down the room. I raked up the dying embers of the fire, and drew an

arm-chair to the hearth. I fell into a doze. By and by I woke up

suddenly, and I was conscious of stealthy footsteps in the passage. My

sense of hearing became painfully acute. I heard the footsteps

retreating down the corridor, until they were lost in the distance. I

cautiously opened the door, and, shading the candle with my hand, looked

out--there was nothing to be seen; but I felt that I could not remain

quietly in my room, and, closing the door behind me, I went out in

search of I knew not what.

The sitting-rooms and bedrooms in ordinary use at The Mere were in the

modern part of the house; but there was an old Elizabethan wing which I

had often longed to explore, and in this strange ramble of mine I soon

had reason to be satisfied that I was well within it. At the end of an

oak-panelled narrow passage a door stood open, and I entered a low,

sombre apartment fitted with furniture in the style of two hundred years

ago. There was something awfully ghostly about the look of this room. A

great four-post bedstead, with heavy hangings, stood in a deep recess; a

round oak table and two high-backed chairs were in the centre of the

room. Suddenly, as I gazed on these things, I heard stealthy footsteps

in the passage, and saw a dim light advancing. Acting on a sudden

impulse, I extinguished my candle and withdrew into the shadow of the

recess, watching eagerly. The footsteps came nearer. My heart seemed to

stand still with expectation. They paused outside the door, for a

moment really--for an age it seemed to me. Then, to my astonishment, I

saw Mr. Maryon enter. He carried a small night-lamp in his hand. Another

glance satisfied me that he was walking in his sleep. He came straight

to the round table, and set down the lamp. He seated himself in one of

the high-backed chairs, his vacant eyes staring at the chair opposite;

then his lips began to move quickly, as if he were addressing some one.

Then he rose, went to the bureau, and seemed to take something from it;

then he sat down again. What a strange action of his hands! At first I

could not understand it; then it flashed upon me that in this dream of

his he must be shuffling cards. Yes, he began to deal; then he was

playing with his adversary--his lips moving anxiously at times.

A look of terrible eagerness came over the sleepwalker's countenance.

With nimble fingers he dealt the cards, and played. Suddenly with a

sweep of his hand he seemed to fling the pack into the fireplace,

started from his seat, grappled with his unseen adversary, raised his

powerful right hand, and struck a tremendous blow. Hush! more footsteps

along the passage! Am I deceived? From my concealment I watch for what

is to follow. Colonel Bludyer comes in, half dressed, but wide awake.

"You maniac!" I hear him mutter: "I expected you were given to such

tricks as these. Lucky for you no eyes but mine have seen your abject

folly. Come back to your room."

Mr. Maryon is still gazing, his arms lifted wildly above his head, upon

the imagined foe whom he had felled to the ground. The Colonel touches

him on the shoulder, and leads him away, leaving the lamp. My reasoning

faculties had fully returned to me. I held a clue to the secret, and for

Agnes' sake it must be followed up. I took the lamp away, and placed it

on a table where the chamber candlesticks stood, relit my own candle,

and found my way back to my bedroom.

The next morning, when I came down to breakfast, I found Colonel Bludyer

warming himself satisfactorily at the blazing fire. I learned from him

that our host was far from well, and that Miss Maryon was in attendance

upon her father; that the Colonel was charged with all kinds of

apologies to me, and good wishes for my safe return home across the

snow. I thanked him for the delivery of the message, while I felt

perfectly convinced that he had never been charged with it. However that

might be, I never saw Mr. Maryon that morning; and I started back to The

Shallows through the snow.

For the next two or three days the weather was very wild, but I

contrived to get up to The Mere, and ask after Mr. Maryon. Better, I was

told, but unable to see any one. Miss Maryon, too, was fatigued with

nursing her father. So there was nothing to do but to trudge home again.

"_Reginald Westcar, The Mere is yours. Compel John Maryon to pay the

debt of honor!_"

Again and again these words forced themselves upon me, as I listlessly

gazed out upon the white landscape. The strange scene that I had

witnessed on that memorable night I passed beneath Mr. Maryon's roof had

brought them back to my memory with redoubled force, and I began to

think that the apparition I had seen--or dreamed of--on my first night

at The Shallows had more of truth in it than I had been willing to

believe.

Three more days passed away, and a carter-boy from The Mere brought me a

note. It was Agnes' handwriting. It said:

"DEAR MR. WESTCAR: Pray come up here, if you possibly can. I cannot

understand what is the matter with papa; and he wishes me to do a

dreadful thing. Do come. I feel that I have no friend but you. I am

obliged to send this note privately."

I need scarcely say that five minutes afterward I was plunging through

the snow toward The Mere. It was already late on that dark February

evening as I gained the shrubbery; and as I was pondering upon the best

method of securing admittance, I became aware that the figure of a man

was hurrying on some yards in front of me. At first I thought it must be

one of the gardeners, but all of a sudden I stood still, and my blood

seemed to freeze with horror, as I remarked that the figure in front of

me _left no trace of footmarks on the snow_! My brain reeled for a

moment, and I thought I should have fallen; but I recovered my nerves,

and when I looked before me again, it had disappeared. I pressed on

eagerly. I arrived at the front door--it was wide open; and I passed

through the hall to the library. I heard Agnes' voice.

"No, no, papa. You must not force me to this! I cannot--will not--marry

Colonel Bludyer!"

"You _must_," answered Mr. Maryon, in a hoarse voice; "you _must_ marry

him, and save your father from something worse than disgrace!"

Not feeling disposed to play the eavesdropper, I entered the room. Mr.

Maryon was standing at the fireplace. Agnes was crouching on the ground

at his feet. I saw at once that it was no use for me to dissemble the

reason of my visit, and, without a word of greeting, I said:

"Miss Maryon, I have come, in obedience to your summons. If I can

prevent any misfortune from falling upon you I am ready to help you,

with my life. You have guessed that I love you. If my love is returned I

am prepared to dispute my claim with any man."

Agnes, with a cry of joy, rose from her knees, and rushed toward me. Ah!

how strong I felt as I held her in my arms!

"I have my answer," I continued. "Mr. Maryon, I have reason to believe

that your daughter is in fear of the future you have forecast for her. I

ask you to regard those fears, and to give her to me, to love and

cherish as my wife."

Mr. Maryon covered his face with his hands; and I could hear him murmur,

"Too late--too late!"

"No, not too late," I echoed. "What is this Bludyer to you, that you

should sacrifice your daughter to a man whose very look proclaims him a

villain? Nothing can compel you to such a deed--not even a _debt of

honor_!"

What it was impelled me to say these last words I know not, but they had

an extraordinary effect upon Mr. Maryon. He started toward me, then

checked himself; his face was livid, his eyeballs glaring, and he threw

up his arms in the strange manner I had already witnessed.

"What is all this?" exclaimed a harsh voice behind me. "Mr. Westcar

insulting Miss Maryon and her father! it is time for me to interfere."

And Colonel Bludyer approached me menacingly. All his jovial manner and

fulsome courtesy was gone; and in his flushed face and insolent look the

savage rascal was revealed.

"You will interfere at your peril," I replied. "I am a younger man than

you are, and my strength has not been weakened by drink and dissipation.

Take care."

The villain drew himself up to his full height; and, though he must have

been at least some sixty years of age, I felt assured that I should meet

no ordinary adversary if a personal struggle should ensue. Agnes

fainted, and I laid her on a sofa.

"Miss Maryon wants air," said the Colonel, in a calmer voice. "Excuse

me, Mr. Maryon, if I open a window." He tore open the shutters, and

threw up the sash. "And now, Mr. Westcar, unless you are prepared to be

sensible, and make your exit by the door, I shall be under the

unpleasant necessity of throwing you out of the window."

The ruffian advanced toward me as he spoke. Suddenly he paused. His jaw

dropped; his hair seemed literally to stand on end; his white lips

quivered; he shook, as with an ague; his whole form appeared to shrink.

I stared in amazement at the awful change. A strange thrill shot through

me, as I heard a quiet voice say:

"Richard Bludyer, your grave is waiting for you. Go."

The figure of a man passed between me and him. The wretched man shrank

back, and, with a wild cry, leaped from the window he had opened.

All this time Mr. Maryon was standing like a lifeless statue.

In helpless wonder I gazed at the figure before me. I saw clearly the

features in profile, and, swift as lightning, my memory was carried back

to the unforgotten scene in the churchyard upon the Lake of Lucerne, and

I recognized the white face of the young man with whom I there had

spoken.

"John Maryon," said the voice, "this is the night upon which, a quarter

of a century ago, you killed me. It is your last night on earth. You

must go through the tragedy again."

Mr. Maryon, still statue-like, beckoned to the figure, and opened a

half-concealed door which led into his study. The strange but opportune

visitant seemed to motion to me with a gesture of his hand, which I felt

I must obey, and I followed in this weird procession. From the study we

mounted by a private staircase to a large, well-furnished bed-chamber.

Here we paused. Mr. Maryon looked tremblingly at the stranger, and said,

in a low, stammering voice:

"This is my room. In this room, on this night, twenty-five years ago,

you told me that you were certain Sir Henry Benet's will was in

existence, and that you had made up your mind to dispute my possession

to this property. You had discovered letters from Sir Henry to your

father which gave you a clue to the spot where that will might be found.

You, Geoffrey Ringwood, of generous and extravagant nature, offered to

find the will in my presence. It was late at night, as now; all the

household slept. I accepted your invitation, and followed you."

Mr. Maryon ceased; he seemed physically unable to continue. The terrible

stranger, in his low, echoing voice, replied:

"Go on; confess all."

"You and I, Geoffrey, had been what the world calls friends. We had been

much in London together; we were both passionately fond of cards. We had

a common acquaintance, Richard Bludyer. He was present on the 2d of

February, when I lost a large sum of money to you at _ecarte_. He hinted

to me that you might possibly use these sums in instituting a lawsuit

against me for the recovery of this estate. Your intimation that you

knew of the existence of the will alarmed me, as it had become necessary

for me to remain owner of The Mere. As I have said, I accepted your

invitation, and followed you to Sir Henry Benet's room; and now I follow

you again."

As he said these words, Geoffrey Ringwood, or his ghost, passed silently

by Mr. Maryon, and led the way into the corridor. At the end of the

corridor all three paused outside an oak door which I remembered well. A

gesture from the leader made Mr. Maryon continue:

"On this threshold you told me suddenly that Bludyer was a villain, and

had betrayed your sister Aldina; that she had fled with him that night;

that he could never marry her, as you had reason to know he had a wife

alive. You made me swear to help you in your vengeance against him. We

entered the room, as we enter it now."

Our leader had opened the door of the room, and we were in the same

chamber I had wandered to when I had slept at The Mere. The figure of

Geoffrey Ringwood paused at the round table, and looked again at Mr.

Maryon, who proceeded:

"You went straight to the fifth panel from the fireplace, and then

touched a spring, and the panel opened. You said that the will giving

this property to your father and his heirs was to be found there. I was

convinced that you spoke the truth, but, suddenly remembering your love

of gambling, I suggested that we should play for it. You accepted at

once. We searched among the papers, and found the will. We placed the

will upon the table, and began to play. We agreed that we would play up

to ten thousand pounds. Your luck was marvellous. In two hours the limit

was reached. I owed you ten thousand pounds, and had lost The Mere. You

laughed, and said, 'Well, John, you have had a fair chance. At ten

o'clock this morning I shall expect you to pay me _your debt of honor_.'

I rose; the devil of despair strong upon me. With one hand I swept the

cards from the table into the fire, and with the other seized you by the

throat, and dealt you a blow upon the temple. You fell dead upon the

floor."

Need I say that as I heard this fearful narrative, I recognized the

actions of the sleep-walker, and understood them all?

"To the end!" said the hollow voice. "Confess to the end!"

"The doctor who examined your body gave his opinion, at the inquest,

that you had died of apoplexy, caused by strong cerebral excitement. My

evidence was to the effect that I believed you had lost a very large sum

of money to Captain Bludyer, and that you had told me you were utterly

unable to pay it. The jury found their verdict accordingly, and I was

left in undisturbed possession of The Mere. But the memory of my crime

haunted me as only such memories can haunt a criminal, and I became a

morose and miserable man. One thing bound me to life--my daughter. When

Reginald Westcar appeared upon the scene I thought that the debt of

honor would be satisfied if he married Agnes. Then Bludyer reappeared,

and he told me that he knew that I had killed you. He threatened to

revive the story, to exhume your body, and to say that Aldina Ringwood

had told him all about the will. I could purchase his silence only by

giving him my daughter, the heiress of The Mere. To this I consented."

As he said these last words, Mr. Maryon sunk heavily into the chair.

The figure of Geoffrey Ringwood placed one ghostly hand upon his left

temple, and then passed silently out of the room. I started up, and

followed the phantom along the corridor--down the staircase--out at the

front door, which still stood open--across the snow-covered lawn--into

the plantation; and then it disappeared as strangely as I first had seen

it; and, hardly knowing whether I was mad or dreaming, I found my way

back to The Shallows.

* * * * *

For some weeks I was ill with brain-fever. When I recovered I was told

that terrible things had happened at The Mere. Mr. Maryon had been

found dead in Sir Henry Benet's room--an effusion of blood upon the

brain, the doctors said--and the body of Colonel Bludyer had been

discovered in the snow in an old disused gravel-pit not far from the

house.

* * * * *

A year afterward I married Agnes Maryon; and, if all that I had seen and

heard upon that 3d of February was not merely the invention of a fevered

brain, the debt of honor was at last discharged, for I, the nephew of

the murdered Geoffrey Ringwood, became the owner of The Mere.

DEVEREUX'S DREAM.

I give you this story only at second-hand; but you have it in

substance--and he wasted few words over it--as Paul Devereux told it me.

It was not the only queer story he could have told about himself if he

had chosen, by a good many, I should say. Paul's life had been an

eminently unconventional one: the man's face certified to that--hard,

bronzed, war-worn, seamed and scarred with strange battle-marks--the

face of a man who had dared and done most things.

It was not his custom to speak much of what he had done, however.

Probably only because he and I were little likely to meet again that he

told me this I am free to tell you now.

We had come across one another for the first time for years that

afternoon on the Italian Boulevart. Paul had landed a couple of weeks

previously at Marseilles from a long yacht-cruise in southern waters,

the monotony of which we heard had been agreeably diversified by a

little pirate-hunting and slaver-chasing--the evil tongues called it

piracy and slave-running; and certainly Devereux was quite equal to

either _metier_; and he was about starting on a promising little

filibustering expedition across the Atlantic, where the chances were he

would be shot, and the certainty was that he would be starved. So

perhaps he felt inclined to be a trifle more communicative than usual,

as we sat late that night over a blazing pyre of logs and in a cloud of

Cavendish. At all events he was, and after this fashion.

I forget now exactly how the subject was led up to. Expression of some

philosophic incredulity on my part regarding certain matters, followed

by a ten-minutes' silence on his side pregnant with unwonted words to

come--that was it, perhaps. At last he said, more to himself, it seemed,

than to me:

"'Such stuff as dreams are made of.' Well, who knows? You're a Sadducee,

Bertie; you call this sort of thing, politely, indigestion. Perhaps

you're right. But yet I had a queer dream once."

"Not unlikely," I assented.

"You're wrong; I never dream, as a rule. But, as I say, I had a queer

dream once; and queer because it came literally true three years

afterward."

"Queer indeed, Paul."

"Happens to be true. What's queerer still, my dream was the means of my

finding a man I owed a long score, and a heavy one, and of my paying him

in full."

"Bad for the payee!" I thought.

Paul's face had grown terribly eloquent as he spoke those last words. On

a sudden the expression of it changed--another memory was stirring in

him. Wonderfully tender the fierce eyes grew; wonderfully tender the

faint, sad smile, that was like sunshine on storm-scathed granite. That

smile transfigured the man before me.

"Ah, poor child--poor Lucille!" I heard him mutter.

That was it, was it? So I let him be. Presently he lifted his head. If

he had let himself get the least thing out of hand for a moment, he had

got back his self-mastery the next.

"I'll tell you that queer story, Bertie, if you like," he said.

The proposition was flatteringly unusual, but the voice was quite his

own.

"Somehow I'd sooner talk than think about--_her_," he went on after a

pause.

I nodded. He might talk about this, you see, but _I_ couldn't. He began

with a question--an odd one:

"Did you ever hear I'd been married?"

Paul Devereux and a wife had always seemed and been to me a most

unheard-of conjunction. So I laconically said:

"No."

"Well, I was once, years ago. She was my wife--that child--for a week.

And then----"

I easily filled up the pause; but, as it happened, I filled it up

wrongly; for he added:

"And then she was murdered."

I was not unused to our Paul's stony style of talk; but this last

sentence was sufficiently startling.

"Eh?"

"Murdered--in her sleep. They never found the man who did it either,

though I had Durbec and all the Rue de Jerusalem at work. But I forgave

them that, for I found the man myself, and killed him."

He was filling his pipe again as he told me this, and he perhaps rammed

the Cavendish in a little tighter, but that was all. The thing was a

matter of course; I knew my Paul, well enough to know that. Of course he

killed him.

"Mind you," he continued, kindling the black _brule-gueule_ the

while--"mind you, I'd never seen this man before, never known of his

existence, except in a way that--however, it was this way."

He let his grizzled head drop back on the cushions of his chair, and his

eyes seemed to see the queer story he was telling enacted once more

before him in the red hollows of the fire.

"As I said, it was years ago. I was waiting here in Paris for some

fellows who were to join me in a campaign we'd arranged against the

African big game. I never was more fit for anything of that sort than I

was then. I only tell you this to show you that the thing can't be

accounted for by my nerves having been out of order at all.

"Well: I was dining alone that day, at the Cafe Anglais. It was late

when I sat down to my dinner in the little salon as usual. Only two

other men were still lingering over theirs. All the time they stayed

they bored me so persistently with some confounded story of a murder

they were discussing, that I was once or twice more than half-inclined

to tell them so. At last, though, they went away.

"But their talk kept buzzing abominably in my head. When the waiter

brought me the evening paper, the first thing that caught my eye was a

circumstantial account of the _probable_ way the fellow did his murder.

I say probable, for they never caught him; and, as you will see

directly, they could only suppose how it occurred.

"It seemed that a well-known Paris banker, who was ascertained beyond

doubt to have left one station alive and well, and with a couple of

hundred thousand francs in a leathern _sac_ under his seat, arrived at

the next station the train stopped at with his throat cut and _minus_

all his money, except a few bank-notes to no great amount, which the

assassin had been wise enough to leave behind him. The train was a night

express on one of the southern lines; the banker travelled quite alone,

in a first-class carriage; and the murder must have taken place between

midnight and 1 A.M. next morning. The newspapers supposed--rightly

enough, I think--that the murderer must have entered the carriage _from

without_, stabbed his victim in his sleep--there were no signs of any

struggle--opened the _sac_, taken what he wanted, and retreated, loot

and all, by the way he came. I fully indorsed my particular writer's

opinion that the murderer was an uncommonly cool and clever individual,

especially as I fancy he got clear off and was never afterward laid

hands on.

"When I had done that I thought I had done with the affair altogether.

Not at all. I was regularly ridden with this confounded murder. You see

the banker was rather a swell; everybody knew him: and that, of course,

made it so shocking. So everybody kept talking about him: they were

talking about him at the Opera, and over the _baccarat_ and _bouillotte_

at La Topaze's later. To escape him I went to bed and smoked myself to

sleep. And then a queer thing came to pass: I had a dream--I who never

dream; and this is what I dreamed:

"I saw a wide, rich country that I knew. A starless night hung over it

like a pall. I saw a narrow track running through it, straight, both

ways, for leagues. Something sped along this track with a hurtling rush

and roar. This something that at first had looked like a red-eyed devil,

with dark sides full of dim fire, resolved itself, as I watched it,

presently, into a more conventional night express-train. It flew along,

though, as no express-train ever travelled yet; for all that, I was able

to keep it quite easily in view. I could count the carriages as they

whirled by. One--two--three--four--five--six; but I could only see

distinctly into one. Into that one with perfect distinctness. Into that

one I seemed forced to look.

"It was the fourth carriage. Two people were in it. They sat in opposite

corners; both were sleeping. The one who sat facing forward was a

woman--a girl, rather. I could see that; but I couldn't see her face.

The blind was drawn across the lamp in the roof, and the light was very

dim; moreover, this girl lay back in the shadow. Yet I seemed to know

her, and I knew that her face was very fair. She wore a cloak that

shrouded her form completely, yet her form was familiar to me.

A Stable for Nightmares; or, Weird Tales · 第 2 / 13 段