CHAPTER XXV.

THE AUSTRIAN ALPS.

It was nearly dark when we came to the end of the plain and looked on

the city at our feet and the lovely lake that lost itself in the

mountains before us. We were early on board the steamboat next morning,

with a cloudless sky above us and a snow-crested Alp beckoning on from

the end of the lake. The water was of the most beautiful green hue, the

morning light colored the peaks around with purple, and a misty veil

rolled up the rocks of the Traunstein. We stood on the prow and enjoyed

to the fullest extent the enchanting scenery. The white houses of

Gmunden sank down to the water's edge like a flock of ducks; halfway we

passed castle Ort, on a rock in the lake, whose summit is covered with

trees.

As we neared the other extremity, the mountains became steeper and

loftier; there was no path along their wild sides, nor even a fisher's

hut nestled at their feet, and the snow filled the ravines more than

half-way from the summit. An hour and a quarter brought us to Ebensee,

at the head of the lake, where we landed and plodded on towards Ischl,

following the Traun up a narrow valley, whose mountain walls shut out

more than half the sky. They are covered with forests, and the country

is inhabited entirely by the woodmen who fell the mountain pines and

float the timber rafts down to the Danube. The steeps are marked with

white lines, where the trees have been rolled, or rather _thrown_ from

the summit. Often they descend several miles over rooks and precipices,

where the least deviation from the track would dash them in a thousand

pieces. This generally takes place in the winter when the sides are

covered with snow and ice. It must be a dangerous business, for there

are many crosses by the way-side where the pictures represent persons

accidentally killed by the trees; an additional painting represents

them as burning in the flames of purgatory, and the pious traveler is

requested to pray an Ave or a Paternoster for the repose of their souls.

On we went, up the valley of the Traun, between mountains five and six

thousand feet high, through scenes constantly changing and constantly

grand, for three or four hours. Finally the hills opened, disclosing a

little triangular valley, whose base was formed by a mighty mountain

covered with clouds. Through the two side angles came the Traun and his

tributary the Ischl, while the little town of Ischl lay in the centre.

Within a few years this has become a very fashionable bathing place, and

the influx of rich visitors, which in the summer sometimes amounts to

two thousand, has entirely destroyed the primitive simplicity the

inhabitants originally possessed. From Ischl we took a road through the

forests to St. Wolfgang, on the lake of the same name. The last part of

the way led along the banks of the lake, disclosing some delicious

views. These Alpine lakes surpass any scenery I have yet seen. The water

is of the most beautiful green, like a sheet of molten beryl, and the

cloud-piercing mountains that encompass them shut out the sun for nearly

half the day. St. Wolfgang is a lovely village in a cool and quiet nook

at the foot of the Schafberg. The houses tire built in the picturesque

Swiss style, with flat, projecting roofs and ornamented balconies, and

the people are the very picture of neatness and cheerfulness.

We started next morning to ascend the Schafberg, which is called the

Righi of the Austrian Switzerland. It is somewhat higher than its Swiss

namesake, and commands a prospect scarcely less extensive or grand. We

followed a footpath through the thick forest by the side of a roaring

torrent. The morning mist still covered the lake, but the white summits

of the Salzburg and Noric Alps opposite us, rose above it and stood pure

and bright in the upper air. We passed a little mill and one or two

cottages, and then wound round one of the lesser heights into a deep

ravine, down in whose dark shadow we sometimes heard the axe and saw of

the mountain woodmen. Finally the path disappeared altogether under a

mass of logs and rocks, which appeared to have been whirled together by

a sudden flood. We deliberated what to do; the summit rose several

thousand feet above us, almost precipitously steep, but we did not like

to turn back, and there was still a hope of meeting with the path again.

Clambering over the ruins and rubbish we pulled ourselves by the limbs

of trees up a steep ascent and descended again to the stream. We here

saw the ravine was closed by a wall of rock and our only chance was to

cross to the west side of the mountain, where the ascent seemed somewhat

easier. A couple of mountain maidens whom we fortunately met, carrying

home grass for their goats, told us the mountain could be ascended on

that side, by one who could climb _well_--laying a strong emphasis on

the word. The very doubt implied in this expression was enough to decide

us; so we began the work. And work it was, too! The side was very steep,

the trees all leaned downwards, and we slipped at every step on the dry

leaves and grass. After making a short distance this way with the

greatest labor, we came to the track of an avalanche, which had swept

away the trees and earth. Here the rock had been worn rough by torrents,

but by using both hands and feet, we clomb directly up the side of the

mountain, sometimes dragging ourselves up by the branches of trees where

the rocks were smooth. After half an hour of such work we came above the

forests, on the bare side of the mountain. The summit was far above us

and so steep that our limbs involuntarily shrunk from the task of

climbing. The side ran up at an angle of nearly sixty degrees, and the

least slip threw us flat on our faces. We had to use both hand and foot,

and were obliged to rest every few minutes to recover breath.

Crimson-flowered moss and bright blue gentians covered the rocks, and I

filled my books with blossoms for friends at home.

Up and up, for what seemed an age, we clambered. So steep was it, that

the least rocky projection hid my friend from sight, as he was coming up

below me. I let stones roll sometimes, which went down, down, almost

like a cannonball, till I could see them no more. At length we reached

the region of dwarf pines, which was even more difficult to pass

through. Although the mountain was not so steep, this forest, centuries

old, reached no higher than our breasts, and the trees leaned downwards,

so that we were obliged to take hold of the tops of those above us, and

drag ourselves up through the others. Here and there lay large patches

of snow; we sat down in the glowing June sun, and bathed our hands and

faces in it. Finally the sky became bluer and broader, the clouds seemed

nearer, and a few more steps through the bushes brought us to the summit

of the mountain, on the edge of a precipice a thousand feet deep, whose

bottom stood in a vast field of snow!

We lay down on the heather, exhausted by five hours' incessant toil, and

drank in like a refreshing draught, the sublimity of the scene, The

green lakes of the Salzburg Alps lay far below us, and the whole

southern horizon was filled with the mighty range of the Styrian and

Noric Alps, their summits of never-melting snow mingling and blending

with the clouds. On the other side the mountains of Salzburg lifted

their ridgy backs from the plains of Bavaria and the Chiem lake lay

spread out in the blue distance. A line of mist far to the north

betrayed the path of the Danube, and beyond it we could barely trace the

outline of the Bohemian mountains. With a glass the spires of Munich,

one hundred and twenty miles distant, can be seen. It was a view whose

grandeur I can never forget. In that dome of the cloud we seemed to

breathe a purer air than that of earth.

After an hour or two, we began to think of descending, as the path was

yet to be found. The summit, which was a mile or more in length,

extended farther westward, and by climbing over the dwarf pines for some

time, we saw a little wooden house above us. It stood near the highest

part of the peak, and two or three men were engaged in repairing it, as

a shelter for travelers. They pointed out the path which went down on

the side toward St. Gilgen, and we began descending. The mountain on

this side is much less steep, but the descent is fatiguing enough. The

path led along the side of a glen where mountain goats were grazing, and

further down we saw cattle feeding on the little spots of verdure which

lay in the forest. My knees became so weak from this continued descent,

that they would scarcely support me; but we were three hours, partly

walking and partly running down, before we reached the bottom. Half an

hour's walk around the head of the St. Wolfgang See, brought us to the

little village of St. Gilgen.

The valley of St. Gilgen lies like a little paradise between the

mountains. Lovely green fields and woods slope gradually from the

mountain behind, to the still greener lake spread out before it, in

whose bosom the white Alps are mirrored. Its picturesque cottages

cluster around the neat church with its lofty spire, and the simple

inhabitants have countenances as bright and cheerful as the blue sky

above them. We breathed an air of poetry. The Arcadian simplicity of the

people, the pastoral beauty of the fields around and the grandeur of the

mountains which shut it out from the world, realized my ideas of a

dwelling place, where, with a few kindred spirits, the bliss of Eden

might almost be restored.

We stopped there two or three hours to relieve our hunger and fatigue.

My boots had suffered severely in our mountain adventure, and I called

at a shoemaker's cottage to get them repaired. I sat down and talked for

half an hour with the family. The man and his wife spoke of the

delightful scenery around them, and expressed themselves with

correctness and even elegance. They were much pleased that I admired

their village so greatly, and related every thing which they supposed

could interest me. As I rose to go, my head nearly touched the ceiling,

which was very low. The man exclaimed: "Ach Gott! how tall!" I told him

the people were all tall in our country; he then asked where I came

from, and I had no sooner said America, than he threw up his hands and

uttered an ejaculation of the greatest surprise. His wife observed that

"it was wonderful how far man was permitted to travel." They wished me a

prosperous journey and a safe return home.

St. Gilgen was also interesting to me from that beautiful chapter in

"Hyperion"--"Footsteps of Angels,"--and on passing the church on my way

back to the inn, I entered the graveyard mentioned in it. The green turf

grows thickly over the rows of mounds, with here and there a rose

planted by the hand of affection, and the white crosses were hung with

wreaths, some of which had been freshly laid on. Behind the church,

under the shade of a tree, stood a small chapel,--I opened the

unfastened door, and entered. The afternoon sun shone through the side

window, and all was still around. A little shrine, adorned with flowers,

stood at the other end, and there were two tablets on the wall, to

persons who slumbered beneath, I approached these and read on one of

them with feelings not easily described: "Look not mournfully into the

past--it comes not again; wisely improve the present--it is thine; and

go forward to meet the shadowy future, without fear, and with a manly

heart!" This then was the spot where Paul Flemming came in loneliness

and sorrow to muse over what he had lost, and these were the words whose

truth and eloquence strengthened and consoled him, "as if the unknown

tenant of the grave had opened his lips of dust and spoken those words

of consolation his soul needed." I sat down and mused a long time, for

there was something in the silent holiness of the spot, that impressed

me more than I could well describe.

We reached a little village on the Fuschel See, the same evening, and

set off the next morning for Salzburg. The day was hot and we walked

slowly, so that it was not till two o'clock that we saw the castellated

rocks on the side of the Gaissberg, guarding the entrance to the valley

of Salzburg. A short distance further, the whole glorious panorama was

spread out below us. From the height on which we stood, we looked

directly on the summit of the Capuchin Mountain, which hid part of the

city from sight; the double peak of the Staufen rose opposite, and a

heavy storm was raging along the Alpine heights around it, while the

lovely valley lay in sunshine below, threaded by the bright current of

the Salza. As we descended and passed around the foot of the hill, the

Untersberg came in sight, whose broad summits lift themselves seven

thousand feet above the plain. The legend says that Charlemagne and his

warriors sit in its subterraneous caverns in complete armor, and that

they will arise and come forth again, when Germany recovers her former

power and glory.

I wish I could convey in words some idea of the elevation of spirit

experienced while looking on these eternal mountains. They fill the soul

with a sensation of power and grandeur which frees it awhile from the

cramps and fetters of common life. It rises and expands to the level of

their sublimity, till its thoughts stand solemnly aloft, like their

summits, piercing the free heaven. Their dazzling and imperishable

beauty is to the mind an image of its own enduring existence. When I

stand upon some snowy summit--the invisible apex of that mighty

pyramid--there seems a majesty in my weak will which might defy the

elements. This sense of power, inspired by a silent sympathy with the

forms of nature, is beautifully described--as shown in the free,

unconscious instincts of childhood--by the poet Uhland, in his ballad of

the "Mountain Boy." I have attempted a translation.

THE MOUNTAIN BOY.

A herd-boy on the mountain's brow,

I see the castles all below.

The sunbeam here is earliest cast

And by my side it lingers last--

I am the boy of the mountain!

The mother-house of streams is here--

I drink them in their cradles clear;

From out the rock they foam below,

I spring to catch them as they go!

I am the boy of the mountain!

To me belongs the mountain's bound,

Where gathering tempests march around;

But though from north and south they shout,

Above them still my song rings out--

"I am the boy of the mountain!"

Below me clouds and thunders move;

I stand amid the blue above.

I shout to them with fearless breast:

"Go, leave my father's house in rest!"

I am the boy of the mountain!

And when the loud bell shakes the spires

And flame aloft the signal-fires,

I go below and join the throng

And swing my sword and sing my song:

"I am the boy of the mountain!"

Salzburg lies on both sides of the Salza, hemmed in on either hand by

precipitous mountains. A large fortress overlooks it on the south, from

the summit of a perpendicular rock, against which the houses in that

part of the city arc built. The streets are narrow and crooked, but the

newer part contains many open squares, adorned with handsome fountains.

The variety of costume among the people, is very interesting. The

inhabitants of the salt district have a peculiar dress; the women wear

round fur caps, with little wings of gauze at the side. I saw other

women with headdresses of gold or silver filagree, something in shape

like a Roman helmet, with a projection at the back of the head, a foot

long. The most interesting objects in Salzburg to us, were the house of

Mozart, in which the composer was born, and the monument lately erected

to him. The St. Peter's Church, near by, contains the tomb of Haydn, the

great composer, and the Church of St. Sebastian, that of the renowned

Paracelsus, who was also a native of Salzburg.

Two or three hours sufficed to see every thing of interest in the city.

We had intended lo go further through the Alps, to the beautiful vales

of the Tyrol, but our time was getting short, our boots, which are the

pedestrian's _sole_ dependence, began to show symptoms of wearing out,

and our expenses among the lakes and mountains of Upper Austria, left us

but two florins apiece, so we reluctantly turned our backs upon the

snowy hills and set out for Munich, ninety miles distant. After passing

the night at Saalbruck, on the banks of the stream which separates the

two kingdoms, we entered Bavaria next morning. I could not help feeling

glad to leave Austria, although within her bounds I had passed scones

whose beauty will long haunt me, and met with many honest friendly

hearts among her people. We noticed a change as soon as we had crossed

the border. The roads were neater and handsomer, and the country people

greeted us in going by, with a friendly cheerfulness that made us feel

half at home. The houses are built in the picturesque Swiss fashion,

their balconies often ornamented with curious figures, carved in wood.

Many of them, where they are situated remote from a church, have a

little bell on the roof which they ring for morning and evening prayers;

we often heard these simple monitors sounding from the cottages as we

passed by.

The next night we stopped at the little village of Stein, famous in

former times for its robber-knight, Hans von Stein. The ruins of his

castle stand on the rock above, and the caverns hewn in the sides of the

precipice, where he used to confine his prisoners, are still visible.

Walking on through a pleasant, well-cultivated country, we came to

Wasserburg, on the Inn. The situation of the city is peculiar. The Inn

has gradually worn his channel deeper in the sandy soil, so that he now

flows at the bottom of a glen, a hundred feet below the plains around.

Wasserburg lies in a basin, formed by the change of the current, which

flows around it like a horseshoe, leaving only a narrow neck of land

which connects it with the country above.

We left the little village where we were quartered for the night and

took a foot path which led across the country to the field of

Hohenlinden, about six miles distant. The name had been familiar to me

from childhood, and my love for Campbell, with the recollection of the

school-exhibitions where "On Linden when the sun was low" had been so

often declaimed, induced me to make the excursion to it. We traversed a

large forest, belonging to the King of Bavaria, and came out on a plain

covered with grain fields and bounded on the right by a semi-circle of

low hills. Over the fields, about two miles distant, a tall,

minaret-like spire rose from a small cluster of houses, and this was

Hohenlinden! To tell the truth, I had been expecting something more. The

"hills of blood-stained snow" are very small hills indeed, and the

"Isar, rolling rapidly," is several miles off; it was the spot, however,

and we recited Campbell's poem, of course, and brought away a few wild

flowers as memorials. There is no monument or any other token of the

battle, and the people seem to endeavor to forget the scene of Moreau's

victory and their defeat.

From a hill twelve miles off we had our first view of the spires of

Munich, looking like distant ships over the sea-like plain. They kept in

sight till we arrived at eight o'clock in the evening, after a walk of

more than thirty miles. We crossed the rapid Isar on three bridges,

entered the magnificent Isar Gate, and were soon comfortably quartered

in the heart of Munich.

Entering the city without knowing a single soul within it, we made

within a few minutes an agreeable acquaintance. After we passed the

Isar Gate, we began looking for a decent inn, for the day's walk was

very fatiguing. Presently a young man, who had been watching us for some

time, came up and said, if we would allow him, he would conduct us to a

good lodging-place. Finding we were strangers, he expressed the greatest

regret that he had not time to go with us every day around the city. Our

surprise and delight at the splendor of Munich, he said, would more than

repay him for the trouble. In his anxiety to show us something, he took

us some distance out of the way, (although it was growing dark and we

were very tired,) to see the Palace and the Theatre, with its front of

rich frescoes.

END OF PART I.

VIEWS A-FOOT; OR EUROPE SEEN WITH KNAPSACK AND STAFF.

BY J. BAYARD TAYLOR.

WITH A PREFACE BY N.P. WILLIS.

"Jog on, jog on, the foot-path way,

And merrily hent the stile-a;

A merry heart goes all the day,

Your sad tires in a mile-a."

_Winter's Tale._

IN TWO PARTS.

PART II.

CHAPTER XXVI.

MUNICH.

_June 14._--I thought I had seen every thing in Vienna that could excite

admiration or gratify fancy; here I have my former sensations to live

over again, in an augmented degree. It is well I was at first somewhat

prepared by our previous travel, otherwise the glare and splendor of

wealth and art in this German Athens might blind me to the beauties of

the cities we shall yet visit. I have been walking in a dream where the

fairy tales of boyhood were realized, and the golden and jeweled halls

of the Eastern genii rose glittering around me--"a vision of the brain

no more." All I had conceived of oriental magnificence, all descriptions

of the splendor of kingly halls and palaces, fall far short of what I

here see. Where shall I begin to describe the crowd of splendid edifices

that line its streets, or how give an idea of the profusion of paintings

and statues--of marble, jasper and gold?

Art has done every thing for Munich. It lies on a large, flat plain,

sixteen hundred feet above the sea, and continually exposed to the cold

winds from the Alps. At the beginning of the present century it was but

a third-rate city, and was rarely visited by foreigners. Since that time

its population and limits have been doubled, and magnificent edifices in

every style of architecture erected, rendering it scarcely secondary in

this respect to any capital in Europe. Every art that wealth or taste

could devise, seems to have been spent in its decoration. Broad,

spacious streets and squares have been laid out, churches, halls and

colleges erected, and schools of painting and sculpture established,

which draw artists from all parts of the world. All this was principally

brought about by the taste of the present king, Ludwig I., who began

twenty or thirty years ago, when he was Crown Prince, to collect the

best German artists around him and form plans for the execution of his

grand design. He can boast of having done more for the arts than any

other living monarch, and if he had accomplished it all without

oppressing his people, he would deserve an immortality of fame.

Now, if you have nothing else to do, let us take a stroll down the

Ludwigstrasse. As we pass the Theatiner Church, with its dome and

towers, the broad street opens before us, stretching away to the north,

between rows of magnificent buildings. Just at this southern end, is the

_Schlusshalle_, an open temple of white marble terminating the avenue.

To the right of us extend the arcades, with the trees of the Royal

Garden peeping above them; on the left is the spacious concert building

of the Odeon, and the palace of the Duke of Leuchtenberg, son of Eugene

Beauharnois. Passing through a row of palace-like private buildings, we

come to the Army Department, on the right--a neat and tasteful building

of white sandstone. Beside it stands the Library, which possesses the

first special claim on our admiration. With its splendid front of five

hundred and eighteen feet, the yellowish brown cement with which the

body is covered, making an agreeable contrast with the dark red

window-arches and cornices, and the statues of Homer, Hippocrates,

Thucydides and Aristotle guarding the portal, is it not a worthy

receptacle for the treasures of ancient and modern lore which its halls

contain?

Nearly opposite stands the Institute for the Blind, a plain but large

building of dark red brick, covered with cement, and further, the

Ludwig's Kirche, or Church of St. Louis. How lightly the two square

towers of gray marble lift their network of sculpture! And what a novel

and beautiful effect is produced by uniting the Byzantine style of

architecture to the form of the Latin cross! Over the arched portal

stand marble statues by Schwanthaler, and the roof of brilliant tiles

worked into mosaic, looks like a rich Turkey carpet covering the whole.

We must enter to get an idea of the splendor of this church. Instead of

the pointed arch which one would expect to see meeting above his head,

the lofty pillars on each side bear an unbroken semicircular vault,

which is painted a brilliant blue, and spangled with silver stars. These

pillars, and the little arches above, which spring from them, are

painted in an arabesque style with gold and brilliant colors, and each

side-chapel is a perfect casket of richness and elegance. The windows

are of silvered glass, through which the light glimmers softly on the

splendor within. The whole end of the church behind the high altar, is

taken up with Cornelius's celebrated fresco painting of the "Last

Judgment,"--the largest painting in the world--and the circular dome in

the centre of the cross contains groups of martyrs, prophets, saints and

kings, painted in fresco on a ground of gold. The work of Cornelius has

been greatly praised for sublimity of design and beauty of execution, by

many acknowledged judges; I was disappointed in it, but the fault lay

most probably in me and not in the painting. The richness and elegance

of the church took me all "aback;" it was so entirely different from

anything I had seen, that it was difficult to decide whether I was most

charmed by its novelty or its beauty. Still, as a building designed to

excite feelings of worship, it seems to me inappropriate. A vast, dim

Cathedral would be far preferable; the devout, humble heart cannot feel

at home amid such glare and brightness.

As we leave the church and walk further on, the street expands suddenly

into a broad square. One side is formed by the new University building

and the other by the Royal Seminary, both displaying in their

architecture new forms of the graceful Byzantine school, which the

architects of Munich have adapted in a striking manner to so many varied

purposes. On each side stands a splendid colossal fountain of bronze,

throwing up a great mass of water, which falls in a triple cataract to

the marble basin below. A short distance beyond this square the

Ludwigstrasse terminates. It is said the end will be closed by a

magnificent gate, on a style to correspond with the unequalled avenue to

which it will give entrance. To one standing at the southern end, it

would form a proper termination to the grand vista. Before we leave,

turn around and glance back, down this street, which extends for half a

mile between such buildings as we have just viewed, and tell me if it is

not something of which a city and a king may boast, to have created all

this within less than twenty years!

We went one morning to see the collection of paintings formerly

belonging to Eugene Beauharnois, who was brother-in-law to the present

king of Bavaria, in the palace of his son, the Duke of Leuchtenberg. The

first hall contains works principally by French artists, among which are

two by Gerard--a beautiful portrait of Josephine, and the blind

Belisarius carrying his dead companion. The boy's head lies on the old

man's shoulder; but for the livid paleness of his limbs, he would seem

to be only asleep, while a deep and settled sorrow marks the venerable

features of the unfortunate Emperor. In the middle of the room are six

pieces of statuary, among which Canova's world-renowned group of the

Graces at once attracts the eye. There is also a kneeling Magdalen,

lovely in her woe, by the same sculptor, and a very touching work of

Schadow, representing a shepherd boy tenderly binding his sash around a

lamb which he has accidentally wounded with his arrow.

We have since seen in the St. Michael's Church, the monument to Eugene

Beauharnois, from the chisel of Thorwaldsen. The noble, manly figure of

the son of Josephine is represented in the Roman mantle, with his helmet

and sword lying on the ground by him. On one side sits History, writing

on a tablet; on the other, stand the two brother-angels, Death and

Immortality. They lean lovingly together, with arms around each other,

but the sweet countenance of Death has a cast of sorrow, as he stands

with inverted torch and a wreath of poppies among his clustering locks.

Immortality, crowned with never-fading flowers, looks upwards with a

smile of triumph, and holds in one hand his blazing torch. It is a

beautiful idea, and Thorwaldsen has made the marble eloquent with

feeling.

The inside of the square formed by the Arcades and the New Residence, is

filled with noble old trees, which in summer make a leafy roof over the

pleasant walks. In the middle, stands a grotto, ornamented with rough

pebbles and shells, and only needing a fountain to make it a perfect

hall of Neptune. Passing through the northern Arcade, one comes into the

magnificent park, called the English Garden, which extends more than

four miles along the bank of the Isar, several branches of whose milky

current wander through it, and form one or two pretty cascades. It is a

beautiful alternation of forest and meadow, and has all the richness and

garden-like luxuriance of English scenery. Winding walks lead along the

Isar, or through the wood of venerable oaks, and sometimes a lawn of

half a mile in length, with a picturesque temple at its further end,

comes in sight through the trees. I was better pleased with this park

than with the Prater in Vienna. Its paths are always filled with persons

enjoying the change from the dusty streets to its quiet and cool

retirement.

The New Residence is not only one of the wonders of Munich, but of the

world. Although commenced in 1826 and carried on constantly since that

time by a number of architects, sculptors and painters, it is not yet

finished; if art were not inexhaustible it would be difficult to imagine

what more could be added. The north side of the Max Joseph Platz is

taken up by its front of four hundred and thirty feet, which was nine

years in building, under the direction of the architect Klenze. The

exterior is copied after the Palazzo Pitti, in Florence. The building is

of light brown sandstone, and combines an elegance and even splendor,

with the most chaste and classic style. The northern front, which faces

on the Royal Garden, is now nearly finished. It has the enormous length

of eight hundred feet; in the middle is a portico of ten Ionic columns;

instead of supporting a triangular facade, each pillar stands separate

and bears a marble statue from the chisel of Schwanthaler.

The interior of the building does not disappoint the promise of the

outside. It is open every afternoon in the absence of the king, for the

inspection of visitors; fortunately for us, his majesty is at present on

a journey through his provinces on the Rhine. We went early to the

waiting hall, where several travelers were already assembled, and at

four o'clock, were admitted into the newer part of the palace,

containing the throne hall, ballroom, etc. On entering the first hall,

designed for the lackeys and royal servants, we were all obliged to

thrust our feet into cloth slippers to walk over the polished mosaic

floor. The walls are of scagliola marble and the ceilings ornamented

brilliantly in fresco. The second hall, also for servants, gives tokens

of increasing splendor in the richer decorations of the walls and the

more elaborate mosaic of the floor. We next entered the receiving

saloon, in which the Court Marshal receives the guests. The ceiling is

of arabesque sculpture, profusely painted and gilded. Passing through a

little cabinet, we entered the great dancing saloon. Its floor is the

richest mosaic of wood of different colors, the sides are of polished

scagliola marble, and the ceiling a dazzling mixture of sculpture,

painting and gold. At one end is a gallery for the orchestra, supported

by six columns of variegated marble, above which are six dancing nymphs,

painted so beautifully that they appear like living creatures. Every

decoration which could be devised has been used to heighten its

splendor, and the artists appear to have made free use of the Arabian

Nights in forming the plan.

We entered next two smaller rooms containing the portraits of beautiful

women, principally from the German nobility. I gave the preference to

the daughter of Marco Bozzaris, now maid of honor to the Queen of

Greece. She had a wild dark eye, a beautiful proud lip, and her rich

black hair rolled in glossy waves down her neck from under the red

Grecian cap stuck jauntily on the side of her head. She wore a scarf and

close-fitting vest embroidered with gold, and there was a free, lofty

spirit in her countenance worthy the name she bore. These pictures form

a gallery of beauty, whose equal cannot easily be found.

Returning to the dancing hall, we entered the dining saloon, also called

the Hall of Charlemagne. Each wall has two magnificent fresco paintings

of very large size, representing some event in the life of the great

emperor, beginning with his anointing at St. Deny's as a boy of twelve

years, and ending with his coronation by Leo III. A second dining

saloon, the Hall of Barbarossa, adjoins the first. It has also eight

frescoes as the former, representing the principal events in the life of

Frederic Barbarossa. Then comes a _third_, called the Hapsburg Hall,

with four grand paintings from the life of Rudolph of Hapsburg, and a

triumphal procession along the frieze, showing the improvement in the

arts and sciences which was accomplished under his reign. The drawing,

composition and rich tone of coloring of these glorious frescoes, are

scarcely excelled by any in existence.

Finally we entered the Hall of the Throne. Here the encaustic

decoration, so plentifully employed in the other rooms, is dropped, and

an effect even more brilliant obtained by the united use of marble and

gold. Picture a long hall with a floor of polished marble, on each side

twelve columns of white marble with gilded capitals, between which stand

colossal statues of gold. At the other end is the throne of gold and

crimson, with gorgeous hangings of crimson velvet. The twelve statues in

the hall are called the "Wittlesbach Ancestors," and represent renowned

members of the house of Wittlesbach from which the present family of

Bavaria is descended. They were cast in bronze by Stiglmaier, after the

models of Schwanthaler, and then completely covered with a coating of

gold, so that they resemble solid golden statues. The value of the

precious metal on each one is about $3,000, as they arc nine feet in

height! What would the politicians who made such an outcry about the new

papering of the President's House, say to such a palace as this?

Going back to the starting point, we went to the other wing of the

edifice and joined the party who came to visit the apartments of the

king. Here we were led through two or three rooms, appropriated to the

servants, with all the splendor of marble doors, floors of mosaic, and

frescoed ceilings. From these we entered the king's dwelling. The

entrance halls are decorated with paintings of the Argonauts and

illustrations of the Hymns of Hesiod, after drawings by Schwanthaler.

Then came the Service Hall, containing frescoes illustrating Homer, by

Schnorr, and the Throne Hall, with Schwanthaler's bas-reliefs of the

songs of Pindar, on a ground of gold. The throne stands under a splendid

crimson canopy. The Dining Room with its floor of polished wood is

filled with illustrations of the songs of Anacreon. To these follow the

Dressing Room, with twenty-seven illustrations of the Comedies of

Aristophanes, and the sleeping chamber with frescoes after the poems of

Theocritus, and two beautiful bas-reliefs representing angels bearing

children to Heaven. It is no wonder the King writes poetry, when he

breathes, eats, and even sleeps in an atmosphere of it.

We were shown the rooms for the private parties of the Court, the

school-room, with scenes from the life of the Ancient Greeks, and then

conducted down the marble staircases to the lower story, which is to

contain Schnorr's magnificent frescoes of the Nibelungen Lied--the old

German Iliad. Two halls are at present finished; the first has the

figure of the author, Heinrich von Ofterdingen, and those of

Chriemhilde, Brunhilde, Siegfried and the other personages of the poem;

and the second, called the Marriage Hall, contains the marriage of

Chriemhilde and Siegfried, and the triumphal entry of Siegfried into

Worms.

Adjoining the new residence on the east, is the Royal Chapel, lately

finished in the Byzantine style, under the direction of Klenze. To enter

it, is like stepping into a casket of jewels. The sides are formed by a

double range of arches, the windows being so far back as to be almost

out of sight, so that the eye falls on nothing but painting and gold.

The lower row of arches is of alternate green and purple marble,

beautifully polished; but the upper, as well as the small chancel behind

the high altar, is entirely covered with fresco paintings on a ground of

gold! The richness and splendor of the whole church is absolutely

incredible. Even after one has seen the Ludwig's Kirche and the

Residence itself, it excites astonishment. I was surprised, however, to

find at this age, a painting on the wall behind the altar, representing

the Almighty. It seems as if man's presumption has no end. The simple

altar of Athens, with its inscription "_to the Unknown God_," was more

truly reverent than this. As I sat down awhile under one of the arches,

a poor woman came in, carrying a heavy basket, and going to the steps

which led up to the altar, knelt down and prayed, spreading her arms out

in the form of a cross. Then, after stooping and kissing the first step,

she dragged herself with her knees upon it, and commenced praying again

with outspread arms. This she continued till she had climbed them all,

which occupied some time; then, as if she had fulfilled a vow she turned

and departed. She was undoubtedly sincere in her piety, but it made me

sad to look upon such deluded superstition.

We visited yesterday morning the Glyptothek, the finest collection of

ancient sculpture except that in the British Museum, I have yet seen,

and perhaps elsewhere unsurpassed, north of the Alps. The building which

was finished by Klenze, in 1830, has an Ionic portico of white marble,

with a group of allegorical figures, representing Sculpture and the

kindred arts. On each side of the portico, there are three niches in the

front, containing on one side, Pericles, Phidias and Vulcan; on the

other, Hadrian, Prometheus and Dædalus. The whole building forms a

hollow square, and is lighted entirely from the inner side. There are in

all twelve halls, each containing the remains of a particular era in the

art, and arranged according to time, so that, beginning with the clumsy

productions of the ancient Egyptians, one passes through the different

stages of Grecian art, afterwards that of Rome, and finally ends with

the works of our own times--the almost Grecian perfection of Thorwaldsen

and Canova. These halls are worthy to hold such treasures, and what more

could be said of them? The floors are of marble mosaic, the sides of

green or purple scagliola, and the vaulted ceilings covered with raised

ornaments on a ground of gold. No two are alike in color and decoration,

and yet there is a unity of taste and design in the whole, which renders

the variety delightful.

From the Egyptian Hall, we enter one containing the oldest remains of

Grecian sculpture, before the artists won power to _mould_ the marble to

their conceptions. Then follow the celebrated Egina marbles, from the

temple of Jupiter Panhellenius, on the island of Egina. They formerly

stood in the two porticoes, the one group representing the fight for the

body of Laomedon, the other the struggle for the dead Patroclus. The

parts wanting have been admirably restored by Thorwaldsen. They form

almost the only existing specimens of the Eginetan school. Passing

through the Apollo Hall, we enter the large hall of Bacchus, in which

the progress of the art is distinctly apparent. A satyr, lying asleep on

a goat-skin which he has thrown over a rock, is believed to be the work

of Praxiteles. The relaxation of the figure and perfect repose of every

limb, is wonderful. The countenance has traits of individuality which

led me to think it might have been a portrait, perhaps of some rude

country swain.

In the Hall of Niobe, which follows, is one of the most perfect works

that ever grew into life under a sculptor's chisel. Mutilated as it is,

without head and arms, I never saw a more expressive figure. Ilioneus,

the son of Niobe, is represented as kneeling, apparently in the moment

in which Apollo raises his arrow, and there is an imploring supplication

in his attitude which is touching in the highest degree. His beautiful

young limbs seem to shrink involuntarily from the deadly shaft; there is

an expression of prayer, almost of agony, in the position of his body.

It should be left untouched. No head could be added, which would equal

that one pictures to himself, while gazing upon it.

The Pinacothek is a magnificent building of yellow sandstone, five

hundred and thirty feet long, containing thirteen hundred pictures,

selected with great care from the whole private collection of the king,

which amounts to nine thousand. Above the cornice on the southern side,

stand twenty-five colossal statues of celebrated painters, by

Schwanthaler. As we approached, the tall bronze door was opened by a

servant in the Bavarian livery, whose size harmonized so well with the

giant proportions of the building, that, until I stood beside him and

could mark the contrast, I did not notice his enormous frame. I saw then

that he must be near eight feet high, and stout in proportion. He

reminded me of the great "Baver of Trient," in Vienna. The Pinacothek

contains the most complete collection of works by old German artists,

anywhere to be found. There are in the hall of the Spanish masters, half

a dozen of Murillo's inimitable beggar groups. It was a relief, after

looking upon the distressingly stiff figures of the old German school,

to view these fresh, natural countenances. One little black-eyed boy has

just cut a slice out of a melon and turns with a full mouth to his

companion, who is busy eating a bunch of grapes. The simple, contented

expression on the faces of the beggars is admirable. I thought I

detected in a beautiful child, with dark curly locks, the original of

his celebrated Infant St. John. I was much interested in two small

juvenile works of Raphael and his own portrait. The latter was taken

most probably after he became known as a painter. The calm, serious

smile which we see on his portrait as a boy, had vanished, and the thin

features and sunken eye told of intense mental labor.

One of the most remarkable buildings now in the course of erection is

the Basilica, or Church of St. Bonifacius. It represents another form of

the Byzantine style, a kind of double edifice, a little like a North

River steamboat, with a two story cabin on deck. The inside is not yet

finished, although the artists have been at work on it for six years,

but we heard many accounts of its splendor, which is said to exceed

anything that has been yet done in Munich. We visited to-day the

atelier of Sohwanthaler, which is always open to strangers. The sculptor

himself was not there, but five or six of his scholars were at work in

the rooms, building up clay statues after his models and working out

bas-reliefs in frames. We saw here the original models of the statues on

the Pinacothek, and the "Wittelsbach Ancestors" in the Throne Hall of

the palace. I was glad also to find a miniature copy in plaster, of the

Herrmannsschlacht, or combat of the old German hero, Herrmann, with the

Romans, from the frieze of the Walhalla, at Ratisbon. It is one of

Schwanthaler's best works. Herrmann, as the middle figure, is

represented in fight with the Roman general; behind him the warriors are

rushing on, and an old bard is striking the chords of his harp to

inspire them, while women bind up the wounds of the fallen. The Roman

soldiers on the other side are about turning in confusion to fly. It is

a lofty and appropriate subject for the portico of a building containing

the figures of the men who have labored for the glory and elevation of

their Fatherland.

Our new-found friend came to visit us last evening and learn our

impressions of Munich. In the course of conversation we surprised him by

revealing the name of our country. His countenance brightened up and he

asked us many questions about the state of society in America. In

return, he told us something more about himself--his story was simple,

hut it interested me. His father was a merchant, who, having been ruined

by unlucky transactions, died, leaving a numerous family without the

means of support. His children were obliged to commence life alone and

unaided, which, in a country where labor is so cheap, is difficult and

disheartening. Our friend chose the profession of a machinist, which,

after encountering great obstacles, he succeeded in learning, and now

supports himself as a common laborer. But his position in this respect

prevents him from occupying that station in society for which he is

intellectually fitted. His own words, uttered with a simple pathos which

I can never forget, will best describe how painful this must be to a

sensitive spirit. "I tell you thus frankly my feelings," said he,

"because I know you will understand me. I could not say this to any of

my associates, for they would not comprehend it, and they would say I

am proud, because I cannot bring my soul down to their level. I am poor

and have but little to subsist upon; but the spirit has needs as well as

the body, and I feel it a duty and a desire to satisfy them also. When I

am with any of my common fellow-laborers, what do I gain from them?

Their leisure hours are spent in drinking and idle amusement, and I

cannot join them, for I have no sympathy with such things. To mingle

with those above me, would be impossible. Therefore I am alone--I have

no associate!"

I have gone into minute, and it may be, tiresome detail, in describing

some of the edifices of Munich, because it seemed the only way in which

I could give an idea of their wonderful beauty. It is true that in

copying after the manner of the daguerreotype, there is danger of

imitating its _dullness_ also, but I trust to the glitter of gold and

rich paintings, for a little brightness in the picture. We leave

to-morrow morning, having received the sum written for, which, to our

surprise, will be barely sufficient to enable us to reach Heidelberg.

CHAPTER XXVII.

THROUGH WURTEMBERG TO HEIDELBERG.

We left Munich in the morning train for Augsburg. Between the two cities

extends a vast unbroken plain, exceedingly barren and monotonous. Here

and there is a little scrubby woodland, and sometimes we passed over a

muddy stream which came down from the Alps. The land is not more than

half-cultivated, and the villages are small and poor. We saw many of the

peasants at their stations, in their gay Sunday dresses; the women wore

short gowns with laced boddices, of gay colors, and little caps on the

top of their heads, with streamers of ribbons three feet long. After two

hours' ride, we saw the tall towers of Augsburg, and alighted on the

outside of the wall. The deep moat which surrounds the city, is all

grown over with velvet turf, the towers and bastions are empty and

desolate, and we passed unchallenged under the gloomy archway.

Immediately on entering the city, signs of its ancient splendor are

apparent. The houses are old, many of them with quaint, elaborately

carved ornaments, and often covered with fresco paintings. These

generally represent some scene from the Bible history, encircled with

arabesque borders, and pious maxims in illuminated scrolls. We went into

the old _Rathhaus_, whose golden hall still speaks of the days of

Augsburg's pride. I saw in the basement a bronze eagle, weighing sixteen

tons, with an inscription on the pedestal stating that it was cast in

1606, and formerly stood on the top of an old public building, since

torn down. In front of the Rathhaus is a fine bronze fountain, with a

number of figures of angels and tritons.

The same afternoon, we left Augsburg for Ulm. Long, low ranges of hills,

running from the Danube, stretched far across the country, and between

them lay many rich, green valleys. We passed, occasionally, large

villages, perhaps as old as the times of the crusaders, and looking

quite pastoral and romantic from the outside; but we were always glad

when we had gone through them and into the _clean_ country again. The

afternoon of the second day we came in sight of the fertile plain of the

Danube; far, far to the right lay the field of Blenheim, where

Marlborough and the Prince Eugene conquered the united French and

Bavarian forces and decided the war of the Spanish succession.

We determined to reach Ulm the same evening, although a heavy storm was

raging along the distant hills of Wurtemberg. The dark mass of the

mighty Cathedral rose in the distance through the twilight, a perfect

mountain in comparison with the little houses clustered around its base.

We reached New Ulm, finally, and passed over the heavy wooden bridge

into Wurtemberg, unchallenged for passport or baggage. I thought I could

feel a difference in the atmosphere when I reached the other side--it

breathed of the freer spirit that ruled through the land. The Danube is

here a little muddy stream, hardly as large as my native Brandywine, and

a traveler who sees it at Ulm for the first time would most probably be

disappointed. It is not until below Vienna, where it receives the Drave

and Save, that it becomes a river of more than ordinary magnitude.

We entered Ulm, as I have already said. It was after nine o'clock,

nearly dark, and beginning to rain; we had walked thirty-three miles,

and being of course tired, we entered the first inn we saw. But, to our

consternation, it was impossible to get a place--the fair had just

commenced, and the inn was full to the roof. We must needs hunt another,

and then another, and yet another, with like fate at each. It grew quite

dark, the rain increased, and we were unacquainted with the city. I grew

desperate, and at last, when we had stopped at the _eighth_ inn in vain,

I told the people we _must_ have lodgings, for it was impossible we

should walk around in the rain all night. Some of the guests interfering

in our favor, the hostess finally sent a servant with us to the first

hotel in the city. I told him on the way we were Americans, strangers in

Ulm, and not accustomed to sleeping in the streets. "Well," said he, "I

will go before, and recommend you to the landlord of the Golden Wheel."

I knew not what magic he used, but in half an hour our weary limbs were

stretched in delightful repose and we thanked Heaven more gratefully

than ever before, for the blessing of a good bed.

Next morning we ran about through the booths of the fair, and gazed up

from all sides at the vast Cathedral. The style is the simplest and

grandest Gothic; but the tower, which, to harmonize, with the body of

the church, should be 520 feet high, was left unfinished at the height

of 234 feet. I could not enough admire the grandeur of proportion in the

great building. It seemed singular that the little race of animals who

swarmed around its base, should have the power to conceive or execute

such a gigantic work.

There is an immense fortification now in progress of erection behind

Ulm. It leans on the side of the hill which rises from the Danube, and

must be nearly a mile in length. Hundreds of laborers are at work, and

from the appearance of the foundations, many years will be required to

finish it. The lofty mountain-plain which we afterwards passed over, for

eight or ten miles, divides the waters of the Danube from the Rhine.

From the heights above Ulm, we bade adieu to the far, misty Alps, till

we shall see them again in Switzerland. Late in the afternoon, we came

to a lovely green valley, sunk as it were in the earth. Around us, on

all sides, stretched the bare, lofty plains; but the valley lay below,

its steep sides covered with the richest forest. At the bottom flowed

the Fils. Our road led directly down the side; the glen spread out

broader as we advanced, and smiling villages stood beside the stream. A

short distance before reaching Esslingen, we came upon the banks of the

Neckar, whom we hailed as an old acquaintance, although much smaller

here in his mountain home than when he sweeps the walls of Heidelberg.

Delightful Wurtemberg! Shall I ever forget thy lovely green vales,

watered by the classic current of the Neckar, or thy lofty hills covered

with vineyards and waving forests, and crowned with heavy ruins, that

tell many a tale of Barbarossa and Duke Ulric and Goetz with the Iron

Hand! No--were even the Suabian hills less beautiful--were the Suabian

people less faithful and kind and true, still I would love the land for

the great spirits it has produced; still would the birth-place of

Frederick Schiller, of Uhland and Hauff, be sacred. I do not wonder

Wurtemberg can boast such glorious poets. Its lovely landscapes seem to

have been made expressly for the cradle of genius; amid no other scenes

could his infant mind catch a more benign inspiration. Even the common

people are deeply imbued with a poetic feeling. We saw it in their

friendly greetings and open, expressive countenances; it is shown in

their love for their beautiful homes and the rapture and reverence with

which they speak of their country's bards. No river in the world, equal

to the Neckar in size, flows for its whole course through more

delightful scenery, or among kinder and happier people.

After leaving Esslingen, we followed its banks for some time, at the

foot of an amphitheatre of hills, covered to the very summit, as far as

the eye could reach, with vineyards. The morning was cloudy, and white

mist-wreaths hung along the sides. We took a road that led over the top

of a range, and on arriving at the summit, saw all at once the city of

Stuttgard, lying beneath our feet. It lay in a basin encircled by

mountains, with a narrow valley opening to the south-east, and running

off between the hills to the Neckar. The situation of the city is one of

wonderful beauty, and even after seeing Salzburg, I could not but be

charmed with it.

We descended the mountain and entered it. I inquired immediately for the

monument of Schiller, for there was little else in the city I cared to

see. We had become tired of running about cities, hunting this or that

old church or palace, which perhaps was nothing when found. Stuttgard

has neither galleries, ruins, nor splendid buildings, to interest the

traveler; but it has Thorwaldsen's statue of Schiller, calling up at the

same time its shame and its glory. For the poet in his youth was obliged

to fly from this very same city--from home and friends, to escape the

persecution of the government on account of the free sentiments

expressed in his early works. We found the statue, without much

difficulty. It stands in the Schloss Platz, at the southern end of the

city, in an unfavorable situation, surrounded by dark old buildings. It

should rather be placed aloft on a mountain summit, in the pure, free

air of heaven, braving the storm and the tempest. The figure is fourteen

feet high and stands on a pedestal of bronze, with bas reliefs on the

four sides. The head, crowned with a laurel wreath, is inclined as if in

deep thought, and all the earnest soul is seen in the countenance.

Thorwaldsen has copied so truly the expression of poetic reverie, that I

waited, half-expecting he would raise his head and look around him.

As we passed out the eastern gate, the workmen were busy near the city,

making an embankment for the new railroad to Heilbroun, and we were

obliged to wade through half a mile of mud. Finally the road turned to

the left over a mountain, and we walked on in the rain, regardless of

the touching entreaties of an omnibus-driver, who felt a great concern

for our health, especially as he had two empty seats. There is a

peculiarly agreeable sensation in walking in a storm, when the winds

sweep by and the rain-drops rattle through the trees, and the dark

clouds roll past just above one's head. It gives a dash of sublimity to

the most common scene. If the rain did not finally soak through the

boots, and if one did not lose every romantic feeling in wet garments, I

would prefer storm to sunshine, for visiting some kinds of scenery. You

remember, we saw the North Coast of Ireland and the Giant's Causeway in

stormy weather, at the expense of being completely drenched, it is true;

but our recollections of that wild day's journey are as vivid as any

event of our lives--and the name of the Giant's Causeway calls up a

series of pictures as terribly sublime as any we would wish to behold.

The rain at last did come down a little too hard for comfort, and we

were quite willing to take shelter when we reached Ludwigsburg. This is

here called a new city, having been laid out with broad streets and

spacious squares, about a century ago, and is now about the size of our

five-year old city of Milwaukie! It is the chief military station of

Wurtemberg, and has a splendid castle and gardens, belonging to the

king. A few miles to the eastward is the little village where Schiller

was born. It is said the house where his parents lived is still

standing.

It was not the weather _alone_, which prevented our making a pilgrimage

to it, nor was it _alone_ a peculiar fondness for rain which induced us

to persist in walking in the storm. Our feeble pockets, if they could

have raised an audible jingle, would have told another tale. Our scanty

allowance was dwindling rapidly away, in spite of a desperate system of

economy. We left Ulm with a florin and a half apiece--about sixty

cents--to walk to Heidelberg, a distance of 110 miles. It was the

evening of the third day, and this was almost exhausted. As soon

therefore as the rain slackened a little, we started again, although the

roads were very bad. At Betigheim, where we passed the night, the people

told us of a much nearer and more beautiful road, passing through the

Zabergau, a region fumed for its fertility and pastoral beauty. At the

inn we were charged higher than usual for a bed, so that we had but

thirteen kreutzers to start with in the morning. Our fare that day was a

little bread and water; we walked steadily on, but owing to the wet

roads, made only thirty miles.

A more delightful region than the Zabergau I have seldom passed through.

The fields were full of rich, heavy grain, and the trees had a

luxuriance of foliage that reminded me of the vale of the Jed, in

Scotland. Without a single hedge or fence, stood the long sweep of

hills, covered with waving fields of grain, except where they were steep

and rocky, and the vineyard terraces rose one above another. Sometimes a

fine old forest grew along the summit, like a mane waving back from the

curved neck of a steed, and white villages lay coiled in the valleys

between. A line of blue mountains always closed the vista, on looking

down one of these long valleys; occasionally a ruined castle with donjon

tower, was seen on a mountain at the side, making the picture complete.

As we lay sometimes on the hillside and looked on one of those sweet

vales, we were astonished at its Arcadian beauty. The meadows were as

smooth as a mirror, and there seemed to be scarcely a grass-blade out of

place. The streams wound through ("_snaked_ themselves through," is the

German expression,) with a subdued ripple, as if they feared to displace

a pebble, and the great ash trees which stood here and there, had lined

each of their leaves as carefully with silver and turned them as

gracefully to the wind, us if they were making their toilettes for the

gala-day of nature.

That evening brought us into the dominions of Baden, within five hours'

walk of Heidelberg. At the humblest inn in an humble village, we found

a bed which we could barely pay for, leaving a kreutzer or two for

breakfast. Soon after starting the next morning, the distant Kaiserstuhl

suddenly emerged from the mist, with the high tower on its summit, where

nearly ten months before, we sat and looked at the summits of the Vosges

in France, with all the excitement one feels on entering a foreign land.

_Now_, the scenery around that same Kaiserstuhl was nearly as familiar

to us as that of our own homes. Entering the hills again, we knew by the

blue mountains of the Odenwald, that we were approaching the Neckar. At

length we reached the last height. The town of Neckargemünd lay before

us on the steep hillside, and the mountains on either side were scarred

with quarries of the rich red sandstone, so much used in building. The

blocks are hewn out, high up on the mountain side, and then sent rolling

and sliding down to the river, where they are laden in boats and floated

down with the current to the distant cities of the Rhine.

We were rejoiced on turning around the corner of a mountain, to see on

the opposite side of the river, the road winding up through the forests,

where last fall our Heidelberg friends accompanied us, as we set out to

walk to Frankfort, through the Odenwald. Many causes combined to render

it a glad scene to us. We were going to meet our comrade again, after a

separation of months; we were bringing an eventful journey to its close;

and finally, we were weak and worn out from fasting and the labor of

walking in the rain. A little further we saw Kloster Neuburg, formerly

an old convent, and remembered how we used to look at it every day from

the windows of our room on the Neckar; but we shouted aloud, when we saw

at last the well-known bridge spanning the river, and the glorious old

castle lifting its shattered towers from the side of the mountain above

us. I always felt a strong attachment to this matchless ruin, and as I

beheld it again, with the warm sunshine falling through each broken

arch, the wild ivy draping its desolate chambers, it seemed to smile on

me like the face of a friend, and I confessed I had seen many a grander

scene, but few that would cling to the memory so familiarly.

While we were in Heidelberg, a student was buried by torch-light. This

is done when particular honor is shown to the memory of the departed

brother. They assembled at dark in the University Square, each with a

blazing pine torch three feet long, and formed into a double line.

Between the files walked at short distances an officer, who, with his

sword, broad lace collar, and the black and white plumes in his cap,

looked like a cavalier of the olden time. Persons with torches walked on

each side of the hearse, and the band played a lament so deeply

mournful, that the scene, notwithstanding its singularity, was very sad

and touching. The thick smoke from the torches filled the air, and a

lurid, red light was cast over the hushed crowds in the streets and

streamed into the dark alleys. The Hauptstrasse was filled with two

lines of flame, as the procession passed down it; when they reached the

extremity of the city, the hearse went on, attended with torch-bearers,

to the Cemetery, some distance further, and the students turned back,

running and whirling their torches in mingled confusion. The music

struck up a merry march, and in the smoke and red glare, they looked

like a company of mad demons. The presence of death awed them to silence

for awhile, but as soon as it had left them, they turned relieved to

revel again and thought no more of the lesson. It gave me a painful

feeling to see them rushing so wildly and disorderly back. They

assembled again in the square, and tossing their torches up into the air

cast them blazing into a pile; while the flame and black smoke rose in a

column into the air, they sang in solemn chorus, the song "_Gaudeamus

igitur_," with which they close all public assemblies.

I shall neglect telling how we left Heidelberg, and walked along the

Bergstrasse again, for the sixth time; how we passed the old Melibochus

and through the quiet city of Darmstadt; how we watched the blue summits

of the Taunus rising higher and higher over the plain, as a new land

rises from the sea, and finally, how we reached at last the old

watch-tower and looked down on the valley of the Main, clothed in the

bloom and verdure of summer, with the houses and spires of Frankfort in

the middle of the well-known panorama. We again took possession of our

old rooms, and having to wait for a remittance from America, as well as

a more suitable season for visiting Italy, we sat down to a month's rest

and study.

CHAPTER XXVIII.

FREIBURG AND THE BLACK FOREST.

_Frankfort, July 29, 1845._--It would be ingratitude towards the old

city in which I have passed so many pleasant and profitable hours, to

leave it, perhaps forever, without a few words of farewell. How often

will the old bridge, with its view up the Main, over the houses of

Oberrad to the far mountains of the Odenwald, rise freshly and

distinctly in memory, when I shall have been long absent from them! How

often will I hear in fancy as I now do in reality, the heavy tread of

passers-by on the rough pavement below, and the deep bell of the

Cathedral, chiming the swift hours, with a hollow tone that seems to

warn me, rightly to employ them! Even this old room, with its bare

walls, little table and chairs, which I have thought and studied in so

long, that it seems difficult to think and study anywhere else, will

crowd out of memory images of many a loftier scene. May I but preserve

for the future the hope and trust which have cheered and sustained me

here, through the sorrow of absence and the anxiety of uncertain toil!

It is growing towards midnight and I think of many a night when I sat

here at this hour, answering the spirit-greeting which friends sent me

at sunset over the sea. All this has now an end. I must begin a new

wandering, and perhaps in ten days more I shall have a better place for

thought, among the mountain-chambers of the everlasting Alps. I look

forward to the journey with romantic, enthusiastic anticipation, for

afar in the silvery distance, stand the Coliseum and St. Peter's,

Vesuvius and the lovely Naples. Farewell, friends who have so long given

us a home!

_Aug. 9._--The airy, basket-work tower of the Freiburg Minster rises

before me over the black roofs of the houses, and behind stand the

gloomy, pine-covered mountains of the Black Forest. Of our walk to

Heidelberg over the oft-trodden Bergstrasse, I shall say nothing, nor

how we climbed the Kaiserstuhl again, and danced around on the top of

the tower for one hour, amid cloud and mist, while there was sunshine

below in the valley of the Neckar. I left Heidelberg yesterday morning

in the _stehwagen_ for Carlsruhe. The engine whistled, the train

started, and although I kept my eyes steadily fixed on the spire of the

Hauptkirche, three minutes hid it, and all the rest of the city from

sight. Carlsruhe, the capital of Baden, which we reached in an hour and

a half, is unanimously pronounced by travelers to be a most dull and

tiresome city. From a glance I had through one of the gates, I should

think its reputation was not undeserved. Even its name, in German,

signifies a place of repose.

I stopped at Kork, on the branch road leading to Strasbourg, to meet a

German-American about to return to my home in Pennsylvania, where he had

lived for some time. I inquired according to the direction he had sent

me to Frankfort, but he was not there; however, an old man, finding who

I was, said Herr Otto had directed him to go with me to Hesselhurst, a

village four or five miles off, where he would meet me. So we set off

immediately over the plain, and reached the village at dusk.

At the little inn, were several of the farmers of the neighborhood, who

seemed to consider it as something extraordinary to see a real, live,

native-born American. They overwhelmed me with questions about the state

of our country, its government, etc. The hostess brought me a supper of

fried eggs and _wurst_, while they gathered around the table and began a

real category in the dialect of the country, which is difficult to

understand. I gave them the best information I could about our mode of

farming, the different kinds of produce raised, and the prices paid to

laborers; one honest old man cried out, on my saying I had worked on a

farm, "Ah! little brother, give me your hand!" which he shook most

heartily. I told them also something about our government, and the

militia system, so different from the conscription of Europe, when a

farmer becoming quite warm in our favor, said to the others with an air

of the greatest decision: "One American is better than twenty Germans!"

What particularly amused me, was, that although I spoke German with

them, they seemed to think I did not understand what they said among

one another, and therefore commented very freely over my appearance. I

suppose they had the idea that we were a rude, savage race, for I

overheard one say: "One sees, nevertheless, that he has been educated!"

Their honest, unsophisticated mode of expression was very interesting to

me, and we talked together till a late hour.

My friend arrived at three o'clock the next morning, and after two or

three hours' talk about _home_, and the friends whom he expected to see

so much sooner than I, a young farmer drove me in his wagon to

Offenburg, a small city at the foot of the Black Forest, where I took

the cars for Freiburg. The scenery between the two places is grand. The

broad mountains of the Black Forest rear their fronts on the east, and

the blue lines of the French Vosges meet the clouds on the west. The

night before, in walking over the plain, I saw distinctly the whole of

the Strasbourg Minster, whose spire is the highest in Europe, being four

hundred and ninety feet, or but twenty-five feet lower than the Pyramid

of Cheops.

I visited the Minster of Freiburg yesterday morning. It is a grand,

gloomy old pile, dating from the eleventh century--one of the few Gothic

churches in Germany that have ever been completed. The tower of

beautiful fretwork, rises to the height of three hundred and ninety-five

feet, and the body of the church including the choir, is of the same

length. The interior is solemn and majestic. Windows stained in colors

that burn, let in a "dim, religious light" which accords very well with

the dark old pillars and antique shrines. In two of the chapels there

are some fine altar-pieces by Holbein and one of his scholars; and a

very large crucifix of silver and ebony, which is kept with great care,

is said to have been carried with the Crusaders to the Holy Land. This

morning was the great market-day, and the peasantry of the Black Forest

came down from the mountains to dispose of their produce. The square

around the Minster was filled with them, and the singular costume of the

women gave the scene quite a strange appearance. Many of them wore

bright red head-dresses and shawls, others had high-crowned hats of

yellow oil-cloth; the young girls wore their hair in long plaits,

reaching nearly to their feet. They brought grain, butter and cheese

and a great deal of fine fruit to sell--I bought some of the wild,

aromatic plums of the country, at the rate of thirty for a cent.

The railroad has only been open to Freiburg within a few days, and is

consequently an object of great curiosity to the peasants, many of whom

never saw the like before. They throng around the station at the

departure of the train and watch with great interest the operations of

getting up the steam and starting. One of the scenes that grated most

harshly on my feelings, was seeing yesterday a company of women employed

on the unfinished part of the road. They were digging and shoveling away

in the rain, nearly up to their knees in mud and clay!

I called at the Institute for the Blind, under the direction of Mr.

Müller. He showed me some beautiful basket and woven work by his pupils;

the accuracy and skill with which everything was made astonished me.

They read with amazing facility from the raised type, and by means of

frames are taught to write with ease and distinctness. In music, that

great solace of the blind, they most excelled. They sang with an

expression so true and touching, that it was a delight to listen. The

system of instruction adopted appears to be most excellent, and gives to

the blind nearly every advantage which their more fortunate brethren

enjoy.

I am indebted to Mr. Müller, to whom I was introduced by an acquaintance

with his friend, Dr. Rivinus, of West Chester, Pa., for many kind

attentions. He went with us this afternoon to the Jägerhaus, on a

mountain near, where we had a very fine view of the city and its great

black Minster, with the plain of the Briesgau, broken only by the

Kaiserstuhl, a long mountain near the Rhine, whose golden stream

glittered in the distance. On climbing the Schlossberg, an eminence near

the city, we met the Grand Duchess Stephanie, a natural daughter of

Napoleon, as I have heard, and now generally believed to be the mother

of Caspar Hauser. Through a work lately published, which has since been

suppressed, the whole history has come to light. Caspar Hauser was the

lineal descendant of the house of Baden, and heir to the throne. The

guilt of his imprisonment and murder rests, therefore, upon the present

reigning family.

A chapel on the Schönberg, the mountain opposite, was pointed out as

the spot where Louis XV., if I mistake not, usually stood while his army

besieged Freiburg. A German officer having sent a ball to this chapel

which struck the wall just above the king's head, the latter sent word

that if they did not cease firing he would point his cannons at the

Minster. The citizens thought it best to spare the monarch and save the

cathedral.

We attended a meeting of the _Walhalla_, or society of the students who

visit the Freiburg University. They pleased me better than the

enthusiastic but somewhat unrestrained Burschenschaft of Heidelberg.

Here, they have abolished duelling; the greatest friendship prevails

among the students, and they have not that contempt for every thing

_philister_, or unconnected with their studies, which prevails in other

universities. Many respectable citizens attend their meetings; to-night

there was a member of the Chamber of Deputies at Carlsruhe present, who

delivered two speeches, in which every third word was "freedom!" An

address was delivered also by a merchant of the city, in which he made a

play upon the word _spear_, which signifies also in a cant sense,

_citizen_, find seemed to indicate that both would do their work in the

good cause. He was loudly applauded. Their song of union was by Charles

Follen, and the students were much pleased when I told them how he was

honored and esteemed in America.

After two days, delightfully spent, we shouldered our knapsacks and left

Freiburg. The beautiful valley, at the mouth of which the city lies,

runs like an avenue for seven miles directly into the mountains, and

presents in its loveliness such a contrast to the horrid defile which

follows, that it almost deserves the name which has been given to a

little inn at its head--the "Kingdom of Heaven." The mountains of the

Black Forest enclose it on each side like walls, covered to the summit

with luxuriant woods, and in some places with those forests of gloomy

pine which give this region its name. After traversing its whole length,

just before plunging into the mountain-depths, the traveler rarely meets

with a finer picture than that which, on looking back, he sees framed

between the hills at the other end. Freiburg looks around the foot of

one of the heights, with the spire of her cathedral peeping above the

top, while the French Vosges grew dim in the far perspective.

The road now enters a wild, narrow valley, which grows smaller as we

proceed. From Himmelreich, a large rude inn by the side of the green

meadows, we enter the Höllenthal--that is, from the "Kingdom of Heaven"

to the "Valley of Hell!" The latter place better deserves its

appellation than the former. The road winds between precipices of black

rock, above which the thick foliage shuts out the brightness of day and

gives a sombre hue to the scene. A torrent foams down the chasm, and in

one place two mighty pillars interpose to prevent all passage. The

stream, however, has worn its way through, and the road is hewn in the

rock by its side. This cleft is the only entrance to a valley three or

four miles long, which lies in the very heart of the mountains. It is

inhabited by a few woodmen and their families, and but for the road

which passes through, would be as perfect a solitude as the Happy Valley

of Rasselas. At the farther end, a winding road called "The Ascent,"

leads up the steep mountain to an elevated region of country, thinly

settled and covered with herds of cattle. The cherries which, in the

Rhine-plain below, had long gone, were just ripe here. The people spoke

a most barbarous dialect; they were social and friendly, for everybody

greeted us, and sometimes, as we sat on a bank by the roadside, those

who passed by would say "Rest thee!" or "Thrice rest!"

Passing by the Titi Lake, a small body of water which was spread out

among the hills like a sheet of ink, so deep was its Stygian hue, we

commenced ascending a mountain. The highest peak of the Schwarzwald, the

Feldberg, rose not far off, and on arriving at the top of this mountain,

we saw that a half hour's walk would bring us to its summit. This was

too great a temptation for my love of climbing heights; so with a look

at the descending sun to calculate how much time we could spare, we set

out. There was no path, but we pressed directly up the steep side,

through bushes and long grass, and in a short time reached the top,

breathless from such exertion in the thin atmosphere. The pine woods

shut out the view to the north and east, which is said to be

magnificent, as the mountain is about five thousand feet high. The

wild, black peaks of the Black Forest were spread below us, and the sun

sank through golden mist towards the Alsatian hills. Afar to the south,

through cloud and storm, we could just trace the white outline of the

Swiss Alps. The wind swept through the pines around, and bent the long

yellow grass among which we sat, with a strange, mournful sound, well

suiting the gloomy and mysterious region. It soon grew cold, the golden

clouds settled down towards us, and we made haste to descend to the

village of Lenzkirch before dark.

Next morning we set out early, without waiting to see the trial of

archery which was to take place among the mountain youths. Their booths

and targets, gay with banners, stood on a green meadow beside the town.

We walked through the Black Forest the whole forenoon. It might be owing

to the many wild stories whose scenes are laid among these hills, but

with me there was a peculiar feeling of solemnity pervading the whole

region. The great pine woods are of the very darkest hue of green, and

down their hoary, moss-floored aisles, daylight seems never to have

shone. The air was pure and clear, and the sunshine bright, but it

imparted no gaiety to the scenery: except the little meadows of living

emerald which lay occasionally in the lap of a dell, the landscape wore

a solemn and serious air. In a storm, it must be sublime.

About noon, from the top of the last range of hills, we had a glorious

view. The line of the distant Alps could be faintly traced high in the

clouds, and all the heights between were plainly visible, from the Lake

of Constance to the misty Jura, which flanked the Vosges of the west.

From our lofty station we overlooked half Switzerland, and had the air

been a little clearer, we could have seen Mont Blanc and the mountains

of Savoy. I could not help envying the feelings of the Swiss, who, after

long absence from their native land, first see the Alps from this road.

If to the emotions with which I then looked on them were added the

passionate love of home and country which a long absence creates, such

excess of rapture would be almost too great to be borne.

In the afternoon we crossed the border, and took leave of Germany with

regret, after near a year's residence within its bounds. Still it was

pleasant to know we were in a republic once more: the first step we took

made us aware of the change. There was no policeman to call for our

passports or search our baggage. It was just dark when we reached the

hill overlooking the Rhine, on whose steep banks is perched the antique

town of Schaffhausen. It is still walled in, with towers at regular

intervals; the streets are wide and spacious, and the houses rendered

extremely picturesque by the quaint projecting windows. The buildings

are nearly all old, as we learned by the dates above the doors. At the

inn, I met with one of the free troopers who marched against Luzerne. He

was full of spirit, and ready to undertake another such journey. Indeed

it is the universal opinion that the present condition of things cannot

last much longer.

We took a walk before breakfast to the Falls of the Rhine, about a mile

and a half from Schaffhausen. I confess I was somewhat disappointed in

them, after the glowing descriptions of travelers. The river at this

place is little more than thirty yards wide, and the body of water,

although issuing from the Lake of Constance, is not remarkably strong.

For some distance above, the fall of the water is very rapid, and as it

finally reaches the spot where, narrowed between rocks, it makes the

grand plunge, it has acquired a great velocity. Three rocks stand in the

middle of the current, which thunders against and around their bases,

but cannot shake them down. These and the rocks in the bed of the

stream, break the force of the fall, so that it descends to the bottom,

about fifty feet below, not in one sheet, but shivered into a hundred

leaps of snowy foam. The precipitous shores, and the tasteful little

castle which is perched upon the steep just over the boiling spray, add

much to its beauty, taken as a picture. As a specimen of the

picturesque, the whole scene is perfect. I should think Trenton Falls,

in New York, must excel these in wild, startling effect; but there is

such a scarcity of waterfalls in this land, that the Germans go into

raptures about them, and will hardly believe that Niagara itself

possesses more sublimity.

CHAPTER XXIX.

PEOPLE AND PLACES IN EASTERN SWITZERLAND.

We left Schaffhausen for Zurich, in mist and rain, and walked for some

time along the north bank of the Rhine. We could have enjoyed the

scenery much better, had it not been for the rain, which not only hid

the mountains from sight, but kept us constantly half soaked. We crossed

the rapid Rhine at Eglisau, a curious antique village, and then

continued our way through the forests of Canton Zurich, to Bülach, with

its groves of lindens--"those tall and stately trees, with velvet down

upon their shining leaves, and rustic benches placed beneath their

overhanging eaves."

When we left the little village where the rain obliged us to stop for

the night, it was clear and delightful. The farmers were out, busy at

work, their long, straight scythes glancing through the wet grass, while

the thick pines sparkled with thousands of dewy diamonds. The country

was so beautiful and cheerful, that we half felt like being in America.

The farm-houses were scattered over the country in real American style,

and the glorious valley of the Limmat, bordered on the west by a range

of woody hills, reminded me of some scenes in my native Pennsylvania.

The houses were neatly and tastefully built, with little gardens around

them--and the countenances of the people spoke of intelligence and

independence. There was the same air of peace and prosperity which

delighted us in the valleys of Upper Austria, with a look of freedom

which those had not. The faces of a people are the best index to their

condition. I could read on their brows a lofty self-respect, a

consciousness of the liberties they enjoy, which the Germans of the

laboring class never show. It could not be imagination, for the recent

occurrences in Switzerland, with the many statements I heard in Germany,

had prejudiced me somewhat against the land; and these marks of

prosperity and freedom were as surprising as they were delightful.

As we approached Zurich, the noise of employment from mills, furnaces

and factories, came to us like familiar sounds, reminding us of the

bustle of our home cities. The situation of the city is lovely. It lies

at the head of the lake, and on both sides of the little river Limmat,

whose clear green waters carry the collected meltings of the Alps to the

Rhine. Around the lake rise lofty green hills, which, sloping gently

back, bear on their sides hundreds of pleasant country-houses and farms,

and the snowy Alpine range extends along the southern sky. The Limmat is

spanned by a number of bridges, and its swift waters turn many mills

which are built above them. From these bridges one can look out over the

blue lake and down the thronged streets of the city on each side, whose

bright, cheerful houses remind him of Italy.

Zurich can boast of finer promenades than any other city in Switzerland.

The old battlements are planted with trees and transformed into pleasant

walks, which being elevated above the city, command views of its

beautiful environs. A favorite place of resort is the Lindenhof, an

elevated court-yard, shaded by immense trees. The fountains of water

under them are always surrounded by washerwomen, and in the morning

groups of merry school children may be seen tumbling over the grass. The

teachers take them there in a body for exercise and recreation. The

Swiss children are beautiful, bright-eyed creatures; there is scarcely

one who does not exhibit the dawning of an active, energetic spirit. It

may be partly attributed to the fresh, healthy climate of Switzerland,

but I am partial enough to republics to believe that the influence of

the Government under which they live, has also its share in producing

the effect.

There is a handsome promenade on an elevated bastion which overlooks the

city and lakes. While enjoying the cool morning breeze and listening to

the stir of the streets below us, we were also made aware of the social

and friendly politeness of the people. Those who passed by, on their

walk around the rampart, greeted us, almost with the familiarity of an

acquaintance. Simple as was the act, we felt grateful, for it had at

least the seeming of a friendly interest and a sympathy with the

loneliness which the stranger sometimes feels. A school-teacher leading

her troop of merry children on their morning walk around the bastion,

nodded to us pleasantly and forthwith the whole company of

chubby-cheeked rogues, looking up at us with a pleasant archness, lisped

a "_guten morgen_" that made the hearts glad within us. I know of

nothing that has given me a more sweet and tender delight than the

greeting of a little child, who, leaving his noisy playmates, ran across

the street to me, and taking my hand, which he could barely clasp in

both his soft little ones, looked up in my face with an expression so

winning and affectionate, that I loved him at once. The happy, honest

farmers, too, spoke to us cheerfully everywhere. We learned a lesson

from all this--we felt that not a word of kindness is ever wasted, that

a simple friendly glance may cheer the spirit and warm the lonely heart,

and that the slightest deed, prompted by generous sympathy, becomes a

living joy in the memory of the receiver, which blesses unceasingly him

who bestowed it.

We left Zurich the same afternoon, to walk to Stafa, where we were told

the poet Freiligrath resided. The road led along the bank of the lake,

whose shores sloped gently up from the water, covered with gardens and

farm-houses, which, with the bolder mountains that rose behind them,

made a combination of the lovely and grand, on which the eye rested with

rapture and delight. The sweetest cottages were embowered among the

orchards, and the whole country bloomed like a garden. The waters of the

lake are of a pale, transparent green, and so clear that we could see

its bottom of white pebbles, for some distance. Here and there floated a

quiet boat on its surface. The opposite hills were covered with a soft

blue haze, and white villages sat along the shore, "like swans among the

reeds." Behind, we saw the woody range of the Brunig Alp. The people

bade us a pleasant good evening; there was a universal air of

cheerfulness and content on their countenances.

Towards evening, the clouds which hung in the south the whole day,

dispersed a little and we could see the Dodiberg and the Alps of Glarus.

As sunset drew on, the broad summits of snow and the clouds which were

rolled around them, assumed a soft rosy hue, which increased in

brilliancy as the light of day faded. The rough, icy crags and snowy

steeps were fused in the warm light and half blended with the bright

clouds. This blaze, as it were, of the mountains at sunset, is called

the _Alp-glow_, and exceeds all one's highest conceptions of Alpine

grandeur. We watched the fading glory till it quite died away, and the

summits wore a livid, ashy hue, like the mountains of a world wherein

there was no life. In a few minutes more the dusk of twilight spread

over the scene, the boatmen glided home over the still lake and the

herdsmen drove their cattle back from pasture on the slopes and meadows.

On inquiring for Freiligrath at Stafa, we found he had removed to

Rapperschwyl, some distance further. As it was already late, we waited

for the steamboat which leaves Zurich every evening. It came along about

eight o'clock, and a little boat carried us out through rain and

darkness to meet it, as it came like a fiery-eyed monster over the

water. We stepped on board the "Republican," and in half an hour were

brought to the wharf at Rapperschwyl.

There are two small islands in the lake, one of which, with a little

chapel rising from among its green trees, is Ufnau, the grave of Ulrich

von Hutten, one of the fathers of the German Reformation. His fiery

poems have been the source from which many a German bard has derived his

inspiration, and Freiligrath who now lives in sight of his tomb, has

published an indignant poem, because an inn with gaming tables has been

established in the ruins of the castle near Creuznach, where Hutten

found refuge from his enemies with Franz von Sickingen, brother-in-law

of "Goetz with the iron Hand." The monks of Einsiedeln, to whom Ufnau

belongs, have carefully obliterated all traces of his grave, so that the

exact spot is not known, in order that even a tombstone might be denied

him who once strove to overturn their order. It matters little to that

bold spirit whose motto was: "_The die is cast--I have dared it!_"--the

whole island is his monument, if he need one.

I spent the whole of the morning with Freiligrath, the poet, who was

lately banished from Germany on account of the liberal principles his

last volume contains. He lives in a pleasant country-house on the

Meyerberg, an eminence near Rapperschwyl, overlooking a glorious

prospect. On leaving Frankfort, R.S. Willis gave me a letter to him, and

I was glad to meet with a man personally whom I admired so much through

his writings, and whose boldness in speaking out against the tyranny

which his country suffers, forms such a noble contrast to the cautious

slowness of his countrymen. He received me kindly and conversed much

upon American literature. He is a warm admirer of Bryant and Longfellow,

and has translated many of their poems into German. He said he had

received a warm invitation from a colony of Germans in Wisconsin, to

join them and enjoy that freedom which his native land denies, but that

his circumstances would not allow it at present. He is perhaps

thirty-five years of age. His brow is high and noble, and his eyes,

which are large and of a clear gray, beam with serious, saddened

thought. His long chesnut hair, uniting with a handsome beard and

moustache, gives a lion-like dignity to his energetic countenance. His

talented wife, Ida Freiligrath, who shares his literary labors, and an

amiable sister, are with him in exile, and he is happier in their

faithfulness than when he enjoyed the favors of a corrupt king.

We crossed the long bridge from Rapperschwyl, and took the road over the

mountain opposite, ascending for nearly two hours along the side, with

glorious views of the Lake of Zurich and the mountains which enclose it.

The upper and lower ends of the lake were completely hid by the storms,

which, to our regret, veiled the Alps, but the part below lay spread out

dim and grand, like a vast picture. It rained almost constantly, and we

were obliged occasionally to take shelter in the pine forests, whenever

a heavier cloud passed over. The road was lined with beggars, who

dropped on their knees in the rain before us, or placed bars across the

way, and then took them down again, for which they demanded money.

At length we reached the top of the pass. Many pilgrims to Einsiedeln

had stopped at a little inn there, some of whom came a long distance to

pay their vows, especially as the next day was the Ascension day of the

Virgin, whose image there is noted for performing many miracles. Passing

on, we crossed a wild torrent by an arch called the "Devil's Bridge."

The lofty, elevated plains were covered with scanty patches of grain

and potatoes, and the boys tended their goats on the grassy slopes,

sometimes trilling or _yodling_ an Alpine melody. An hour's walk brought

us to Einsiedeln, a small town, whose only attraction is the

Abbey--after Loretto, in Italy, the most celebrated resort for pilgrims

in Europe.

We entered immediately into the great church. The gorgeous vaulted roof

and long aisles were dim with the early evening; hundreds of worshippers

sat around the sides, or kneeled in groups on the broad stone pavements,

chanting over their Paternosters and Ave Marias in a shrill, monotonous

tone, while the holy image near the entrance was surrounded by persons,

many of whom came in the hope of being healed of some disorder under

which they suffered. I could not distinctly make out the image, for it

was placed back within the grating, and a strong crimson lamp behind it

was made to throw the light around, in the form of a glory. Many of the

pilgrims came a long distance. I saw some in the costume of the Black

Forest, and others who appeared to be natives of the Italian Cantons;

and a group of young women wearing conical fur caps, from the forests of

Bregenz, on the Lake of Constance.

I was astonished at the splendor of this church, situated in a lonely

and unproductive Alpine valley. The lofty arches of the ceiling, which

are covered with superb fresco paintings, rest on enormous pillars of

granite, and every image and shrine is richly ornamented with gold. Some

of the chapels were filled with the remains of martyrs, and these were

always surrounded with throngs of believers. The choir was closed by a

tall iron grating; a single lamp, which swung from the roof, enabled me

to see through the darkness, that though much more rich in ornaments

than the body of the church, it was less grand and impressive. The

frescoes which cover the ceiling, are said to be the finest paintings of

the kind in Switzerland.

In the morning our starting was delayed by the rain, and we took

advantage of it to hear mass in the Abbey and enjoy the heavenly music.

The latter was of the loftiest kind; there was one voice among the

singers I shall not soon forget. It was like the warble of a bird who

sings out of very wantonness. On and on it sounded, making its clear,

radiant sweetness heard above the chant of the choir and the thunder of

the orchestra. Such a rich, varied and untiring strain of melody I have

rarely listened to.

When the service ceased, we took a small road leading to Schwytz. We had

now fairly entered the Alpine region, and our first task was to cross a

mountain. This having been done, we kept along the back of the ridge

which bounds the lake of Zug on the south, terminating in the well known

Rossberg. The scenery became wilder with every step. The luxuriant

fields of herbage on the mountains were spotted with the picturesque

_chalets_ of the hunters and Alp-herds; cattle and goats were browsing

along the declivities, their bells tinkling most musically, and the

little streams fell in foam down the steeps. We here began to realize

our anticipations of Swiss scenery. Just on the other side of the range,

along which we traveled, lay the little lake of Egeri and valley of

Morgarten, where Tell and his followers overcame the army of the German

Emperor; near the lake of Lowertz, we found a chapel by the roadside,

built on the spot where the house of Werner Stauffacher, one of the

"three men of Grütli," formerly stood. It bears a poetical inscription

in old German, and a rude painting of the Battle of Morgarten.

As we wound around the lake of Lowertz, we saw the valley lying between

the Rossberg and the Righi, which latter mountain stood full in view. To

our regret, and that of all other travelers, the clouds hung low upon

it, as they had done for a week at least, and there was no prospect of a

change. The Rossberg, from which we descended, is about four thousand

feet in height; a dark brown stripe from its very summit to the valley

below, shows the track of the avalanche which, in 1806, overwhelmed

Goldau, and laid waste the beautiful vale of Lowertz. We could trace the

masses of rock and earth as far as the foot of the Righi. Four hundred

and fifty persons perished by this catastrophe, which was so sudden that

in five minutes the whole lovely valley was transformed into a desolate

wilderness. The shock was so great that the lake of Lowertz overflowed

its banks, and part of the village of Steinen at the upper end was

destroyed by the waters.

An hour's walk through a blooming Alpine vale brought us to the little

town of Schwytz, the capital of the Canton. It stands at the foot of a

rock-mountain, in shape not unlike Gibraltar, but double its height. The

bare and rugged summits seem to hang directly over the town, but the

people dwell below without fear, although the warning ruins of Goldau

are full in sight. A narrow blue line at the end of the valley which

stretches westward, marks the lake of the Four Cantons. Down this valley

we hurried, that we might not miss the boat which plies daily, from

Luzerne to Fluelen. I regretted not being able to visit Luzerne, as I

had a letter to the distinguished Swiss composer, Schnyder von

Wartensee, who resides there at present. The place is said to present a

most desolate appearance, being avoided by travelers, and even by

artisans, so that business of all kinds has almost entirely ceased.

At the little town of Brunnen, on the lake, we awaited the coming of the

steamboat. The scenery around it is exceedingly grand. Looking down

towards Luzerne, we could see the dark mass of Mount Pilatus on one

side, and on the other the graceful outline of the Righi, still wearing

his hood of clouds. We put off in a skiff to meet the boat, with two

Capuchin friars in long brown mantles and cowls, carrying rosaries at

their girdles.

Nearly opposite Brunnen is the meadow of Grütli, where the union of the

Swiss patriots took place, and the bond was sealed that enabled them to

cast off their chains. It is a little green slope on the side of the

mountain, between the two Cantons of Uri and Unterwalden, surrounded on

all sides by precipices. A little crystal spring in the centre is

believed by the common people to have gushed up on the spot where the

three "linked the hands that made them free." It is also a popular

belief that they slumber in a rocky cavern near the spot, and that they

will arise and come forth when the liberties of Switzerland are in

danger. She stands at present greatly in need of a new triad to restore

the ancient harmony.

We passed this glorious scene, almost the only green spot on the bleak

mountain-side, and swept around the base of the Axenberg, at whose foot,

in a rocky cave, stands the chapel of William Tell. This is built on the

spot where he leaped from Gessler's boat during the storm. It sits at

the base of the rock, on the water's edge, and can be seen far over the

waves. The Alps, whose eternal snows are lifted dazzling to the sky,

complete the grandeur of a scene so hallowed by the footsteps of

freedom. The grand and lonely solemnity of the landscape impressed me

with an awe, like that one feels when standing in a mighty cathedral,

when the aisles are dim with twilight. And how full of interest to a

citizen of young and free America is a shrine where the votaries of

Liberty have turned to gather strength and courage, through the storms

and convulsions of five hundred years!

We stopped at the village of Fluelen, at the head of the lake, and

walked on to Altorf, a distance of half a league. Here, in the

market-place, is a tower said to be built on the spot where the linden

tree stood, under which the child of Tell was placed, while, about a

hundred yards distant, is a fountain with Tell's statue, on the spot

from whence he shot the apple. If these localities are correct, he must

indeed have been master of the cross-bow. The tower is covered with rude

paintings of the principal events in the history of Swiss liberty. I

viewed these scenes with double interest from having read Schiller's

"Wilhelm Tell," one of the most splendid tragedies ever written. The

beautiful reply of his boy, when he described to him the condition of

the "land where there are no mountains," was sounding in my ears during

the whole day's journey:

"Father, I'd feel oppressed in that broad land,

I'd rather dwell beneath the avalanche!"

The little village of Burglen, whose spire we saw above the forest, in a

glen near by, was the birth-place of Tell, and the place where his

dwelling stood, is now marked by a small chapel. In the Schachen, a

noisy mountain stream that comes down to join the Reuss, he was drowned,

when an old man, in attempting to rescue a child who had fallen in--a

death worthy of the hero! We bestowed a blessing on his memory in

passing, and then followed the banks of the rapid Reuss. Twilight was

gathering in the deep Alpine glen, and the mountains on each side,

half-seen through the mist, looked like vast, awful phantoms. Soon they

darkened to black, indistinct masses; all was silent except the

deepened roar of the falling floods; dark clouds brooded above us like

the outspread wings of night, and we were glad, when the little village

of Amstegg was reached, and the parlor of the inn opened to us a more

cheerful, if not so romantic scene.

CHAPTER XXX.

PASSAGE OF THE ST. GOTHARD AND DESCENT INTO ITALY.

Leaving Amstegg, I passed the whole day among snowy, sky-piercing Alps,

torrents, chasms and clouds! The clouds appeared to be breaking up as we

set out, and the white top of the Reassberg was now and then visible in

the sky. Just above the village are the remains of Zwing Uri, the castle

begun by the tyrant Gessler, for the complete subjugation of the canton.

Following the Reuss up through a narrow valley, we passed the

Bristenstock, which lifts its jagged crags nine thousand feet in the

air, while on the other side stand the snowy summits which lean towards

the Rhone Glacier and St. Gothard. From the deep glen where the Reuss

foamed down towards the Lake of the Forest Cantons, the mountains rose

with a majestic sweep so far into the sky that the brain grew almost

dizzy in following their outlines. Woods, chalets and slopes of herbage

covered their bases, where the mountain cattle and goats were browsing,

while the herd-boys sang their native melodies or woke the ringing

echoes with the loud, sweet sounds of their wooden horns; higher up, the

sides were broken into crags and covered with stunted pines; then

succeeded a belt of bare rock with a little snow lying in the crevices,

and the summits of dazzling white looked out from the clouds nearly

three-fourths the height of the zenith. Sometimes when the vale was

filled with clouds, it was startling to see them parting around a

solitary summit, apparently isolated in the air at an immense height,

for the mountain to which it belonged was hidden to the very base!

The road passed from one side of the valley to the other, crossing the

Reuss on bridges sometimes ninety feet high. After three or four hours

walking, we reached a frightful pass called the Schollenen. So narrow is

the defile that before reaching it, the road seemed to enter directly

into the mountain. Precipices a thousand feet high tower above, and the

stream roars and boils in the black depth below. The road is a wonder of

art; it winds around the edge of horrible chasms or is carried on lofty

arches across, with sometimes a hold apparently so frail that one

involuntarily shudders. At a place called the Devil's Bridge, the Reuss

leaps about seventy feet in three or four cascades, sending up

continually a cloud of spray, while a wind created by the fall, blows

and whirls around, with a force that nearly lifts one from his feet.

Wordsworth has described the scene in the following lines:

"Plunge with the Reuss embrowned by terror's breath,

Where danger roofs the narrow walks of Death;

By floods that, thundering from their dizzy height,

Swell more gigantic on the steadfast sight,

Black, drizzling crags, that, beaten by the din,

Vibrate, us if a voice complained within,

Loose hanging rocks, the Day's blessed eye that hide,

And crosses reared to Death on every side!"

Beyond the Devil's Bridge, the mountains which nearly touched before,

interlock into each other, and a tunnel three hundred and seventy-five

feet long leads through the rock into the vale of Urseren, surrounded by

the Upper Alps. The little town of Andermatt lies in the middle of this

valley, which with the peaks around is covered with short,

yellowish-brown grass. We met near Amstegg a little Italian boy walking

home, from Germany, quite alone and without money, for we saw him give

his last kreutzer to a blind beggar along the road. We therefore took

him with us, as he was afraid to cross the St. Gothard alone.

After refreshing ourselves at Andermatt, we started, five in number,

including a German student, for the St. Gothard. Behind the village of

Hospiz, which stands at the bottom of the valley leading to Realp and

the Furca pass, the way commences, winding backwards and forwards,

higher and higher, through a valley covered with rocks, with the mighty

summits of the Alps around, untenanted save by the chamois and mountain

eagle. Not a tree was to be seen. The sides of the mountains were

covered with loose rocks waiting for the next torrent to wash them down,

and the tops were robed in eternal snow. A thick cloud rolled down over

us as we went on, following the diminishing brooks to their snowy source

in the peak of St. Gothard. We cut off the bends of the road by

footpaths up the rocks, which we ascended in single file, one of the

Americans _going ahead_ and little Pietro with his staff and bundle

bringing up the rear. The rarefied air we breathed, seven thousand feet

above the sea, was like exhilarating gas. We felt no fatigue, but ran

and shouted and threw snowballs, in the middle of August!

After three hours' walk we reached the two clear and silent lakes which

send their waters to the Adriatic and the North Sea. Here, as we looked

down the Italian side, the sky became clear; we saw the top of St.

Gothard many thousand feet above, and stretching to the south, the

summits of the mountains which guard the vales of the Ticino and the

Adda. The former monastery has been turned into an inn; there is,

however, a kind of church attached, attended by a single monk. It was so

cold that although late, we determined to descend to the first village.

The Italian side is very steep, and the road, called the Via Trimola, is

like a thread dropped down and constantly doubling back upon itself. The

deep chasms were filled with snow, although exposed to the full force of

the sun, and for a long distance there was scarcely a sign of

vegetation.

We thought as we went down, that every step was bringing us nearer to a

sunnier land--that the glories of Italy, which had so long lain in the

airy background of the future, would soon spread themselves before us in

their real or imagined beauty. Reaching at dusk the last height above

the vale of the Ticino, we saw the little village of Airolo with its

musical name, lying in a hollow of the mountains. A few minutes of

leaping, sliding and rolling, took us down the grassy declivity, and we

found we had descended from the top in an hour and a half, although the

distance by the road is nine miles! I need not say how glad we were to

relieve our trembling knees and exhausted limbs.

I have endeavored several times to give some idea of the sublimity of

the Alps, but words seem almost powerless to measure these mighty

mountains. No effort of the imagination could possibly equal their real

grandeur. I wish also to describe the _feelings_ inspired by being

among them,--feelings which can best be expressed through the warmer

medium of poetry.

SONG OF THE ALP.

I.

I sit aloft on my thunder throne,

And my voice of dread the nations own

As I speak in storm below!

The valleys quake with a breathless fear,

When I hurl in wrath my icy spear

And shake my locks of snow!

When the avalanche forth like a tiger leaps,

How the vassal-mountains quiver!

And the storm that sweeps through the airy deeps

Makes the hoary pine-wood shiver!

Above them all, in a brighter air,

I lift my forehead proud and bare,

And the lengthened sweep of my forest-robe

Trails down to the low and captured globe,

Till its borders touch the dark green wave

In whose soundless depths my feet I lave.

The winds, unprisoned, around me blow,

And terrible tempests whirl the snow;

Rocks from their caverned beds are torn,

And the blasted forest to heaven is borne;

High through the din of the stormy band,

Like misty giants the mountains stand,

And their thunder-revel o'er-sounds the woe,

That cries from the desolate vales below!

I part the clouds with my lifted crown,

Till the sun-ray slants on the glaciers down,

And trembling men, in the valleys pale,

Rejoice at the gleam of my icy mail!

II.

I wear a crown of the sunbeam's gold,

With glacier-gems en my forehead old--

A monarch crowned by God!

What son of the servile earth may dare

Such signs of a regal power to wear,

While chained to her darkened sod?

I know of a nobler and grander lore

Than Time records on his crumbling pages,

And the soul of my solitude teaches more

Than the gathered deeds of perished ages!

For I have ruled since Time began

And wear no fetter made by man.

I scorn the coward and craven race

Who dwell around my mighty base,

For they leave the lessons I grandly gave

And bend to the yoke of the crouching slave.

I shout aloud to the chainless skies;

The stream through its falling foam replies,

And my voice, like the sound of the surging sea,

To the nations thunders: "_I am free!_"

I spoke to Tell when a tyrant's hand

Lay heavy and hard on his native land,

And the spirit whose glory from mine he won

Blessed the Alpine dwellers with Freedom's sun!

The student-boy on the Gmunden-plain

Heard my solemn voice, but he fought in vain;

I called from the crags of the Passeir-glen,

When the despot stood in my realm again,

And Hofer sprang at the proud command

And roused the men of the Tyrol land!

III.

Views A-foot; Or, Europe Seen with Knapsack and Staff · 第 25 / 28 章