CHAPTER XXX

WITH TIMBRELS AND DANCES

Aunt Philippa and Sara came to meet me at Victoria. They both seemed

unfeignedly glad to see me.

Aunt Philippa was certainly a kind-hearted woman. Her faults were those

that were engendered by too much prosperity. Overmuch ease and luxury had

made her lymphatic and indolent. Except for Ralph's death, she had never

known sorrow. Care had not yet traced a single line on her smooth

forehead; it looked as open and unfurrowed as a child's. Contentment and

a comfortable self-complacency were written on her comely face. Just now

it beamed with motherly welcome. Somehow, I never felt so fond of Aunt

Philippa as I did at that moment when she leaned over the carriage with

outstretched hands.

'My dear, how well you are looking! Five years younger.--Does she not

look well, Sara?'

Sara nodded and smiled, and made room for me to pass her, and then gave

orders that my luggage should be intrusted to the maid, who would convey

it in a cab to Hyde Park Gate.

'If you do not mind, Ursula, we are going round the Park for a little,'

observed Sara, with a pretty blush.

Her mother laughed: 'Colonel Ferguson is riding in the Row, and will be

looking out for us. He is coming this evening, as usual, but Sara thinks

four-and-twenty hours too long to wait.'

'Oh, mother, how can you talk so?' returned Sara bashfully. 'You know

Donald asked us to meet him, and he would be so disappointed. And it is

such a lovely afternoon,--if Ursula does not mind.'

'On the contrary, I shall like it very much,' I returned, moved by

curiosity to see Colonel Ferguson again. I had never seen him by

daylight, and, though we had often met at the evening receptions, we

had not exchanged a dozen words.

I thought Sara was looking prettier than ever. A sort of radiance seemed

to surround her. Youth and beauty, perfect health, a light heart, and

satisfied affections,--these were the gifts of the gods that had been

showered upon her. Would those bright, smiling eyes ever shed tears? I

wondered. Would any sorrow drive away that light, careless gaiety? I

hoped not. It was pleasant to see any one so happy. And then I thought

of Lesbia and Gladys, and sighed.

'You do not look at all tired, Ursie,' observed Sara affectionately,

laying her little gloved hand on mine. 'She looks quite nice and fresh:

does she not, mother?--I was so afraid that you would have come up in

your nurse's livery, as Jocelyn calls it,--black serge, and a horrid

dowdy bonnet.'

'Oh no; I knew better than that,' I returned, with a complacent glance

at my handsome black silk, one of Uncle Brian's presents. I had the

comfortable conviction that even Sara could not find fault with my bonnet

and mantle. I had made a careful toilet purposely, for I knew what

importance they attached to such things. Sara's little speech rewarded

me, as well as Aunt Philippa's approving look.

'It has not done her any harm,' I heard her observe, _sotto voce_. 'She

certainly looks younger.'

I took advantage of a pause in Sara's chatter to ask after Jill. Aunt

Philippa answered me, for Sara was bowing towards a passing carriage.

'Oh, poor child, she wanted to come with us to meet you, but it was

Professor Hugel's afternoon. He teaches her German literature, you know.

I was anxious for her not to miss his lesson, and she was very good about

it. She is coming down to afternoon tea, and of course we shall see her

in the evening.'

'Poor dear Jocelyn! she was longing to come, I know. You and Miss

Gillespie are terribly severe,' observed Sara, with a light laugh. She

was so free and gay herself that she rather pitied her young sister,

condemned to the daily grind of lessons and hard work.

'Nonsense, Sara!' returned her mother sharply. 'We are not severe at all.

Jocelyn knows that it is all for her good if Miss Gillespie keeps her to

her task. My dear Ursula, we are all charmed with Miss Gillespie,--even

Sara, though she pretends to call her strict and old-fashioned. She is a

most amiable, ladylike woman, and Jocelyn is perfectly happy with her.

'I am very pleased with Jocelyn,' she went on. 'You have done her good,

Ursula, and both her father and I are very grateful to you. She is not

nearly so wayward and self-willed. She takes great pains with her

lessons, and is most industrious. She is not so awkward, either, and Miss

Gillespie thinks it will be a good plan if I take her out with me driving

sometimes when Sara is married. I shall only have Jocelyn then,' finished

Aunt Philippa, with a regretful look at her daughter. I was much

interested in all they had to tell me, but I was not sorry when we

entered the Park and the stream of talk died away.

I almost felt as though I were in a dream, as the moving kaleidoscope

of horses and carriages and foot-passengers passed before my eyes.

Yesterday at this time I was sitting in poor Robert Lambert's whitewashed

attic, listening to the sparrows that were twittering under the eaves.

When I had left the cottage I had walked down country roads, meeting

nothing but a donkey-cart and two tramps.

Now the sunshine was playing on the rhododendrons and on the green leaves

of the trees in Hyde Park. A brass band had struck up in the distance.

The riders were cantering up and down the Row, to the admiration of the

well-dressed crowds that sauntered under the trees or lingered by the

railings. Carriages were passing and repassing. A four-in-hand drove past

us, followed by a tandem. Beautiful young faces smiled out of the

carriages. A few of them looked weary and careworn. Now and then under

the smart bonnet one saw the pinched weazened face of old age,--dowagers

in big fur capes looking out with their dim hungry eyes on the follies of

Vanity Fair. One wondered at the set senile smile on these old faces;

they had fed on husks all their lives, and the food had failed to nourish

them; their strength had failed over the battle of life, but they still

refused to leave the field of their former triumphs. Everywhere in these

fashionable crowds one sees these pale meagre faces that belong to a past

age. They wear gorgeous velvets, jewels, feathers, paint: like Jezebel,

they would look out of the window curiously to the last. How one longs to

take them gently out of the crowd, to wash their poor cheeks, and lead

them to some quiet home, where they may shut their tired eyes in peace!

'What is the world to you?' one would say to them. 'You have done all

your tasks,--well or badly; leave the arena to the young and the strong;

it is no place for you; come home and rest, before the dark angel finds

you in your tinsel and gewgaws.' Would they listen to me, I wonder?

Sara's soft dimples came into play presently. A pretty blush rose to her

face. A tall man with a bronzed handsome face and iron-gray moustache had

detached himself from the other riders, and was cantering towards the

carriage that was now drawn up near the entrance: in another moment he

had checked his horse with some difficulty.

'I have been looking out for you the last three-quarters of an hour,' he

said, addressing Sara. 'I could not see the carriage anywhere.--Miss

Garston, we have met before, but I think we hardly know each other,'

looking at me with some degree of interest. Sara's cousin was no longer

indifferent to him.

I answered him as civilly as I could, but I could see his attention

wandered to his young _fiancée_, and he soon rode round to her side of

the carriage. It was evident, as Lesbia said, that the colonel was

honestly in love with Sara. She looked very young beside him, but there

must have been something very winning in her sweet looks and words to the

man who had known trouble and had laid a young wife and child to rest in

an Indian grave.

Before the evening was over I felt I liked Colonel Ferguson immensely,

and thought far more of Sara for being his choice; there was an air of

frankness and _bonhomie_ about him that won one's heart; he was sensible

and practical. In spite of his fondness for Sara, he would keep her in

order: one could see that. I heard him rebuke her very gently that first

evening for some extravagance she was planning. They were standing apart

from the others on the balcony, but I was near the open window, and I

heard him say distinctly, in a grave voice,--

'I am very sorry to disappoint you, but I must ask you to give up this

idea, my darling; it would not be right in our position: surely you must

see that.'

'No, Donald, I do not see it a bit,' she answered quickly.

'Then will you be satisfied with my seeing it, and give it up for my

sake, dear?'

I knew when they came back into the room that he had got his way. Sara

was smiling as happily as usual: her disappointment had not gone very

deep. Her future husband would have very little trouble with her. She was

neither self-willed nor selfish. She wanted to be happy herself and make

other people happy; she would be easily guided.

When we left the Park Colonel Ferguson rode off to his club, and we drove

home rather quickly. There were some visitors waiting for Sara in the

drawing-room, so I went up to my old room to take off my bonnet. Martha

would unpack my boxes, Aunt Philippa told me, as she gave me another kiss

in the hall.

I had not been there for five minutes when I heard flying footsteps down

the passage, and the next moment Jill's strong arms had taken me by the

shoulders and turned me round.

'Now, Jill, I don't mean to be strangled as usual'; but she left me no

breath for more.

'Oh, my dear, precious old bear, this is too good to be true! I nearly

cried with joy this morning at the idea of seeing you in your old room

and knowing you will be here a whole fortnight. I declare, after all,

Sara is very nice to get married.'

No, Jill was not changed; she was as real and big and demonstrative as

usual, but somehow she looked nicer.

'You must be quick,' she continued, 'for father has come in, and Clayton

has taken in the tea. We must go down directly; but I want you to see

Miss Gillespie first.' And Jill looked proud and eager as she led me down

the passage.

The schoolroom was still the same dull back room that Aunt Philippa

thought so conducive to her young daughter's studies, but it certainly

looked more cheerful this evening.

The window was opened. There was a window-box full of gay flowers. A

great bowl of my favourite wall-flowers was on the table, and another

vase, with trails of laburnum and lilac, was on Jill's little table. The

fresh air and sunshine and the sweet scent of the flowers had quite

transformed the dingy room. There was new cretonne on the old sofa, a

handsome cloth on the centre-table, and a new easy-chair.

Miss Gillespie was sitting by the window, reading. She had an interesting

face and rather sad gray eyes, but her manner was decidedly

prepossessing.

She looked at her pupil with affection. Evidently Jill's abruptness and

awkwardness were not misunderstood by her.

'I want you two to like each other,' Jill had said, without a pretence of

introduction; and we had both laughed and extended our hands.

'I seem to know you already, Miss Garston,' she said, in a pleasant

voice. 'Jocelyn talks about you so much that you cannot be a stranger

to me.--Do you know your father has come in, dear?' turning to Jill.

'Yes, and I must take my cousin downstairs. Good-bye for the present,

Gypsy.'

Miss Gillespie smiled again when she saw my astonishment at Jill's

familiarity.

'Jocelyn thinks my name too long, and has abbreviated it to Gypsy. Mrs.

Garston was terribly shocked at first, but I told her that it did not

matter in the least: in fact, I like it.'

'She is such a dear old thing!' burst out Jill, as we left the schoolroom

and proceeded downstairs arm in arm. 'I never think of her as my

governess; she is just a kind friend who helps me with my lessons and

walks with me. We do have such cosy times together. Does not the

schoolroom look nice, Ursie?'

'Very nice indeed, my dear.'

'So I think; but Sara says it is horrid: she has made mother promise to

give me her room directly she is married. Sara has a beautiful piano

there, and a book-case, and all sorts of pretty things. It is a lovely

room, you know, and looks out over the Park. Mother thinks it too nice

and pretty for a schoolroom; but I am to call it my study and keep it

tidy. And Gypsy is to have the old schoolroom for herself: so we are both

pleased. It is nice for her to have a room of her own, where she can be

alone.'

'Your mother is very kind to you, Jill.'

'Awfully kind--I mean very kind: Gypsy does so dislike that expression.

Do you know, I think you two are rather alike in that? Gypsy is very

unhappy sometimes, though. I have found her crying more than once when I

have left her long alone; only mother does not know, and I don't mean to

tell her, because she thinks people ought always to be cheerful. It was

so sad that clergyman dying,--the one she was to marry; his name was

Maurice Compton. I saw the name in one of her books: "Lilian Gillespie,

from her devoted friend, Maurice Compton."'

'My dear Jill, how long are you going to keep me standing in the hall?

Clayton will find us here directly.'

'Yes, I know'; but Jill showed no intention of moving; the prospect of

cold tea did not trouble her; 'but I want to tell you something before

you go in. Mother is certainly kinder to me than she ever has been; she

says I am to drive with her very often, and that she shall take me to see

picture-galleries. And father is going to buy a horse for me, because he

says I ride so well that I may go out with him, as a rule, instead of

with a master; and--'

'You shall tell me all that presently,' I returned, 'for I am too tired

to stand on this mat any longer. Are you coming, Jill? or shall I go in

without you?' but of course I knew she would follow me.

The room seemed full when we entered. Aunt Philippa was at the tea-table;

Sara was flitting about the room from one guest to another. Uncle Brian,

who was standing on the hearth-rug, put out his hand to me.

'I am glad to see you back again, Ursula,' looking at me with his cool,

penetrating glance. Uncle Brian was never demonstrative. 'I think the

work suits you, to judge by your looks. Take that chair by your aunt,

child, and she will give you some tea.' And accordingly I placed myself

under Aunt Philippa's wing, while Jill and a boy-officer with a budding

moustache waited on me.

The rest of the evening passed very pleasantly. I had a long conversation

with Miss Gillespie in the inner drawing-room while Sara and Jill played

duets: of course our subject was Jill. Miss Gillespie spoke most warmly

of her excellent abilities and fine development of character. 'She will

be a very striking woman,' she finished, when the last chords were played

and a soft clapping of hands succeeded. 'Whether she will be a happy one

is more doubtful: she must not be thwarted too much, and she must have

room to expand. Jocelyn wants space and sunshine.'

I thought these remarks very sensible; they taught me that Miss Gillespie

had grasped the true idea of Jill's character. There was nothing little

about Jill: she never did things by halves: she either loved or hated.

She was truthful to a fault. There was a massive freedom and simplicity

about her that would guide her safely through the world's pitfalls.

'Space and sunshine,' that was all Jill needed to bring her to maturity

and fruition. Some girls may be trusted to educate themselves. Jill was

one of these.

The next morning Sara took possession of me. A great honour was to be

vouchsafed me: I was to be treated to a private view of the trousseau

and wedding-presents.

I had exhausted my vocabulary of admiring epithets, and sat in eloquent

silence, long before Sara had finished her display. It was like the

picture of Pandora opening her box, to see the pretty creature opening

the big, carved wardrobe to show me the layers of delicate embroidered

raiment, muslin and laces and jewels, curious trinkets and wonderful

gifts worthy of the Arabian Nights. There were two rooms full of

treasures that had been laid at her feet, and no doubt, like Pandora,

Sara had the rainbow-tinted hope lying amid the bridal gifts.

'This is Donald's present,' she said, smiling, showing me a diamond

spray. 'I am to wear it on Thursday: it is the loveliest present of

all,--though mother has given me that beautiful pearl necklace.'

'Wait a moment, Sara,' I said, detaining her as she closed the morocco

case: 'tell me, do you not feel like a princess in fairy-land, with all

this glitter round you? Does it all seem real, somehow?'

'Donald is real, anyhow,' she returned, with a charming blush. 'Nothing

would be real without him. Oh, Ursula, it is nice to be so happy! I

always have been happier than other girls.' And something like a tear

stole to her pretty eyes.

'Now you must see your own dress,' she continued, brushing off the tiny

tear-drop, with a laugh at her own sentimentality. 'What do you think of

that? Is that not charming taste?'

'It is far too good for me,' I returned seriously. 'How could Uncle Brain

buy that for me? It is beautiful; it is perfect, and just my taste.' And

then I could say no more, for Sara had placed her hands across my lips to

silence me.

'Then you must wear it, dear. Father and mother wanted to give you

something nice, because you were so good to Jocelyn, and I knew you had a

fancy for a velvet gown. Is not that yellowish lace charming, Ursula? and

the bonnet harmonises so well! Your bouquet is to be cream-coloured, too,

with just a tea-rose or so. You will look quite pretty in it, Ursula

dear. Do you know Donald liked the look of you so yesterday? he said you

looked so strong and sensible; he called you an interesting woman.'

I hastened to change the subject, for it recalled certain words that I

vainly tried to forget. It was a relief when visitors were announced and

Sara left me to go down to the drawing-room. I was glad to be alone for

a few minutes. Aunt Philippa came up soon afterwards with a bevy of

friends, and I escaped to my own room until luncheon-time.

I grew a little weary of the bustle by and by, and yet I was pleased and

interested too; the excitement was infectious; one smiled to see so many

happy faces; and then there was so much to do, every one was pressed into

the service. Jill shut up her books with a bang; her piano remained

closed. She and Miss Gillespie were answering notes, unpacking presents,

running to and fro with messages; people came all day long; they talked

in corners on the balcony, in Uncle Brian's study; no room was held

sacred.

A cargo of flowers arrived presently; the hall and drawing-room were to

be transformed into bowers. It must rain roses as well as sunshine on the

young princess. Sara's bright face appeared every now and then among the

workers; a little court surrounded her; sometimes Colonel Ferguson's

bronzed face looked over her shoulders.

'That is very pretty, Ursula. I see you have caught the right idea.

Jocelyn dear, you are overfilling that basket, and some of the stalks are

showing. Miss Gillespie will put it right for you. Come, Grace, shall we

go upstairs?'

Sara nodded and smiled at us as she led the way to the upper regions.

Pandora was for ever opening her box in those days: she was never weary

of fingering her silks and satins.

'Now she has gone, let us rest a little,' Jill exclaimed, letting her

arms fall to her side. 'Are you not tired of it all, Ursie dear? I get so

giddy that I keep rubbing my eyes. I never knew weddings meant all this

fuss. Why cannot people do things more quietly? If I ever get married I

shall just put on my bonnet and walk to the nearest church with father.

What is the use of all this nonsense? It is like decking the victim for

the sacrifice, to see all these roses and green leaves. Supposing we have

a band of music to drown her groans while she is dressing,' finished Jill

rebelliously, as she contemplated her flower-basket with dissatisfied

eyes.

Jill's speech recalled Mr. Hamilton's words most vividly: 'Because two

people elect to join hands for the journey of life, is there any adequate

reason why all their idle acquaintances should accompany them with

cymbals and prancings, and all sorts of fooleries, just at the most

solemn moment of life?' and again, '"Till death us do part,"--can any

one, man or woman, say those words lightly and not bring down a doom upon

himself?'

Could I ever forget how solemnly he had said this? After all, Mr.

Hamilton was right, and I think Jill was right too.

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