THE LAST ASSET

I

"THE devil!" Paul Garnett exclaimed as he re-read his note; and the dry

old gentleman who was at the moment his only neighbour in the quiet

restaurant they both frequented, remarked with a smile: "You don't seem

particularly annoyed at meeting him."

Garnett returned the smile. "I don't know why I apostrophized him, for

he's not in the least present--except inasmuch as he may prove to be at

the bottom of anything unexpected."

The old gentleman who, like Garnett, was an American, and spoke in the

thin rarefied voice which seems best fitted to emit sententious truths,

twisted his lean neck toward the younger man and cackled out shrewdly:

"Ah, it's generally a woman who is at the bottom of the unexpected.

Not," he added, leaning forward with deliberation to select a

tooth-pick, "that that precludes the devil's being there too."

Garnett uttered the requisite laugh, and his neighbour, pushing back

his plate, called out with a perfectly unbending American intonation:

"Gassong! L'addition, silver play."

His repast, as usual, had been a simple one, and he left only thirty

centimes in the plate on which his account was presented; but the

waiter, to whom he was evidently a familiar presence, received the

tribute with Latin affability, and hovered helpfully about the table

while the old gentleman cut and lighted his cigar.

"Yes," the latter proceeded, revolving the cigar meditatively between

his thin lips, "they're generally both in the same hole, like the owl

and the prairie-dog in the natural history books of my youth. I believe

it was all a mistake about the owl and the prairie-dog, but it isn't

about the unexpected. The fact is, the unexpected _is_ the devil--the

sooner you find that out, the happier you'll be." He leaned back,

tilting his smooth bald head against the blotched mirror behind him,

and rambling on with gentle garrulity while Garnett attacked his omelet.

"Get your life down to routine--eliminate surprises. Arrange things so

that, when you get up in the morning, you'll know exactly what is going

to happen to you during the day--and the next day and the next. I don't

say it's funny--it ain't. But it's better than being hit on the head by

a brick-bat. That's why I always take my meals at this restaurant. I

know just how much onion they put in things--if I went to the next

place I shouldn't. And I always take the same streets to come

here--I've been doing it for ten years now. I know at which crossings

to look out--I know what I'm going to see in the shop-windows. It saves

a lot of wear and tear to know what's coming. For a good many years I

never did know, from one minute to another, and now I like to think

that everything's cut-and-dried, and nothing unexpected can jump out at

me like a tramp from a ditch."

He paused calmly to knock the ashes from his cigar, and Garnett said

with a smile: "Doesn't such a plan of life cut off nearly all the

possibilities?"

The old gentleman made a contemptuous motion. "Possibilities of what?

Of being multifariously miserable? There are lots of ways of being

miserable, but there's only one way of being comfortable, and that is

to stop running round after happiness. If you make up your mind not to

be happy there's no reason why you shouldn't have a fairly good time."

"That was Schopenhauer's idea, I believe," the young man said, pouring

his wine with the smile of youthful incredulity.

"I guess he hadn't the monopoly," responded his friend. "Lots of people

have found out the secret--the trouble is that so few live up to it."

He rose from his seat, pushing the table forward, and standing passive

while the waiter advanced with his shabby overcoat and umbrella. Then

he nodded to Garnett, lifted his hat politely to the broad-bosomed lady

behind the desk, and passed out into the street.

Garnett looked after him with a musing smile. The two had exchanged

views on life for two years without so much as knowing each other's

names. Garnett was a newspaper correspondent whose work kept him mainly

in London, but on his periodic visits to Paris he lodged in a dingy

hotel of the Latin Quarter, the chief merit of which was its nearness

to the cheap and excellent restaurant where the two Americans had made

acquaintance. But Garnett's assiduity in frequenting the place arose,

in the end, less from the excellence of the food than from the

enjoyment of his old friend's conversation. Amid the flashy

sophistications of the Parisian life to which Garnett's trade

introduced him, the American sage's conversation had the crisp and

homely flavor of a native dish--one of the domestic compounds for which

the exiled palate is supposed to yearn. It was a mark of the old man's

impersonality that, in spite of the interest he inspired, Garnett had

never got beyond idly wondering who he might be, where he lived, and

what his occupations were. He was presumably a bachelor--a man of

family ties, however relaxed, though he might have been as often absent

from home would not have been as regularly present in the same

place--and there was about him a boundless desultoriness which renewed

Garnett's conviction that there is no one on earth as idle as an

American who is not busy. From certain allusions it was plain that he

had lived many years in Paris, yet he had not taken the trouble to

adapt his tongue to the local inflections, but spoke French with the

accent of one who has formed his conception of the language from a

phrase-book.

The city itself seemed to have made as little impression on him as its

speech. He appeared to have no artistic or intellectual curiosities, to

remain untouched by the complex appeal of Paris, while preserving,

perhaps the more strikingly from his very detachment, that odd American

astuteness which seems the fruit of innocence rather than of

experience. His nationality revealed itself again in a mild interest in

the political problems of his adopted country, though they appeared to

preoccupy him only as illustrating the boundless perversity of mankind.

The exhibition of human folly never ceased to divert him, and though

his examples of it seemed mainly drawn from the columns of one exiguous

daily paper, he found there matter for endless variations on his

favorite theme. If this monotony of topic did not weary the younger

man, it was because he fancied he could detect under it the tragic

implication of the fixed idea--of some great moral upheaval which had

flung his friend stripped and starving on the desert island of the

little cafe where they met. He hardly knew wherein he read this

revelation--whether in the resigned shabbiness of the sage's dress, the

impartial courtesy of his manner, or the shade of apprehension which

lurked, indescribably, in his guileless yet suspicious eye. There were

moments when Garnett could only define him by saying that he looked

like a man who had seen a ghost.

The Hermit and the Wild Woman, and Other Stories · 第 20 / 64 题