“Mmm!” said Margaret, who stood for the glory that was Greece and the

grandeur that was Rome. She had not expected to be so glad to see him.

Meanwhile Aladdin had turned and was going home.

Margaret caught sight of his back, and the pitiful little droop in the

usually erect shoulders, and she divined like a flash, and called

after him. He pretended not to hear and went on. In his pocket was the

editor’s letter which he had designed to show her. It had lain down and

died.

“Why does that man hate me so?” said Manners.

A little of the joy of meeting had gone. A cloud passed over the sun,

and the earth was darkened. Many drops of rain began to fall, each

making a distinct splash as it struck. One began to smell the disturbed

dust. But the flowers continued to send up their incense to heaven, and

Manners put his light overcoat about Margaret.

XI

Aladdin had a large acquaintance in the town among all sorts of men,

and, as he went home sorrowfully in the rain, he met a youth, older

than himself, who had an evil notoriety; for being born with brains, of

respectable people, and propitiously launched on the world, he had begun

in his early teens, and in the face of the most heartrending solicitude,

to drink himself to death. The miserable part of it was that everybody

loved him when he was sober, and out of consideration to his family

still asked him to the best that the town could do in the way of parties

and entertainments. He was a good-looking young man with a big frame and

a pale face. His real name was William Addison Larch, but he was better

known as “Beau Larch.” He had a nervous, engaging smile, of which he

made frequent use.

“My word, Aladdin,” he said, “you look sick as a dog. Come with me and

take a snifter for it.”

Aladdin hesitated a moment. And as soon as he had thoroughly made up his

mind that it was wrong to say so, he said:

“I believe I will.” The Celt in him was feeling suicidal. They went into

the ground-floor room of a house where liquor was sold.

“For me, whisky,” said Beau Larch.

“The same for me,” said Aladdin, with something suspiciously like a

gulp. The first drink which a man takes against his better judgment is

a grisly epoch in his life. Aladdin realized this, and was at once

miserable and willing that it should be so.

“To those that love us!” said Beau Larch.

Aladdin put down his liquor without grimace or gasp.

Beau Larch paid.

In Aladdin’s pocket were three dollars, the first mile-post on the steep

road to his ideal. He felt, to be sure that they were there.

“Now you ‘ll have one with me,” he said.

When the sudden rain-storm had rained and thundered and lightened itself

out, they went to another saloon, and from there to the Boat Club, of

which Beau Larch was a member and whither he asked Aladdin to supper.

Fishes and lobsters and clams were the staple articles of Boat Club

suppers, and over savory messes of these, helped down with much whisky

and water, Aladdin and Beau Larch made the evening spin. Aladdin,

talking eagerly and with the naivete of a child, wondered why he had

never liked this man so much before. And Larch told the somewhat

abject story of his life three times with an introduction of much racy

anecdote.

Aladdin’s head held surprisingly well. Every now and then he would hand

himself an inward congratulation on the alertness and clearness of

his mind, and think what a fine constitution he must have. They got to

singing after a while, and reciting poems, of which each knew a quantity

by heart. And, oddly enough, Aladdin, though he had been brought up to

speak sound American, developed in his cups, and afterward clung to,

in moments of exhilaration or excitement, an indescribably faint but

perfectly distinct Hibernian accent. It was the heritage to which he

was heir, and made his eager and earnest rendering of “Annabel Lee” so

pathetic that Beau Larch wept, and knocked a glass off the table....

Men came and sat with them, and Aladdin discovered in himself what

he had hitherto never suspected--the power of becoming heart-to-heart

friends with strangers in two seconds.

Aladdin was never able to remember just how or when or with whom they

left the Boat Club. He only remembered walking and walking and talking

and talking, and finally arguing a knotty question, on which all

defended the same side, and then sitting down on the steps of a house

in a low quarter of the town, and pouring the ramifications of all his

troubles into the thoroughly sympathetic if somewhat noncomprehending

ears of Beau Larch. He talked long and became drunker as he talked,

while Larch became soberer. Then Aladdin remembered that the door at the

top of the steps had opened, and a frowzy head had been stuck out, and

that a brassy voice, with something at once pathetic and wheedling in

it, had said:

“Aren’t you coming in, boys?”

Then Aladdin remembered that Beau Larch and he had had angry words,

and that Beau Larch had told him not to make an ass of himself, and for

heaven’s sake to go home. To which Aladdin had retorted that he was old

enough to know what was good for him, and hated the world and didn’t

give a damn who knew it, and wouldn’t go home. Aladdin could swear that

after that he only closed his eyes for a second to shut out something or

other, and that when he opened them, the reverberation of a door closing

was in his ears. But for all that Beau Larch had gone, and was to be

seen neither up the street nor down. Although his own was past mending,

Beau Larch, drunk as he was, had done a good deed that night, for he had

guarded a precious innocence against the assaults of a drunken little

Irish boy who was feeling down about something--a girl named something

or other, Beau Larch thought, and another boy named something or other.

The next day Beau had forgotten even that much.

Aladdin thought that Larch was hiding in jest. He arose unsteadily and

wandered off in search of him. After a time he found himself before

the door of his own house. There were lights in the parlor, and Aladdin

became almost sober. He realized with a thrill of stricken conscience

that Mrs. Brackett was sitting up for him, and he was afraid. He tried

the front door and found it unlocked. He went in. On the right, the door

leading into the parlor stood open. On the table burned a lamp. Beside

the table in the crushed plush rocker sat Mrs. Brackett. Her spectacles

were pushed high up on her forehead. Her eyes were closed, and her mouth

was slightly open. From the corners of her eyes red marks ran down her

cheeks. Her thin gray hair was in disarray. In her lap, open, lay her

huge family Bible; a spray of pressed maidenhair fern marked the place.

Aladdin, somewhat sobered by now, and already stung with the anguish of

remorse, tiptoed into the parlor and softly blew out the light; but the

instant before he did so he glanced down at the Bible in the good lady’s

lap and saw that she had been reading about the prodigal son. Great

tears ran out of Aladdin’s eyes. He went up-stairs, weeping and on

tiptoe, and as he passed the door of his brother’s room he heard a stir

within.

“Is that you, ‘Laddin?”

“Sssh, darlint,” said Aladdin; “you’ll wake Mother Brackett.”

In his own room there was a lamp burning low, and on his bureau was a

note for him from Margaret:

DEAR ALADDIN: Papa wants you to come up and have supper with us.

Peter Manners is here, and I think it will be fun. Please do come, and

remember a lot of foolish songs to sing. Why wouldn’t you speak to me?

It hurts so when you act like that....

Aladdin, kissing the note, went down on his knees and twice began to

pray, “O God--O God!” He could say no more, but all the penitence and

heartburnings of his soul were in his prayer. Later he lay on his bed

staring into a darkness which moved in wheels, and he kept saying to the

darkness:

“Neither the angels in Heaven above,

Nor the demons down under the sea,

Can ever dissever my soul from the soul

Of the beautiful Annabel Lee.”

Late in the still morning he awoke, grieving and hurt, for he did not

see how he should ever face Mrs. Brackett, or his brother, or Margaret,

or himself, or anybody ever again.

XII

There was in town at this time what passed for a comic-opera troupe, and

Margaret and her father, by way of doing honor to their guest, invited

all the young people to go to the performance and attend a supper

afterward. The party occupied the three foremost rows in the music-hall,

and Aladdin sat next to Margaret, and Manners sat upon the other side.

The hero of the piece was a jovial big rascal with a spirited voice, and

much byplay which kept his good-natured audience in titters--from the

young gentlemen and little shrieks--from the young ladies. Mr. Blythoe,

the hero, when the curtain had fallen upon what the management was

pleased to call the second act, consented, in response to continued

applause, due to a double back somersault and two appropriate remarks

fired off in midair (this was his great psychic moment), to make a

little speech and sing a song. His speech, though syntactically erratic,

was delivered in a loud, frank way that won everybody’s heart, and in

closing he said:

“Three nights ago I met with a young feller in this tow--city

[applause], and when we had taken one together for luck [titters from

the young gentlemen, who wanted one another to know that they knew what

he meant], he made me the loan of the song I’m a-going to sing. He made

up the words and the tune of this song hisself, and he’s right here in

this audience.” This gave an opportunity for some buffoonery among the

young gentlemen. Mr. Blythoe looked for one instant straight at Aladdin,

and Aladdin went into a cold sweat, for he began to recollect that

somewhere on a certain awful night he had taken drinks with Mr. Blythoe

and had sung him songs. Mr. Blythoe went on:

“This young gentleman said I specially wasn’t to mention his name, and

I won’t, but I want all you ladies and gentlemen to know that this here

beautiful ballad was composed right here in this tow--city [applause] by

a citizen of this city. And here goes.”

Then Mr. Blythoe did a wonderful thing. Much was owing to the words and

air, but a little something to the way in which Mr. Blythoe sang. He

took his audience with the first bar, and had some of them crying when

he was through. And the song should have been silly. It was about a gay,

gay young dog of a crow, that left the flock and went to a sunny land

and lived a mad, mad life; and finally, penitent and old, came home to

the north country and saw his old playmates in the distance circling

about the old pine-tree, but was too weak to reach them, or to call loud

enough for them to hear, and so lay down and died, died, died. The tune

was the sweetest little plaintive wail, and at the end of each stanza it

died, died, till you had to cry.

Mr. Blythoe received tremendous applause, but refused to encore. He

winked to Aladdin and bowed himself off. Then Aladdin executed an

unparalleled blush. He could feel it start in the small of his back and

spread all over him--up under the roots of his hair to the top of his

head. He should have felt proud, instead of which he was suffused with

shame. Margaret caught sight of his face.

“What is it, Aladdin?” she said in a whisper.

“Nothing.”

“Won’t you tell me?”

“It’s nothing.” He got redder and redder.

“Please.”

With downcast eyes he shook his head. She looked at him dubiously and

a little pathetically for a moment. Then she said, “Silly goose,” and

turned to Manners.

“Poor old crow!” said Manners. “I had one, Margaret, when I was little;

he had his wings clipped and used to follow me like a dog, and one day

he saw some of his old friends out on the salt-marsh, and he hopped out

to talk it over with them, and they set upon him and killed him. And

I couldn’t get there quick enough to help him--I beg your pardon.” He

picked up a fan and handed it to the girl on his left, and she, having

dropped it on purpose, blushed, thanked him, and giggled. Manners turned

to Margaret again. “Ever since then,” he said, “when I have a gun in my

hand and see a crow, I want to kill him for the sake of the crows that

killed mine, and to let him go for the sake of mine, who was such a nice

old fellow. So it’s an awful problem.”

Aladdin sat and looked straight before him. “Is real fame as awful as

this?” he thought.

Somebody clapped him on the shoulder, and a hearty voice, something the

worse for wear, said loudly in his ear, “Bully, Aladdin, bully!”

Aladdin looked up and recognized that bad companion, Beau Larch.

“That’s all right,” Aladdin tried to say, but Mr. Larch would not be

downed.

“Wasn’t it bully, Margaret?” he said.

“Oh--hallo--hallo, Beau!” said she, starting and turning round and

collecting her wits. “What? Wasn’t what bully?”

Aladdin frowned at Larch with all the forbiddingness that he could

muster, but Larch was imperturbable.

“Why, Aladdin’s song!” he said. “You know, the one about the old

crow--the one the man just sang.”

Here a young lady, over whom Beau Larch was leaning, confided to her

escort in an audible, nervous voice that she knew Beau Larch had been

drinking, but she wouldn’t say why she knew--anybody could see he had;

and then she sniffed with her nose by way of indicating that seeing was

not the only or best method of telling.

“You don’t mean to say--” said Margaret to Aladdin, and looked him in the

eyes. “Why, Aladdin!” she said. And then: “Peter--Peter--‘Laddin wrote

it, he did. Isn’t it gr-reat!”

And Peter, rising to the occasion, said, “Bully,” and “I thought it was

great,” with such absolute frankness and sincerity that Aladdin’s heart

almost warmed toward him. It was presently known all over the house that

Aladdin had written the song. And some of the more clownish of the young

people called for Author, Author. Aladdin hung his head.

At supper at the St. Johns’ later was a crisp, brisk gentleman with

grayish hair, who talked in a pleasant, dry way. Aladdin learned that it

was Mr. Blankinship, editor and proprietor of the Portland “Spy.” Almost

immediately on learning this important item, he saw Mr. Blankinship

exchange a word with Margaret and come toward him.

“Mr. O’Brien?”

“Yes, sir.”

“The same that sent us three poems a while ago?”

“Yes, sir.”

“And you wrote that song we heard to-night?”

“Yes, sir.” Aladdin was now fiery red.

“What do you do for a living?”

“I’ve just finished school,” said Aladdin. “And I don’t know what to

do.”

“Newspaper work appeal to you?”

“Yes, sir.”

“Timid as a coot,” thought Mr. Blankinship.

“Write easily?” he said. “Fast--short words?”

Aladdin thought a moment. “Yes, sir,” he said coolly.

“Less timid than a coot,” thought Mr. Blankinship.

“Willing to live in Portland?”

“Yes, sir.”

“I’ll give you five dollars a week and give you a trial.”

“Thank you, sir.”

“Can you get moved and start work Monday?”

“Yes, sir.”

Mr. Blankinship smiled cheerfully.

“Pretty entertainment, isn’t it?”

“Yes, sir.”

“Well, O’Brien, see you Monday; hope we get on.” Mr. Blankinship nodded

pleasantly and passed up the room to the punch, muttering as he went,

“Writes better than talks--dash of genius--more or less timid than a

coot.”

Aladdin went quickly to find Margaret. He traced her to the pantry,

where she was hurrying the servant who had charge of the ice-cream.

Aladdin waited until the servant had gone out with a heaping tray.

“Margaret,” he said, “I’m going away to live.”

He spoke in the flat, colorless voice with which a little child

announces that it has hurt itself.

“What do you mean, Aladdin?” She changed color slightly.

“Only that I’ve got to make a living, Margaret, and it’s on a paper, so

I ought to be glad.”

“Aren’t you glad, Aladdin?”

“A little.”

“Aladdin--”

“Margaret--O Margaret--”

She read in his eyes what was coming.

“Not now, Aladdin,” she said.

“Not now--dear Aladdin.”

“Then you know?”

“I’ve always known, Aladdin, and been grateful and that proud.”

“Will there never be any chance for me, Margaret?”

“Aladdin, I think I like you better than anybody else in the world--”

“Darling--” he had never supposed that it could be said so easily; he

leaned toward her.

“No,” she said suddenly; “I’ve got to go and see after all those foolish

people.”

“Just for the sake of old times, and now, and new times--”

She hesitated, reddened a little, and then, as sweetly and innocently as

a child, put up her lips for him to kiss.

XIII

Hannibal St. John’s campaign for reelection to the senatorship was,

owing to a grievous error in tact, of doubtful issue. A hue and cry

arose against him among his constituents, and things in general fell

out so unhappily that it looked toward the close of the contest as if he

would be obliged to sit idle and dangle his heels, while the two halves

of the country, pushing against each other, were rising in the middle

like the hinge of a toggle-joint into the most momentous crisis in

the nation’s history. It looked as if the strong man, with his almost

blasphemous intolerance of disunion, his columnlike power of supporting,

and his incomparable intellect, was to stand in the background and watch

the nightmare play from afar. He fought for his place in the forefront

of the battle with a great fervor of bitterness, and the possibility of

defeat weighed upon his glowering soul like a premature day of judgment.

He knew himself to be the one man for the opportunity, and could his

true feelings have found utterance, they would have said, “Damn us

everlastingly in hell, but don’t shelve us now!”

Opposed to St. John was a Mr. Bispham, of about quarter his height

intellectually and integrally--a politician, simple, who went to war for

loot. But he was blessed with a tremendous voice and an inexhaustible

store of elemental, fundamental humor, upon the waves of which the ship

bearing his banner floated high. It seemed that because of one glaring

exhibition of tactlessness, and a lack of humor, a really important,

valuable, and honest man was to lose the chance of serving his country

to a designing whipper-snapper, who was without even the saving grace of

violent and virulent prejudices. And so the world goes. It seemed at one

time that St. John’s chance was a ghost of a chance, and his friends,

sons, and relatives, toiling headstrong by night and day, were brought

up at the verge of despair. To make the situation even more difficult,

St. John himself was prostrated with the gout, so that his telling

oratory and commanding personality could not be brought to bear.

Margaret was never far from her father’s side, and she worked like a dog

for him, writing to dictation till her hands became almost useless, and

when the spasms of pain were great, leaving her work to kiss his old

brow.

It was at this time that people all over the State began to take up a

song with an inimitably catching tune. The words of this song held up

Mr. Bispham in so shrewdly true and farcically humorous a light that

even his own star began to titter and threatened to slip from its high

place in the heavens. The song fell so absolutely on the head of

the nail that Mr. Bispham, when he heard it for the first time, was

convulsed with anger and talked of horse-whips. The second time he heard

it, he drew himself up with dignity and pretended not to notice, and

the third time he broke into a cold sweat, for he began to be afraid of

those words and that tune. At a mass-meeting, while in the midst of a

voluble harangue, somebody in the back of the hall punctuated--an absurd

statement, which otherwise might have passed unnoticed, by whistling the

first bar of the song. Mr. Bispham faced the tittering like a man, and

endeavored to rehabilitate himself. But his hands had slipped on the

handle of the audience, and the forensic rosin of Demosthenes would not

have enabled him to regain his grip. He was cruelly assured of the fact

by the hostile and ready-witted whistler. Again Mr. Bispham absurded.

This time the tune broke out in all parts of the hall and was itself

punctuated by catcalls and sotto-voce insults delivered with terrific

shouts. Mr. Bispham’s speech was hurriedly finished, and the peroration

came down as flat as a skater who tries a grape-vine for the first time.

He left the hall hurriedly, pale and nervous. The tune followed him down

the street and haunted him to his room. The alarming takingness of it

had gotten in at his ear, and as he was savagely undressing he caught

himself in the traitorous act of humming it to himself.

Among others to leave the hall was a tall, slim young man with freckles

across the bridge of his nose and very bright blue eyes. A party of

young men accompanied him, and all were a little noisy, and, as they

made the street, broke lustily into the campaign song. People said,

“That’s him,” “That’s O’Brien,” “That’s Aladdin O’Brien,” “That’s the

man wrote it,” and the like. The young men disappeared down the street

singing at the tops of their voices, with interlardations of turbulent,

mocking laughter.

Aladdin’s song went all over the North, and his name became known in the

land.

Hannibal St. John was not musical. There were only four tunes, and three

of them were variations of “Carry Me Back to Old Virginia,” that he

recognized when he heard them. As he lay on his bed of pain, he

heard the shrill whistle of his gardener piping in the garden below.

Unconsciously the senator’s well hand marked the time. All day, as he

came and went about his business, the gardener kept whistling that tune,

and the senator heard and reheard ever with increasing pleasure. And

this was an extraordinary thing, for it was as difficult or nearly so

to move Hannibal St. John with music as it must have been for Orpheus

to get himself approached by rocks and stones and trees, and far more

difficult than it ever was for the Pied Piper to achieve a following of

brats and rats.

Margaret had been for a drive with a girl friend. She came home and to

her father’s side in great spirits.

“Oh, papa,” she cried, “will you do me a favor?”

She read consent.

“Claire has got the wonderfulest song, and I want you to let her come in

and sing it for you.”

“A song?” said the senator, doubtfully.

“Papa de-e-ear, please.”

He smiled grimly.

“If Claire will not be shocked by my appearance,” he said against hope.

“Rubbish,” cried Margaret, and flew out of the room.

There were a few preliminary gasps and giggles in the hall, and the

two maidens, as sedate and demure as mice, entered. Claire was a little

party, with vivacious manners and a comical little upturned face.

“How do you do, senator?” she said. “I’m so sorry you’re laid up. Isn’t

it lovely out?” She advanced and shook his well hand.

“Won’t you take a chair?” said the senator.

“I just ran in for a moment. Margaret and I thought maybe you’d like to

hear the new campaign song that everybody’s singing. My brother brought

it up from Portland--” she paused, out of breath.

“It would afford me great pleasure,” said the senator.

And forthwith Claire sang in a rollicking voice. The tune was the same

as that which the gardener had been whistling. St. John recognized it

in spite of the difference in the mediums and smiled. Then he smiled

because of the words, and presently he laughed. It was the first real

pleasure he had had in many a day.

“Everybody is wild about it,” said Claire, when she had finished.

The senator was shaking with laughter.

“That’s good,” he said, “that’s good.”

“Papa,” said Margaret, when Claire had gone, “who do you think wrote

that song?”

“I don’t know,” said the senator. “But it’s good.”

“Aladdin wrote it,” said Margaret.

“Upon my word!” said the senator.

Margaret knelt and threw her arms about her father’s neck and blushed a

lovely blush.

“Isn’t it splendid?”

There was a ring at the front door, and a telegram was brought in.

“Read it, Peggy,” said the senator. He used that name only when moved

about something. The despatch was from the senator’s youngest son,

Hannibal, and read:

Do not worry; we are singing Bispham up a tree.

“And Aladdin wrote the song!” cried Margaret. “Aladdin wrote it!”

The senator’s face clouded for a moment. He forced the cloud to pass.

“We must thank him,” he said. “We must thank him.”

Senator St. John was reelected by a small majority. Everybody admitted

that it was due to Aladdin O’Brien’s song. It was impossible to disguise

the engaging childishness of the vote.

XIV

As he went to his desk in the back room of the Portland “Spy” offices

the morning after the election, Aladdin had an evil headache, and a

subconscious hope that nobody would speak to him suddenly. He felt that

his arms and legs might drop off if anybody did, and he could have sworn

that he saw a gray sparrow with blue eyes run into a dark corner, and

turn into a mouse. But he was quite free from penitence, as the occasion

of this last offense had been joy and triumph, whereas that of his first

had been sorrow. He lighted a bad cigar, put off his editorial till

later, and covered a whole sheet of paper with pictures like these:

(Transcriber’s note: These are simple sketches of birds and animals.)

He looked back with a certain smug satisfaction upon a hilarious evening

beginning with a dinner at the club, which some of the older adherents

of St. John had given him in gratitude for the part he had taken in the

campaign. He remembered that he had not given a bad exhibition, and that

noble prophecies had been made of his future by gentlemen in their cups,

and that he himself, when just far enough gone to be courageous without

being silly, had made a snappy little speech of thanks which had been

received with great applause, and that later he had sung his campaign

song and others, and that finally, in company with an ex-judge, whose

hat was also decorated with a wreath of smilax, he had rolled amiably

about the town in a hack, going from one place where drinks could be

gotten to another, and singing with great fervor and patriotism:

Zhohn Brownzh bozhy liezh a mole-ring in zhe grave.

Aladdin thought over these things with pleasure, for he had fallen

under the dangerous flattery of older men, and with less pleasure of the

editorial which it was his immediate business to write. His brisk,

crisp chief, Mr. Blankinship, came in for a moment, walking testily and

looking like the deuce.

“So you’ve showed up, Aladdin, have you?” he said. “That’s young

blood. If any question of politics--I mean policy--arises, I leave it

absolutely to you. I’m going back to bed. Can’t you stop smoking that

rotten cigar?”

Aladdin laughed aloud, and Mr. Blankinship endeavored to smile.

“Somewhere,” he said, “in this transcendentally beautiful continent,

Aladdin, there may be some one that feels worse than I do, but I doubt

it.” He turned to go.

“Won’t Mr. Orde be here either?” said Aladdin.

“No; he’s home in bed. You’re editor-in-chief and everything else for

the day, see? And I wish I was dead.” Mr. Blankinship nodded, very

slightly, for it hurt, and went out.

The misery of others is a great cure: with the first sight of Mr.

Blankinship, Aladdin’s headache had gone, and he now pounced upon fresh

paper, got a notion out of the God-knows-where, wrote his editorial at

full speed, and finished it without once removing the cigar from his

mouth.

He had just done when the shrewd, inky little boy, who did everything

about the “Spy” offices which nobody else would do, entered and said

that a gentleman wanted to speak with Mr. O’Brien. Aladdin had the

gentleman shown up, and recognized the oldest of Hannibal St. John’s

sons; he knew them well by sight, but it so happened that he had never

met them. They were the three biggest and most clean-cut young men

in Maine, measuring between six feet three and four; erect, massive,

utterly composed, and, if anything, a little stronger than so many

dray-horses. They were notable shots, great fishermen, and the whole

State was beginning to speculate with excitement about their respective

futures and the present almost glittering success of the law firm which

they composed. The oldest was the tallest and the strongest. He had been

known to break horseshoes and to tear a silver dollar in two. Iron was

as sealing-wax in his huge hands. His habits were Spartan. The second

son was almost a replica of the first--a little darker and a little less

vivid. The third was like the others; but his face was handsomer, and

not so strong. He was of a more gentle and winning disposition, for his

life was not ignorant of the frailties. The girl to whom he had

been engaged had died, and that had left a kind of sweetness, almost

beseechingness, in his manner, very engaging in so tall and strong a

man.

“Mr. O’Brien?” said John St. John.

Aladdin arose and held out his long, slender hand.

Aladdin had a way of moving which was very individual to himself, a

slight, ever so slight, exaggeration of stride and gesture, a kind of

captivating awkwardness and diffidence that was on the borderland of

grace and assurance. Like all slender people who work much with

their heads, he had a strong grip, but he felt that his hand was as

inconsistent as an eel when St. John’s closed over it.

“I came in for a moment,” said St. John, “to say that we are all

exceedingly grateful to you. Your song was a great factor in my father’s

reelection to the Senate. But we do not hold so much by the song as

by the good will which you showed us in writing it. I want you to

understand and believe that if I can ever be of the slightest service to

you, I will go very far to render it.”

“I’m as obliged as I can be,” said Aladdin. “It’s mighty good of you

to come and talk to me like this, and except for the good will I have

toward all your family, I don’t deserve it a bit.”

When John St. John had gone, the inky boy came to announce that another

gentleman wished to speak with Mr. O’Brien.

The second gentleman proved to be the second brother, Hamilton St. John.

“Mr. O’Brien?” said he.

Aladdin shook hands with him.

“I came in for a moment,” said Hamilton St. John, “for the pleasure of

telling you how tremendously grateful we all are to you for your song,

which was such a big factor in my father’s redirection to the Senate.

But I want to say, too, that we’re more grateful for your good will than

for the song, and if I can ever do you a service, I want you to feel

perfectly free to come and ask it of me, whatever it is.”

Aladdin could have laughed for joy. Margaret did not seem so far away as

sometimes.

“I’m as obliged as I can be,” he said. “It’s mighty good of you to come

and talk to me like this, and except for the good will I have toward

all your family, I don’t deserve it a bit, but I appreciate it just the

same.”

Presently Hamilton St. John departed.

Again the inky boy, and this time grinning.

“There’s a gentleman would like to speak with you, sir,” he said.

“Show him in,” said Aladdin.

Hannibal St. John, Jr., entered.

“O’Brien,” he said, “I’ve often heard my sister Margaret speak about

you, and I’ve been meaning for ever so long to look you up. And I wish

I’d done it before I had such an awfully good excuse as that song of

yours, because I don’t know how to thank you, quite. But I want you to

understand that if at any time--rubbish, you know what I mean. Come up

to the club, and we’ll make a drink and talk things over.”

He drew Aladdin’s arm into his, and they went out.

Aladdin had never before felt so near Margaret.

He returned to the office in half an hour, happy and a slave. Hannibal

St. John, Jr., had won the heart right out of him in ten minutes. He sat

musing and dreaming. Was he to be one of those chosen?

“Gentleman to see you, sir.”

“Show him in.”

The inky snickered and hurried out. He could be heard saying with

importance, “This way, sir. Look out for that press, sir. It’s very dark

in here, sir.” And then, like a smart flunky in a house of condition, he

appeared again at the door and announced

“Senator Hannibal St. John.”

Aladdin sprang up.

The senator, still suffering from the gout, and leaning heavily on his

whalebone cane, limped majestically in. There was an amiability on his

face, which Aladdin had never seen there before. He placed a chair for

his distinguished guest. The senator removed his high hat and stood it

upon the edge of Aladdin’s desk.

“My boy,” he said,--the word tingled from Aladdin’s ears to his heart,

for it was a word of great approachment and unbending,--“I am very

grateful for your efforts in my behalf. I will place honor where honor

is due, and say that I owe my recent reflection to the United States

Senate not so much to my more experienced political friends as to you.

The present crisis in the affairs of the nation calls for men of feeling

and honor, and not for politicians. I hope that you will not misconstrue

me into a braggart if I say from the bottom of my heart I believe

that, in returning a man of integrity and tradition to his seat in the

Congress of the nation, you have rendered a service to the nation.”

The senator paused, and Aladdin, still standing, waited for him to

finish.

“After a week,” said the senator, “I shall return to my duties in

Washington. In the meanwhile, Margaret” (he had hitherto always referred

to her before Aladdin as “my daughter”) “and I are keeping open house,

and if it will give you pleasure we shall be charmed” (the word fell

from the senator’s lips like a complete poem) “to have you make us a

visit. Two of my sons will be at home, and other young people.”

“Indeed, and it will give me pleasure!” cried Aladdin, falling into the

least suspicion of a brogue.

“I will write a line to your chief,” continued the senator, “and I have

reason to believe that he will see you excused. We shall expect you

to-morrow by the fourthirty.”

“I’m ever so much obliged, sir,” said Aladdin.

“My boy,” said the senator, gravely, after a full minute’s pause, “we

are all concerned in your future, which promises to be a brilliant

one. It rests with you. But, if an old man may be permitted a word of

caution, it would be this: Let your chief recreation lie in your work;

leave the other things. Do I make myself clear enough?” (Aladdin nodded

guiltily.) “Leave the frailties to the dullards of this world.”

He rose to go.

“My young friend,” said the senator, “you have my best wishes.”

Grimacing with the pain in his foot, limping badly, but always stately

and impressive,--almost superimpending,--Hannibal St. John moved slowly

out of the office.

XV

The weather turned suddenly gusty and cold, and that afternoon it began

to snow, and it kept on snowing. All night fine dry flakes fell in

unexampled profusion, and by morning the face of the land was many

inches deep. Nor did the snow then cease. All the morning it continued

to fall with vigor. The train by which Aladdin was to go to the St.

Johns’ left at two-thirty, arriving there two hours later; and it was

with numb feet and stinging ears that he entered the car reserved for

smokers, and, bundling in a somewhat threadbare over coat, endeavored

to make himself comfortable for the journey. As the train creaked and

jerked out of the protecting station, the storm smote upon the windows

with a noise like thrown sand, and a back draft down the chimney of

the iron stove in one end of the car sent out puffs of smutty smoke at

whatever points the various castings of the stove came together with

insufficient snugness. There were but half a dozen people in the whole

train.

“Troubles, old man,” said Aladdin, for so he was in the habit of

addressing himself at moments of self-communication, “this is going to

be the slowest kind of a trip, but we’re going to enjoy every minute

of it, because it’s taking us to the place where we would be-God bless

her!”

Aladdin took a cigar from his breast pocket.

“Troubles,” said he, “may I offer you a smoke? What? Oh, you’re very

much obliged and don’t mind if you do. There you are, then.” Aladdin

sent out a great puff of white smoke; this turned into a blue wraith,

drifted down the aisle, between the seats, gathering momentum as it

went, and finally, with the rapidity of a mint julep mounting a sucked

straw (that isn’t split) and spun long and fine, it was drawn through a

puncture of the isinglass in the stove door and went up the chimney

in company with other smoke, and out into the storm. Aladdin, full of

anticipation and glee, smoked away with great spirit. Presently, for the

car was empty but for himself, Aladdin launched into the rollicking air

of “Red Renard”

“Three scarlet huntsmen rode up to White Plains

With a carol of voices and jangle of chains,

For the morning was blue and the morning was fair,

And the word ran, “Red Renard” is waiting us there.”

He puffed at his cigar a moment to be sure that its fire should not

flag, and sang on:

“The first scarlet huntsman blew into his horn,

Lirala, Lovely Morning, I’m glad I was born”;

The second red huntsman he whistled an air,

And the third sang, “Red Renard” is waiting us there.”

“Just such weather as this, Troubles,” he said, looking out into the

swirl of snow. “Just the beautifulest kind of cross-country weather!” He

sang on:

Three lovely ladies they met at the meet,

With whips in their hands and with boots on their feet;

And the gentlemen lifted their hats with a cheer,

As the girls said, “Red Renard is waiting you here.”

He quickened into the stanza he liked best:

Three scarlet huntsmen rode off by the side

Of three lovely ladies on horses of pride.

Said the first, “Call me Ellen”; the second, “I’m Claire”;

Said the third, “I’m Red Renard--so called from my hair.”

The train, which had been running more slowly, drew up with a chug, and

some minutes passed before it again gathered itself and lurched on.

“That’s all right,” said Aladdin. He was quite warm now, and thoroughly

happy.

Three scarlet huntsmen rode home from White Plains,

With its mud on their boots, and its girls on their brains;

And the first sang of Ellen, the second of Claire,

But the third sang, “Red Renard is waiting back there.”

He made a waggish face to finish with:

Three scarlet huntsmen got into frock-coats,

And they pinched their poor feet, and they tortured their throats;

And the first married Ellen, the second wed Claire,

While the third said, “Re Renar izh waishing back zhere.”

He assumed the expression for a moment of one astutely drunk.

“A bas!” he said, for this much of the French language was his to

command, and no more. He turned and attempted to look out. He yawned.

Presently he threw away the reeking butt of his cigar, closed his eyes,

and fell asleep.

The water below the veranda was alive with struggling fishes in high

hats and frock-coats. Each fish had a label painted across his back with

his name and address neatly printed on it, and each fish was struggling

to reach a tiny minnow-hook, naked of bait, which dangled just out of

reach above the water. The baitless hook was connected by a fine line

(who ever heard of baiting a line at the wrong end?) with Margaret’s

hand. She had on a white dress stamped with big pink roses, and there

was a pale-green ribbon round the middle of it; her hair was done up for

the first time, and she was leaning over the railing, which was made of

safety-lamps and stranglers alternately, painted light blue, regarding

the struggling fishes with a look at once full of curiosity and pity.

Presently one of the fishes’ labels soaked off, and went hurtling out

to sea, with the fish weeping bitterly and following at express speed,

until in less than one moment both label and fish were hull down

below the horizon. Then another label washed off, and then another and

another, and fish after fish, in varying states of distraction, followed

after and disappeared, until all you could see were two, whereof the one

was labeled Manners and the other O’Brien (these continued to fight for

the hook), and all you could hear was Neptune, from down, down, down in

the sea, saying coquettishly to Cleopatra, “I’m Red Renard--so

called from my hair.” And then all of a sudden valiant Captain

Kissed-by-Margaret went by on a log writing mottos for the wives of

famous men. And then Manners and O’Brien, struggling desperately to

drown each other, sank down, down, down, and Cleopatra could be heard

saying perfectly logically to Neptune, “You didn’t!” And then there was

a tremendous shower of roses, and the dream went out like a candle.

Aladdin opened his eyes and stroked his chin. He was troubled about the

dream. The senator had spoken to him of “others.” Could Peter Manners

possibly be there? Was that the especial demolishment that fate held in

store for him? He was very wide awake now.

At times, owing to the opaqueness of the storm, it was impossible to see

out of the car window. But there were moments when a sudden rush of wind

blew a path for the eye, and by such occasional pictures--little long

of the instantaneous--one could follow the progress of the blizzard.

Aladdin saw a huddle of sheep big with snow; then a man getting into a

house by the window; an ancient apple-tree with a huge limb torn off;

two telegraph poles that leaned toward each other, like one man fixing

another’s cravat; and he caught glimpses of wires broken, loosened,

snarled, and fuzzy with snow. Then the train crawled over a remembered

trestle, and Aladdin knew that he was within four miles of his station,

and within three of the St. Johns’ house by the best of short cuts

across country. He looked precisely in its direction, and kissed his

fingers to Margaret, and wondered what she was doing. Then there was a

rumbling, jumping jar, and the train stopped. Minute after minute went

by. Aladdin waited impatiently for the train to start. The conductor

passed hurriedly through.

“What’s up?” called Aladdin after him.

“Up!” cried the conductor. “We’re off the track.”

“Can’t we go on to-night?”

“Nup!” The conductor passed out of the car and banged the door.

“Got to sit here all night!” said Aladdin. “Not much! Get up, Troubles!

If you don’t think I know the way about here, you can stay by the stove.

I’m going to walk.”

Aladdin and Troubles rose, buttoned their coat, left the car, and set

out in the direction of the St. Johns’. Aladdin’s watch at starting read

five o’clock.

“Our luggage is all checked, Troubles,” he said, “and all we’ve got

to face is the idea of walking three miles through very disagreeable

weather, over a broad path that we know like the palm of our hand (which

we don’t know as well as we might), arriving late, wet to the skin, and

without a change of clothes. On the other hand, we shall deserve a long

drink and much sympathy. As for you, Troubles, you’re the best company I

know, and all is well.”

The first scarlet huntsman blew into his horn,

“Lirala, Lovely Morning, I’m glad I was born.”

XVI

At first the way, lying through waist-high fir scrub, was pretty bad

underfoot, but beyond was a stretch of fine timber, where the trees had

done much to arrest the snow, and the going was not so severe. Aladdin

calculated that he should make the distance in an hour and a half; and

when the wood ended, he looked at his watch and found that the first

mile, together with only twenty-five minutes, was behind him.

“That’s the rate of an hour and a quarter, Troubles,” he said. “And

that’s good time. Are you listening?”

But following the wood was a great open space of country pitched up from

the surrounding levels, and naked to every fury of nature. Across that

upland the wind blew a wicked gale, scarifying the tops of knolls to the

brown, dead grass, and filling the hollows flush with snow. At times, to

keep from being blown over, it was necessary to lean against the gusts.

Aladdin was conscious of not making very rapid progress, but there was

something exhilarating in the wildness, the bitter cold, and the roar of

the wind; it had an effect as of sea thundering upon beach, great

views from mountain-tops, black wild nights, the coming of thunder and

freshness after intense heat, or any of the thousand and one vaster

demonstrations of nature. Now and again Aladdin sang snatches of song:

Gaily bedight,

A gallant knight

In sunshine and shadow

Journeyed long,

Singing a song,

In search of El Dorado.

Or from “The Mole of Marimolena”

I was turning fifty-odd when the everlasting God

Smote a path of molten gold across the blue,

Says, “There’s many million men would have done the like again,

But you didn’t, and, my man, there’s hope for you.

“Start sheets and sail for the Mole--

For the old rotten Mole of Marimolena;

There’s maybe some one there

That you’re longing to treat fair,

On the dismal, woeful Mole of Marimolena.”

And other deep-sea chanteys,--the one in which the pirate found the Lady

in the C-a-a-bin and slivered off her head, or back to Red Renard, or

further to his own campaign song, and furthest of all to the bad, bad

young dog of a crow. Then he got quite out of breath, and pausing for a

moment to catch it, noted for the first time the extreme bitterness of

the cold. It stung the face like insects. “Woof!” he said. “And now for

lost time.”

Again he stepped out, but with each step the snow became deeper, and

presently he floundered in to his waist. “Must be a ditch!” he said,

turning a little to the right and exclaiming, “Thought so!” as the

wading got shallower. Whereupon he stepped into a deep hole and fell.

After plunging and plowing about, it was brought home to him that he had

lost the path. Even at that the difficulty remained one of hard walking

alone, for he had been familiar with that country since childhood,

and knew the precise direction in which it was necessary for him to

locomote. It was a pity that the only structure in the vicinity was an

ancient and deserted house,--it lay just off there,--as he should have

liked to have warmed himself by a good fire before going farther. He

remembered that there were a partly preserved stove in the deserted

house, broken laths, and naily boards, and swathes of curious old

wall-papers, layer upon layer, which, dampening and rotting from the

wall, hung raggedly down. He had once explored the house with Margaret,

and it seemed almost wise to go to the place and make a fire. But on

account of the delay involved and the approach of darkness, he

discarded the notion, and, a little impatient at being badly used by a

neighborhood he knew so well, struggled on.

“Troubles,” he said, “what sort of a storm is this anyway? Did you ever

see anything quite like it round here? Because I never did. It must

be like those things they have out West, when millions of poor little

baa-sheeps and horses and cattles freeze to death. I’d hate to be a

horse out in this, but I wish I had one. I--”

If, as a child, you have ever slipped, though only an inch, while

climbing over roofs, you will know that sudden, stabbing, sinking

feeling that came to Aladdin and stopped the beating of his heart by the

hairbreadth of a second. He had been proceeding chin on breast, and head

bent against the wind, or he would have seen it before, for it was a

notable landmark in that part of the world, and showed him that he had

been making way, not toward his destination, but toward the wilderness.

He gazed up at the great black blasted pine, its waist the height of a

tall tree, and its two lonely lightning-scathed and white arms stretched

out like a malediction; and for a moment he had to take himself in hand.

After a little he mastered the fear that had seized him.

“It’s only a poor old lonely vegetable out in the cold,” he said. “And

it shows us exactly where we are and exactly which way we have to go.”

He set himself right, and, with head lowered and hands clenched, again

started on. But he was beginning to be very much bored, and sensible

that his legs were not accustomed to being used so hard. Furthermore,

there was a little difficulty--not by any means an insurmountable

one--in steering straight, because of the constantly varying point of

the compass in which the wind blew. He went on for a long time....

He began to look for the high ground to decline, as it should, about

now, if it was the high ground he took it for. “I ought to be getting

somewhere,” he said.

And, God help him! tired out, half frozen and very foot-sore, he was

getting somewhere, for, glancing up, he again beheld the gigantic and

demoniac shape of the blasted pine.

It is on prairies and among mountains, far from the habitations of

men, that man is most readily terrified before nature, and not on the

three-mile primrose way from a railway accident to a house-party. But

for a moment cold terror struck at Aladdin like a serpent, and the

marrow in his bones froze. Before he could succeed in reducing this

awful feeling to one of acute anxiety alone, he had to talk to himself

and explain things as to a child.

“Then it is true, Troubles, old man,” he said, “about a person’s

tendency to go to the left. That’s interesting, isn’t it? But what do we

care? Being gifted with a certain (flighty, it is true) intelligence, we

will simply take pains, and every step pull a little to the right; and

that will make us go straight. Come now-keep thinking about it-every

step!”

As the end of the day approached, a lull came in the gale, and the

snow fell less freely. The consequently widened horizon of vision was

eminently comforting, and Aladdin’s unpleasant feeling of anxiety almost

disappeared.

Suddenly he was aware of a red horse.

XVII

It was standing almost leg-clear, in an angle of what seemed a

drifted-over snake-fence. Its ugly, Roman-nosed head was thrown up and

out, as if about to neigh.

“Poor beastie,” said Aladdin, after a start. “You must be direfful cold,

but we’ll ride you, and that will make you warm, and us cold, and we’ll

all get along faster.”

Drawing near, he began to gentle the horse and call it pet names. It was

a huge brute, over seventeen hands high, and Aladdin, aided only by a

rickety fence, and a pair of legs that would hardly support him, was

appalled by the idea of having to climb to that lofty eminence, its

back. Without doubt he was dreadfully tired.

“The fence will help, old man” he said. “Here, you, pay attention and

get over.” He tried to insinuate himself between the horse and the

fence, but the horse did not seem inclined to move.

“Get over, you!” he said, and gave a shove. The horse moved a little,

very unwillingly. “Farther yet,” said Aladdin: “Get over, you, get

over.” Again he shoved; this time harder. He slapped the great shoulder

with his open hand. And again the horse moved, but very slowly. “You’re

an unwilling brute, aren’t you?” he said angrily.

For answer the thing tottered, and, to his horror, began to fall, at

first slowly, but ever with accelerating speed, until, in the exact

attitude in which it had stood by the fence,--the great Roman-nosed head

thrown up and out, as if to neigh,--he beheld the horse stretched before

him on the ground, and noted for the first time the awful death-like

glint of the yellow teeth through the parting of the lips.

He went very gravely from that place, for he had been looking upon death

by freezing, and he himself was terribly cold, terribly tired, and--he

admitted it now--completely lost.

But he went on for a long time--four or five hundred years. And it grew

darker and colder.

He began to talk to himself, to try and steady himself, as he had done

ever since childhood at forsaken times.

“Troubles,” he said, “You’re full of troubles, aren’t you, old man? You

always were. But this is the worst. You can’t walk very much farther,

can you? I can’t. And if you don’t get helped by some one pretty soon,

you’re going to come to the end of your troubles. And, Troubles, do you

know, I think that’s what’s going to happen to you and me, and I want

you to stand up to it if it comes [gulp] and face it like a man. Now

let’s rest a little, Troubles, will we?”

Troubles and Aladdin rested a little. When the rest was over they could

hardly move, and they began to see the end of a young man that they had

hoped would live a long time and be very happy. They went on.

“Troubles,” said Aladdin, “do you suppose she knows that we are out

here, perhaps dying? We would know if she were, wouldn’t we? And do you

think she cares? Liar, you know she cares, and a lot. She wouldn’t

be she if she didn’t care. But we didn’t think that all the years of

waiting and hoping and loving and trying to be something would end like

this, did we, Troubles? We thought that it might end with the godlike

Manners (whom we wouldn’t help if he were freezing to death, would we?),

but not like this--O Lord God, not like this!... And we weren’t sure it

would end with Manners; we were going to fight it out to a mighty good

finish, weren’t we, Troubles? But now it’s going to end in a mighty good

storm, and you’re going to die for all your troubles, Troubles... And

I’m talking to you so that we won’t lose our sand, even if we are afraid

to die, and there’s no one looking on.”

Though Aladdin stopped making talk in his head, the talk kept going on

by itself; and he suddenly shouted aloud for it to stop. Then he began

to whimper and shiver, for he thought that his mind was going.

Presently he shook himself.

“Troubles,” he said, “we’ve only a little farther to go--just as far as

our feet will carry us, and no farther. That’s the proper way to finish.

And for God’s sake keep sane. We won’t give her up yet!”

Ten steps and years passed.

“Troubles,” said Aladdin, “we’re going to call for help, and if it don’t

come, which it won’t, we’re going to try and be calm. It seems simplest

and looks best to be calm.”

Aladdin stood there crying aloud for the help of man, but it did

not come. And then he cried for the help of God. And he stood there

waiting--waiting for it to come.

“We must help ourselves, Troubles,” he said, with a desperate effort to

be calm. “We’ve got ten steps left in us. Now, then, one--two--”

During the taking of those ten steps the snow ceased entirely to fall,

and black night enveloped the earth.

Aladdin was all numb, and he wished to sleep, but he made the ten steps

into eleven, twelve, thirteen, fourteen, before his limbs refused to

act, and he fell forward in the snow. He managed to raise himself and

crawl a little way. He saw a light afar off, and guessing that it must

be an angel, held out his hands to it--and one of them encountered a

something in the dark.

Even through his thick mitten it felt round and smooth and colder than

his fingers, like a ball of ice. Then Aladdin laughed aloud, for he knew

that his last walk upon earth had been in the form of a silly circle. He

had returned to the dead horse, and his gloved hand was resting upon its

frozen eye. He shrieked with laughter and became heavy with a desire to

sleep.

He sank deliciously down, and began to see showers of roses, when it

flashed upon him that this was not sleep, but death.

It was like lifting prodigious dumb-bells to get his eyes to open, and

a return to consciousness was like the stabbing of knives. But he opened

his eyes and roused himself.

“I won’t give her up yet,” he cried.

And then, by the help of God Almighty, he crawled the whole length of

the horse.

And fell asleep.

XVIII

It was a miserable, undressed thing wrapped in a horse-blanket and a

buffalo-robe that woke up in front of a red-hot stove and remembered

that it used to be Aladdin O’Brien. It had a dreadful headache, and

could smell whisky and feel warm, and that for a long time was about

all. Then it noticed that the wall opposite was ragged with loosened

wall-paper and in places stripped of plaster, so that the lathing showed

through, and that in its own head--no, in the room beyond the wall--an

impatient stamping noise of iron on wood was occurring at intervals.

Then it managed to turn its head, and it saw a big, beautiful man

sitting on the end of an old soapbox and smoking a pipe. Then it was

seized with a wrenching sickness, and the big man came quickly and held

its head and was very good to it, and it felt better and went to sleep.

After a while it descended into the Red Sea, with the avowed intention

of calling Neptune Red Renard to his face, and when it got to the

bottom, which was of red brick sprinkled with white door-knobs that

people kept diving for, it became frightened and ran and ran until it

came to the bottom of an iceberg, that had roots like a hyacinth bulb

and was looking for a place to plant itself, and it climbed up to the

top of the iceberg, which was all bulrushes, and said, “I beg your

pardon, but I forgot; I must go back and make my apologies.” Then it

woke up and spoke in a weak voice.

“Peter Manners,” said Aladdin, “come here.”

Manners came and sat on the floor beside him.

“Feel better now?” he said.

“Tell me--” said Aladdin.

“Oh, stuff!” said Manners.

“Manners,” said Aladdin, “you don’t look as if you hated me any more.”

“You sleep,” said Manners. “That’s what you need.”

Aladdin thought for a long time and tried to remember what he wanted to

say, and shutting his eyes, to think better, fell asleep.

For the third time he awoke. Manners was back on the soap-box, still as

a sphinx, and smoking his pipe.

“Please come and talk some more,” said Aladdin.

Again Manners came.

“Tell me about it,” said Aladdin.

“You be good and go to sleep,” said Manners.

“What time is it?”

“Nearly morning.”

“Still storming?”

“No; stars out and warmer.”

Aladdin thought a moment.

“Manners,” he said, “please talk to me. How did you find me?”

“Simply enough,” said Manners. “I took the senator’s cutter out for

a little drive, and got lost. Then I heard somebody laughing, and I

stumbled over you and your horse; that’s all. How the devil did you

manage to lose your saddle and bridle?”

“It was a dead horse,” said Aladdin, and he shivered at the

recollection.

“Quite so,” said Manners.

“It was the funniest thing,” said Aladdin, and again he shuddered with

a kind of reminiscent revolt. “I pushed it, and it fell over frozen to

death.” He was conscious of talking nonsense.

“Wait a minute, Manners,” he said. “I’ll be sensible in a minute.”

Presently he told Manners about the horse.

“I saw alight just then,” he said, “and I thought it was an angel.”

“It was I,” said Manners, naively.

“Yes, Manners, it was you,” said Aladdin.

He thought about an angel turning out to be Manners for a long time.

Then a terrible recollection came to him, and, in a voice shaking with

remorse and self-incrimination, he cried:

“God help me, Manners, I would have let you freeze.”

Manners pulled at his pipe.

“Manners,” said Aladdin, “it’s true I know it’s true, because, for all I

knew, I was dying when I said it.”

Manners shook his head.

“Oh, no,” said Manners.

“Make me think that,” said Aladdin, with a quaver. “Please make me think

that if you can, for, God help me, I think I would have let you freeze.”

“When I found you,” said Manners, “I--I was sorry that the Lord hadn’t

sent somebody else to you, and me to somebody else. That was because you

always hated me with no very good reason, and a man hates to be hated,

and so, to be quite honest, I hated you back.”

“Right,” said Aladdin, “right.”

Light began to come in through the windows, whose broken panes Manners

had stopped with crumpled wall-paper.

“But when I got you here,” said Manners, “and began to work over you,

you stopped being Aladdin O’Brien, and were just a man in trouble.”

“Yes,” said Aladdin, “it must be like that. It’s got to be like that.”

“At first,” said Manners, “I worked because it seemed the proper thing

to do, and then I got interested, and then it became terrible to think

that you might die.”

“Yes,” said Aladdin. His face was ghastly in the pre-sunrise light.

“You wouldn’t get warm for hours,” said Manners, “and I got so tired

that I couldn’t rub any more, and so I stripped and got into the

blankets with you, and tried to keep you as warm as I could that way.”

He paused to relight his pipe.

Aladdin stared up at the tattered ceiling with wide, wondering eyes.

“When you got warm,” said Manners, “I gave you all the rest of the

whisky, and I’m sorry it made you sick, and now you’re as fit as a

fiddle.”

“Fit-as-a-fiddle,” said Aladdin, slowly, as the wonder grew. And then he

began to cry like a little child. Manners waited till he had done, and

then wiped his face for him.

“So you see,” said Manners, simply, though with difficulty,--for he was

a man shy, to terror, of discussing his own feelings,--“I can’t help

liking you now, and--and I hope you won’t feel so hard toward me any

more.”

“I feel hard toward you!” said Aladdin. “Oh, Manners!” he cried. “I

thought all along that you were just a man that knew about horses and

dogs, but I see, I see; and I’m not going to worship anybody any more

except you and God, I’m not!”

Then he had another great long, hot cry. Manners waited patiently till

it was over.

“Manners,” said Aladdin, in a choky, hoarse voice, “I think you’re

different from what you used to be. You look as if--as if you ‘d got the

love of mankind in you.”

Manners did not answer. He appeared to be thinking of something

wonderful.

“Do you think that’s it?” cried Aladdin.

Manners did not answer.

“Can’t I get it, too?” Aladdin cried. “Have I got to be little and mean

always? So help me, Manners, I don’t love any one but you and her.”

“You ‘re not fit to talk,” said Manners, with great gentleness. “You

go to sleep.” He arose, and going to the door of the house, opened it a

little way and looked out.

“It’s warm as toast out, Aladdin,” he called. “There’s going to be a big

thaw.” He closed the door and went into the next room, and Aladdin could

hear him talking to the horse. After a little he came back.

“Greener says that she never was better stalled,” he said.

“Manners,” said Aladdin, “have I been raving?”

“Not been riding quite straight,” said Manners.

“How soon are we going to start?” said Aladdin.

“We’ve got to wait till the snow’s pretty well melted,” said Manners.

“About noon, I think.”

Then, because he was very tired and sick and weak, and perhaps a trifle

delirious, Aladdin asked Manners if he would mind holding his hand.

Manners took the hand in his, and a thrill ran up Aladdin’s arm and all

over him, till it settled deliciously about his heart, and he slept.

The sun rose, and dazzling beams of light filled the room.

Aladdin O'Brien · 第 2 / 4 章