CHAPTER 1

Produced by Marjorie Fulton

Richard Lovell Edgeworth

A SELECTION FROM HIS MEMOIRS

EDITED BY

BEATRIX L. TOLLEMACHE

(HON. MRS. LIONEL TOLLEMACHE)

RIVINGTON, PERCIVAL & CO.

KING STREET, COVENT GARDEN

LONDON

1896

By THE SAME AUTHOR

Engelberg, and Other Verses. With Frontispiece. Crown 8vo. 6s.

Jonquille, or, The Swiss Smuggler. Translated from the French of

MADAME COMBE. Crown 8vo. 6s.

Grisons Incidents in Olden Times. Crown 8vo. 2s. 6d.

LONDON RIVINGTON, PERCIVAL & CO.

LIFE IS AN INN

THERE is an inn where many a guest

May enter, tarry, take his rest.

When he departs there's nought to pay,

Only he carries nought away.

'Not so,' I cried, 'for raiment fine,

Sweet thoughts, heart-joys, and hopes that shine,

May clothe anew his flitting form,

As wings that change the creeping worm.

His toil-worn garb he casts aside,

And journeys onward glorified.'

B. L. T.

RICHARD LOVELL EDGEWORTH

CHAPTER 1

Some years ago, I came across the Memoirs of Richard Lovell

Edgeworth in a second-hand bookshop, and found it so full of

interest and amusement, that I am tempted to draw the attention of

other readers to it. As the volumes are out of print, I have not

hesitated to make long extracts from them. The first volume is

autobiographical, and the narrative is continued in the second

volume by Edgeworth's daughter Maria, who was her father's constant

companion, and was well fitted to carry out his wish that she should

complete the Memoirs.

Richard Lovell Edgeworth was born at Bath in

1744. He was a shining example of what a good landlord can do for

his tenants, and how an active mind will always find objects of

interest without constantly requiring what are called amusements;

for the leisure class should be like Sundays in a week, and as the

ideal Sunday should be a day when we can store up good and beautiful

thoughts to refresh us during the week, a day when there is no

hurry, no urgent business to trouble us, a day when we have time to

rise above the sordid details of life and enjoy its beauties; so it

seems to me that those who are not obliged to work for their living

should do their part in the world by adding to its store of good and

wise thoughts, by cultivating the arts and raising the standard of

excellence in them, and by bringing to light truths which had been

forgotten, or which had been hidden from our forefathers.

Richard Edgeworth was eminently a practical man, impulsive, as we

learn from his imprudent marriage at nineteen, but with a strong

sense of duty. His mother, who was Welsh, brought him up in habits

of thrift and industry very unlike those of his ancestors, which he

records in the early pages of his Memoirs. His great-grandmother

seems to have been a woman of strong character and courage in spite

of her belief in fairies and her dread of them, for he writes that

'while she was living at Liscard, she was, on some sudden alarm,

obliged to go at night to a garret at the top of the house for some

gunpowder, which was kept there in a barrel. She was followed

upstairs by an ignorant servant girl, who carried a bit of candle

without a candlestick between her fingers. When Lady Edgeworth had

taken what gunpowder she wanted, had locked the door, and was

halfway downstairs again, she observed that the girl had not her

candle, and asked what she had done with it; the girl recollected,

and answered that she had left it "stuck in the barrel of black

salt." Lady Edgeworth bid her stand still, and instantly returned by

herself to the room where the gunpowder was, found the candle as the

girl had described, put her hand carefully underneath it, carried it

safely out, and when she got to the bottom of the stairs dropped on

her knees, and thanked God for their deliverance'

When we remember that it was Richard Edgeworth, the father of Maria,

who trained and encouraged her first efforts in literature, we feel

that we owe him a debt of gratitude; but our interest is increased

when we read his Memoirs, for we then find ourselves brought into

close contact with a very intelligent and vigorous mind, keen to

take part in the scientific experiments of the day, while his

upright moral character and earnest and well-directed efforts to

improve his Irish property win our admiration; and when we remember

that he married in succession four wives, and preserved harmony

among the numerous members of his household, our admiration becomes

wonder, and we would fain learn the secret of his success. One

element in his success doubtless was that he kept every one around

him usefully employed, and in the manner most suited to each. He

knew how to develop innate talent, and did not crush or overpower

those around him. He owed much to the early training of a sensible

mother, and he gives an anecdote of his early childhood, which I

will quote:--

'My mother was not blind to my faults. She saw the danger of my

passionate temper. It was a difficult task to correct it; though

perfectly submissive to her, I was with others rebellious and

outrageous in my anger. My mother heard continual complaints of me;

yet she wisely forbore to lecture or punish me for every trifling

misdemeanour; she seized proper occasions to make a strong

impression upon my mind.

'One day my elder brother Tom, who, as I have said, was almost a man

when I was a little child, came into the nursery where I was

playing, and where the maids were ironing. Upon some slight

provocation or contradiction from him, I flew into a violent

passion; and, snatching up one of the boxirons which the maid had

just laid down, I flung it across the table at my brother. He

stooped instantly; and, thank God! it missed him. There was a redhot

heater in it, of which I knew nothing until I saw it thrown out, and

until I heard the scream from the maids. They seized me, and dragged

me downstairs to my mother. Knowing that she was extremely fond of

my brother, and that she was of a warm indignant temper, they

expected that signal vengeance would burst upon me. They all spoke

at once. When my mother heard what I had done, I saw she was struck

with horror, but she said not one word in anger to me. She ordered

everybody out of the room except myself, and then drawing me near

her, she spoke to me in a mild voice, but in a most serious manner.

First, she explained to me the nature of the crime which I had run

the hazard of committing; she told me she was sure that I had no

intention seriously to hurt my brother, and did not know that if the

iron had hit my brother, it must have killed him. While I felt this

first shock, and whilst the horror of murder was upon me, my mother

seized the moment to conjure me to try in future to command my

passions. I remember her telling me that I had an uncle by the

mother's side who had such a violent temper, that in a fit of

passion one of his eyes actually started out of its socket. "You,"

said my mother to me, "have naturally a violent temper; if you grow

up to be a man without learning to govern it, it will be impossible

for you then to command yourself; and there is no knowing what crime

you may in a fit of passion commit, and how miserable you may, in

consequence of it, become. You are but a very young child, yet I

think you can understand me. Instead of speaking to you as I do at

this moment, I might punish you severely; but I think it better to

treat you like a reasonable creature. My wish is to teach you to

command your temper--nobody can do that for you so well as you can

do it for yourself."

'As nearly as I can recollect, these were my mother's words; I am

certain this was the sense of what she then said to me. The

impression made by the earnest solemnity with which she spoke never,

during the whole course of my life, was effaced from my mind. From

that moment I determined to govern my temper.'

Acting upon the old adage that example is better than precept, his

mother taught him at an early age to observe the good and bad

qualities of the persons he met. The study of character she justly

felt to be most important, and yet it is not one of the subjects

taught in schools except by personal collision with other boys, and

incidentally in reading history. When sent to school at Warwick, he

learned not only the first rudiments of grammar, but 'also the

rudiments of that knowledge which leads us to observe the difference

of tempers and characters in our fellow-creatures. The marking how

widely they differ, and by what minute varieties they are

distinguished, continues, to the end of life, an inexhaustible

subject of discrimination.'

May not Maria have gained much valuable training in the art of

novel-writing from a father who was so impressed with the value of

the study of character?

The Gospel precept which we read as 'Judge not,' should surely be

translated 'Condemn not,' and does not forbid a mental exercise

which is necessary in our intercourse with others.

Among the circumstances which had considerable influence on his

character, he mentions: 'My mother was reading to me some passages

from Shakespeare's plays, marking the characters of Coriolanus and

of Julius Caesar, which she admired. The contempt which Coriolanus

expresses for the opinion and applause of the vulgar, for "the

voices of the greasyheaded multitude," suited well with that disdain

for low company with which I had been first inspired by the fable of

the Lion and the Cub.* It is probable that I understood the speeches

of Coriolanus but imperfectly; yet I know that I sympathised with my

mother's admiration, my young spirit was touched by his noble

character, by his generosity, and, above all, by his filial piety

and his gratitude to his mother.' He mentions also that 'some traits

in the history of Cyrus, which was read to me, seized my

imagination, and, next to Joseph in the Old Testament, Cyrus became

the favourite of my childhood. My sister and I used to amuse

ourselves with playing Cyrus at the court of his grandfather

Astyages. At the great Persian feasts, I was, like young Cyrus, to

set an example of temperance, to eat nothing but watercresses, to

drink nothing but water, and to reprove the cupbearer for making the

king, my grandfather, drunk. To this day I remember the taste of

those water-cresses; and for those who love to trace the characters

of men in the sports of children, I may mention that my character

for sobriety, if not for water-drinking, has continued through

life.'

* In Gay's Fables.

When Richard Edgeworth encouraged his daughter Maria's literary

tastes, he was doubtless mindful how much pleasure and support his

own mother had derived from studying the best authors; and when we

read later of the affectionate terms on which Maria stood with her

various stepmothers and their families, we cannot help thinking that

she must have inherited at least one of the beautiful traits in her

grandmother's character which Richard Edgeworth especially dwells

on: 'She had the most generous disposition that I ever met with; not

only that common generosity, which parts with money, or money's

worth, freely, and almost without the right hand knowing what the

left hand doeth; but she had also an entire absence of selfish

consideration. Her own wishes or opinions were never pursued merely

because they were her own; the ease and comfort of everybody about

her were necessary for her well-being. Every distress, as far as her

fortune, or her knowledge, or her wit or eloquence could reach, was

alleviated or removed; and, above all, she could forgive, and

sometimes even forget injuries.'

Richard's taste for science early showed itself, when at seven years

old his curiosity was excited by an electric battery which was

applied to his mother's paralysed side. He says:--

'At this time electricity was but little known in Ireland, and its

fame as a cure for palsy had been considerably magnified. It, as

usual, excited some sensation in the paralytic limbs on the first

trials. One of the experiments on my mother failed of producing a

shock, and Mr. Deane seemed at a loss to account for it. I had

observed that the wire which was used to conduct the electric fluid,

had, as it hung in a curve from the instrument to my mother's arm,

touched the hinge of a table which was in the way, and I had the

courage to mention this circumstance, which was the real cause of

failure.'

It was when he was eight years old, and while travelling with his

father, that his attention was caught by 'a man carrying a machine

five or six feet in diameter, of an oval form, and composed of

slender ribs of steel. I begged my father to inquire what it was. We

were told that it was the skeleton of a lady's hoop. It was

furnished with hinges, which permitted it to fold together in a

small compass, so that more than two persons might sit on one seat

of a coach--a feat not easily performed, when ladies were

encompassed with whalebone hoops of six feet extent. My curiosity

was excited by the first sight of this machine, probably more than

another child's might have been, because previous agreeable

associations had given me some taste for mechanics, which was still

a little further increased by the pleasure I took in examining this

glittering contrivance. Thus even the most trivial incidents in

childhood act reciprocally as cause and effect in forming our

tastes.'

It was in 1754 that Mrs. Edgeworth, continuing much out of health,

resolved to consult a certain Lord Trimblestone, who had been very

successful in curing various complaints. Lord Trimblestone received

Mr. and Mrs. Edgeworth most cordially and hospitably, and though he

could not hope to cure her, recommended some palliatives. He had

more success with another lady whose disorder was purely nervous.

His treatment of her was so original that I must quote it at

length:

'Instead of a grave and forbidding physician, her host, she found,

was a man of most agreeable manners. Lady Trimblestone did

everything in her power to entertain her guest, and for two or three

days the demon of ennui was banished. At length the lady's vapours

returned; everything appeared changed. Melancholy brought on a

return of alarming nervous complaints--convulsions of the limbs

--perversion of the understanding--a horror of society; in short,

all the complaints that are to be met with in an advertisement

enumerating the miseries of a nervous patient. In the midst of one

of her most violent fits, four mutes, dressed in white, entered her

apartment; slowly approaching her, they took her without violence in

their arms, and without giving her time to recollect herself,

conveyed her into a distant chamber hung with black and lighted with

green tapers. From the ceiling, which was of a considerable height,

a swing was suspended, in which she was placed by the mutes, so as

to be seated at some distance from the ground. One of the mutes set

the swing in motion; and as it approached one end of the room, she

was opposed by a grim menacing figure armed with a huge rod of

birch. When she looked behind her, she saw a similar figure at the

other end of the room, armed in the same manner. The terror,

notwithstanding the strange circumstances which surrounded her, was

not of that sort which threatens life; but every instant there was

an immediate hazard of bodily pain. After some time, the mutes

appeared again, with great composure took the lady out of the swing,

and conducted her to her apartment. When she had reposed some time,

a servant came to inform her that tea was ready. Fear of what might

be the consequence of a refusal prevented her from declining to

appear. No notice was taken of what had happened, and the evening

and the next day passed without any attack of her disorder. On the

third day the vapours returned--the mutes reappeared--the menacing

flagellants again affrighted her, and again she enjoyed a remission

of her complaints. By degrees the fits of her disorder became less

frequent, the ministration of her tormentors less necessary, and in

time the habits of hypochondriacism were so often interrupted, and

such a new series of ideas was introduced into her mind, that she

recovered perfect health, and preserved to the end of her life

sincere gratitude for her adventurous physician.'

Three years were spent by Richard at Corpus Christi College, Oxford,

while his vacations were often passed at Bath by the wish of his

father, who was anxious that his son should be introduced to good

society at an early age. It was there that Richard saw Beau Nash,'

the popular monarch of Bath,' and also 'the remains of the

celebrated Lord Chesterfield. I looked in vain for that fire, which

we expect to see in the eye of a man of wit and genius. He was

obviously unhappy, and a melancholy spectacle.' Of the young ladies

he says: 'I soon perceived that those who made the best figure in

the ballroom were not always qualified to please in conversation; I

saw that beauty and grace were sometimes accompanied by a frivolous

character, by disgusting envy, or despicable vanity. All this I had

read of in poetry and prose, but there is a wide difference,

especially among young people, between what is read and related, and

what is actually seen. Books and advice make much more impression in

proportion as we grow older. We find by degrees that those who lived

before us have recorded as the result of their experience the very

things that we observe to be true.'

It was while still at college that he married Miss Elers without

waiting for his father's consent; he soon found that his young wife

did not sympathise with his pursuits; but he adds, 'Though I

heartily repented my folly, I determined to bear with firmness and

temper the evil, which I had brought upon myself. Perhaps pride had

some share in my resolution.'

He had a son before he was twenty, and soon afterwards took his wife

to Edgeworth Town to introduce her to his parents; but a few days

after his arrival his mother, who had long been an invalid, felt

that her end was approaching, and calling him to her bedside, told

him, with a sort of pleasure, that she felt she should die before

night. She added: 'If there is a state of just retribution in

another world, I must be happy, for I have suffered during the

greatest part of my life, and I know that I did not deserve it by my

thoughts or actions.'

Her dying advice to him was,'"My son, learn how to say No." She

warned me further of an error into which, from the vivacity of my

temper, I was most likely to fall. "Your inventive faculty," said

she, "will lead you eagerly into new plans; and you may be dazzled

by some new scheme before you have finished, or fairly tried what

you had begun. Resolve to finish; never procrastinate."'

Richard Lovell Edgeworth: A Selection From His Memoirs · 第 1 / 12 章