To effect this he employs--

"Some twenty barrels of the dusky grain

The secret of whose framing in an hour

Of diabolic jollity and mirth

Old Roger Bacon wormed from Beelzebub."

When the horror is accomplished, at a moment when the inhabitants of

Badajoz are at prayer, Firmilian rather enjoys the scene:--

"Pillars and altar, organ loft and screen,

With a singed swarm of mortals intermixed,

Whirling in anguish to the shuddering stars."

"'Firmilian,'" to quote from Aytoun's biographer again, "deserves to

keep its place in literature, if only as showing how easy it is for a

man of real poetic power to throw off, in sport, pages of sonorous and

sparkling verse, simply by ignoring the fetters of nature and

common-sense and dashing headlong on Pegasus through the wilderness of

fancy." Its extravagances of rhetoric can be imagined from the following

brief extract, somewhat reminiscent of Marlowe:--

"And shall I then take Celsus for my guide,

Confound my brain with dull Justinian tomes,

Or stir the dust that lies o'er Augustine?

Not I, in faith! I've leaped into the air,

And clove my way through ether like a bird

That flits beneath the glimpses of the moon,

Right eastward, till I lighted at the foot

Of holy Helicon, and drank my fill

At the clear spout of Aganippe's stream;

I've rolled my limbs in ecstasy along

The selfsame turf on which old Homer lay

That night he dreamed of Helen and of Troy:

And I have heard, at midnight, the sweet strains

Come quiring from the hilltop, where, enshrined

In the rich foldings of a silver cloud,

The Muses sang Apollo into sleep."

In 1856 was printed 'Bothwell,' a poetic monologue on Mary Stuart's

lover. Of Aytoun's humorous sketches, the most humorous are 'My First

Spec in the Biggleswades,' and 'How We Got Up the Glen Mutchkin

Railway'; tales written during the railway mania of 1845, which treat of

the folly and dishonesty of its promoters, and show many typical

Scottish characters. His 'Ballads of Scotland' was issued in 1858; it is

an edition of the best ancient minstrelsy, with preface and notes. In

1861 appeared 'Norman Sinclair,' a novel published first in Blackwood's,

and giving interesting pictures of society in Scotland and personal

experiences.

After Professor Wilson's death, Aytoun was considered the leading man of

letters in Scotland; a rank which he modestly accepted by writing in

1838 to a friend:--"I am getting a kind of fame as the literary man of

Scotland. Thirty years ago, in the North countries, a fellow achieved an

immense reputation as 'The Tollman,' being the solitary individual

entitled by law to levy blackmail at a ferry." In 1860 he was made

Honorary President of the Associated Societies of the University of

Edinburgh, his competitor being Thackeray. This was the place held

afterward by Lord Lytton, Sir David Brewster, Carlyle, and Gladstone.

Aytoun wrote the 'The Life and Times of Richard the First' (London,

1840), and in 1863 a 'Nuptial Ode on the Marriage of the Prince

of Wales.'

Aytoun was a man of great charm and geniality in society; even to

Americans, though he detested America with the energy of fear--the fear

of all who see its prosperity sapping the foundations of their class

society. He died in 1865; and in 1867 his biography was published by Sir

Theodore Martin, his collaborator. Martin's definition of Aytoun's place

in literature is felicitous:--

* * * * *

"Fashions in poetry may alter, but so long as the themes with which they

deal have an interest for his countrymen, his 'Lays' will find, as they

do now, a wide circle of admirers. His powers as a humorist were perhaps

greater than as a poet. They have certainly been more widely

appreciated. His immediate contemporaries owe him much, for he has

contributed largely to that kindly mirth without which the strain and

struggle of modern life would be intolerable. Much that is excellent in

his humorous writings may very possibly cease to retain a place in

literature from the circumstance that he deals with characters and

peculiarities which are in some measure local, and phases of life and

feeling and literature which are more or less ephemeral. But much will

certainly continue to be read and enjoyed by the sons and grandsons of

those for whom it was originally written; and his name will be coupled

with those of Wilson, Lockhart, Sydney Smith, Peacock, Jerrold, Mahony,

and Hood, as that of a man gifted with humor as genuine and original as

theirs, however opinions may vary as to the order of their

relative merits."

'The Modern Endymion,' from which an extract is given, is a parody on

Disraeli's earlier manner.

Library of the World's Best Literature, Ancient and Modern — Volume 03 · 第 128 / 309 题