CHAPTER XVII

LITERATURE OUT OF SCHOOL AND READING OTHER THAN LITERATURE

Were it not for appearing captious or extravagant, one would like to say

that in these days of cheap and easy books, and amidst the temptations

of the free libraries, the problem is that of keeping the children from

reading too much, rather than of inducing them to read enough. This is

particularly true of children in our large American cities, whom we

must, in our first generation of city-dwelling, guard against

eye-strain, and nerve-strain, and library-air, and physical inactivity

of all sorts. Luckily, our generation has learned some things about the

educational processes that have tended to lessen materially the danger

of over-reading. In many homes, and to many children out of school,

books and magazines have hitherto been a sort of opiate, from the point

of view of the child deadening the hungry sensibilities and lulling the

stifled activities; and from the point of view of the parent securing

silence and providing an apparently innocuous occupation. This is all

too little changed now, though more and more homes are providing

opportunity and encouragement for other occupations: shop and studio,

and more abundant material and opportunity for play. In the cities the

public playgrounds and gymnasiums--and all too rarely the public

workshop and studio for children--begin to share with the public library

the task of safely taking care of the children out of school.

But there will always be time for reading, and by all means the

legitimate share of the children's time should be given to it. The

so-called supplementary reading given them by the school is largely, I

take it, a question of the much reading that will make the process

easier, and not a matter of accumulating facts, or of acquiring a wider

knowledge of literature. In many schools that I have observed it is

often unwisely and carelessly chosen, so far as the literary share of it

is concerned. It should be selected partly for its bearing upon the

fact-studies, and not wholly made up of things of the literary kind. The

bearings of the question of the school's supplementary reading are not

literary, or, so far as they are, they have been discussed in other

connections.

Every child should ideally have free access to a collection of books got

together with reference to his needs and tastes. It may be serviceable

to indicate the kind and number of books that might be included in such

a library of a child up to his fourteenth year.

There should be in such a collection several biographies. On the whole,

let them be of the older, idealizing type, not of the modern young

university instructor's virtuously iconoclastic type. Children get at

their history first through heroic and dramatic figures and events. In

their earlier years it is the imagination that appropriates the images

and events of history. It is therefore only good pedagogy to present the

figures on their heroic and ideal side. Let these biographies include

the record of different sorts of men--a statesman, a pioneer, a

preacher, a soldier, an explorer, an inventor, a missionary, a business

man, a man of letters--so that many types of character and kinds of

experience may be reflected.

As the children grow older, they will dip into history for the

images--the persons and detachable events. The search for facts and

philosophy will come many years later. Some tempting books of history

should appear on their shelves; _The Dutch Republic_, _The Conquest of

Mexico_, Parkman's romantic narratives, and John Fiske's; if possible

the illustrated edition of _Green's History of the English People_. Most

of the history they get from their own reading, however, should be what

they get from the biographies of the central figures in the

events--Columbus, William of Orange, Francis Drake, and all the other

picturesque and heroic persons. Other historical reading would best be

done under guidance and in connection with the work in school.

There should be a few books of travel and exploration. Among these there

should be some of the original sources, if possible the _Bradford

Journal_, the _Jesuit Relations_, the _Lewis and Clark Journals_.

Froissart and Marco Polo should be included; the fable-making travelers

perform a very useful function. To these may be added a few most recent

explorations--African, Arctic, Andean, Thibetan.

Children, barring the exceptional child, will not read formal science;

but it may develop or help on a desirable taste and interest to have

some of the many pretty out-door books in their collection--not romances

of the wild, but simpler treatises about the things to be found in the

door-yard and the home woodland. And when a child develops a taste or a

gift in any scientific direction, he should have access, as easy as

possible, to some good reference books suited to his needs. All children

should have access to some of the more popular technical and scientific

journals which give interesting accounts of current discoveries and

inventions.

By way of nature and animal books we will include the _Jungle Books_, an

expurgated edition of _Reynard the Fox_, _Aesop's Fables_, and, of

course, _Uncle Remus_. Other semi-scientific nature-writers will

doubtless appear in most collections of children's books--and may do no

harm.

A book of Greek myth seriously and beautifully told should be

accessible. No other myth is so beautiful or so imaginative, or so

artistically put together. The children do not need to have to do with

many myths until they know something about interpreting them. Of course,

they should have access to the Bible in some attractive form. A large

illustrated edition--Dore's or Tissot's--will please and instruct them

from their earliest days. This is one of the cases in which

pictures--good and imaginative pictures--form a desirable gateway into a

realm where the children are not naturally at home, and where they need

the help of a great and serious artist in finding their way. Of course,

poor and materialistic pictures are a misfortune, especially those that

attempt to body forth preternatural events and supernatural beings.

Dore's pictures are not undesirable, because they often help a child to

a noble and imaginative conception of a thing he is himself powerless to

construct; while Tissot's are good because they set forth with beauty

and richness of detail the many phases of life which the child must try

to image in reading the Hebrew stories--from the nomadic simplicity of

the saga of pastoral Abraham to the luxurious refinements of the

Romanized and cosmopolitan Jerusalem.

The little scholar should find on his shelves Lanier's _King Arthur_,

Pyle's _Robin Hood_, Palmer's _Odyssey_, some translation of the

_Iliad_; in short, some form of each of the great hero-tales; a selected

few of Scott's romances--_Ivanhoe_, _Quentin Durward_, _Guy Mannering_,

_Anne of Geierstein_; a few of Cooper's; _Robinson Crusoe_, _Don

Quixote_, William Morris' prose tales, a pair of Quiller-Couch's, and as

many of Joseph Conrad's; these might constitute his romances. But unless

he is a very unusual child, he will never read in these masters, if he

is given masses of cheap and easy reading, such as the Henty books and

the Alger series; or if he finds in his mother's sitting-room a stack of

"the season's best sellers" and the ten-cent magazines. The cheap and

easy style and the commonplace material of this sort of books offer the

line of least resistance to the young reader. They flow into his mind

without effort on his part, while, if he would apprehend the masters,

he must actively co-operate with them at every step, arousing his best

powers to comprehend their expressions and to grasp their ideas. One

would hesitate to say that there is absolutely no use for books of the

Henty and Alger type. One can imagine a child whose every bent was

against reading, being enticed to begin by some such easy and

commonplace experience. And one can imagine their being useful to wean

children away from really vicious books. In a certain boys' club I know,

organized in a social settlement, which was really a reorganization of a

gang, these particular books were for a year or so an acceptable

substitute for the bloody romances they had been reading. Many of those

boys have never passed beyond them; but to many others they were, as was

hoped, stepping-stones to better things. There is no place for them in

the ideal collection of children's books. Certain books, harmless and as

recreation even desirable, will inevitably make their appearance on the

children's shelves--Miss Alcott's, Mrs. Richards', and others of the

many series of girls' books and boys' books; they are doubtless innocent

enough, and to be discouraged only when they keep the children from

something better worth while; to be encouraged, on the other hand, only

for those children who must be tempted by easy reading into any habit of

using books. To be sure, you will probably find that your child has

found one of them, perhaps a whole series, to which for a certain period

she seems to have given her whole heart; but if treated with wisdom this

symptom will disappear, and you will find her at some surprisingly early

day re-reading the tournament at Ashby, and patronizingly alluding to

the time when she was enslaved to "The Little General" series, or the

"Under the Roses" or the "Eight Half-Sisters" series, or any other

particular juveniles, as "when I was a child."

In the matter of fairy-tales one must discriminate and renounce quite

resolutely. It is not good for a child who has early mastered that edged

tool of reading to have access to all fairy-tales and all kinds of

fairy-tales. Eschew all the modern ones. Of course, if you have a

personal friend who has written a book of them, for reasons other than

literary your children will read them. But as to those you choose freely

for them let them have Grimm and Perrault, and the _Arabian Nights_, and

after a while Andersen; which, together with what they will pick up here

and there in magazines and in their friends' houses, will be enough.

For poetry, the child should have on his own shelves some pretty

edition of the _Nursery Rhymes_, _The Child's Garden_, some really good

collection of little things--_The Posy Ring_, for example, Henley's

_Lyra Heroica_, Lang's _The Blue Poetry Book_, Allingham's _Book of

Ballads_. For the rest he should be read to from the poets themselves,

and as soon as he is old enough, sent to the volumes of the poets for

his reading. As in school so at home the children should hear their

poetry read until they acquire some real degree of expertness as

readers. Children who can not understand at all, poetry which they read

silently, will delight in it read aloud.

This little collection should contain the classic nonsense, but not all

kinds of inartistic fooling and rude fun. There should be _Alice in

Wonderland_ and _Through the Looking-Glass_ (always the one with

Tenniel's pictures). We must remember that _Alice_ is very delicate art,

and that its final and deepest appeal is to the mature person. Certain

very imaginative children take to it as a fanciful tale at the moment of

ripeness; others miss it then, and must wait until the wonderful

dream-psychology of it, and the delicate satire of its parodies can make

their appeal to them as older persons. Lear's _Nonsense Rhymes_ in

judicious doses every child should have; "John Gilpin's Ride;" certain

of the _Bab Ballads_; a little of Oliver Heresford's delightful

foolishness. Among the folk- and fairy-tales he will find many comic

bits whose kind or degree of humor will suit him admirably in his

younger years. In Clouston's _Book of Noodles_ may be found a mine of

such funny tales. _The Peterkin Papers_ is the best of modern

noodle-tales. No family can be brought up without the help of _Strewel

Peter_, nor should they miss _Little Black Sambo_. Most American

children are enchanted with the fun of Tom Sawyer and Huck Finn though

one must sadly acknowledge that it is woven into back-grounds of a

sensational kind not at all improving to an unformed taste.

One cannot feel that parodies are in general good for children; though,

after they have had a good share of serious enjoyment out of their

fairy-tales, and especially if they seem too much or too long absorbed

in them, they ought to have _The Rose and the Ring_ and _Prince Prigio_.

Picture-books and illustrated books are another independent little

problem. It is a curious fact that it is not the beautiful lithographs

of birds and animals, flocks and landscapes, children in irreproachable

Russian dresses and short socks, seated in the corner of ancestral

mahogany sofas, refreshing themselves from antique silver porringers,

that the little living heads hang over by the hour on the nursery floor.

It is much more likely to be the thunderous landscapes of the old Dutch

woodcuts in Great-grandmama's Bible, the queer, chaotic, symbolistic

plates of the _Mother-Play_; the wonderful prints of Comenius' _Orbis

Pictus_; the casualties of John Leech's hunting fields. True, they

delight in the charming details of all Kate Greenaway's books; and

Walter Crane's pictures so rich in color and beautiful detail give

ceaseless joy; but one must confess that they are a bit inclined to

"shy" at pictures they know to be intended for them. Every nursery that

can compass it should have as many as possible of the books illustrated

in color by Boutet de Monvel. The children should never see comic

illustrations of their nursery rhymes and stories. They are all banal as

wit and trashy as art, substituting an ugly and distorted image for the

possibly beautiful one the child might have made for himself. After they

have passed out of infancy, they do not need pictures in their stories.

The black-and-white print is inadequate when color and movement should

be a part of the image, and children should have the discipline of

relying entirely on themselves in visualizing the images of the text.

There should also be in the "little library," or accessible to the

little readers in the big one, beside the illustrated Bible, the one

big volume of Shakespeare with Gilbert's pictures--an inexhaustible mine

of life and art; Engelmann and Anderson's _Atlas of the Homeric Poems_,

a _Dictionary of Classical Antiquities_, and an encyclopedia that the

older children can use, should have a place on these shelves.

It is so often said as to amount to a mere convention that the best

possible literary experience for a child is to be turned loose to browse

(they always say "browse") in a grown-up library. One always finds a

malicious pleasure in detecting in these people (and they are always to

be found in great plenty) those baby impressions, still uncorrected that

they got of many books in the course of their browsing. Of course, in a

house where there are many books the children will experiment, will

taste of many dishes, and possibly devour many things not intended for

them. From some of these they will take no serious harm, while in many

other cases they will get a permanent warp of judgment or of feeling. It

would seem to me wise to guide the child in his explorations, giving him

plenty of those grown-up things that you believe to be good for him, and

heading him off as long as possible from the others. For all your

caution, however, children will be found buried in _Tom Jones_, mousing

about in Montaigne, chuckling over _Tristram Shandy_, and befuddling

themselves with _Ghosts_ and _Anna Karenina_. In these cases we can only

hope that nature has mercifully ordained that, not having the necessary

apperception experience, they will not get at the real truth of these

books, and that they will have the luck--rare, to be sure--to remove and

correct their mistaken impressions in some subsequent reading.

The ideal co-operation between home, school, Sunday school, and library

is yet to be brought about; teacher and parents can do much to promote

it. As a step toward this co-operation they should provide every child

who reads in a library with a list of books. The imaginative books in

the list given out by the public libraries are practically all

juveniles, apparently chosen mainly for the purpose of amusing children

who have no books in their homes. These things are undoubtedly amusing;

they are superficially appetizing; and they have the same effect that

the soda fountain at the corner drug-shop has upon the children's

appetite for true nourishment--they take the edge off his hunger so that

he has no relish for his bread and butter, though he has had nothing to

eat but a hint of cheap flavor, a dash of formaldehyde, a spoonful of

poor milk, and a glassful of effervescence. The lists given by parents

and teachers may change all this, but only if they include good things,

beautiful and interesting enough to make these wasteful juveniles seem

unattractive.

Every schoolroom in which the children are old enough to be interested,

and every family should devise a method of digesting the news of the

world every day or every week, so that the children may have some

knowledge of current events. Of course, there are children who cannot be

kept from reading the morning paper--crimes, sports, and all. Such a

child's family should choose its newspaper with all possible care Every

self-respecting family where there are children should be willing to

submit to the very small sacrifice of foregoing the Sunday paper, to

save the little people from the flood of commonplace, of triviality, and

of ribaldry that overwhelms them from these monstrous productions.

Perhaps no well-brought-up child would be quite well equipped if he has

not had _The Youth's Companion_ and _St. Nicholas_ in his childhood; but

it is a mistake to let them linger too long in these periodicals, whose

contents are somewhat fragmentary as literature, and not quite large

enough or full enough as to current events and interests. It is wise to

turn the children as soon as possible to the mature and more thorough

magazines, among which should be included a technical and scientific

journal. By all means do not subject them to the temptation of the

various story-magazines--those cheap and easy chronicles of the

questionable affairs of undergraduates and chorus girls, of Nietzschean

superhumanity gone to seed, of imitations of the imitated psychology of

the wild, all rendered in the English of third-year college themes. If

the adult members of the family must have these things, let them be

kept, along with "the season's best sellers," out of easy reach of the

children.

It should not need to be said that there has been no attempt in the

foregoing discussion to recommend every good thing, or to give an

exhaustive list of such things in any one line; no more has there been

an effort to give warning of all things undesirable, but merely, as in

the whole book, to state the underlying principles of choice, with just

enough specific examples to make clear their application.

Literature in the Elementary School · 第 17 / 18 章