CHAPTER FOURTEEN

“Teddy! Teddy!” The call had sounded so often that to Teddy himself his

name had undergone that strange transformation where it had become a

senseless word, without end or meaning. He was sick of it. If he heard

it once more, he told himself, he would smash something—preferably the

stage scenery. One prop pulled out and there would be a splendid crash.

But he had no time to waste, pulling props or contemplating ruin. He was

hurrying as fast as he could. He stacked a heap of gossamer costume on a

rickety chair, started off in answer to a plaintive cry, and then rushed

back just in time to keep the costume from tumbling down. “Teddy! Come

here a minute.” There was no time to say “please,” no time for anyone to

adopt the usual pretence that they were asking him and not ordering. He

put the costume down again, more firmly, and tore off in the direction

of the ladies’ dressing-room. Mrs. Saville-Sanders wanted to be pinned

up.

“Teddy!” That was Bob, at the other end of the stage. “I need some help

here.”

“Teddy! What in hell did you do with that foundation cream?”

“Teddy! Come and fix my eyebrows. I look like a ruin. What’s the

matter?”

“Teddy Madden, come and tell me where to put this jar. You stand out

there and look. Do you think so? No, I’m sure you’re wrong....”

“Ted, Gwen Saville-Sanders wants you to fix the flower that goes in her

hair. Hurry up, for God’s sake. She’s on a rampage.”

He dashed into the dressing-room again and Phyllis Parker snatched up a

wrapper and screamed. Startled, he paused and glanced at her. Her legs

were long and bare beneath the wrapper: she clutched it to her flat

bosom like Diana surprised in the bath, and glared at him.

“Oh, don’t be such a damn fool!” he snarled, overwhelmed by the

imbecility of it. “D’you think I have _time_....”

“Teddy! Teddee.. ee.. ee.” A maliciously long-drawn wail that set his

teeth on edge. He was dripping with sweat and his face was smeared with

dust and plaster. For a quarter of an hour the audience had been

clapping spasmodically, now someone had started them off on a slow,

ominous, steady applause that beat on his ears terrifyingly. Well, what

if they did get tired and go home? Of course they wouldn’t, but what if

they did? He would be glad. He wanted more than anything in the world to

go into a corner and sleep; if anyone called him he would show his teeth

like a rat. One more idiot yelling for him....

The stage director came in and held up his hand, spreading an area of

quiet through the crowd until it reached the outer corners.

“Silence! Silence! please. Everyone _must_ be more quiet. I was out in

the back, the very back, and I could hear you all the way out there.

Please be more careful, even if you are excited. Now then, is everyone

ready? Are all the props in place? Madden, have you looked it all over?

All right then. I’m going to give the signal.... Curtain!”

In the hush behind the scenes following the creaking of the curtain,

Teddy escaped and crept out into the audience through the side door. He

wiped his face and tried to relax, refusing to look about him, even at

the stage, until he should have regained his temper. The affair was well

under way when he allowed himself to look.

Well, it seemed to be going without too much of a hitch. It was

impossible to follow it closely after so many rehearsals. Unless someone

made a new error, he wouldn’t even notice the customary little slips

that they were so used to. He was fogged, worn out. His head drooped to

one side and he began to breathe with a dangerous regularity, then

caught himself up and straightened his back. The trouble was that he had

not had a drink all day. He had promised Mrs. Saville-Sanders to see to

it that no one was drunk at the opening of the Vaudeville, and in the

face of careful taboo, how could he have managed to take anything for

himself? No, it was better this way. But now it was safe: as soon as he

had a chance he’d get something. No one would be able to last through

the Ball without a little help. His head slumped down again.

Through the uncomfortable doze he heard the long-drawn clapping that

meant the end of the first act. He sat up quickly as the lights went on.

They’d be needing him. He went back to the stage door, stopping with

Billy Trewartha, who was in charge of the curtain.

“Got a drink?” he asked. It was an unnecessary question, since he had

stopped Billy twice from taking nips before the show started. Billy

harboured no grudge, however. He took a flask out and mounted guard

while Teddy did his best to repair his nerves.

The second act was launched and he went back to his old seat. The

audience was taking it pretty well. Of course the people in front would

like it because it was a family affair, but these chaps didn’t have to

applaud unless they meant it. The broad comedy went over much better

than the highbrow offerings. Natural enough, he reflected; it was really

much better. He craned his neck and took one glimpse of the front rows,

then sat back, satisfied with their carefully appreciative expressions.

Next act started off awkwardly, some mix-up with the lights to begin

with, and a lot of frantic flashing—yellow and red and blue, each new

colour greeted with irreverent applause. The curtain went up before it

should have, too. Perhaps Billy had finished the flask too soon. Oh

well, it was not too bad. The light was fixed at last as it should be; a

single red beam at the corner of the stage. Then Phil Ray stepped into

it and walked slowly, or rather danced—for his step was controlled and

deliberate—to the centre. His arm was raised, covering his eyes, and he

crouched as he walked. In the centre of the stage he stopped, turned

slowly in a series of notes from the music, and paused again. The

playing was louder, working up to a crescendo. He dropped his arms,

stretched them down along his sides, then flung them back and stood with

his chest high, his ribs sharply serrated, his neck ridged with shadow

as his head fell back. The shaded half of his body looked purple in the

red light, shining from an angle. He was naked.

There was a stir, a gathering disturbance in the audience. Suddenly the

rustling and whispering concentrated in the centre of the second row. In

the darkness Teddy thought he saw a great moving shadow. What could it

be? Someone was talking, forgetting to whisper. Someone was arguing. An

usher opened the door into the lobby and held it; someone was going out.

The electric light streamed in from the back, near Teddy, and

illuminated the majestic form of Mrs. Montgomery Pearson, walking out of

the door. She walked like a sacred elephant, and her jet necklace swung

back and forth across her armoured bosom. She moved slowly, with upheld

nose but downcast eyes, into the pure air of the outer night; after her,

blinking a little and stooping more than usual beneath the horrid burden

of so many astounded stares, Mr. Montgomery Pearson followed with her

shawl.

The door swung shut behind them and the house was in darkness again.

Only the red light persisted, shining on the imperturbable Phil, who

went on dancing. Teddy managed to get backstage just as the act ended.

Back there they were not taking it as humorously as he had expected.

Phil came off the stage in a fit of hysteria and everyone was comforting

him. The place was in a mess: everyone was indulging in the luxury of

indignation, and Teddy leaped into the middle of it until the

stage-manager extricated him and sent him forth to calm down the

performers. Bob was the most militant: he was all for sending the

Pearsons out of town by official order from the Mayor.

“I can see the humour of it as quickly as anyone can, my dear boy,” he

explained to Teddy, “but damn it, we must protect the colony. What’s to

happen to free speech and all that if we allow the bigots to criticize

us?”

“I’ll start circulating a petition tomorrow,” said Gwen. “Teddy, remind

me of it in the morning.”

“Teddy,” said the stage-manager, “see if you can’t make the property men

get down to work. I promised the undertaker that he can have the chairs

back in time for a bridge party tomorrow.”

“That reminds me,” Mrs. Saville-Sanders said, “that I want to talk to

you when you have a moment to spare, Teddy.”

Phil plucked at his arm and asked him feebly if it would be wise to

bring action for libel. Bob thought that it would, and walked off with

him, saying, “I’ll give you the address of my attorney in Albuquerque.”

“Before I forget,” Mrs. Saville-Sanders persisted, “I want to ask you to

be sure to come to my bridge on the eleventh, Teddy. Don’t forget, will

you? I shall count on you. And I wanted to say that you’ve been a dear

boy and a great help tonight. I don’t know what we should have done

without you.” She turned to Bob, who had come back. “That’s a nice boy,”

she added.

His heart bounded in triumph. The accolade at last!

“Teddy! Come here a minute, will you? Someone has got to help me pack up

the costumes.”

He ran gaily to obey the last order of the evening. All was well. His

face was as the face of Wellington after Waterloo.

Beginners Luck · 第 16 / 22 题