THE SHOP WINDOWS.

I think I can hear some little tongue ask, "Are these beautiful pictures

really to be seen in the shops, or has the artist only imagined them?"

Every one of these pretty sights is taken from actual windows in New

York, and for days past gay throngs of people have tiptoed and crowded

close to the panes that they might assist at such dainty doll

receptions.

The central scene here is a bit of Venice. There are the bridge and the

stairs and the arches, and there, too, are the ladies and gentlemen

coming in their gondolas to attend a reception at some grand palace.

It is almost as good as going to the circus to look at the fairy figure

standing on the back of yonder spirited steed, with the rows of doll

spectators in the background. I think I like it even better than the

real thing, for one is sure that this little lady has never known a

blow, nor an unkind word, and we are not at all easy in our minds when

we are watching some poor little Queen of the Ring, and holding our

breath at her wonderful leaps.

The little picture entitled "Charity" may be seen in the streets every

cold day. The contrast between the child, with her golden hair and warm

furs, and the barefooted boy, ragged and shivering, who sweeps the

crossings, and holds out his thin hand for a penny, is true to life.

Here is Baby, as large as the one at home in the nursery, her

christening dress on, to be sure, and her bottle in her hands. What

comfort she is taking!

But wouldn't you rather have that sailor lad, whose jaunty air tells you

that he knows every rope in the ship, and can climb the rigging like a

cat?

How graceful are these musicians! and how quaint this coquettish

milk-maid, who will presently give a cup of milk to the high-bred girl

and boy watching her! One can take a history lesson, for just as these

children are dressed were Mistress Dorothy Quincy and his Excellency

John Hancock more than a hundred years ago.

Perhaps our eyes linger longest on the sea-side window, which brings

back memories of the summer. There is the donkey on which Minnie used to

ride; Chloe with her parasol; and the children at play on the sands,

with the waves rolling in.

Well, well, we can not look all day at the shop windows, be they ever so

attractive, for the holidays are full of fun and frolic, and we want to

catch it all.

[Illustration: SCENES IN SHOP WINDOWS, NEW YORK CITY.--DRAWN BY MISS

JESSIE MCDERMOTT.]

[Illustration: HAPPY NEW-YEAR!]

Harper's Young People, December 27, 1881 An Illustrated Weekly · 第 18 / 52 题