BOLPUR,

12_th Jaistha_ (_May_) 1892.

I usually pace the roof-terrace, alone, of an evening. Yesterday afternoon

I felt it my duty to show my visitors the beauties of the local scenery,

so I strolled out with them, taking Aghore as a guide.

On the verge of the horizon, where the distant fringe of trees was blue, a

thin line of dark blue cloud had risen over them and was looking

particularly beautiful. I tried to be poetical and said it was like blue

collyrium on the fringe of lashes enhancing a beautiful blue eye. Of my

companions one did not hear the remark, another did not understand, while

the third dismissed it with the reply: "Yes, very pretty." I did not feel

encouraged to attempt a second poetical flight.

After walking about a mile we came to a dam, and along the pool of water

there was a row of _tâl_ (fan palm) trees, under which was a natural

spring. While we stood there looking at this, we found that the line of

cloud which we had seen in the North was making for us, swollen and grown

darker, flashes of lightning gleaming the while.

We unanimously came to the conclusion that viewing the beauties of nature

could be better done from within the shelter of the house, but no sooner

had we turned homewards than a storm, making giant strides over the open

moorland, was on us with an angry roar. I had no idea, while I was

admiring the collyrium on the eyelashes of beauteous dame Nature, that she

would fly at us like an irate housewife, threatening so tremendous a slap!

It became so dark with the dust that we could not see beyond a few paces.

The fury of the storm increased, and flying stony particles of the rubbly

soil stung our bodies like shot, as the wind took us by the scruff of the

neck and thrust us along, to the whipping of drops of rain which had begun

to fall.

Run! Run! But the ground was not level, being deeply scarred with

watercourses, and not easy to cross at any time, much less in a storm. I

managed to get entangled in a thorny shrub, and was nearly thrown on my

face by the force of the wind as I stopped to free myself.

When we had almost reached the house, a host of servants came hurrying

towards us, shouting and gesticulating, and fell upon us like another

storm. Some took us by the arms, some bewailed our plight, some were eager

to show the way, others hung on our backs as if fearing that the storm

might carry us off altogether. We evaded their attentions with some

difficulty and managed at length to get into the house, panting, with wet

clothes, dusty bodies, and tumbled hair.

One thing I had learnt; and will never again write in novel or story the

lie that the hero with the picture of his lady-love in his mind can pass

unruffled through wind and rain. No one could keep any face in mind,

however lovely, in such a storm,--he has enough to do to keep the sand out

of his eyes!...

The Vaishnava-poets have sung ravishingly of Radha going to her tryst with

Krishna through a stormy night. Did they ever pause to consider, I wonder,

in what condition she must have reached him? The kind of tangle her hair

got into is easily imaginable, and also the state of the rest of her

toilet. When she arrived in her bower with the dust on her body soaked by

the rain into a coating of mud, she must have been a sight!

But when we read the Vaishnava poems, these thoughts do not occur. We only

see on the canvas of our mind the picture of a beautiful woman, passing

under the shelter of the flowering kadambas in the darkness of a stormy

_Shravan_[1] night, towards the bank of the Jumna, forgetful of wind

or rain, as in a dream, drawn by her surpassing love. She has tied up her

anklets lest they should tinkle; she is clad in dark blue raiment lest she

be discovered; but she holds no umbrella lest she get wet, carries no

lantern lest she fall!

[Footnote 1: July-August, the rainy season.]

Alas for useful things--how necessary in practical life, how neglected in

poetry! But poetry strives in vain to free us from their bondage--they

will be with us always; so much so, we are told, that with the march of

civilisation it is poetry that will become extinct, but patent after

patent will continue to be taken out for the improvement of shoes and

umbrellas.

Glimpses of Bengal Selected from the letters of Sir Rabindranath Tagore, 1885 to 1895 · 第 34 / 88 题