He answered slowly: "Mrs. Stroud gave it to me."

"Ah--I didn't know you even knew the Strouds. He was such an inflexible

hermit."

"I didn't--till after.... She sent for me to paint him when he was

dead."

"When he was dead? You?"

I must have let a little too much amazement escape through my surprise,

for he answered with a deprecating laugh: "Yes--she's an awful

simpleton, you know, Mrs. Stroud. Her only idea was to have him done by

a fashionable painter--ah, poor Stroud! She thought it the surest way

of proclaiming his greatness--of forcing it on a purblind public. And

at the moment I was _the_ fashionable painter."

"Ah, poor Stroud--as you say. Was _that_ his history?"

"That was his history. She believed in him, gloried in him--or thought

she did. But she couldn't bear not to have all the drawing-rooms with

her. She couldn't bear the fact that, on varnishing days, one could

always get near enough to see his pictures. Poor woman! She's just a

fragment groping for other fragments. Stroud is the only whole I ever

knew."

"You ever knew? But you just said--"

Gisburn had a curious smile in his eyes.

"Oh, I knew him, and he knew me--only it happened after he was dead."

The Hermit and the Wild Woman, and Other Stories · 第 41 / 64 题