II

PAUL AMBROSE did not die and leave his fortune to Halidon, but the

following summer he did something far more unexpected. He went abroad

again, and came back married. Now our busy fancy had never seen Paul

married. Even Ned recognized the vague unlikelihood of such a

metamorphosis.

"He'd stick at the parson's fee--not to mention the best man's

scarf-pin. And I should hate," Ned added sentimentally, "to see 'the

touch of a woman's hand' desecrate the sublime ugliness of the

ancestral home. Think of such a house made 'cozy'!"

But when the news came he would own neither to surprise nor to

disappointment.

"Goodbye, poor Academy!" I exclaimed, tossing over the bridegroom's

eight-page rhapsody to Halidon, who had received its duplicate by the

same post.

"Now, why the deuce do you say that?" he growled. "I never saw such a

beast as you are for imputing mean motives."

To defend myself from this accusation I put out my hand and recovered

Paul's letter.

"Here: listen to this. 'Studying art in Paris when I met her--"the

vision and the faculty divine, but lacking the accomplishment," etc....

A little ethereal profile, like one of Piero della Francesca's angels

... not rich, thank heaven, _but not afraid of money_, and already

enamored of my project for fertilizing my sterile millions...'"

"Well, why the deuce--?" Ned began again, as though I had convicted

myself out of my friend's mouth; and I could only grumble obscurely:

"It's all too pat."

He brushed aside my misgivings. "Thank heaven, she can't paint, anyhow.

And now that I think of it, Paul's just the kind of chap who ought

to have a dozen children."

"Ah, then indeed: goodbye, poor Academy!" I croaked.

The lady was lovely, of that there could be no doubt; and if Paul now

for a time forgot the Academy, his doing so was but a vindication of

his sex. Halidon had only a glimpse of the returning couple before he

was himself snatched up in one of the chariots of adventure that seemed

perpetually waiting at his door. This time he was going to the far East

in the train of a "special mission," and his head was humming with new

hopes and ardors; but he had time for a last word with me about Ambrose.

"You'll see--you'll see!" he summed up hopefully as we parted; and what

I was to see was, of course, the crowning pinnacle of the Academy

lifting itself against the horizon of the immediate future.

It was in the nature of things that I should, meanwhile, see less than

formerly of the projector of that unrealized structure. Paul had a

personal dread of society, but he wished to show his wife to the world,

and I was not often a spectator on these occasions. Paul indeed, good

fellow, tried to maintain the pretense of an unbroken intercourse, and

to this end I was asked to dine now and then; but when I went I found

guests of a new type, who, after dinner, talked of sport and stocks,

while their host blinked at them silently through the smoke of his

cheap cigars.

The first innovation that struck me was a sudden improvement in the

quality of the cigars. Was this Daisy's doing? (Mrs. Ambrose was

Daisy.) It was hard to tell--she produced her results so noiselessly.

With her fair bent head and vague smile, she seemed to watch life flow

by without, as yet, trusting anything of her own to its current. But

she was watching, at any rate, and anything might come of that. Such

modifications as she produced were as yet almost imperceptible to any

but the trained observer. I saw that Paul wished her to be well

dressed, but also that he suffered her to drive in a hired brougham,

and to have her door opened by the raw-boned Celt who had bumped down

the dishes on his bachelor table. The drawing-room curtains were

renewed, but this change served only to accentuate the enormities of

the carpet, and perhaps discouraged Mrs. Ambrose from farther

experiments. At any rate, the desecrating touch that Halidon had

affected to dread made no other inroads on the serried ugliness of the

Ambrose interior.

In the early summer, when Ned returned, the Ambroses had flown to

Europe again--and the Academy was still on paper.

"Well, what do you make of her?" the traveller asked, as we sat over

our first dinner together.

"Too many things--and they don't hang together. Perhaps she's still in

the chrysalis stage."

"Has Paul chucked the scheme altogether?"

"No. He sent for me and we had a talk about it just before he sailed."

"And what impression did you get?"

"That he had waited to send for me _till_ just before he sailed."

"Oh, there you go again!" I offered no denial, and after a pause he

asked: "Did _she_ ever talk to you about it?"

"Yes. Once or twice--in snatches."

"Well--?"

"She thinks it all _too_ beautiful. She would like to see beauty put

within the reach of everyone."

"And the practical side--?"

"She says she doesn't understand business."

Halidon rose with a shrug. "Very likely you frightened her with your

ugly sardonic grin."

"It's not my fault if my smile doesn't add to the sum-total of beauty."

"Well," he said, ignoring me, "next winter we shall see."

But the next winter did not bring Ambrose back. A brief line, written

in November from the Italian lakes, told me that he had "a rotten

cough," and that the doctors were packing him off to Egypt. Would I see

the architects for him, and explain to the trustees? (The Academy

already had trustees, and all the rest of its official hierarchy.) And

would they all excuse his not writing more than a word? He was really

too groggy--but a little warm weather would set him up again, and he

would certainly come home in the spring.

He came home in the spring--in the hold of the ship, with his widow

several decks above. The funeral services were attended by all the

officers of the Academy, and by two of the young fellows who had won

the travelling scholarships, and who shed tears of genuine grief when

their benefactor was committed to the grave.

After that there was a pause of suspense--and then the newspapers

announced that the late Paul Ambrose had left his entire estate to his

widow. The board of the Academy dissolved like a summer cloud, and the

secretary lighted his pipe for a year with the official paper of the

still-born institution.

After a decent lapse of time I called at the house in Seventeenth

Street, and found a man attaching a real-estate agent's sign to the

window and a van-load of luggage backing away from the door. The

care-taker told me that Mrs. Ambrose was sailing the next morning. Not

long afterward I saw the library table with the helmeted knights

standing before an auctioneer's door in University Place; and I looked

with a pang at the familiar ink-stains, in which I had so often traced

the geography of Paul's visionary world.

Halidon, who had picked up another job in the Orient, wrote me an

elegiac letter on Paul's death, ending with--"And what about the

Academy?" and for all answer I sent him a newspaper clipping recording

the terms of the will, and another announcing the sale of the house and

Mrs. Ambrose's departure for Europe.

Though Ned and I corresponded with tolerable regularity I received no

direct answer to this communication till about eighteen months later,

when he surprised me by a letter dated from Florence. It began: "Though

she tells me you have never understood her--" and when I had reached

that point I laid it down and stared out of my office window at the

chimney-pots and the dirty snow on the roof.

"Ned Halidon and Paul's wife!" I murmured; and, incongruously enough,

my next thought was: "I wish I'd bought the library table that day."

The letter went on with waxing eloquence: "I could not stand the money

if it were not that, to her as well as to me, it represents the sacred

opportunity of at last giving speech to his inarticulateness ..."

"Oh, damn it, they're too glib!" I muttered, dashing the letter down;

then, controlling my unreasoning resentment, I read on. "You remember,

old man, those words of his that you repeated to me three or four years

ago: 'I've half a mind to leave my money in trust to Ned'? Well, it

_has_ come to me in trust--as if in mysterious fulfillment of his

thought; and, oh, dear chap--" I dashed the letter down again, and

plunged into my work.

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