TO MRS. SITWELL

During his days in London Stevenson had gone with Mrs. Sitwell to

revisit the Elgin marbles, and had carried off photographs of them to

put up in his room at Edinburgh. _King Matthias's Hunting Horn_ has

perished like so many other stories of this time.

_[Edinburgh, November 1874], Tuesday._

Well, I've got some women now, and they're better than nothing. Three,

without heads, who have been away getting framed. And you know they are

more to me, after a fashion, than they can be to you, because, after a

fashion also, they are women. I have come now to think the sitting

figure in spite of its beautiful drapery rather a blemish, rather an

interruption to the sentiment. The two others are better than one has

ever dreamed; I think these two women are the only things in the world

that have been better than, in Bible phrase, it had entered into my

heart to conceive. Who made them? Was it Pheidias? or do they not know?

It is wonderful what company they are--noble company. And then I have

now three Japanese pictures that are after my own heart, and I get up

from time to time and turn a bit of favourite colour over and over, roll

it under my tongue, savour it till it gets all through me; and then back

to my chair and to work.

This afternoon about six there was a small orange moon, lost in a great

world of blue evening. A few leafless boughs, and a bit of garden

railing, criss-cross its face; and below it there was blueness and the

spread lights of Leith, lost in blue haze. To the east, the town, also

subdued to the same blue, piled itself up, with here and there a lit

window, until it could print off its outline against a faint patch of

green and russet that remained behind the sunset.

I must tell you about my way of life, which is regular to a degree.

Breakfast 8.30; during breakfast and my smoke afterwards till ten, when

I begin work, I read Reformation; from ten, I work until about a quarter

to one; from one until two, I lunch and read a book on Schopenhauer or

one on Positivism; two to three work, three to six anything; if I am in

before six, I read about Japan: six, dinner and a pipe with my father

and coffee until 7.30; 7.30 to 9.30, work; after that either supper and

a pipe at home, or out to Simpson's or Baxter's: bed between eleven and

twelve.

_Wednesday._--Two good things have arrived to me to-day: your letter for

one, and the end of _John Knox_ for another. I cannot write English

because I have been speaking French all evening with some French people

of my knowledge. It's a sad thing the state I get into, when I cannot

remember English and yet do not know French! And it is worse when it is

complicated, as at present, with a pen that will not write! If you knew

how I have to paint and how I have to manoeuvre to get the stuff legible

at all.

_Thursday._--I have said the Fates are only women after a fashion; and

that is one of the strangest things about them. They are wonderfully

womanly--they are more womanly than any woman--and those girt draperies

are drawn over a wonderful greatness of body instinct with sex; I do not

see a line in them that could be a line in a man. And yet, when all is

said, they are not women for us; they are of another race, immortal,

separate; one has no wish to look at them with love, only with a sort of

lowly adoration, physical, but wanting what is the soul of all love,

whether admitted to oneself or not, hope; in a word "the desire of the

moth for the star." O great white stars of eternal marble, O shapely,

colossal women, and yet not women. It is not love that we seek from

them, we do not desire to see their great eyes troubled with our

passions, or the great impassive members contorted by any hope or pain

or pleasure; only now and again, to be conscious that they exist, to

have knowledge of them far off in cloudland or feel their steady eyes

shining, like quiet watchful stars, above the turmoil of the earth.

I write so ill; so cheap and miserable and penny-a-linerish is this

_John Knox_ that I have just sent, that I am low. Only I keep my heart

up by thinking of you. And if all goes to the worst, shall I not be able

to lay my head on the great knees of the middle Fate--O these great

knees--I know all Baudelaire meant now with his _geante_--to lay my head

on her great knees and go to sleep.

_Friday._--I have finished _The Story of King Matthias' Hunting Horn_,

whereof I spoke to you, and I think it should be good. It excites me

like wine, or fire, or death, or love, or something; nothing of my own

writing ever excited me so much; it does seem to me so weird and

fantastic.

_Saturday._--I know now that there is a more subtle and dangerous sort

of selfishness in habit than there ever can be in disorder. I never

ceased to be generous when I was most _deregle_; now when I am beginning

to settle into habits, I see the danger in front of me--one might cease

to be generous and grow hard and sordid in time and trouble. However,

thank God it is life I want, and nothing posthumous, and for two good

emotions I would sacrifice a thousand years of fame. Moreover I know so

well that I shall never be much as a writer that I am not very sorely

tempted.

My only chance is in my stories; and so you will forgive me if I

postpone everything else to copy out _King Matthias_; I have learned by

experience that a story should be copied out and finished fairly off at

the first heat if ever. I am even thinking of finishing up half-a-dozen

perhaps and trying the publishers? what do you say? Give me your

advice?

_Sunday._--Good-bye. A long story to tell but no time to tell it: well

and happy. Adieu.--Ever your faithful friend,

The Works of Robert Louis Stevenson - Swanston Edition, Vol. 23 · 第 210 / 567 题