The Soul Of Paris
1
In the beginning of the war it seemed as though the soul had gone
out of Paris and that it had lost all its life.
I have already described those days of mobilization when an
enormous number of young men were suddenly called to the colours
out of all their ways of civil life, and answered that summons without
enthusiasm for war, hating the dreadful prospect of it and cursing the
nation which had forced this fate upon them. That first mobilization
lasted for twenty-one days, and every day one seemed to notice the
difference in the streets, the gradual thinning of the crowds, the
absence of young manhood, the larger proportion of women and old
fogeys among those who remained. The life of Paris was being
drained of its best blood by this vampire, war. In the Latin Quarter
most of the students went without any preliminary demonstrations in
the café d'Harcourt, or speeches from the table-tops in the cheaper
restaurants along the Boul' Miche, where in times of peace any
political crisis or intellectual drama produces a flood of fantastic
oratory from young gentlemen with black hair, burning eyes, and dirty
finger-nails. They had gone away silently, with hasty kisses to little
mistresses, who sobbed their hearts out for a night before searching
for any lovers who might be left.
In all the streets of Paris there was a shutting up of shops. Every day
put a new row of iron curtains between the window panes, until at the
end of the twelfth day the city seemed as dismal as London on a
Sunday, or as though all the shops were closed for a public funeral.
Scraps of paper were pasted on the barred-up fronts.
"Le magasin est fermé à cause de la mobilisation."
"M. Jean Cochin et quatre fils sont au front des armées."
"Tout le personel de cet établissement est mobilisé."
A personal incident brought the significance of the general
mobilization sharply to my mind. I had not realized till then how
completely the business of Paris would be brought to a standstill, and
how utterly things would be changed. Before leaving Paris for Nancy
and the eastern frontier, I left a portmanteau and a rug in a hotel
where I had become friendly with the manager and the assistant
manager, with the hall porter, the liftman, and the valet de chambre. I
had discussed the war with each of these men and from each of
them had heard the same expressions of horror and dismay. The hall
porter was a good-humoured soul, who confided to me that he had a
pretty wife and a new-born babe, who reconciled him to the
disagreeable side of a life as the servant of any stranger who might
come to the hotel with a bad temper and a light purse...
On coming back from Nancy I went to reclaim my bag and rug. But
when I entered the hotel something seemed different. At first I could
not quite understand this difference. It seemed to me for a moment
that I had come to the wrong place. I did not see the hotel porter nor
the manager and assistant manager. There was only a sharp-
featured lady sitting at the desk in loneliness, and she looked at me,
as I stared round the hall, with obvious suspicion. Very politely I
asked for my bag and rug, but the lady's air became more frigid when
I explained that I had lost the cloak-room ticket and could not
remember the number of the room I had occupied a few days before.
"Perhaps there is some means by which you could prove that you
stayed here?" said the lady.
"Certainly. I remember the hall porter. His name is Pierre, and he
comes from the Midi."
She shook her head.
"There is no hall porter, Monsieur. He has gone."
"And then the valet de chambre. His name is François. He has curly
hair and a short brown moustache."
The lady shook her head in a most decided negative.
"The present valet de chambre is a bald-headed man, and clean-
shaven, monsieur. It must have been another hotel where you
stayed."
I began to think that this must undoubtedly be the case, and yet I
remembered the geography of the hall, and the pattern of the carpet,
and the picture of Mirabeau in the National Assembly.
Then it dawned on both of us.
"Ah! Monsieur was here before August 1. Since then everyone is
mobilized. I am the manager's wife, Monsieur, and my husband is at
the front, and we have hardly any staff here now. You will describe
the shape of your bag..."
2
The French Government was afraid of the soul of Paris. Memories of
the Commune haunted the minds of men who did not understand
that the character of the Parisian has altered somewhat since 1870.
Ministers of France who had read a little history, were terribly afraid
that out of the soul of Paris would come turbulence and mob-passion,
crises de nerfs, rioting, political strife, and panics. Paris must be
handled firmly, sobered down by every possible means, kept from the
knowledge of painful facts, spoon-fed with cheerful communiqués
whatever the truth might be, guarded by strong but hidden force,
ready at a moment's notice to smash up a procession, to arrest
agitators, to quell a rebellion, and to maintain the strictest order.
Quietly, but effectively, General Galièni, the military governor of "the
entrenched camp of Paris," as it was called, proceeded to place the
city under martial law in order to strangle any rebellious spirit which
might be lurking in its hiding places. Orders and regulations were issued
in a rapid volley fire which left Paris without any of its old life or
liberty. The terrasses were withdrawn from the cafés. No longer could
the philosophic Parisian sip his petit verre and watch the drama of the
boulevards from the shady side of a marble-topped table. He must sit
indoors like an Englishman, in the darkness of his public-house, as
though ashamed of drinking in the open. Absinthe was banned by a
thunder-stroke from the Invalides, where the Military Governor had
established his headquarters, and Parisians who had acquired the
absinthe habit trembled in every limb at this judgment which would
reduce them to physical and moral wrecks, as creatures of the drug
habit suddenly robbed of their nerve-controlling tabloids. It was an
edict welcomed by all men of self-control who knew that France had
been poisoned by this filthy liquid, but they too became a little pale
when all the cafés of Paris were closed at eight o'clock.
"Sapristi! Qu'est qu'on peut faire les soirs? On ne peut pas dormir
tout le temps! Et la guerre durera peut-être trois mois!"
To close the cafés at eight o'clock seemed a tragic infliction to the
true Parisian, for whom life only begins after that hour, when the
stupidity of the day's toil is finished and the mind is awakened to the
intellectual interests of the world, in friendly conversation, in
philosophical discussions, in heated arguments, in wit and satire.
How then could they follow the war and understand its progress if the
cafés were closed at eight o'clock? But the edict was given and Paris
obeyed, loyally and with resignation.
Other edicts followed, or arrived simultaneously like a broadside fired
into the life of the city. Public processions "with whatever patriotic
motive" were sternly prohibited. "Purveyors of false news, or of news
likely to depress the public spirit" would be dealt with by courts-martial
and punished with the utmost severity. No musical instruments were
to be played after ten o'clock at night, and orchestras were prohibited
in all restaurants. Oh, Paris, was even your laughter to be abolished,
if you had any heart for laughter while your sons were dying on the
fields of battle?
The newspaper censors had put a strangle grip upon the press, not
only upon news of war but also upon expressions of opinion. Gustave
Hervé signed his name three days a week to blank columns of
extraordinary eloquence. Georges Clemenceau had a series of
striking head-lines which had been robbed of all their text. The
intellectuals of Paris might not express an opinion save by permission
of the military censors, most of whom, strangely enough, had
German names.
The civil police under direction of the Military Governor were very
busy in Paris during the early days of the war. Throughout the twenty-
four hours, and especially in the darkness of night, the streets were
patrolled by blue-capped men on bicycles, who rode, four by four, as
silently as shadows, through every quarter of the city. They had a
startling habit of surrounding any lonely man who might be walking in
the late hours and interrogating him as to his nationality, age and
business.
Several times I was arrested in this way and never escaped the little
frousse which came to me when these dark figures closed upon me,
as they leapt from their bicycles and said with grim suspicion:
"Vos papiers, s'il vous plait!"
My pockets were bulging with papers, which I thrust hurriedly into the
lantern-light for a close-eyed scrutiny.
They were very quick to follow the trail of a stranger, and there was
no sanctuary in Paris in which he might evade them. Five minutes
after calling upon a friend in the fifth floor flat of an old mansion
at the end of a courtyard in the Rue de Rivoli, there was a sharp
tap at his door, and two men in civil clothes came into the room,
with that sleuth-hound look which belongs to stage, and French,
detectives. They forgot to remove their bowler hats, which seemed
to me to be a lamentable violation of French courtesy.
"Vos papiers, s'il vous plait!"
Again I produced bundles of papers--permis de séjour in Paris,
Amiens, Rouen, Orleans, Le Mans; laisser-passer to Boulogne,
Dieppe, Havre, Dunkirk, Aire-sur-Lys, Béthune and Hazebrouck;
British passports and papiers visés by French consuls, French police,
French generals, French mayors, and French stationmasters. But
they were hardly satisfied. One man with an ugly bulge in his side-
pocket--you have seen at Drury Lane how quickly the revolver comes
out?--suggested that the whole collection was not worth an old
railway ticket because I had failed to comply with the latest regulation
regarding a photograph on the permis de séjour... We parted,
however, with mutual confidence and an expression of satisfaction in
the Entente Cordiale.
3
One scene is clear cut in my memory, as it was revealed in a narrow
street of Paris where a corner lantern flung its rays down upon the
white faces of two men and two women. It was midnight, and I was
waiting outside the door of a newspaper office, where my assistant
was inquiring for the latest bulletins of war. For some minutes I
watched this little group with an intuition that tragedy was likely to leap
out upon them. They belonged to the apache class, as it was easy to
see by the cut of the men's trousers tucked into their boots, with a
sash round the waist, and by the velvet bonnets pulled down
sideways over their thin-featured faces and sharp jaws. The women
had shawls over their heads and high-heeled shoes under their skirts.
At the Alhambra in London the audience would have known what
dance to expect when such a group had slouched into the glamour of
the footlights. They were doing a kind of slow dance now, though
without any music except that of women's sobs and a man's sibilant
curses. The younger of the two men was horribly drunk, and it was
clear that the others were trying to drag him home before trouble
came. They swayed with him up and down, picked him up when he
fell, swiped him in the face when he tried to embrace one of the
women, and lurched with him deeper into the throat of the alley. Then
suddenly the trouble came. Four of those shadows on bicycles rode
out of the darkness and closed in.
As sharp and distinct as pistol shots two words came to my ears out
of the sudden silence and stillness which had arrested the four
people:
"Vos papiers!"
There was no "s'il vous plait" this time.
It was clear that one at least of the men--I guessed it was the
drunkard--had no papers explaining his presence in Paris, and that
he was one of the embusqués for whom the Military Governor was
searching in the poorer quarters of the city (in the richer quarters
there was not such a sharp search for certain young gentlemen of
good family who had failed to answer the call to the colours), and for
whom there was a very rapid method of punishment on the sunny
side of a white wall. Out of the silence of that night came shriek after
shriek. The two women abandoned themselves to a wild and terror-
stricken grief. One of them flung herself on to her knees, clutching at
an agent de police, clasping him with piteous and pleading hands,
until he jerked her away from him. Then she picked herself up and
leant against a wall, moaning and wailing like a wounded animal. The
drunkard was sobered enough to stand upright in the grasp of two
policemen while the third searched him. By the light of the street lamp
I saw his blanched face and sunken eyes. Two minutes later the
police led both men away, leaving the women behind, very quiet now,
sobbing in their shawls.
It was the general belief in Paris that many apaches were shot pour
encourager les autres. I cannot say that is true--the police of Paris
keep their own secrets--but I believe a front place was found for some
of them in the fighting lines. Paris lost many of its rebels, who will
never reappear in the Place Pigalle and the Avenue de Clichy on
moonless nights. Poor devils of misery! They did but make war on the
well-to-do, and with less deadly methods, as a rule, than those
encouraged in greater wars when, for trade interests also, men kill
each other with explosive bombs and wrap each other's bowels
round their bayonets and blow up whole companies of men in
trenches which have been sapped so skilfully that at the word "Fire!"
no pair of arms or legs remains to a single body and God Himself
would not know His handiwork.
4
For several months there was a spy mania in Paris, and the police,
acting under military orders, showed considerable activity in "Boche"
hunting. It was a form of chase which turned me a little sick when I
saw the captured prey, just as I used to turn sick as a boy when I saw
a rat caught in a trap and handed over to the dogs, or any other
animal run to earth. All my instincts made me hope for the escape of
the poor beast, vermin though it might be.
One day as I was sitting in the Café Napolitain on one of my brief
excursions to Paris from the turmoil in the wake of war, I heard shouts
and saw a crowd of people rushing towards a motor-car coming down
the Boulevard des Italiens. One word was repeated with a long-drawn
sibilance:
"Espion! Espion!"
The spy was between two agents de police. He was bound with cords
and his collar had been torn off, so that his neck was bare, like a man
ready for the guillotine. Somehow, the look of the man reminded me
in a flash of those old scenes in the French Revolution, when a
French aristocrat was taken in a tumbril through the streets of Paris.
He was a young man with a handsome, clear-cut face, and though he
was very white except where a trickle of blood ran down his cheek
from a gash on his forehead, he smiled disdainfully with a proud curl
of the lip. He knew he was going to his death, but he had taken the
risk of that when he stayed in Paris for the sake of his country. A
German spy! Yes, but a brave man who went rather well to his death
through the sunlit streets of Paris, with the angry murmurs of a crowd
rising in waves about him.
On the same night I saw another episode of this spy-hunting period,
and it was more curious. It happened in a famous restaurant not far
from the Comédie Française, where a number of French soldiers in a
variety of uniforms dined with their ladies before going to the front
after a day's leave from the fighting lines. Suddenly, into the buzz of
voices and above the tinkle of glasses and coffee-cups one voice
spoke in a formal way, with clear, deliberate words. I saw that it was
the manager of the restaurant addressing his clients.
"Messieurs et Mesdames,---My fellow-manager has just been
arrested on a charge of espionage. I have been forbidden to speak
more than these few words, to express my personal regret that I am
unable to give my personal attention to your needs and pleasure."
With a bow this typical French "patron"--surely not a German spy!--
turned away and retreated from the room. A look of surprise passed
over the faces of the French soldiers. The ladies raised their pencilled
eyebrows, and then--so quickly does this drama of war stale after its
first experience--continued their conversation through whiffs of
cigarette smoke.
5
But it was not of German spies that the French Government was
most afraid. Truth to tell, Paris was thronged with Germans,
naturalized a week or two before the war and by some means or
other on the best of terms with the police authorities, in spite of spy-
hunts and spy-mania, which sometimes endangered the liberty of
innocent Englishmen, and Americans more or less innocent. It was
only an accident which led to the arrest of a well-known milliner
whose afternoon-tea parties among her mannequins were attended
by many Germans with business in Paris of a private character.
When this lady covered up the Teutonic name of her firm with a Red
Cross flag and converted her showrooms into a hospital ward,
excellently supplied except with wounded men, the police did not
inquire into the case until a political scandal brought it into the
limelight of publicity.
The French Government was more afraid of the true Parisians. To
sober them down in case their spirit might lead to trouble, the streets
of Paris were kept in darkness and all places of amusement were
closed as soon as war was declared. In case riots should break forth
from secret lairs of revolutionary propaganda, squadrons of Gardes
Republicains patrolled the city by day and night, and the agents de
police were reinforced by fusiliers marins with loaded rifles, who--
simple fellows as they are--could hardly direct a stranger to the Place
de la Concorde or find their own way to the Place de la Bastille.
At all costs Paris was not to learn the truth about the war if there were
any unpleasant truths to tell. For Paris there must always be victories
and no defeats. They must not even know that in war time there were
wounded men; otherwise they might get so depressed or so enraged
that (thought the French Government) there might be the old cry of
"Nous sommes trahis!" with a lopping off of Ministers' heads and
dreadful orgies in which the streets of Paris would run red with blood.
This reason alone--so utterly unreasonable, as we now know--may
explain the farcical situation of the hospitals in Paris during the first
two months of the war. Great hotels like the Astoria, Claridge's, and
the Majestic had been turned into hospitals magnificently equipped
and over-staffed. Nothing that money could buy was left unbought, so
that these great palaces might be fully provided with all things
necessary for continual streams of wounded men. High society in
France gave away its wealth with generous enthusiasm. Whatever
faults they might have they tried to wash them clean by charity, full-
hearted and overflowing, for the wounded sons of France. Great
ladies who had been the beauties of the salons, whose gowns had
been the envy of their circles, took off their silks and chiffons and put
on the simple dress of the infirmière and volunteered to do the
humblest work, the dirty work of kitchen-wenches and scullery-girls
and bedroom-maids, so that their hands might help, by any service,
the men who had fought for France. French doctors, keen and
brilliant men who hold a surgeon's knife with a fine and delicate skill,
stood in readiness for the maimed victims of the war. The best brains
of French medical science were mobilized in these hospitals of Paris.
But the wounded did not come to Paris until the war had dragged on
for weeks. After the battle of the Marne, when the wounded were
pouring into Orleans and other towns at the rate of seven thousand a
day, when it was utterly impossible for the doctors there to deal with
all that tide of agony, and when the condition of the French wounded
was a scandal to the name of a civilized country, the hospitals of
Paris remained empty, or with a few lightly wounded men in a desert
of beds. Because they could not speak French, perhaps, these rare
arrivals were mostly Turcos and Senegalese, so that when they
awakened in these wards and their eyes rolled round upon the white
counterpanes, the exquisite flowers and the painted ceilings, and
there beheld the beauty of women bending over their bedsides--
women whose beauty was famous through Europe--they murmured
"Allahu akbar" in devout ecstasy and believed themselves in a
Mohammedan paradise.
It was a comedy in which there was a frightful tragedy. The doctors
and surgeons standing by these empty beds, wandering through
operating-theatres magnificently appointed, asked God why their
hands were idle when so many soldiers of France were dying for lack
of help, and why Paris, the nerve-centre of all railway lines, so close
to the front, where the fields were heaped with the wreckage of the
war, should be a world away from any work of rescue. It was the
same old strain of falsity which always runs through French official
life. "Politics!" said the doctors of Paris; "those cursed politics!"
But it was fear this time. The Government was afraid of Paris, lest it
should lose its nerve, and so all trains of wounded were diverted from
the capital, wandering on long and devious journeys, side-tracked for
hours, and if any ambulances came it was at night, when they glided
through back streets under cover of darkness, afraid of being seen.
They need not have feared, those Ministers of France. Paris had
more courage than some of them, with a greater dignity and finer
faith. When the French Ministry fled to Bordeaux without having
warned the people that the enemy was at their gates, Paris remained
very quiet and gave no sign of wild terror or of panic-stricken rage.
There was no political cry or revolutionary outburst. No mob orator
sprang upon a café chair to say "Nous sommes trahis!" There was
not even a word of rebuke for those who had doctored the official
communiqués and put a false glamour of hope upon hideous facts.
Hurriedly and dejectedly over a million people of Paris fled from the
city, now that the Government had led the way of flight. They were
afraid, and there was panic in their exodus, but even that was not
hysterical, and men and women kept their heads, though they had
lost their hopes. It was rare to see a weeping woman. There was no
wailing of a people distraught. Sadly those fugitives left the city which
had been all the world to them, and the roads to the south were black
with their multitudes, having left in fear but full of courage on the road,
dejected, but even then finding a comedy in the misery of it, laughing
--as most French women will laugh in the hour of peril--even when
their suffering was greatest and when there was a heartache in their
humour.
6
After all the soul of Paris did not die, even in those dark days when so
many of its inhabitants had gone, and when, for a little while, it
seemed a deserted city. Many thousands of citizens remained,
enough to make a great population, and although for a day or two
they kept for the most part indoors, under the shadow of a fear that at
any moment they might hear the first shells come shrieking overhead,
or even the clatter of German cavalry, they quickly resumed the daily
routine of their lives, as far as it was possible at such a time. The fruit
and vegetable-stalls along the Rue St. Honoré were thronged as
usual by frugal housewives who do their shopping early, and down by
Les Halles, to which I wended my way through the older streets of
Paris, to note any change in the price of food, there were the usual
scenes of bustling activity among the baskets and the litter of the
markets. Only a man who knew Paris well could detect a difference in
the early morning crowds--the absence of many young porters who
used to carry great loads on their heads before quenching their thirst
at the Chien Qui Fume, and the presence of many young girls of the
midinette class, who in normal times lie later in bed before taking the
metro to their shops.
The shops were closed now. Great establishments like the Galeries
Lafayette had disbanded their armies of girls and even many of the
factories in the outer suburbs, like Charenton and La Villette, had
suspended work, because their mechanics and electricians and male
factory hands had been mobilized at the outset of the war. The
women of Paris were plunged into dire poverty, and thousands of
them into idleness, which makes poverty more awful. Even now I can
hardly guess how many of these women lived during the first months
of the war. There were many wives who had been utterly dependent
for the upkeep of their little homes upon men who were now earning
a sou a day as soldiers of France, with glory as a pourboire. So many
old mothers had been supported by the devotion of sons who had
denied themselves marriage, children, and the little luxuries of life in
order that out of their poor wages in Government offices they might
keep the woman to whom they owed their being. Always the greater
part of the people of Paris lives precariously on the thin edge of a
limited income, stinting and scraping, a sou here, a sou there, to
balance the week's accounts and eke out a little of that joie de vivre,
which to every Parisian is an essential need. Now by the edict of war
all life's economies had been annihilated. There were no more wages
out of which to reckon the cost of an extra meal, or out of which to
squeeze the price of a seat at a Pathé cinema. Mothers and wives
and mistresses had been abandoned to the chill comfort of national
charity, and oh, the coldness of it!
The French Government had promised to give an allowance of 1
franc 25 centimes a day to the women who were dependent on
soldier husbands. Perhaps it is possible to live on a shilling a day in
Paris, though, by Heaven, I should hate to do it. Nicely administered it
might save a woman from rapid starvation and keep her thin for quite
a time. But even this measure of relief was difficult to get. French
officials are extraordinarily punctilious over the details of their work,
and it takes them a long time to organize a system which is a
masterpiece of safeguards and regulations and subordinate clauses.
So it was with them in the first weeks of the war, and it was a pitiable
thing to watch the long queues of women waiting patiently outside the
mairies, hour after hour and sometimes day after day, to get that one
franc twenty-five which would buy their children's bread. Yet the
patience of these women never failed, and with a resignation which
had something divine in it, they excused the delays, the official
deliberations, the infinite vexations which they were made to suffer,
by that phrase which has excused everything in France: "C'est la
guerre!" Because it was war, they did not raise their voices in shrill
protest, or wave their skinny arms at imperturbable men who said,
"Attendez, s'il vous plaît!" with damnable iteration, or break the
windows of Government offices in which bewildering regulations were
drawn up in miles of red tape.
"C'est la guerre!" and the women of Paris, thinking of their men at the
front, dedicated themselves to suffering and were glad of their very
hunger pains, so that they might share the hardships of the soldiers.
By good chance, a number of large-hearted men and women, more
representative of the State than the Ministry in power, because they
had long records of public service and united all phases of intellectual
and religious activity in France, organized a system of private charity
to supplement the Government doles, and under the title of the
Secours Nationale, relieved the needs of the destitute with a prompt
and generous charity in which there was human love beyond the
skinflint justice of the State. It was the Secours Nationale which saved
Paris in those early days from some of the worst miseries of the war
and softened some of the inevitable cruelties which it inflicted upon
the women and children. Their organization of ouvroirs, or workshops
for unemployed girls, where a franc a day (not much for a long day's
labour, yet better than nothing at all) saved many midinettes from
sheer starvation.
There were hard times for the girls who had not been trained to
needlework or to the ordinary drudgeries of life, though they toil hard
enough in their own professions. To the dancing girls of Montmartre,
the singing girls of the cabarets, and the love girls of the streets, Paris
with the Germans at its gates was a city of desolation, so cold as they
wandered with questing eyes through its loneliness, so cruel to those
women of whom it has been very tolerant in days of pleasure. They
were unnecessary now to the scheme of things. Their merchandise--
tripping feet and rhythmic limbs, shrill laughter and roguish eyes,
carmined lips and pencilled lashes, singing voices and cajoleries--had
no more value, because war had taken away the men who buy these
things, and the market was closed. These commodities of life were no
more saleable than paste diamonds, spangles, artificial roses, the
vanities of fashion showrooms, the trinkets of the jeweller in the Rue
de la Paix, and the sham antiques in the Rue Mazarin. Young men,
shells, hay, linen for bandages, stretchers, splints, hypodermic
syringes were wanted in enormous quantities, but not light o' loves,
with cheap perfume on their hair, or the fairies of the footlights with all
the latest tango steps. The dance music of life had changed into a
funeral march, and the alluring rhythm of the tango had been followed
by the steady tramp of feet, in common time, to the battlefields of
France. Virtue might have hailed it as a victory. Raising her chaste
eyes, she might have cried out a prayer of thankfulness that Paris
had been cleansed of all its vice, and that war had purged a people of
its carnal weakness, and that the young manhood of the nation had
been spiritualized and made austere. Yes, it was true. War had
captured the souls and bodies of men, and under her discipline of
blood and agony men's wayward fancies, the seductions of the flesh,
the truancies of the heart were tamed and leashed.
Yet a Christian soul may pity those poor butterflies of life who had
been broken on the wheels of war. I pitied them, unashamed of this
emotion, when I saw some of them flitting through the streets of Paris
on that September eve when the city was very quiet, expecting
capture, and afterwards through the long, weary weeks of war. They
had a scared look, like pretty beasts caught in a trap. They had
hungry eyes, filled with an enormous wistfulness. Their faces were
blanched, because rouge was dear when food had to be bought
without an income, and their lips had lost their carmine flush. Outside
the Taverne Royale one day two of them spoke to me--I sat scribbling
an article for the censor to cut out. They had no cajoleries, none of
the little tricks of their trade. They spoke quite quietly and gravely.
"Are you an Englishman?"
"Yes."
"But not a soldier?"
"No. You see my clothes!"
"Have you come to Paris for pleasure? That is strange, for now there
is nothing doing in that way."
"Non, c'est vrai. Il n'y a rien à faire dans ce genre."
I asked them how they lived in war time.
One of the girls--she had a pretty delicate face and a serious way of
speech--smiled, with a sigh that seemed to come from her little high-
heeled boots.
"It is difficult to live. I was a singing girl at Montmartre. My lover is
at the war. There is no one left. It is the same with all of us. In a
little while we shall starve to death. Mais, pourquoi pas? A singing
girl's death does not matter to France, and will not spoil the joy
of her victory!"
She lifted a glass of amer picon--for the privilege of hearing the truth
she could tell me I was pleased to pay for it--and said in a kind of
whisper, "Vive la France!" and then, touching her glass with her lips:
"Vive l'Angleterre!"
The other girl leaned forward and spoke with polite and earnest
inquiry.
"Monsieur would like a little love?"
I shook my head.
"Ça ne marche pas. Je suis un homme sérieux." "It is very cheap to-
day," said the girl. "Ça ne coûte pas cher, en temps de guerre."
7
After the battle of the Marne the old vitality of Paris was gradually
restored. The people who had fled by hundreds of thousands dribbled
back steadily from England and provincial towns where they had
hated their exile and had been ashamed of their flight. They came
back to their small flats or attic room rejoicing to find all safe under a
layer of dust--shedding tears, some of them, when they saw the
children's toys, which had been left in a litter on the floor, and the
open piano with a song on the music-rack, which a girl had left as she
rose in the middle of a bar, wavering off into a cry of fear, and all the
domestic treasures which had been gathered through a life of toil and
abandoned--for ever it seemed--when the enemy was reported within
twenty miles of Paris in irresistible strength. The city had been saved.
The Germans were in full retreat. The great shadow of fear had been
lifted and the joy of a great hope thrilled through the soul of Paris, in
spite of all that death là-bas, where so many young men were making
sacrifices of their lives for France.
As the weeks passed the streets became more thronged, and the
shops began to re-open, their business conducted for the most part
by women and old people. A great hostile army was entrenched less
than sixty miles away. A ceaseless battle, always threatening the
roads to Paris, from Amiens and Soissons, Rheims and Vic-sur-
Aisne, was raging night and day, month after month. But for the
moment when the enemy retreated to the Aisne, the fear which had
been like a black pall over the spirit of Paris, lifted as though a great
wind had blown it away, and the people revealed a sane, strong spirit
of courage and confidence and patience, amazing to those who still
believed in the frivolity and nervousness and unsteady emotionalism
of the Parisian population.
Yet though normal life was outwardly resumed (inwardly all things had
changed), it was impossible to forget the war or to thrust it away from
one's imagination for more than half an hour or so of forgetfulness.
Those crowds in the streets contained multitudes of soldiers of all
regiments of France, coming and going between the base depots and
the long lines of the front. The streets were splashed with the colours
of all those uniforms--crimson of Zouaves, azure of chasseurs
d'Afrique, the dark blue of gunners, marines. Figures of romance
walked down the boulevards and took the sun in the gardens of the
Tuileries. An Arab chief in his white burnous and flowing robes
padded in soft shoes between the little crowds of cocottes who smiled
into his grave face with its dark liquid eyes and pointed beard, like
Othello the Moor. Senegalese and Turcos with rolling eyes and
wreathed smiles sat at the tables in the Café de la Paix, paying
extravagantly for their fire-water, and exalted by this luxury of life
after the muddy hell of the trenches and the humid climate which
made them cough consumptively between their gusts of laughter.
Here and there a strange uniform of unusual gorgeousness made
all men turn their heads with a "Qui est ça?" such as the full dress
uniform of a dandy flight officer of cardinal red from head to foot,
with a golden wing on his sleeve. The airman of ordinary grade had
no such magnificence, yet in his black leather jacket and blue breeches
above long boots was the hero of the streets and might claim any
woman's eyes, because he belonged to a service which holds the
great romance of the war, risking his life day after day on that miracle
of flight which has not yet staled in the imagination of the crowd,
and winging his way god-like above the enemy's lines, in the roar
of their pursuing shells.
Khaki came to Paris, too, and although it was worn by many who did
not hold the King's commission but swaggered it as something in the
Red Cross--God knows what!--the drab of its colour gave a thrill to all
those people of Paris who, at least in the first months of the war, were
stirred with an immense sentiment of gratitude because England had
come to the rescue in her hour of need, and had given her blood
generously to France, and had cemented the Entente Cordiale with
deathless ties of comradeship. "Comme ils sont chics, ces braves
anglais!" They did not soon tire of expressing their admiration for the
"chic" style of our young officers, so neat and clean-cut and
workmanlike, with their brown belts and brown boots, and khaki riding
breeches.
"Ulloh... Engleesh boy? Ahlright, eh?" The butterfly girls hovered
about them, spread their wings before those young officers from the
front and those knights of the Red Cross, tempted them with all their
wiles, and led them, too many of them, to their mistress Circe, who
put her spell upon them.
At every turn in the street, or under the trees of Paris, some queer
little episode, some startling figure from the great drama of the war
arrested the interest of a wondering spectator. A glimpse of tragedy
made one's soul shudder between two smiles at the comedy of life.
Tears and laughter chased each other through Paris in this time of
war.
"Coupé gorge, comme ça. Sale boche, mort. Sa tête, voyez. Tombé
à terre. Sang! Mains, en bain de sang. Comme ça!"
So the Turco spoke under the statue of Aphrodite in the gardens of
the Tuileries to a crowd of smiling men and girls. He had a German
officer's helmet. He described with vivid and disgusting gestures how
he had cut off the man's head--he clicked his tongue to give the
sound of it--and how he had bathed his hands in the blood of his
enemy, before carrying this trophy to his trench. He held out his
hands, staring at them, laughing at them as though they were still
crimson with German blood. ... A Frenchwoman shivered a little and
turned pale. But another woman laughed--an old creature with
toothless gums--with a shrill, harsh note.
"Sale race!" she said; "a dirty race! I should be glad to cut a German
throat!"
Outside the Invalides, motor-cars were always arriving at the
headquarters of General Galièni. French staff officers came at full
speed, with long shrieks on their motor-horns, and little crowds
gathered round the cars to question the drivers.
"Ça marche, la guerre? Il y a du progrès?"
British officers came also, with dispatches from headquarters, and
two soldiers with loaded rifles in the back seats of cars that had been
riddled with bullets and pock-marked with shrapnel.
Two of these men told their tale to me. They had left the trenches the
previous night to come on a special mission to Paris, and they
seemed to me like men who had been in some torture chamber and
suffered unforgettable and nameless horrors. Splashed with mud,
their faces powdered with a greyish clay and chilled to the bone by
the sharp shrewd wind of their night near Soissons and the motor
journey to Paris, they could hardly stand, and trembled and spoke
with chattering teeth.
"I wouldn't have missed it," said one of them, "but I don't want to go
through it again. It's absolutely infernal in those trenches, and the
enemy's shell-fire breaks one's nerves."
They were not ashamed to confess the terror that still shook them,
and wondered, like children, at the luck--the miracle of luck--which
had summoned them from their place in the firing-line to be the escort
of an officer to Paris, with safe seats in his motor-car.
8
For several weeks of the autumn while the British were at Soissons,
many of our officers and men came into Paris like this, on special
missions or on special leave, and along the boulevards one heard all
accents of the English tongue from John o' Groats to Land's End and
from Peckham Rye to Hackney Downs. The Kilties were the wonder
of Paris, and their knees were under the fire of a multitude of eyes as
they went swinging to the Gare du Nord The shopgirls of Paris
screamed with laughter at these brawny lads in "jupes," and
surrounded them with shameless mirth, while Jock grinned from ear
to ear and Sandy, more bashful, coloured to the roots of his fiery hair.
Cigarettes were showered into the hands of these soldier lads. They
could get drunk for nothing at the expense of English residents of
Paris--the jockeys from Chantilly, the bank clerks of the Imperial Club,
the bar loungers of the St. Petersbourg. The temptation was not
resisted with the courage of Christian martyrs. The Provost-Marshal
had to threaten some of his own military police with the terrors of
court-martial.
The wounded were allowed at last to come to Paris, and the
surgeons who had stood with idle hands found more than enough
work to do, and the ladies of France who had put on nurses' dresses
walked very softly and swiftly through long wards, no longer thrilled
with the beautiful sentiment of smoothing the brows of handsome
young soldiers, but thrilled by the desperate need of service, hard
and ugly and terrible, among those poor bloody men, agonizing
through the night, helpless in their pain, moaning before the rescue of
death. The faint-hearted among these women fled panic-stricken,
with blanched faces, to Nice and Monte Carlo and provincial
châteaux, where they played with less unpleasant work. But there
were not many like that. Most of them stayed, nerving themselves to
the endurance of those tragedies, finding in the weakness of their
womanhood a strange new courage, strong as steel, infinitely patient,
full of pity cleansed of all false sentiment. Many of these fine ladies of
France, in whose veins ran the blood of women who had gone very
bravely to the guillotine, were animated by the spirit of their
grandmothers and by the ghosts of French womanhood throughout
the history of their country, from Geneviève to Sister Julie, and putting
aside the frivolity of life which had been their only purpose, faced the
filth and horrors of the hospitals without a shudder and with the virtue
of nursing nuns.
Into the streets of Paris, therefore, came the convalescents and the
lightly wounded, and one-armed or one-legged officers or simple
poilus with bandaged heads and hands could be seen in any
restaurant among comrades who had not yet received their baptism
of fire, had not cried "Touché!" after the bursting of a German shell.
It was worth while to spend an evening, and a louis, at Maxim's, or at
Henry's, to see the company that came to dine there when the
German army was still entrenched within sixty miles of Paris. They
were not crowded, those places of old delight, and the gaiety had
gone from them, like the laughter of fair women who have passed
beyond the river. But through the swing doors came two by two, or in
little groups, enough people to rob these lighted rooms of loneliness.
Often it was the woman who led the man, lending him the strength of
her arm. Yet when he sat at table--this young officer of the Chasseurs
in sky-blue jacket, or this wounded Dragoon with a golden casque
and long horse-hair tail--hiding an empty sleeve against the woman's
side, or concealing the loss of a leg beneath the table cloth, it was
wonderful to see the smile that lit up his face and the absence of all
pain in it.
"Ah! comme il fait bon!"
I heard the sigh and the words come from one of these soldiers--not
an officer but a fine gentleman in his private's uniform--as he looked
round the room and let his brown eyes linger on the candle-lights and
the twinkling glasses and snow-white table-cloths. Out of the mud and
blood of the trenches, with only the loss of an arm or a leg, he had
come back to this sanctuary of civilization from which ugliness is
banished and all grim realities.
So, for this reason, other soldiers came on brief trips to Paris from the
front. They desired to taste the fine flavour of civilization in its ultra-
refinement, to dine delicately, to have the fragrance of flowers about
them, to sit in the glamour of shaded lights, to watch a woman's
beauty through the haze of cigarette-smoke, and to listen to the
music of her voice. There was always a woman by the soldier's side,
propping her chin in her hands and smiling into the depths of his
eyes. For the soul of a Frenchman demands the help of women, and
the love of women, however strong his courage or his self-reliance.
The beauty of life is to him a feminine thing, holding the spirit of
motherhood, romantic love and comradeship more intimate and
tender than between man and man. Only duty is masculine and hard.
9
The theatres and music-halls of Paris opened one by one in the
autumn of the first year of war. Some of the dancing girls and the
singing girls found their old places behind the footlights, unless they
had coughed their lungs away, or grown too pinched and plain. But
for a long time it was impossible to recapture the old spirit of these
haunts, especially in the music-halls, where ghosts passed in the
darkness of deserted promenoirs, and where a chill gave one goose-
flesh in the empty stalls,
Paris was half ashamed to go to the Folies Bergères or the
Renaissance, while away là-bas men were lying on the battlefields or
crouching in the trenches. Only when the monotony of life without
amusement became intolerable to people who have to laugh so that
they may not weep, did they wend their way to these places for an
hour or two. Even the actors and actresses and playwrights of Paris
felt the grim presence of death not far away. The old Rabelaisianism
was toned down to something like decency and at least the grosser
vulgarities of the music-hall stage were banned by common consent.
The little indecencies, the sly allusions, the candour of French
comedy remained, and often it was only stupidity which made one
laugh. Nothing on earth could have been more ridiculous than the
little lady who strutted up and down the stage, in the uniform of a
British Tommy, to the song of "Tipperary," which she rendered as a
sentimental ballad, with dramatic action. When she lay down on her
front buttons and died a dreadful death from German bullets, still
singing in a feeble voice: "Good-bye, Piccadilly; farewell, Leicester
Square," there were British officers in the boxes who laughed until
they wept, to the great astonishment of a French audience, who saw
no humour in the exhibition.
The kilted ladies of the Olympia would have brought a blush to the
cheeks of the most brazen-faced Jock from the slums of Glasgow,
though they were received with great applause by respectable
French bourgeois with elderly wives. And yet the soul of Paris, the big
thing in its soul, the spirit which leaps out to the truth and beauty of
life, was there even in Olympia, among the women with the roving
eyes, and amidst all those fooleries.
Between two comic "turns" a patriotic song would come. They were
not songs of false sentiment, like those patriotic ballads which thrill
the gods in London, but they had a strange and terrible sincerity, not
afraid of death nor of the women's broken hearts, nor of the grim
realities of war, but rising to the heights of spiritual beauty in their
cry to the courage of women and the pity of God. They sang of
the splendours of sacrifice for France and of the glory of that young
manhood which had offered its blood to the Flag. The old Roman
spirit breathed through the verses of these music-hall songs, written
perhaps by hungry poets au sixième étage, but alight with a little
flame of genius. The women who sang them were artists. Every
gesture was a studied thing. Every modulation of the voice was the
result of training and technique. But they too were stirred with a real
emotion, and as they sang something would change the audience,
some thrill would stir them, some power, of old ideals, of traditions
strong as natural instinct, of enthusiasm for their country of France,
for whom men will gladly die and women give their heart's blood,
shook them and set them on fire.
10
The people of Paris, to whom music is a necessity of life, were not
altogether starved, though orchestras had been abolished in the
restaurants. One day a well-known voice, terrific in its muscular
energy and emotional fervour, rose like a trumpet-call in a quiet
courtyard off the Rue St. Honoré. It was the voice of "Bruyant
Alexandre"--"Noisy Alexander"--who had new songs to sing about the
little soldiers of France and the German vulture and the glory of the
Tricolour. Giving part of his proceeds to the funds for the wounded,
he went from courtyard to courtyard--one could trace his progress by
vibration of tremendous sound--and other musicians followed him, so
that often when I came up the Rue Royale or along quiet streets
between the boulevards, I was tempted into the courts by the tinkle of
guitars and women's voices singing some ballad of the war with a
wonderful spirit and rhythm which set the pulses beating at a quicker
pace. In the luncheon hour crowds of midinettes surrounded the
singers, joining sometimes in the choruses, squealing with laughter at
jests in verse not to be translated in sober English prose and finding a
little moisture in their eyes after a song of sentiment which reminded
them of the price which must be paid for glory by young men for
whose homecoming they had waited through the winter and the
spring.
11
No German soldier came through the gates of Paris, and no German
guns smashed a way through the outer fortifications. But now and
then an enemy came over the gates and high above the ramparts, a
winged messenger of death, coming very swiftly through the sky,
killing a few mortals down below and then retreating into the hiding-
places behind the clouds. There were not many people who saw the
"Taube"--the German dove--make its swoop and hurl its fire-balls.
There was just a speck in the sky, a glint of metal, and the far-
humming of an aerial engine. Perhaps it was a French aviator coming
back from a reconnaissance over the enemy's lines on the Aisne, or
taking a joy ride over Paris to stretch his wings. The little shop-girls
looked up and thought how fine it would be to go riding with him, as
high as the stars--with one of those keen profiled men who have such
roguish eyes when they come to earth. Frenchmen strolling down the
boulevards glanced skywards and smiled. They were brave lads who
defended the air of Paris. No Boche would dare to poke the beak of
his engine above the housetops. But one or two men were uneasy
and stood with strained eyes. There was something peculiar about
the cut of those wings en haut. They seemed to bend back at the tips,
unlike a Blériot, with its straight spread of canvas.
"Sapristi! une Taube! ... Attention, mon vieux!" In some side streets of
Paris a hard thing hit the earth and opened it with a crash. A woman
crossing the road with a little girl--she had just slipped out of her
courtyard to buy some milk--felt the ground rise up and hit her in the
face. It was very curious. Such a thing had never happened to her
before. "Suzette?" She moaned and cried, "Suzette?" But Suzette did
not answer. The child was lying sideways, with her face against the
kerbstone. Her white frock was crimsoning with a deep and spreading
stain. Something had happened to one of her legs. It was broken and
crumpled up, like a bird's claw.
"Suzette! Ma petite! O, mon Dieu!" A policeman was bending over
little Suzette. Then he stood straight and raised a clenched fist to the
sky. "Sale Boche! ... Assassin! ... Sale cochon!" People came
running up the street and out of the courtyards. An ambulance glided
swiftly through the crowd. A little girl whose name was Suzette was
picked up from the edge of the kerbstone out of a pool of blood. Her
face lay sideways on the policeman's shoulder, as white as a
sculptured angel on a tombstone. It seemed that she would never
walk again, this little Suzette, whose footsteps had gone dancing
through the streets of Paris. It was always like that when a Taube
came. That bird of death chose women and children as its prey, and
Paris cursed the cowards who made war on their innocents.
But Paris was not afraid. The women did not stay indoors because
between one street and another they might be struck out of life,
without a second's warning. They glanced up to the sky and smiled
disdainfully. They were glad even that a Taube should come now and
then, so that they, the women of Paris, might run some risks in this
war and share its perils with their men, who every day in the trenches
là-bas, faced death for the sake of France. "Our chance of death is a
million to one," said some of them. "We should be poor things to take
fright at that!"
12
But there were other death-ships that might come sailing through the
sky on a fair night without wind or moon. The enemy tried to affright
the soul of Paris by warnings of the destruction coming to them with a
fleet of Zeppelins. But Paris scoffed. "Je m'en fiche de vos
Zeppelins!" said the spirit of Paris. As the weeks passed by and the
months, and still no Zeppelins came, the menace became a jest. The
very word of Zeppelin was heard with hilarity. There were comic
articles in the newspapers, taunting the German Count who had
made those gas-bags. There were also serious articles proving the
impossibility of a raid by airships. They would be chased by French
aviators as soon as they were sighted. They would be like the
Spanish Armada, surrounded by the little English warships, pouring
shot and shell into their unwieldy hulks. Not one would escape down
the wind.
The police of Paris, more nervous than the public, devised a system
of signals if Zeppelins were sighted. There were to be bugle-calls
throughout the city, and the message they gave would mean "lights
out!" in every part of Paris. For several nights there were rehearsals
of darkness, without the bugle-calls, and the city was plunged into
abysmal gloom, through which people who had been dining in
restaurants lost themselves in familiar streets and groped their way
with little shouts of laughter as they bumped into substantial shadows.
Paris enjoyed the adventure, the thrill of romance in the mystery of
darkness, the weird beauty of it. The Tuileries gardens, without a
single light except the faint gleams of star-dust, was an enchanted
place, with the white statues of the goddesses very vague and
tremulous in the shadow world above banks of invisible flowers which
drenched the still air with sweet perfumes. The narrow streets were
black tunnels into which Parisians plunged with an exquisite frisson of
romantic fear. High walls of darkness closed about them, and they
gazed up to the floor of heaven from enormous gulfs. A man on a
balcony au cinquième was smoking a cigarette, and as he drew the
light made a little beacon-flame, illumining his face before dying out
and leaving a blank wall of darkness. Men and women took hands
like little children playing a game of bogey-man. Lovers kissed each
other in this great hiding-place of Paris, where no prying eyes could
see. Women's laughter, whispers, swift scampers of feet, squeals of
dismay made the city murmurous. La Ville Lumière was extinguished
and became an unlighted sepulchre thronged with ghosts. But the
Zeppelins had not come, and in the morning Paris laughed at last
night's jest and said, "C'est idiot!"
But one night--a night in March--people who had stayed up late by
their firesides, talking of their sons at the front or dozing over the
Temps, heard a queer music in the streets below, like the horns of
elf-land blowing. It came closer and louder, with a strange sing-song
note in which there was something ominous.
"What is that?" said a man sitting up in an easy-chair and looking
towards a window near the Boulevard St. Germain.
The woman opposite stretched herself a little wearily. "Some drunken
soldier with a bugle. . . . Good gracious, it is one o'clock and we are
not in bed!"
The man had risen from his chair and flung the window open.
"Listen! ... They were to blow the bugles when the Zeppelins came...
Perhaps..."
There were other noises rising from the streets of Paris. Whistles
were blowing, very faintly, in far places. Firemen's bells were ringing,
persistently.
"L'alerte!" said the man. "The Zeppelins are coming!"
The lamp at the street corner was suddenly extinguished, leaving
absolute darkness.
"Fermez vos rideaux!" shouted a hoarse voice.
Footsteps went hurriedly down the pavement and then were silent.
"It is nothing!" said the woman; "a false alarm!" "Listen!"
Paris was very quiet now. The bugle-notes were as faint as far-off
bells against the wind. But there was no wind, and the air was still. It
was still except for a peculiar vibration, a low humming note, like a
great bee booming over clover fields. It became louder and the
vibration quickened, and the note was like the deep stop of an organ.
Tremendously sustained was the voice of a great engine up in the
sky, invisible. Lights were searching for it now. Great rays, like
immense white arms, stretched across the sky, trying to catch that
flying thing. They crossed each other, flying backwards and forwards,
travelled softly and cautiously across the dark vault as though groping
through every inch of it for that invisible danger. The sound of guns
shocked into the silence, with dull reports. From somewhere in Paris
a flame shot up, revealing in a quick flash groups of shadow figures
at open windows and on flat roofs.
"Look!" said the man who had a view across the Boulevard St.
Germain.
The woman drew a deep breath.
"Yes, there is one of them! ... And another! ... How fast they travel!"
There was a black smudge in the sky, blacker than the darkness. It
moved at a great rate, and the loud vibrations followed it. For a
moment or two, touched by one of the long rays of light it was
revealed--a death-ship, white from stem to stern and crossing the sky
like a streak of lightning. It went into the darkness again and its
passage could only be seen now by some little flames which seemed
to fall from it. They went out like French matches, sputtering before
they died.
In all parts of Paris there were thousands of people watching the
apparition in the sky. On the heights of the Sacré Cur inhabitants of
Montmartre gathered and thrilled to the flashing of the searchlights
and the bursting of shrapnel.
The bugle-calls bidding everybody stay indoors had brought Paris out
of bed and out of doors. The most bad-tempered people in the city
were those who had slept through the alerte, and in the morning
received the news with an incredulous "Quoi? Non, ce n'est pas
possible! Les Zeppelins sont venus? Je n'ai pas entendu le moindre
bruit!"
Some houses were smashed in the outer suburbs. A few people had
been wounded in their beds. Unexploded bombs were found in
gardens and rubbish heaps. After all, the Zeppelin raid had been a
grotesque failure in the fine art of murder, and the casualty list was so
light that Paris jeered at the death-ships which had come in the night.
Count Zeppelin was still the same old blagueur. His precious airships
were ridiculous.
A note of criticism crept into the newspapers and escaped the
censor. Where were the French aviators who had sworn to guard
Paris from such a raid? There were unpleasant rumours that these
adventurous young gentlemen had taken the night off with the ladies
of their hearts. It was stated that the telephone operator who ought to
have sent the warning to them was also making la bombe, or
sleeping away from his post. It was beyond a doubt that certain well-
known aviators had been seen in Paris restaurants until closing
time... Criticism was killed by an official denial from General Galièni,
who defended those young gentlemen under his orders, and affirmed
that each man was at the post of duty. It was a denial which caused
the scandalmongers to smile as inscrutably as Mona Lisa.
13
The shadow of war crept through every keyhole in Paris, and no man
or woman shut up in a high attic with some idea or passion could
keep out the evil genii which dominated the intellect and the
imagination, and put its cold touch upon the senses, through that
winter of agony when the best blood in France slopped into the
waterlogged trenches from Flanders to the Argonne. Yet there were
coteries in Paris which thrust the Thing away from them as much as
possible, and tried to pretend that art was still alive, and that
philosophy was untouched by these brutalities. In the Restaurant des
Beaux-Arts and other boîtes where men of ideas pander to the baser
appetites for 1 franc 50 (vin compris), old artists, old actors, sculptors
whose beards seemed powdered with the dust of their ateliers, and
littérateurs who will write you a sonnet or an epitaph, a wedding
speech, or a political manifesto in the finest style of French poesy and
prose (a little archaic in expression) assembled nightly just as in the
days of peace. Some of the youngest faces who used to be grouped
about the tables had gone, and now and then there was silence for a
second as one of the habitués would raise his glass to the memory of
a soldier of France (called to the colours on that fatal day in August)
who had fallen on the Field of Honour. The ghost of war stalked even
into the Restaurant des Beaux-Arts, but his presence was ignored as
much as might be by these long-haired Bohemians with grease-
stained clothes and unwashed hands who discussed the spirit of
Greek beauty, the essential viciousness of women, the vulgarity of
the bourgeoisie, the prose of Anatole France, the humour of Rabelais
and his successors, and other eternal controversies with a pretext of
their old fire. If the theme of war slipped in it was discussed with an
intellectual contempt, and loose-lipped old men found a frightful mirth
in the cut-throat exploits of Moroccans and Senegalese, in the bestial
orgies of drunken Boches, and in the most revolting horrors of
bayonet charges and the corps-à-corps. It was as though they
wanted to reveal the savagery of war to the last indescribable
madness of its lust. "Pah!" said an old cabotin, after one of these
word-pictures. "This war is the last spasm of the world's barbarity.
Human nature will finish with it this time. . . . Let us talk of the women
we have loved. I knew a splendid creature once--she had golden hair,
I remember--"
One of these shabby old gentlemen touched me on the arm.
"Would Monsieur care to have a little music? It is quite close here,
and very beautiful. It helps one to forget the war, and all its misery."
I accepted the invitation. I was more thirsty for music than for vin
ordinaire or cordiale Médoc. Yet I did not expect very much round the
corner of a restaurant frequented by shabby intellectuals... That was
my English stupidity.
A little group of us went through a dark courtyard lit by a high dim
lantern, touching a sculptured figure in a far recess.
"Pas de bruit," whispered a voice through the gloom.
Up four flights of wooden stairs we came to the door of a flat which
was opened by a bearded man holding a lamp.
"Soyez les bienvenus!" he said, with a strongly foreign accent.
It was queer, the contrast between the beauty of his salon into which
we went and the crudeness of the restaurant from which we had
come. It was a long room, with black wall-paper, and at the far end of
it was a shaded lamp on a grand piano. There was no other light, and
the faces of the people in the room, the head of a Greek god on a
pedestal, some little sculptured figures on an oak table, and some
portrait studies on the walls, were dim and vague until my eyes
became accustomed to this yellowish twilight. No word was spoken
as we entered, and took a chair if we could find one. None of the
company here seemed surprised at this entry of strangers--for two of
us were that--or even conscious of it. A tall, clean-shaven young man
with a fine, grave face--certainly not French--was playing the violin,
superbly; I could not see the man at the piano who touched the keys
with such tenderness. Opposite me was another young man, with the
curly hair and long, thin face of a Greek faun nursing a violoncello,
and listening with a dream in his eyes. A woman with the beauty of
some northern race sat in an oak chair with carved arms, which she
clasped tightly. I saw the sparkle of a ring on her right hand. The
stone had caught a ray from the lamp and was alive with light. Other
people with strange, interesting faces were grouped about this salon,
absorbed in that music of the violin, which played something of
spring, so lightly, so delicately, that our spirit danced to it, and joy
came into one's senses as on a sunlit day, when the wind is playing
above fields of flowers. Afterwards the cellist drew long, deep chords
from his great instrument, and his thin fingers quivered against the
thick strings, and made them sing grandly and nobly. Then the man
at the piano played alone, after five minutes of silence, in which a few
words were spoken, about some theme which would work out with
strange effects.
"I will try it," said the pianist. "It amuses me to improvise. If it would
not worry you--"
It was not wearisome. He played with a master-touch, and the room
was filled with rushing notes and crashing harmonies. For a little time
I could not guess the meaning of their theme. Then suddenly I was
aware of it. It was the tramp of arms, the roar of battle, the song of
victory and of death. Wailing voices came across fields of darkness,
and then, with the dawn, birds sang, while the dead lay still.
The musician gave a queer laugh. "Any good?"
"C'est la guerre!" said a girl by my side. She shivered a little.
They were Danes, Norwegians, and Swedes in that room, with a few
Parisians among them. Students to whom all life is expressed in
music, they went on with their work in spite of the war. But war had
touched their spirit too, with its great tragedy, and found expression in
their art. It was but one glimpse behind the scenes of Paris, in time of
war, and in thousands of other rooms, whose window-curtains were
drawn to veil their light from hostile aircraft, the people who come to
Paris as the great university of intellect and emotion, continued their
studies and their way of life, with vibrations of fiddle-strings and
scraping of palettes and adventures among books.
Even the artists' clubs had not all closed their doors, though
so many young painters were mixing blood with mud and watching
impressionistic pictures of ruined villages through the smoke of shells.
Through cigarette smoke I gazed at the oddest crowd in one of these
clubs off the Boulevard Saint-Germain. Slavs with matted hair,
American girls in Futurist frocks, Italians like figures out of pre-
Raphaelite frescoes, men with monkey faces and monkey manners,
men with the faces of mediaeval saints a little debauched by devilish
temptations, filled the long bare room, spoke in strange tongues to
each other, and made love passionately in the universal language
and in dark corners provided with ragged divans. A dwarf creature
perched on a piano stool teased the keys of an untuned piano and
drew forth adorable melody, skipping the broken notes with great
agility. ... It was the same old Paris, even in time of war.
14
The artists of neutral countries who still kept to their lodgings in the
Quartier Latin and fanned the little flame of inspiration which kept
them warm though fuel is dear, could not get any publicity for their
works. There was no autumn or spring salon in the Palais des Beaux-
Arts, where every year till war came one might watch the progress of
French art according to the latest impulse of the time stirring the
emotions of men and women who claim the fullest liberties even for
their foolishness. War had killed the Cubists, and many of the
Futurists had gone to the front to see the odd effects of scarlet blood
on green grass. The Grand Palais was closed to the public. Yet there
were war pictures here, behind closed doors, and sculpture stranger
than anything conceived by Marinetti. I went to see the show, and
when I came out again into the sunlight of the gardens, I felt very
cold, and there was a queer trembling in my limbs.
The living pictures and the moving statuary in the Grand Palais
exhibited the fine arts of war as they are practised by civilized men
using explosive shells, with bombs, shrapnel, hand-grenades,
mitrailleuses, trench-mines, and other ingenious instruments by which
the ordinary designs of God may be re-drawn and re-shaped to suit
the modern tastes of men. I saw here the Spring Exhibition of the
Great War, as it is catalogued by surgeons, doctors, and scientific
experts in wounds and nerve diseases.
It was not a pretty sight, and the only thing that redeemed its ugliness
was the way in which all those medical men were devoting
themselves to the almost hopeless task of untwisting the contorted
limbs of those victims of the war spirit, and restoring the shape of
man botched by the artists of the death machines.
In the Great Hall through which in the days of peace pretty women
used to wander with raised eyebrows and little cries of "Ciel!" (even
French women revolted against the most advanced among the
Futurists), there was a number of extraordinary contrivances of a
mechanical kind which shocked one's imagination, and they were
being used by French soldiers in various uniforms and of various
grades, with twisted limbs, and paralytic gestures. One young man,
who might have been a cavalry officer, was riding a queer bicycle
which never moved off its pedestal, though its wheels revolved to the
efforts of its rider. He pedalled earnestly and industriously, though
obviously his legs had stiffened muscles, so that every movement
gave him pain. Another man, "bearded like the bard," sat with his
back to the wall clutching at two rings suspended from a machine and
connected with two weights. Monotonously and with utterly
expressionless eyes, he raised and lowered his arms a few inches or
so, in order to bring back their vitality, which had been destroyed by a
nervous shock. Many wheels were turning in that great room and
men were strapped to them, as though in some torture chamber,
devilishly contrived. In this place, however, the work was to defeat the
cruelties of War the Torturer, after it had done its worst with human
flesh.
The worst was in other rooms, where poor wrecks of men lay face
downwards in hot-air boxes, where they stayed immovable and silent
as though in their coffins, or with half their bodies submerged in
electrolysed baths. Nurses were massaging limbs which had been
maimed and smashed by shell-fire, and working with fine and delicate
patience at the rigid fingers of soldiers, some of whom had lost their
other arms, so that unless they could use their last remaining fingers,
three or four to a hand, they would be useless for any work in the
world. But most pitiable of all were the long rows of the paralysed and
the blind, who lay in the hospital ward, motionless and sightless, with
smashed faces. In the Palace of Fine Arts this statuary might have
made the stones weep.
15
At last the spring song sounded through the streets of Paris with a
pagan joy.
There was a blue sky over the city--so clear and cloudless that if any
Zeppelin came before the night, it would have been seen a mile high,
as a silver ship, translucent from stem to stern, sailing in an azure
sea. One would not be scared by one of these death-ships on such a
day as this, nor believe, until the crash came, that it would drop down
destruction upon this dream city, all aglitter in gold and white, with all
its towers and spires clean-cut against the sky.
It was hard to think of death and war; because spring had come with
its promise of life. There was a thrill of new vitality throughout the
city. I seemed to hear the sap rising in the trees along the boulevards.
Or was it only the wind plucking at invisible harp-strings, or visible
telephone wires, and playing the spring song in Parisian ears?
In the Tuileries gardens, glancing aslant the trees, I saw the first
green of the year, as the buds were burgeoning and breaking into tiny
leaves. The white statues of goddesses--a little crumbled and
weather-stained after the winter--were bathed in a pale sunshine.
Psyche stretched out her arms, still half-asleep, but waking at the call
of spring. Pomona offered her fruit to a young student, who gazed at
her with his black hat pushed to the back of his pale forehead.
Womanhood, with all her beauty carved in stone, in laughing and
tragic moods, in the first grace of girlhood, and in full maturity, stood
poised here in the gardens of the Tuileries, and seemed alive and
vibrant with this new thrill of life which was pulsing in the moist earth
and whispering through the trees, because spring had come to Paris.
There was no doubt about it. The flower girls who had been early to
les Halles came up the rue Royale one morning with baskets full of
violets, so that all the street was perfumed as though great ladies
were passing and wafting scent in their wake. Even the old cocher
who drove me down the rue Cambon had put on a new white hat. He
had heard the glad tidings, this old wrinkled man, and he clacked his
whip to let others know, and gave the glad-eye--a watery, wicked old
eye--to half a dozen midinettes who came dancing along the rue St.
Honoré. They knew without his white hat, and the clack of his whip.
The ichor of the air had got into their blood. They laughed without the
reason for a jest, and ran, in a skipping way, because there was the
spring-song in their feet.
Along the Champs Elysées there was the pathway of the sun.
Through the Arc de Triomphe there was a glamorous curtain of cloth
of gold, and arrows of light struck and broke upon the golden figures
of Alexander's Bridge. Looking back I saw the dome of the Invalides
suspended in space, like a cloud in the sky. It was painted over to
baffle the way of hostile aircraft, but the paint was wearing off, and the
gold showed through again, glinting and flashing in the air-waves.
The Seine was like molten liquid and the bridges which span it a
dozen times or more between Notre Dame and the Pont de l'Aima
were as white as snow, and unsubstantial as though they bridged the
gulfs of dreams. Even the great blocks of stone and the balks of
timber which lie on the mud banks below the Quai d'Orsay--it is where
the bodies of suicides float up and bring new tenants to the Morgue--
were touched with the beauty of this lady day, and invited an artist's
brush.
The Eiffel Tower hung a cobweb in the sky. Its wires had been thrilling
to the secrets of war, and this signal station was barricaded so that no
citizens might go near, or pass the sentries pacing there with loaded
rifles. But now it was receiving other messages, not of war. The
wireless operator with the receiver at his ears must have heard those
whispers coming from the earth: "I am spring... The earth is waking...
I am coming with the beauty of life... I am gladness and youth..."
Perhaps even the sentry pacing up and down the wooden barricade
heard the approach of some unseen presence when he stood still
that morning and peered through the morning sunlight. "Halt! who
goes there?" "A friend." "Pass, friend, and give the countersign."
The countersign was "Spring," and where the spirit of it stepped,
golden crocuses had thrust up through the warming earth, not far
from where, a night or two before, fire-balls dropped from a hostile air-
craft.
Oh, strange and tragic spring, of this year 1915! Was it possible that,
while Nature was preparing her beauty for the earth, and was busy in
the ways of life, men should be heaping her fields with death, and
drenching this fair earth with blood?
One could not forget. Even in Paris away from the sound of the guns
which had roared in my ears a week before, and away from the moan
of the wounded which had made my ears ache worse than the noise
of battle, I could not forget the tragedy of all this death which was
being piled up under the blue sky, and on fields all astir with the life of
the year.
In the Tuileries gardens the buds were green. But there were black
figures below them. The women who sat there all the afternoon,
sewing, and knitting, or with idle hands in their laps, were clothed in
widows' black. I glanced into the face of one of these figures as I
passed. She was quite a girl to whom the spring-song should have
called with a loud, clear note of joy. But her head drooped and her
eyes were steadfast as they stared at the pathway, and the sunshine
brought no colour into her white cheeks... She shivered a little, and
pulled her crêpe veil closer about her face.
Down the broad pathway between the white statues came a
procession of cripples. They wore the uniforms of the French army,
and were mostly young men in the prime of life, to whom also the
spring should have brought a sense of vital joy, of intense and
energetic life. But they dragged between their crutches while their
lopped limbs hung free. A little further off in a patch of sunshine
beyond the wall of the Jeu de Paumes, sat half a dozen soldiers of
France with loose sleeves pinned to their coats, or with only one leg
to rest upon the ground. One of them was blind and sat there with his
face to the sun, staring towards the fountain of the nymphs with
sightless eyes. Those six comrades of war were quite silent, and did
not "fight their battles o'er again." Perhaps they were sad because
they heard the spring-song, and knew that they could never step out
again to the dance-tune of youth.
And yet, strangely, there was more gladness than sadness in Paris
now that spring had come, in spite of the women in black, and the
cripples in the gardens. Once again it brought the promise of life.
"Now that the spring is here," said the old cab-driver in the white hat,
"France will soon be free and the war will soon be over."
This hopefulness that the fine weather would end the war quickly was
a splendid superstition which buoyed up many hearts in France.
Through the long, wet months of winter the women and the old
people had agonized over the misery of their soldiers in the trenches.
Now that the earth was drying again, and the rain clouds were
vanishing behind a blue sky, there was new hope, and a wonderful
optimism in the spirit of the people. "The spring will bring victory to
France" was an article of faith which comforted the soul of the little
midinette who sang on her way to the Rue Lafayette, and the French
soldier who found a wild flower growing in his trench.
16
I have written many words about the spirit of Paris in war. Yet all
these little glimpses I have given reveal only the trivial characteristics
of the city. Through all these episodes and outward facts, rising
above them to a great height of spirituality, the soul of Paris was a
white fire burning with a steady flame. I cannot describe the effect of it
upon one's senses and imagination. I was only conscious of it, so that
again and again, in the midst of the crowded boulevards, or in the dim
aisles of Notre Dame, or wandering along the left bank of the Seine, I
used to say to myself, silently or aloud: "These people are wonderful!
They hold the spirit of an unconquerable race... Nothing can smash
this city of intellect, so gay, and yet so patient in suffering, so
emotional and yet so stoical in pride and courage!"
There was weakness, and vanity, in Paris. The war had not cleansed
it of all its vice or of all its corruption, but this burning wind of love
for La Patrie touched the heart of every man and woman, and
inflamed them so that self-interest was almost consumed, and
sacrifice for the sake of France became a natural instinct. The
ugliest old hag in the markets shared this love with the most
beautiful woman of the salons; the demi-mondaine with her rouged
lips, knelt in spirit, like Mary Magdalene before the cross, and was
glad to suffer for the sake of a pure and uncarnal love, symbolized
to her by the folds of the Tricolour or by the magic of that word,
"La France!" which thrilled her soul, smirched by the traffic of the
streets. The most money-loving bourgeois, who had counted every
sou and cheated every other one, was lifted out of his meanness
and materialism and did astounding things, without a murmur,
abandoning his business to go back to the colours as a soldier of
France, and regarding the ruin of a life's ambitions without a
heartache so that France might be free.
There were embusqués in Paris-perhaps hundreds, or even
thousands of young men who searched for soft jobs which would
never take them to the firing-line, or who pleaded ill-health with the
successful influence of a family or political "pull." Let that be put down
honestly, because nothing matters save the truth. But the manhood
of Paris as a whole, after the first shudder of dismay, the first agonies
of this wrench from the safe, familiar ways of life, rose superbly to the
call of la Patrie en danger! The middle-aged fathers of families and
the younger sons marched away singing and hiding their sadness
under a mask of careless mirth. The boys of eighteen followed them
in the month of April, after nine months of war, and not a voice in
Paris was raised to protest against this last and dreadful sacrifice.
Paris cursed the stupidity of the war, cried "How long, O Lord, how
long?" as it dragged on in its misery, with accumulating sums of
death, was faint at the thought of another winter campaign, and
groaned in spirit when its streets were filled with wounded men and
black-garbed women. But though Paris suffered with the finer agonies
of the sensitive intelligence, it did not lose faith or courage, and found
the heart to laugh sometimes, in spite of all its tears.
City of beauty, built out of the dreams of great artists and great poets,
I have watched you through this time of war, walking through your
silent streets in the ordeal of most dreadful days, mingling with your
crowds when a multitude of cripples dragged their lopped limbs
thiough the sunlight, studying your moods of depression, and
hopefulness, and passionate fervour, wandering in your churches,
your theatres and your hospitals, and lingering on mild nights under
the star-strewn sky which made a vague glamour above your
darkness; and always my heart has paid a homage to the spirit which
after a thousand years of history and a thousand million crimes, still
holds the fresh virtue of ardent youth, the courage of a gallant race,
and a deathless faith in the fine, sweet, gentle things of art and life.
The Germans, however great their army, could never have captured
the soul of Paris.