CHAPTER VII

When the tumult of congratulation had somewhat subsided, and Max had

walked proudly back to the great surgeon (happiest perhaps of all those

present), the Emperor rose, and silence fell upon the room. His voice

trembled a little, from excitement and relief, but the fresh color had

come back to his kind face.

“Good friends and mine own people,” he said, “of that which the Herr

Doctor has done for the Prince--for me--for you--for the empire--I can

not speak. There are no words for that which is within my heart. Only

my life henceforth can prove its gratitude.” Then beckoning to Fritzl,

who mounted the steps of the dais fearlessly, and stood beside him, the

Emperor continued: “Somewhat over a hundred years ago this Christmas

night, a little lad, one Mozart, sat at yonder spinet, and played to

our great Empress and her children. To-night, a little lad shall play

to you. This little lad, Fritzl, whom I believe God means to become as

great a musician, as became that child of long ago. He has known cold

and hunger and neglect. But he has been a brave lad, and none of these

things shall he ever know again.”

“Now Fritzchen, play to these thy friends,” he commanded kindly,

reseating himself upon his golden throne.

Slim and straight, in his suit of black velvet, Fritzl stood beside

him, looking about the brilliant room. At first he was timid and the

little hand which raised the violin to his shoulder trembled. But

looking into the gentle face beside him, and down at the smiling ones

of the good Herr Doctor, Max and Betty and Tzandi, he thought of

nothing but pleasing them.

So, wholly forgetting himself, he cuddled his violin closely under his

chin, and whispering to it lovingly, played.

Played as he had played that afternoon, in the quiet chamber to the

Emperor and his grandchildren; and all curiosity and indifference died

away, and those who listened, held their breath in surprised delight.

For he brought to them the cool sweet breath of pine woods, the ripple

of April leaves, the sound of voices long unheard but never to be

forgotten. And when at last, at the Emperor’s request, he played “the

song that mothers sing,” into many eyes which for long had not felt

them, crept tears. Then his bow dropped and he looked wistfully into

the Emperor’s face. There was a moment of absolute silence, and then

the room re-echoed with applause. It came with such a crash that once

more Fritzl was frightened, and shrank closer to the Kaiser. Seeing the

boy was overwrought, “Unser Franz” said quickly, “Now he shall play for

you the noblest hymn our ‘Vater Haydn’ ever wrote. And then, the little

ones shall dance!”

[Illustration]

Once again, Fritzl lifted his shining bow. The voices of the people

joined that of the violin, and “Gott erhalte, Gott beschütze” rang

through the room, as it had never before been sung there. For every

heart rejoiced that the little Prince could walk, and they knew that to

the lad who played to them, God had given the gift of genius. Then the

Emperor ordered the salon prepared for the children to dance.

The older members of the imperial family made their obeisances and

departed. And at last, only the children of the house of Habsburg and a

few of the younger matrons remained with the Emperor.

Once more the great Christmas tree blazed with candles, while about it

danced the children hand in hand.

Then Fritzl tuned his violin carefully. “May I play for them to dance?”

he said.

“Unser Franz” nodded a smiling consent.

Then, back and forth over the tense strings flew the gleaming bow,

and the waltz the elder Strauss wrote for the music and dance loving

Viennese, and which they love above all others--“Die Schöne Blaue

Donau”--vibrated through the Blue Salon.

Back and forth, like butterflies, danced the children, curls and

ribbons blowing, little feet twinkling on the polished floor, while

the Emperor beat time on the arms of his throne and smiled happily,

greeting them all as they fluttered by.

At the foot of the throne, two boys watched the dancing. The “little

lame Prince,” lame no longer. The little “waif,” a waif no longer, and

to-day, one of the world’s great violinists.

“Thou wilt be dancing with them, next Christmas, Liebchen,” said the

Emperor, patting his grandson’s curly head.

“Ye-e-s, sir,” assented Max, without enthusiasm; “but oh, Grandpapa

Franzchen,” he cried excitedly, “I’d rather run races in the garden

with Betty and Fritzl and Tzandi!”

“Well, thou canst do both,” laughed “Unser Franz.”

“Oh dear me,” sighed Betty, as the candles having burnt low in the

sconces, and upon the great tree, the last good nights were being

said: “Christmas is all over!”

“It will come again next year, little sister, it always does,” consoled

Max, “and next year it will be nicer for Fritzl, because he missed the

Christmas tree last night, you know, Betty!”

“It _couldn’t_ be nicer,” cried Fritzl, smiling gratefully at the

little brother and sister: “it’s the very most beautifullest Christmas

that ever was!” And Tzandi, whirling delightedly on his hind legs,

barked an ecstatic assent.

[Illustration]

Transcriber’s Notes

Italics are represented thus _italic_.

The following corrections have been applied to the text:

Page 12 - ...“Now God bless thee, Liebchen,’... _changed to_

...“Now God bless thee, Liebchen,”...

Page 12 - ...demurely to to the Emperor.... _changed to_

...demurely to the Emperor....

Page 28 - ...the lad who played to them’... _changed to_

...the lad who played to them,...

Christmas in Austria; or, Fritzl's friends · 第 7 / 7 章