ACT IV

_Scene as Act I, except that the room has a bareness indicative of a

recent removal. The bookcase is on the floor instead of being fastened

to the wall, and no pictures are hung._

_Mrs. Garside, dressed as Act I, sits dejectedly in the rocking-chair.

A knock at the door, centre. Mrs. Garside sighs heavily, rouses herself

slowly, crosses and opens door. Denis O'Callagan is on the doorstep. The

blind is drawn. One incandescent light._

*****

O'Cal. May I come in, Mrs. Garside?

Mrs. G. And welcome, Mr. O'Callagan.

[_He enters. She closes door._

O'Cal. (_coming centre, in front of table, glancing upwards_). Still the

same?

Mrs. G. (_standing centre, gloomily_). Oh, yes. He doesn't seem to care

for anything.

O'Cal. I can hear him moving about upstairs.

Mrs. G. (_sitting left of table, as if too weary to stand_). I never

hear anything else. It's driving me mad. Up and down, up and down, all

day long, and all night too, till he drops because he's too tired to put

one foot before the other. It's like a wild beast in a cage.

O'Cal. You've not got him to go out yet?

Mrs. G. Nor look like doing till he's carried out feet foremost. He says

he'll never show his face in Midlandton again. I've done all the work.

Getting the furniture out of store and everything. Peter didn't raise a

hand.

O'Cal. You dropped lucky finding the old house empty.

Mrs. G. I don't know if I did. It reminds him. Won't take his food now.

That's the latest. Not that I've much to give him. Heaven knows where

it'll end. We with no money coming in and nearly every penny as we had

gone to pay his debts in London and fetch us here. Workhouse next, I

reckon.

O'Cal. (_patting her shoulder encouragingly_). Let you not be talking

like that, Mrs. Garside. There's no call to despair. Peter's got to be

roused.

Mrs. G. Haven't we tried and failed? If you fancy you know the way to do

it I'll be obliged by your telling me.

O'Cal. Oh, we've not tried them all yet.

Mrs. G. (_vigorously_). Then for God's sake go up to him and try.

O'Cal. (_without moving_). Sure he's not himself at all.

Mrs. G. (_rising, with more force in her voice_). Denis O'Callagan, if

you've a plan to rouse my poor boy I've told you to go upstairs and try

it on him. If you've come to stand there like a log and tell me what

I've known this week and more, there's my door, and the sooner you put

your ugly face outside it the better you'll please me.

O'Cal. (_giving way a little_). I come to tell you of the cure we will

be putting on him. I'm thinking it won't be to your taste and you short

tempered with your trouble.

Mrs. G. Do you think I care what it is so it puts an end to this?

O'Cal. Is that the truth you're telling me?

Mrs. G. Truth! Bless the man. I'm at the bitter end.

O'Cal. (_briskly_). Then I'll be stepping out and bringing out my cure.

I didn't fetch her in because I knew you quarrelled with her. (_He

reaches the door and puts his hand to the latch._)

Mrs. G. Stop! Do you mean Margaret Shaweross?

O'Cal. Yes. (_He takes a step towards table. They speak across it._)

Mrs. G. That woman doesn't cross my threshold.

O'Cal. The sight of her _'_ull bring the life back into Peter.

Mrs. G. No.

O'Cal. You said you wouldn't care what I did.

Mrs. G. I didn't know you meant her.

O'Cal. (_coming round table_). No, and you called me all the names you

could lay your tongue to when I came in last week.

Mrs. G. I thought you one of the lot that ruined Peter. I've told you

I'm sorry for what I said.

O'Cal. Yes. You see it now. Why won't you see Miss Shaweross is a friend

as well?

Mrs. G. (_sullenly_). She's a woman.

O'Cal. And can't you be mistaken about a woman just as much as a man?

Mrs. G. She never did Peter any good. She always thought too little of

him.

O'Cal. (_pleadingly_). Give her a chance, Mrs. Garside, she loves him.

Mrs. G. She'd a queer way of showing it, then.

O'Cal. She loves him.

Mrs. G. (_hotly_). And don't I love him? If love's all he wants to put

him right, won't his mother----

O'Cal. There's different kinds of love. Let her try hers.

Mrs. G. (_grimly_). Yes. Let her try.

O'Cal. (_moving eagerly_). May I?

Mrs. G. Bring her in.

[_O'Callagan goes to door, then turns suddenly suspicious._

O'Cal. You're not going to be rude to her?

Mrs. G. I'm going to give her her chance fair and square. Loves him,

does she? We'll see if her love's good enough to do what my love can't,

and I'll own I'm wrong about her. She'll get no second chance.

O'Cal. She'll need none, neither.

Mrs. G. Well, we'll see. Open the door and call her in.

[_O'Callagan opens door and calls off._

O'Cal. Will you come in, Miss Shawcross?

[_Enter Margaret in a plain winter costume with a cheap fur round her

neck._

O'Cal. (_in her ear as she passes him_). It's all right.

[_He closes door, Margaret crosses to Mrs. Garside._

Mar. (_anxiously--waiving ceremony_). How is he, Mrs. Garside?

Mrs. G. (_turning from her to O'Callagan_). Bring him down, Denis,

you know the way. (_O'Callagan crosses and exit r. Mrs. Garside

faces Margaret._) We'll understand each other first. You're here on

sufferance. I've let you in same as I would a doctor, because O'Callagan

thinks there's a chance you'll cure Peter. We're strangers till you've

done it.

Mar. I understand. Thank you for letting me come. How is he?

Mrs. G. He's like to die because he doesn't want to live.

[_Enter r., O'Callagan and Peter, whose spectacular disarray is

nicely calculated. Physically he appears normal, but his ruffled hair,

cross-buttoned waistcoat unbuttoned collar and crooked black tie give

the appearance of hopeless abandon. He enters wearily, forgetting

himself for a moment on seeing Margaret and speaking vigorously._

Peter. You here! (_Turns as if to go back, but O'Callagan closes the

door quickly._) Why didn't you tell me, Denis?

Mar. (_stepping forward_). Don't go. I've come to see you, Peter.

Peter. I'm not on exhibition. What have you come for? To gloat over me,

to see for yourself how well you prophesied when you told me I should

fail. (_He turns his back on her, only to face O'Callagan._)

O'Cal. I'm telling you you're not a failure. It's just a temporary check

in your career you've had.

Peter (_sullenly_). My career's ended.

[_Mrs. Garside sits in the rocking-chair, aloof, watching._

Mar. At twenty-six, Peter?

Peter (_turning_). That's my tragedy. Waste. At twenty-six I'm looking

backward on a closed account. The future's blank--all the brilliant

fruitful years I might have lived.

Mar. That you _will_ live, Peter.

Peter (_sitting left of table, elbows on table and head in hands_). Oh,

what's the use of that? I'm finished. Out, middle stump. And there's no

second innings in life.

O'Cal. Isn't there? Don't the people need you just as much as ever?

Peter (_without turning to him_). The people have no use for broken

idols, Denis.

Mar. But _we_ need you, Peter.

Peter (_looking up_). Who are we?

Mar. Your own people.

Peter. You! You never believed in me.

Mar. I always thought you'd the wrong temperament for Parliament.

Peter. You knew me for the rotten failure that I am. I congratulate you

on your perspicacity.

Mar. (_shaking her head_). I'm not proud of it. What do you propose to

do?

Peter. I don't propose to do anything. (_Resuming the hopeless

attitude_). I've shot my bolt. I'm a man with a past, an ex-M.P.,

ex-Everything.

O'Cal. (_with conviction_). You're a blazing idiot.

Peter. I quite agree.

O'Cal. You're not. You know you're not. I'm only saying it to rouse you.

Peter. You'll say nothing that I won't agree with.

O'Cal. All right. You've a big future before you.

Peter. I can't agree to that.

O'Cal. You have. You're going to----

Peter. I'm going to take it lying down, Denis, and that's all there is

to it.

Mar. That's a pretty mean thing to say, Peter.

Peter. Oh, taunts don't sting me now. I've reached the further side of

agony.

Mar. (_sitting at table, centre, leaning on it very close to Peter, and

speaking without a trace of sympathy_). Peter, don't you think you've

made sufficient demonstration of your grief?

Peter. Demonstration?

Mar. We're all tremendously impressed. You've thoroughly alarmed

us. That's what you wanted, wasn't it? (_Peter meets her eye

questioningly._) To prove to yourself that after all you're still of

consequence to somebody. It's quite true, Peter. We're not content to

watch you sulk to death. You've made your big effect. For a week you've

had the joy of fostering your wound, keeping it open for all the world

to see how hardly you've been hit, but it's time you healed it now.

Peter (_hiding his head on the table_). Misunderstood!

Mar. Misunderstood? (_Rising and tapping the table._) Or found out,

Peter? Which?

Peter (_pitiably turning, still sitting, to Mrs. Garside_). Mother, you

let these people in. Are you going to sit there and let them bully a

sick man?

Mar. (_admiringly_). That's a good pose, Peter. The great, strong,

self-willed man brought down to crying to his mammie.

Peter (_in an agonised shriek_). Mother!

Mrs. G. (_firmly_). I'm not going to interfere. I promised Margaret her

own way.

Peter. But----

Mrs. G. (_interrupting, dryly_). Besides, I think there may be something

in it.

[_Peter hides his face again with a deep "Oh!"_

O'Cal. (_putting his hand on Peter's shoulder_). Be a man, Peter.

Peter (_looking up at him_). Yes, it's all very well for you to talk.

You with your beastly robust health. I'm an invalid.

Mar. I assure you, you're not looking half so feeble as you did. You're

improving under treatment.

Peter. Then I must thrive on torture.

Mar. Something's doing you good. You're not the woebegone catastrophe

you were.

Peter (_rising_). I won't tolerate this.

Mar. You prefer to be a catastrophe, in fact?

Peter (_moving right_). I want to be left alone. I'm going to my

bedroom. You can't follow me there.

Mar. Oh, you'll not escape that way. I don't in the least mind invading

your bedroom. A doctor has privileges.

Peter. All right. I'll go out, then. Mother, where's my hat?

Mar. Splendid. Fresh air will do you good.

Peter. I won't go out. They'll mock me in the streets.

Mar. Then you prefer my medicine? I'll go on dosing you.

Peter (_sitting centre, behind table, covering face_). I'll close my

eyes and stop my ears.

Mar. (_taking her hat off_). The night is young. (_She puts her hat on

the bookcase and her fur on it._)

Peter (_turning and watching her_). Oh! So it's to be a trial of

strength, is it?

Mar. Just as you like. As I'm strong and you're weak, I ought to win.

Peter. We'll see if I'm weak.

Mar. Of course, I've only your word for it.

[_Margaret takes chair from wall, right, and puts it before fire._

Peter. Weak as I am, I'm strong enough to tire you out. (_Folding his

arms._)

Mar. I don't go to work till nine in the morning. (_Sitting on her

chair._) You don't mind my making myself comfortable for the night, Mrs.

Garside?

Mrs. G. I've told you I'm not interfering, Margaret. You can do as you

like.

Mar. Denis, go home. I want to be alone with Peter.

Peter. Stay where you are, Denis. Don't leave me alone with her.

O'Cal. Don't! But I will and sharp too, for it's wishing you a quick

recovery I am, and the more you hate your medicine the better it is for

you. Good night.

[_Exit O'Callagan, l._

Mar. Now, Peter, I'm going to talk to you.

Mrs. G. I'll take myself out of your way. (_Going r._)

Peter. Mother! You too! Haven't I a friend in the world?

Mrs. G. You wouldn't listen to me. It's her turn how. Call me if you

want me, Margaret.

[_Exit Mrs. Garside, r._

Peter (_sitting c., stopping his ears_). I shan't listen.

Mar. (_sitting and making herself ostentatiously comfortable in the

rocking-chair, poking fire_). Oh, take your time. I'm quite comfortable.

(_She leans back humming "Home, Sweet Home"_)

Peter (_unstopping his ears_). What?

Mar. Oh, could you hear? You're such a bad listener as a rule. You much

prefer to talk.

Peter (_folding his arms_). My talking days are past. I'll be as mute as

a fish. Go on. Say what you like. I'll stand it all.

Mar. (_rising and looking down on him_). Peter, Peter, how young you

are!

Peter (_rising excitedly_). Young! I'm not young.

Mar. I thought you were going to be silent.

Peter (_walking up and down_). Young! As if youth had anything to do

with arithmetic and the number of one's years. I'm old in suffering and

experience. I'm an old, old man.

Mar. (_standing c. against table, watching_). When you sow wild oats

that old feeling is usually part of the crop.

Peter (_hotly_). I haven't sown wild oats. I'm not that sort of man.

(_Hesitating._) Unless you mean----

Mar. I didn't, but I might have done.

Peter (_sitting, sullenly_). I wish there were no such things as women

in the world!

Mar. The bi-sexual system has its disadvantages. But we'll forget Miss

Mottram, Peter. That was a private indiscretion. You sowed your wild

oats publicly in the fierce light that beats upon a politician. That was

the arrogance of youth.

Peter. I'm not so young as you.

Mar. No. Youth is a gift we both possess. I don't intend to waste mine,

Peter.

Peter. No? Well, you've me before you as an awful warning. I'm a living

cautionary tale. I'm---- O, what's the good of talking?

Mar. Here's a change of front! You used to tell me talking was the

finest thing you knew.

Peter. Margaret, have you no reverence at all?

Mar. For talking?

Peter. For human suffering. You're mocking at my life's tragedy. You

hummed a tune just now you must have known was agony to me. My home in

Midlandton! It's like living in an ashpit.

Mar. Oh, no, it's not, and if it is, the microbes can be happy in their

insignificance.

Peter (_solemnly_). I shall not know happiness again.

Mar. Oh, need you keep it up with me, Peter?

Peter (_surprised_). Keep what up?

Mar. The pose. You've had your fun with us.

Peter. Fun!

Mar. You've brought us to your feet. We've all come: all of us who care.

Peter. Care? What do you care for me? Why should you care for a broken

man, a derelict, one of the legion of the lost, a rotten----

Mar. (_vigorously_). Will you stop embroidering? Do you think I've come

to listen to all the pretty phrases you've spent a week inventing about

yourself?

Peter. Heaven knows what you came for.

Mar. You know as well as Heaven does.

Peter. Do I? But it's---- So much has happened since. That's all so long

ago.

Mar. Less than a year, Peter.

Peter. A year! What's a year! From poverty to Parliament, from

Parliament to hell.

Mar. Still spinning phrases, Peter.

Peter (_sincerely_). I'm a pauper, Margaret. That's not a phrase, it's a

fact.

Mar. Is there no work to be done in the world?

Peter. A man like me wants something else than bread to work for. I had

a career once, it's gone today.

Mar. Thank God, it is.

Peter. Yes, if you like, thank God for it. It deserved to go. But

nothing's left worth living for.

Mar. I'll give you that.

Peter. What?

Mar. The object, Peter. Don't say again you don't know why I came.

Peter. Yes, Margaret, I know.

Mar. Why not admit it, then?

Peter. Because I daren't. A man who's fallen as I fell deserves no

second ehanee. I've been a silly fool, but it won't mend that to be a

criminal fool.

Mar. What do you mean by being a criminal fool?

Peter. I might have acted as I meant to act when next I saw you.

Mar. How did you mean to act?

Peter. I meant to ask forgiveness on my knees for all the things I said

to you. Up in my room I'd come to see it all, sec what a swine I'd been,

how right you were, how much you knew me better than I knew myself. I

thought in London that I'd met the worst. I thought my bitterest hour

was past. But worst and bitterest of all was when I realised all that

I'd done to you, all that that doing made me miss.

Mar. (_hardly_). Then when I came you didn't do as you intended.

Peter. Margaret, I saw you and I felt ashamed. It's one thing to decide

within one's mind to do a thing, but quite another thing to do it in

the flesh. I saw you, saw the suffering in your face and knew that I had

caused it all. I felt ashamed to speak.

Mar. Ashamed to ask forgiveness? Ashamed to carry out your plan?

Peter. We weren't alone. There were others there.

Mar. Just pride, in fact. You were too proud to ask. And when the others

went?

Peter. Oh, yes. Yes. Pride again. Then, too, until----

Mar. Till when? You've not asked yet.

Peter. Margaret, am I worth while forgiving?

Mar. Peter, when your mother let me come, I came.

Peter. Yes!

Mar. So I thought it worth while.

Peter. Margaret, you are so beautiful, and I----

Mar. Listen to me, Peter. You tell me I am beautiful. You told me I am

young. I am, but I'm a year older than I was twelve months ago. Twelve

months ago, when you----

Peter. Yes. I know.

Mar. It's been a crowded year for you. (_Gesture from Peter._) Too

crowded, yes, but there was glamour in it all. You've paid a price, but

you've known the flavour of success. You've had your fun. I've spent

my year in Midlandton--(_Peter shudders_)--a plaee where one can live,

Peter. Oh, yes, one can. But I've been lonely here. A year's dropped

from me sadly, slowly. I've kept myself alive and that, the daily round,

is all my history, while you--well, never mind. The past is past. We're

where we were a year ago, a little older, just a little less in love

with life, but still we're here, Peter. You and I, just as we were

before.

Peter. Just as we were?

Mar. Why not? Love understands. We're both a little scarred. We both

need picking up and making whole. We need each other, Peter.

Peter. You need me! Margaret, you're not just putting it that way

because----

Mar. Because it's true. We need each other badly.

Peter (_taking her_). Margaret!

Mar. So you will have me, Peter?

Peter. I think I always loved you, Margaret. Throughout the madness of

my pride, behind it all, I think I never quite forgot the great

reality of you. I've been ambition's drunkard, but behind the mist of

self-deluded dream, the light shone dimly though. London brought me no

peace.

Mar. I'll bring you peace.

Peter. I think you will. (_From her._) Oh, but it's madness, madness,

Margaret. What are we thinking of?

Mar. Our happiness.

Peter. Yes, for a moment we've been happy fools. Now I'm awake.

Mar. And so?

Peter. And so good-bye.

Mar. Indeed?

Peter. Oh, would to God, it needn't be. But here I am, an outcast,

and----

Mar. (_quickly_). No phrases, Peter.

Peter. I'm a man without a job, Margaret. I can't keep myself, let alone

anyone else.

Mar. Have you tried?

Peter. I've thought of ways. Scraps of journalism, perhaps. I might

live that way for a time. I'm a notorious person. They'll take my stuff

until--my--my escapade's forgotten. Then they'll drop me.

Mar. Excellent reasons for not being a journalist.

Peter. I'm fit for nothing else. I thought I had supporters, friends

who'd rally round when the official party sent me to the rightabout.

I've waited there a week. I have no friends.

Mar. You don't need friends. You want an employer, and I thought you

were a skilled mechanic.

Peter. Yes. As a matter of fact I did have a vague idea of going in for

aeroplanes.

Mar. Oh, Peter, Peter, still the high flights!

Peter (_earnestly_). There's money in it, Margaret.

Mar. For the mechanic?

Peter. I shouldn't be a mechanic long. A man of original mind like me is

bound to be ahead of the crowd. I've to keep moving fast. I can't wait

for the mob to catch me up. Yes, there's something in that aeroplane

idea.

Mar. There is. Fame. Applause. Incense. Everything that ruined you

before.

Peter. You can't be famous without risk.

Mar. Why be famous?

Peter. That's your doing. You wakened my ambitions. They're there now,

ineradically fixed, and if they weren't there for myself, they would be

there for you.

Mar. For me? I don't want them, Peter. Fight them down. Be humble.

Peter. I'm not built for humility.

Mar. Drop your ambition, Peter. You will feel like Christian when he

lost his pack.

Peter. What do you want me to do?

Mar. There is always room for you at your old place.

Peter. Back to the mechanic's bench. In Midlandton, where everybody

knows! That's humble pie with a vengeance.

Mar. A new beginning, Peter.

Peter. There's no such thing. In life, we pay.

Mar. We'll pay together then.

Peter. I can't go back.

Mar. A man can do things for his woman, Peter, when he can't do them for

himself.

Peter. You want me to go back?

Mar. Yes, Peter, back to the starting-place.

Peter. It's a bitter pill.

Mar. But won't you swallow it--for me? For my sake, Peter.

Peter. Yes, Margaret, you've won. I'll go back if they'll have me.

Mar. Thank you, Peter.

Peter. Don't thank me, dear. It's----

Mar. Why not? It means I'm going to have my heart's desire.

Peter. What's that?

Mar. Just you.

Peter. Margaret!

Mar. Yes, Peter.

Peter. Are you happy?

Mar. Yes.

Peter. Yes? Only yes? When I'm almost afraid to be so happy, when----

Mar. Yes, Peter, when you are down, you are very, very down, and when

you're up you are up----

Peter. That's the way with all geniuses. Oh, I forgot. I'm not a----

Mar. Never mind. You're genius enough for me. Only, we'll stop telling

other people about it, eh, Peter? Now let's go to your mother.

[_They move r. together._

CURTAIN.

Garside's Career: A Comedy in Four Acts · 第 4 / 4 章