He shakes his head, sad, and says, "Go ask Tilly."

"Ask?"

"Tilly. Ask her."

Stude likes to humiliate you a little before he does you a favour. The word is

*capricious*, he told me once.

So I go to his smelly old horse and whisper in her hairy ear and hold my breath

as I put my ear next to the rotten jumbo-chiclets she uses for teeth. "She says

you should do it," I say. "And she says you're an asshole for making me ask her.

She says horses can't talk."

"Yeah, okay," and he tosses me the goods.

#

With stage one blessedly behind me, I'm ready for stage two. I take the nozzle

of the solvent aerosol and run a drizzle along the fatty roll of the windowsills

and then pop them out as the fix bath runs away and the windows fly free and

shatter on the street below.

Then it's time to lighten the ballast. With kicks and grunts and a mantra of

"Out, out, out," I toss everything in the house out, savouring each crash,

taking care to leave a clear path between the house and the street.

On the third floor, I find Dad's cardigan, the one Mum gave him one anniversary,

and put it on. She carved it herself from foam and fixed it with some flexible,

dirt-shedding bath, so by the time I'm done with the third floor, my arms and

chest are black with dust, and the sweater is still glowing with eerie

cleanliness.

I know Dad wouldn't want me to wear his sweater now. They say that on the

mothaship, the bugouts have ways to watch each and every one of us, and maybe

Mum and Dad are there, watching me, and so I wipe my nose on the sleeve.

#

When the ballast is done, phase three begins. I go to work outside of the house,

spritzing a line of solvent at the point where the foam meets the ground, until

it's all disconnected.

And then I got to kick myself for an asshole. A strand of armoured fibre-optic,

a steel water pipe, and the ceramic gas line hold it all down, totally

impervious to solvent.

Somewhere, in a toolbox that I ditched out the second floor window, is a big old

steel meat-cleaver, and now I hunt for it, prying apart the piles of crap with a

broomstick, feeling every inch the post-apocalyptic scrounger.

I finally locate it, hanging out of arm's reach from my neighbour Linus's rose

trellis. I shake the trellis until it falls, missing my foot, which I jerk away

and swear at.

#

The fibre cleaves with a single stroke. The gas line takes twenty or more, each

stroke clanging off the ceramic and sending the blade back alarmingly at my

face. Finally it gives, and the sides splinter and a great jet of gas whooshes

out, then stops.

I could kick myself for an asshole. Praise the bugouts for civil engineers who

made self-sealing pipes. I eye the water line warily and flip open my comm, dial

into the city, and touch-tone my way through a near-sexy woman reading menus

until I find out that the water, too, self-seals.

Whang, whang, whang, and I'm soaked and blinded by the water that bursts free,

and *I could kick myself for an asshole!*

The house, now truly untethered, catches a gust of wind and lifts itself a few

metres off the ground, body-checking me on my ass. I do a basketball jump and

catch the solvent-melted corner, drag it down to earth, long-arm for the fix

bath and slop it where the corner meets the driveway, bonding it there until

phase four is ready.

#

I bond one end of monofilament to the front right corner of the house, then let

it unwind, covered in eraser-pink safety goop, until I'm standing in my deserted

Chestnut Ave. I spray a dent in the middle of the road with my solvent, plunk

the reel into it, bond it, then rush back to the house and unbond that last one

corner.

I hit the suck button on the reel and the house slowly drags its way to the

street, leaving a gap like a broken tooth in the carefully groomed smile of my

Chestnut Ave.

The wind fluffs at the house, making it settle/unsettle like a nervous hen and

so I give it line by teasing the spit button on the reel until it's a hundred

metres away. Then I reel it in and out, timing it with the gusts until, in a

sudden magnificent second, it catches and sails up-and-up-and-up and I'm a

fricken genius.

#

It's nearly four and my beautiful kite is a dancing bird in the sky before the

good little kiddies of my Chestnut Ave start to trickle home from their days of

denial, playing at normalcy in the face of Judgment.

Linus is the first one home, and he nearly decapitates himself on the taut line

as he cruises past on his bicycle. He slews to a stop and stares unbelieving at

me, at the airborne house, at the gap where he had a neighbour.

"Maxes Fuentes Shumacher! What is this?"

"Flying a kite, Linus. Just flyin' a kite. Nice day for it, yeah?"

"This," he says, then sputters. Linus is a big devotee of Dad's Process for

Lasting Happiness, and I can actually watch him try to come up with some

scripture to cover the situation while he gulps back mouthsful of bile. "This is

an Irresponsible Wrong, Maxes. You are being a Feckless Filthy. This is an abuse

of property, a Lashing Out at a Figure in Absentia. You are endangering others,

endangering aircraft and people and property below that. I insist that you

Right-Make this now, this instant."

"Yeah, uh-huh, yeah." And I squint up at my kite, the sun coming down behind it

now, and it's just a dot in the big orange fire. The wind's more biting than

friendly. I pull the foam sweater a little closer, and do up one of the buttons

in the middle.

"Maxes!" Linus shouts, his happiness dissipating. "You have thirty seconds to

get that down here, or I will Right-Make it myself."

I didn't live with my dad for twenty years without picking up some

Process-speak. "You seem to be Ego-Squeezing here, Lin. This Blame-Saying is a

Barrier to Joy, bud, and the mark of a Weekend Happyman. Why don't you go watch

some TV or something?"

He ignores me and makes a big show of flipping open his comm and starting a

timer running on it.

Man, my kite is a work of art. Megafun.

"Time's up, Feckless Filthy," Linus says, and snakes out and punches the suck

button on my monofilament reel. It whizzes and line starts disappearing into its

guts.

"You can't bring down a kite *that* way, frickface. It'll crash." Which it does,

losing all its airworthiness in one hot second and plummeting like a house.

It tears up some trees down Chestnut, and I hear a Rice Crispies bowl of

snap-crackle-pops from further away. I use a shear to clip the line and it zaps

away, like a hyperactive snake.

"Moron," I say to Linus. The good kiddies of Chestnut Ave are now trickling home

in twos and threes and looking at the gap in the smile with looks of such bovine

stupidity that I stalk away in disgust, leaving the reel bonded to the middle of

the road forever.

I build a little fort out of a couch and some cushions, slop fix bath over the

joints so they're permanent, and hide in it, shivering.

#

Tricky-treaters didn't come knocking on my pillow-fort last night. That's fine

by me. I slept well.

I rise with the sun and the dew and the aches of a cold night on a mattress of

clothes and towels.

I flip open my comm, and there's a half-doz clippings my agent's found in the

night. Five are about the bugouts; I ignore those. One is about the kite.

It crashed around Highway 7 and the 400 in Vaughan, bouncing and skidding.

Traffic was light, and though there were a few fender-benders, nothing serious

went down. The city dispatched a couple-three guys to go out with solvent and

melt the thing, but by the time they arrived, an errant breeze had lofted it

again, and it flew another seventy kay, until it crossed the antidebris field at

Jean Paul Aristide International in Barrie.

I'm hungry. I'm cold. My teeth are beshitted with scum. Linus comes tripping

Noel Coward out of his front door and I feel like kicking his ass. He sees me

staring at him.

"Did you have a good night, Maxes?"

"Spiff, strictly nift. Eat shit and die."

He tsks and shakes his head and gets on his bicycle. He works down at Yonge and

Bloor, in the big Process HQ. His dad was my dad's lieutenant, and since they

both went to the confab on the mothaship (along with all the other grownups on

my Chestnut Ave), he's sort of in charge. Shit-eating prick. He lisps a little

when he talks, and he's soft and pudgy, not like Dad, who could orate like a

Roman tyrant and had a washboard for a gut.

Shadow of the Mothaship · 第 10 / 17 题