CHAPTER XII

THE SECRET OF THE TOWER

The scene presented by the interior of the Tower, when Beaumaroy softly

opened the door and signed to Doctor Mary to step forward and look, was

indeed a strange one, a ridiculous yet pathetic mockery of grandeur.

The building was a circular one, rising to a height of some thirty-five

feet and having a diameter of about ten. Up to about twelve feet from

the floor its walls were draped with red and purple stuffs of coarse

material; above them the bare bricks and the rafters of the roof showed

naked. In the middle of the floor--with their backs to the door at which

Mary and her companion stood--were set two small arm-chairs of plain and

cheap make. Facing them, on a rough dais about three feet high and with

two steps leading up to it, stood a large and deep carved oaken

arm-chair. It too was upholstered in purple, and above and around it

were a canopy and curtains of the same colour. This strange erection was

set with its back to the one window--that which Mr. Saffron had caused

to be boarded up, soon after he entered into occupation. The place was

lighted by candles--two tall standards of an ecclesiastical pattern, one

on either side of the great chair or throne, and each holding six large

candles, all of which were now alight and about half consumed. On the

throne, his spare wasted figure set far back in the recesses of its deep

cushioned seat and his feet resting on a high hassock, sat old Mr.

Saffron; in his right hand he grasped a sceptre, obviously a theatrical

"property," but a handsome one, of black wood with gilt ornamentation;

his left arm he held close against his side. His eyes were turned up

towards the roof; his lips were moving as though he were talking, but no

sound came.

Such was Doctor Mary's first impression of the scene; but the next

moment she took in another feature of it, not less remarkable. To the

left of the throne, to her right as she stood in the doorway facing it,

there was a fireplace; an empty grate, though the night was cold.

Immediately in front of it was--unmistakably--the excavation in the

floor which Mr. Penrose had described at the Christmas dinner-party at

Old Place--six feet in length by three in breadth, and about four feet

deep. Against the wall, close by, stood a sheet of cast iron, which

evidently served to cover and conceal the aperture; by it was thrown

down, in careless disorder, a strip of the same dull red baize as

covered the rest of the floor of the Tower. By the side of the sheet and

the piece of carpet there was an old brown leather bag.

Tradition--and Mr. Penrose--had told the truth. Here without doubt was

Captain Duggle's grave, the grave he had caused to be dug for himself,

but which--be the reason what it might--his body had never occupied. Yet

the tomb was not entirely empty. The floor of it was strewn with

gold--to what depth Mary could not tell, but it was covered with golden

sovereigns; there must be thousands of them. They gleamed under the

light of the candles.

Mary turned startled, inquiring, apprehensive eyes on Beaumaroy. He

pressed her arm gently, and whispered:

"I'll tell you presently. Come in. He'll notice us, I expect, in a

minute. Mind you curtsey when he sees you!" He led her in, pulling the

door to after him, and placed her and himself in front of the two small

arm-chairs opposite Mr. Saffron's throne.

Beaumaroy removed his hand from her arm but she caught his wrist in one

of hers and stood there, holding on to him, breathing quickly, her eyes

now set on the figure on the throne.

The old man's lips had ceased to move; his eyes had closed; he lay back

in the deep seat, inert, looking half dead, very pale and waxen in the

face. For what seemed a long time he sat thus, motionless and almost

without signs of life, while the two stood side by side before him. Mary

glanced once at Beaumaroy; his lips were apart in that half-humorous,

half-compassionate smile; there was no hint of impatience in his

bearing.

At last Mr. Saffron opened his eyes and saw them; there was intelligence

in his look, though his body did not move. Mary was conscious of a low

bow from Beaumaroy; she remembered the caution he had given her, and

herself made a deep curtsey; the old man made a slight inclination of

his handsome white head. Then, after another long pause, a movement

passed over his body--excepting his left arm. She saw that he was trying

to rise from his seat, but that he had barely the strength to achieve

his purpose. But he persisted in his effort, and in the end rose slowly

and tremulously to his feet.

Then, utterly without warning, in a sudden and shocking burst of that

high, voluble, metallic speech which Captain Alec had heard through the

ceiling of the parlour, he began to address them--if indeed it were they

whom he addressed, and not some phantom audience of princes, marshal's

admirals, or trembling sheep-like recruits. It was difficult to hear

the words, hopeless to make out the sense. It was a farrago of nonsense,

part of his own inventing, part (as it seemed) wild and confused

reminiscences of the published speeches of the man he aped, all strung

together on some invisible thread of insane reasoning, delivered with a

mad vehemence and intensity that shook and seemed to rend his feeble

frame.

"We must stop him, we must stop him," Mary suddenly whispered. "He'll

kill himself if he goes on like this!"

"I've never been able to stop him," Beaumaroy whispered back. "Hush! If

he hears us speaking, he'll be furious and carry on worse."

The old man's blue eyes fixed themselves on Beaumaroy--of Mary he took

no heed. He pointed at Beaumaroy with his sceptre, and from him to the

gleaming gold in Captain Duggle's grave. A streak of coherency, a strand

of mad logic, now ran through his hurtling words; the money was there,

Beaumaroy was to take it--to-day, to-day!--to take it to Morocco, to

raise the tribes, to set Africa aflame. He was to scatter it--broadcast,

broadcast! There was no end to it--don't spare it! "There's millions,

millions of it!" he shouted, and achieved a weird wild majesty in a

final cry, "God with us!"

Then he fell--tumbled back in utter collapse into the recesses of the

great chair. His sceptre fell from his nerveless hand and rolled down

the steps of the dais; the impetus it gathered carried it, rolling

still, across the floor to the edge of the open pit; for an instant it

lay poised on the edge, and then fell with a jangle of sound on the

carpet of golden coins that lined Captain Duggle's grave.

"Quick! Get my bag--I left it in the passage," whispered Mary, as she

started forward, up the dais, to the old man's side. "And brandy, if

you've got it," she called after Beaumaroy, as he turned to the door to

do her bidding.

Beaumaroy was gone no more than a minute. When he came back, with the

bag hitched under his arm, a decanter of brandy in one hand and a glass

in the other, Mary was leaning over the throne, with her arm round the

old man. His eyes were open, but he was inert and motionless. Beaumaroy

poured out some brandy, and gave it into Mary's free hand. But when Mr.

Saffron saw Beaumaroy by his side, he gave a sudden twist of his body,

wrenched himself away from Mary's arm, and flung himself on his trusted

friend. "Hector, I'm in danger! They're after me! They'll shut me up!"

Beaumaroy put his strong arms about the frail old body. "Oh no, sir, oh

no!" he said in low, comforting, half-bantering tones. "That's the old

foolishness, sir, if I may say so. You're perfectly safe with me. You

ought to trust me by now, sir, really you ought."

"You'll swear--you'll swear it's all right, Hector?"

"Right as rain, sir," Beaumaroy assured him cheerfully.

Very feebly the old man moved his right hand towards the open grave.

"Plenty--plenty! All yours, Hector! For--for the Cause--God's with us!"

His head fell forward on Beaumaroy's breast; for an instant again he

raised it, and looked in the face of his friend. A smile came on his

lips. "I know I can trust you. I'm safe with you, Hector." His head fell

forward again; his whole body was relaxed; he gave a sigh of peace.

Beaumaroy lifted him in his arms and very gently set him back in his

great chair, placing his feet again on the high footstool.

"I think it's all over," he said, and Mary saw tears in his eyes.

Then Mary herself collapsed; she sank down on the dais and broke into

weeping. It had all been so pitiful--and somehow so terrible. Her quick

tumultuous sobbing sounded through the place which the vibrations of the

old man's voice had lately filled.

She felt Beaumaroy's hand on her shoulder. "You must make sure," he

said, in a low voice. "You must make your examination."

With trembling hands she did it--she forced herself to it, Beaumaroy

aiding her. There was no doubt. Life had left the body which reason had

left long before. His weakened heart had not endured the last strain of

mad excitement. The old man was dead.

Her face showed Beaumaroy the result of her examination, if he had ever

doubted of it. She looked at him, then made a motion of her hand towards

the body. "We must--we must----" she stammered, the tears still rolling

down her cheeks.

"Presently," he said. "There's plenty of time. You're not fit to do that

now--and no more am I, to tell the truth. We'll rest for half an hour,

and then get him upstairs, and--and do the rest. Come with me!" He put

his hand lightly within her arm. "He will rest quietly on his throne for

a little while. He's not afraid any more. He's at rest."

Still with his arm in Mary's, he bent forward and kissed the old man on

the forehead. "I shall miss you, old friend," he said. Then, with gentle

insistence, he led Mary away. They left the old man, propped up by the

high stool on which his feet rested, seated far back in the great chair,

hard by Captain Duggle's grave, where the sceptre lay on a carpet of

gold. The tall candles burnt on either side of his throne, imparting a

far-off semblance of ceremonial state.

Thus died, unmarried, in the seventy-first year of his age, Aloysius

William Saffron, formerly of Exeter, Surveyor and Auctioneer. He had

run, on the whole, a creditable course; starting from small beginnings,

and belonging to a family more remarkable for eccentricity than for any

solid merit, he had built up a good practice; he had made money and put

it by; he enjoyed a good name for financial probity. But he was held to

be a vain, fussy, self-important, peacocky fellow; very self-centred

also and (as Beaumaroy had indicated) impatient of the family and social

obligations which most men recognize, even though often unwillingly. As

the years gathered upon his head, these characteristics were

intensified. On the occasion of some trifling set-back in business--a

rival cut him out in a certain negotiation--he threw up everything and

disappeared from his native town. Thenceforward nothing was heard of him

there, save that he wrote occasionally to his cousin, Sophia Radbolt,

and her husband, both of whom he most cordially hated, whose claims to

his notice, regard, or assistance he had, of late years at least, hotly

resented. Yet he wrote to them--wrote them vaunting and magniloquent

letters, hinting darkly of great doings and great riches. In spite of

their opinion of him, the Radbolts came to believe perhaps half of what

he said; he was old and without other ties; their thirst for his money

was greedy. Undoubtedly the Radbolts would dearly have loved to get hold

of him and--somehow--hold him fast.

When he came to Tower Cottage--it was in the first year of the war--he

was precariously sane; it was only gradually that his fundamental and

constitutional vices and foibles turned to a morbid growth. First came

intensified hatred and suspicion of the Radbolts--they were after him

and his money! Then, through hidden processes of mental distortion,

there grew the conviction that he was of high importance, a great man,

the object of great conspiracies, in which the odious Radbolts were but

instruments. It was, no doubt, the course of public events, culminating

in the Great War, which gave to his mania its special turn, to his

delusion its monstrous (but, as Doctor Mary was aware, by no means

unprecedented) character. By the time of his meeting with Beaumaroy the

delusion was complete; through all the second half of 1918 he

followed--so far as his mind could now follow anything rationally--in

his own person and fortunes the fate of the man whom he believed himself

to be, appropriating the hopes, the fears, the imagined ambitions, the

physical infirmity, of that self-created other self.

But he wrapped it all in deep secrecy, for, as the conviction of his

true identity grew complete, his fears were multiplied. Radbolts indeed!

The whole of Christendom--Principalities and Powers--were on his track.

They would shut him up--kill him perhaps! Cunningly he hid his

secret--save what could not be entirely hidden, the physical deformity.

But he hid it with his shawl; he never ate out of his own house; the

combination knife-and-fork was kept sedulously hidden. Only to Beaumaroy

did he reveal the hidden thing; and later, on Beaumaroy's persuasion, he

let into the portentous secret one faithful servant--Beaumaroy's

unsavoury retainer, Sergeant Hooper.

He never accepted Hooper as more than a distasteful necessity--somebody

must wait on him and do him menial service--not feared indeed, for

surely such a dog would not dare to be false, but cordially disliked.

Beaumaroy won him from the beginning. Whom he conceived him to be

Beaumaroy himself never knew, but he opened his heart to him

unreservedly. Of him he had no suspicion; to him he looked for safety

and for the realization of his cherished dreams. Beaumaroy soothed his

terrors and humoured him in all things--what was the good of doing

anything else? asked Beaumaroy's philosophy. He loved Beaumaroy far more

than he had loved anybody except himself in all his life. At the end,

through the wild tangle of mad imaginings, there ran this golden thread

of human affection; it gave the old man hours of peace, sometimes almost

of sanity.

So he came to his death, directly indeed of a long-standing organic

disease, yet veritably self-destroyed. And so he sat now dead, amidst

his shabby parody of splendour. He had done with thrones; he had even

done with Tower Cottage--unless indeed his pale shade were to hold

nocturnal converse with the robust and flamboyant ghost of Captain

Duggle; the one vaunting his unreal vanished greatness, mouthing

orations and mimicking pomp; the other telling, in language garnished

with strange and horrible oaths, of those dark and lurid terrors which

once had driven him from this very place, leaving it ablaze behind. A

strange couple they would make, and strange would be their conversation!

Yet the tenement which had housed the old man's deranged spirit, empty

as now it was--aye, emptier than Duggle's tomb--was still to be witness

of one more earthly scene and unwittingly bear part in it.

Beaumaroy Home from the Wars · 第 12 / 18 章