XXIII.

1

Baaaa! Ba-ha-ha-ha-ha-ha-ha-ha! _Bebe esa purga._ It is the goats of

Santo Domingo talking. _Bebe esa purga!_ Bebeesapurga! And the answer is:

_Yo no lo quiero beber!_ Yonoloquierobeber!

* * * * *

_It is nearly pure luck that gets the mind turned inside out in a work

of art. There is nothing more difficult than to write a poem. It is

something of a matter of slight of hand. The poets of the T’ang dynasty

or of the golden age in Greece or even the Elizabethans: it’s a kind of

alchemy of form, a deft bottling of a fermenting language. Take Dante

and his Tuscan dialect— It’s a matter of position. The empty form drops

from a cloud, like a gourd from a vine; into it the poet packs his

phallus-like argument._

2

The red huckleberry bushes running miraculously along the ground among

the trees everywhere,   except where the land’s tilled, these keep

her from that tiredness the earth’s touch lays up under the soles

of feet. She runs beyond the wood   follows the swiftest along the

roads   laughing among the birch clusters   her face in the yellow

leaves   the curls before her eyes   her mouth half open. This is a

person in particular   there where they have her—and I have only a wraith

in the birch trees.

* * * * *

_It is not the lusty bodies of the nearly naked girls in the shows about

town, nor the blare of the popular tunes that make money for the manager.

The girls can be procured rather more easily in other ways and the music

is dirt cheap. It is that this meat is savored with a strangeness which

never looses its fresh taste to generation after generation, either of

dancers or those who watch. It is beauty escaping, spinning up over the

heads, blown out at the overtaxed vents by the electric fans._

3

* * * * *

_In many poor and sentimental households it is a custom to have cheap

prints in glass frames upon the walls. These are of all sorts and many

sizes and may be found in any room from the kitchen to the toilet. The

drawing is always of the worst and the colors, not gaudy but almost

always of faint indeterminate tints, are infirm. Yet a delicate accuracy

exists between these prints and the environment which breeds them. But

as if to intensify this relationship words are added. There will be a

“sentiment” as it is called, a rhyme, which the picture illuminates. Many

of these pertain to love. This is well enough when the bed is new and the

young couple spend the long winter nights there in delightful seclusion.

But childbirth follows in its time and a motto still hangs above the bed.

It is only then that the full ironical meaning of these prints leaves the

paper and the frame and starting through the glass takes undisputed sway

over the household._

Kora in Hell: Improvisations · 第 34 / 39 题