A.

ACEVO, --- Cremona, Pupil of Guiseppe Cappa. This artiste made very

good violins in the style of the Amati.

ADDISON, WILLIAM, London, 1670.

AIRETON, EDMUND, London, 1730. A good and neat Maker.

ALDRED, --- London, Early English Lute Maker.

ALETZIE, PAULO, Monaco, 1720-30. Famous for his Violoncellos.

ALBANI, MATTHIAS, born at Botzen or Bulsani, in the Tyrol, about 1621.

This artist was highly esteemed formerly, and Otto says that it is

exceedingly difficult to give so exact a description of them as readily

to distinguish them from those of Nicholas Amati, who was said to be

his master. In the present day, opinions are very different.

Nevertheless there are some fine instruments by this maker, of high

model, with reddish brown varnish and bearing a great similarity to

those of Steiner, of whom he was also said to be a pupil. The

"Dictionary of Musicians" speaks highly of this maker. This was

decidedly the best artiste of this name.

ALBANI, PAOLO, Palermo and Cremona, was also under Nicholas Amati,

about 1659.

ALBANI, --- son of the above, about 1712, was also a careful maker,

and turned out some good Instruments.

Violins and Violin Makers Biographical Dictionary of the Great Italian Artistes, their Followers and Imitators, to the present time. With Essays on Important Subjects Connected with the Violin. · 第 29 / 81 题