INTERROGATIVE ANALYSIS USED FOR SHORT SENTENCES.

Interrogative Analysis or intellectual Inquisition is another and most

effective mode of inciting the intellect to pass from a passive into an

active =assimilating= condition when trying to learn by heart as well as

to help create the habit of the intellect staying with the senses. The

process consists of two parts: (1) _To not only ask a question on every

important word in the sentence to be memorised_, but, (2) _to repeat the

entire sentence in reply to each question, while specially emphasising_

that word of the sentence which constitutes the _answer_ to the

question. Take the passage from Byron:--

"Man!

Thou pendulum 'twixt a smile and tear."

1. _Who_ is a pendulum 'twixt a smile and tear? "_Man!_ thou pendulum

'twixt a smile and tear." 2. What function does man perform 'twixt a

smile and tear? "Man! thou _pendulum_ 'twixt a smile and tear." 3.

'Twixt a tear and what else is man said to be a pendulum? "Man! thou

pendulum 'twixt a _smile_ and tear." 4. 'Twixt a smile and what else is

man said to be a pendulum? "Man! thou pendulum 'twixt a smile _and

tear_." 5. By what word is the relation between "pendulum" and "a smile

and tear" described? "Man! thou pendulum _'twixt_ a smile and tear." 6.

Is the pendulum which man is said to be 'twixt a smile and tear

addressed in the first, second, or third person? "Man! _thou_ pendulum

'twixt a smile and tear."

The pupils will see that the above method is fundamentally unlike the

ordinary question and answer method. In the latter procedure, a question

is asked and the answer is given by "yes" or "no," or by the use of one

or more words of the sentence. To illustrate: What is "man" called in

this passage? Ans. A pendulum. What swings betwixt a smile and tear?

Ans. A pendulum, &c., &c.

1. Define Interrogative Analysis.

2. What does it incite the intellect to do?

3. What does the process consist of? What are they?

But in my Method the aim is _to repeat as much of the sentence as is

possible informing the question and the whole of it in each reply_; and

in _question and reply_ the _word_ that _constitutes the point of both_

is to be especially _emphasized_, and in this way _the mind is exercised

on each word of the sentence twice_ (once in question and once in

answer), and _each word of the sentence is emphasized in reference to

the whole of the sentence_. And in all these separate steps it is

impossible for the mind to remain in a passive state, but must be

_active_ and _absorbing_ throughout, and thereby a most vivid =first

impression= is secured, and the remembrance of it assured.

Besides the habit of exhaustively considering and weighing a sentence

which is created by this method, it not only secures the faithful

recollection of the passages to which it is applied, but it gives

another great advantage. What usually makes a person dull in

conversation? Setting aside timidity, we find that well-informed persons

are sometimes good listeners, but no talkers. Why is this? In

conversation their minds are apt to remain in a _recipient passive_

state. Hence no trains of thought arise in their own minds. And having

nothing in their minds which seeks utterance, they remain quiet. Now the

practice of Interrogative Analysis compels such persons to

interrogate--to propose questions--to think. And when such mental

activity becomes strong, it will break out in conversations by

interrogatories and critical and often original interesting remarks.

1. Is this method like the ordinary question and answer method?

2. How are answers given in the latter procedure?

3. What is the aim in my method?

4. How much of the sentence is repeated in each reply given to the

question?

5. What word is to be especially emphasised?

6. How often is the mind exercised on each word of the sentence?

7. In all of these separate steps, is it possible for the mind to

remain in a passive state? Must it not be active and absorbing

throughout?

Teachers often complain that they can never induce some of their pupils

to ask questions on their tasks. The reason is that their pupils remain

in a passive state of mind. Had they been thoroughly drilled in

Interrogative Analysis as I teach it, they would quickly have questions

to ask on all subjects.

I show them _how_ to interrogate. They cannot help practising this

method. They commence with the first word of a sentence and go on to the

last. And from the numerous examples I give, they see exactly how this

is to be done in all other cases. But if I had merely told them to ask

questions on the sentence to be learned, they would have had no guide or

rule of procedure to follow. As I fully illustrate my Method the pupil

at once knows how to proceed, and he gains confidence in his ability to

use the method every time he tries it, and at length the Habit of active

thinking has been formed, and he is almost sure to be an interrogator

and thinker on all subjects.

1. What is thereby secured?

2. Is the remembrance of the first impression assured?

3. What other great advantage does the method of Interrogative

Analysis give?

4. Are all well-informed persons good talkers?

5. If not, why?

6. In conversation, in what state are their minds apt to remain?

7. Do any trains of thought arise in their own minds?

8. What does the practice of Interrogative Analysis compel such

persons to do?

9. What do teachers often complain of?

10. What is the cause?

11. What does my method show them?

12. Can they help practising it?

13. Do I not fully illustrate my method?

14. Does not the pupil gain confidence by practising this method?

15. Does not the habit of active thinking thereby grow upon him?

The following sentence will be made use of as an example for practice. I

deal with it by the Analytic-Synthetic, and also by the Interrogative

Analysis methods.

"The Devil hath not, in all his quiver's choice,

An arrow for the heart like a sweet voice!"

1. The Devil hath an arrow. 2. The Devil hath _not_ an arrow. 3. The

Devil hath not an arrow _for the heart_. 4. The Devil hath not an arrow

for the heart _like a voice_. 5. The Devil hath not an arrow for the

heart like a _sweet_ voice. 6. The Devil hath not, _in his choice_, an

arrow for the heart like a sweet voice. 7. The Devil hath not, in his

_quiver's_ choice, an arrow for the heart like a sweet voice. 8. The

Devil hath not, in _all_ his quiver's choice, an arrow for the heart

like a sweet voice.

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