The angel Gabriel was sent from God to a virgin whose name was Mary.
The angel said "Hail, Mary, highly favored, blessed art thou among
women." (Luke 1:26-28.) Mary is supposed to have been in a house of
worship at the time (like Hannah, 1 Sam. 1:9-18, and Zacharias, Luke
1:8-13), hence the beautiful surroundings; and to have been at
prayer, as suggested by the kneeling posture and the book. The dove
is a symbol of the Holy Ghost (Luke 3:22). The beam of light
symbolizes the going forth of divine power (Hos. 6:5). The angel is
borne upon a cloud (Ps. 104:3), and carries a rod or scepter, symbols
of authority (Ex. 4:1-5, Esther 4:11). The lily is introduced as a
symbol of perfection and purity (Song 2:2; compare also Num. 17:8).
Titian has depicted the instant when the angel says "Hail, Mary." He
has introduced emblems of the ideal woman (Prov. 31:13, 14, 26,
etc.).
[Transcriber's Note: As you may note, each plate is introduced with
the artist's name and the plate number. In the original source, this
text was bolded, not italicized.]
_Hofmann, Plate 1,_ shows the moment when Gabriel says: "Blessed art
thou among women." (Luke 1:28.) In this picture only, the angel
approaches from behind. The picture recalls the experience of another
Mary (John 20:14).
_Guido Reni, Plate 2,_, has chosen the instant when Gabriel says,
"Thou hast found favor with God." The infant angels represent,
perhaps, "the spirits of love, intelligence and innocence," [1] and
accompany the Divine Presence because of the words of Christ, when
speaking of children, "Their angels do always behold the face of my
Father which is in heaven." (Matt. 18:10.)
_Mueller, Plate 3,_ seems to have shown the moment when Mary said,
"Let it be unto me according to thy word." (Luke 1:38.) His figures
and faces express less animation than any of the others.
_Dosso, Plate 4,_ represents Gabriel as saying, "The Holy Ghost shall
come upon thee and the power of the Highest shall overshadow thee"
(Luke 1:35), for both the dove, symbol of the Holy Ghost, and the
Highest himself, upon a cloud and accompanied with cherubs, are
present. (Compare 2 Sam. 22:10-12.)
_Baroccio, Plate 5,_ seems to have seized upon the moment when Mary
has just asked "How shall this be?" (Luke 1:34). The angel is
encouraging her faith by reference to Elisabeth. (Luke 1:36.)
[1] Mrs. Jameson, "Sacred and Legendary Art," vi., p. 57.
[Illustration: Annunciation to Mary.]
Plate 1. _Annunciation to Mary._ H. Hofmann. 1824-
[Illustration: Annunciation to Mary.]
Plate 2. _Annunciation to Mary._ Guido Reni 1575-1642.
[Illustration: Annunciation to Mary.]
Plate 3. _Annunciation to Mary._ Franz Mueller.
[Illustration: Annunciation to Mary.]
Plate 4. _Annunciation to Mary._ Dossi Dosso. 1479-1542.
[Illustration: Annunciation to Mary.]
Plate 5. _Annunciation to Mary._ F. Baroccio. 1528-1612.